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The Pacific
• Spiritual Beliefs
• Death and
Memory
• Architecture of
Power
• Cloth and
Status
OCEANIC ART:
Architecture of Power
Articles:
“The City Built on Coral Reefs”
“Nan Madol.” Heilbrunn Timeline of Art History
“Mysterious Nan Madol, Pohnpei”
http://
213
FSM - Pohnpei -- Nan Madol Tour 6:35
NAN MADOL- tourists on youtube
Start @ 30 sec
214
Moai face inwards towards the island
217
Abstraction:
Miro
Abstraction:
Paul Klee
Abstraction:
Paul Klee
216
216
Masks and Identity:
Describe your experiences wearing masks.
Why did you choose a certain mask?
How did you feel wearing it?
How did others respond to you when you wore it?
How did you behave to assume the mask's identity?
218
222
Cloth and Cloth Making
as Metaphors for
Status and Community
Questions:
1. Describe a time when you were part of a group effort, working to
accomplish a common goal. Is the end result the only thing that
gave it meaning? What are your memories about working
together?
2. What does it mean to “roll out the red carpet”? What does it
imply about the ones doing the rolling and the ones it is rolled out
for?
Kuo Hina E Hiapo: The Mulberry is White and Ready for Harvest – PREVIEW 4:35
Pieces of Cloth Pieces of Culture, Tapa Making and Community Collaboration 10:00
Tongan Arts and Crafts: Tapa Cloth Making 2:06
219
The Royal Funeral of
King George Tupou 5 in Pictures
Tribute to Queen Salote (1966) 5:50
223
220
Lindauer, Tamati Waka Nene, 1891
SYMBOLS OF POWER
The Daguerrotype 1839
John Nicol Crombie
Twelve to be immortalized, —
1. Taraia Ngakuti Te Tamuhuia, principal Chief of the
Thames, a great warrior and cannibal;
3. Paratene Puhata, a Chief of the Ngatipaoa — a man
of peace, —friendly to the Government and
European settlers. Much respected by both races;
9. Tohi Te Tururangi Te Au —a man of considerable
influence, sensible, and particularly loyal. Proposed
to raise an army of his countrymen to defend the flag
of England in the Crimea. Can trace his genealogy
over a period of 500 years;
11. Te Wiremu Te Tonga — the Chief of the
Ngatirangewewehi tribe, a loyal, well disposed man,
— presented an ornamented spear to his Excellency
Governor Browne, when introduced to him on the
Queen's birthday, 1856;
12. Tamati Waka Nene — Chief of one of the Ngapuhi
tribes at Hokianga,— a man of deep penetration, firm
judgment, and indomitable courage — deservedly
respected by all classes of both races.
Protection and Identity
220
A Captain's Chiefly Gift - Tales from Te Papa episode 52 (3:02)

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The pacific 2018

  • 1. The Pacific • Spiritual Beliefs • Death and Memory • Architecture of Power • Cloth and Status
  • 2. OCEANIC ART: Architecture of Power Articles: “The City Built on Coral Reefs” “Nan Madol.” Heilbrunn Timeline of Art History “Mysterious Nan Madol, Pohnpei” http://
  • 3.
  • 4. 213
  • 5. FSM - Pohnpei -- Nan Madol Tour 6:35 NAN MADOL- tourists on youtube Start @ 30 sec
  • 6.
  • 7. 214 Moai face inwards towards the island
  • 8.
  • 9.
  • 10.
  • 11. 217
  • 12.
  • 13.
  • 14.
  • 15.
  • 19. 216
  • 20. 216
  • 21. Masks and Identity: Describe your experiences wearing masks. Why did you choose a certain mask? How did you feel wearing it? How did others respond to you when you wore it? How did you behave to assume the mask's identity?
  • 22. 218
  • 23.
  • 24.
  • 25. 222
  • 26. Cloth and Cloth Making as Metaphors for Status and Community Questions: 1. Describe a time when you were part of a group effort, working to accomplish a common goal. Is the end result the only thing that gave it meaning? What are your memories about working together? 2. What does it mean to “roll out the red carpet”? What does it imply about the ones doing the rolling and the ones it is rolled out for?
  • 27.
  • 28. Kuo Hina E Hiapo: The Mulberry is White and Ready for Harvest – PREVIEW 4:35 Pieces of Cloth Pieces of Culture, Tapa Making and Community Collaboration 10:00 Tongan Arts and Crafts: Tapa Cloth Making 2:06 219
  • 29. The Royal Funeral of King George Tupou 5 in Pictures Tribute to Queen Salote (1966) 5:50
  • 30. 223
  • 31. 220 Lindauer, Tamati Waka Nene, 1891 SYMBOLS OF POWER
  • 32. The Daguerrotype 1839 John Nicol Crombie Twelve to be immortalized, — 1. Taraia Ngakuti Te Tamuhuia, principal Chief of the Thames, a great warrior and cannibal; 3. Paratene Puhata, a Chief of the Ngatipaoa — a man of peace, —friendly to the Government and European settlers. Much respected by both races; 9. Tohi Te Tururangi Te Au —a man of considerable influence, sensible, and particularly loyal. Proposed to raise an army of his countrymen to defend the flag of England in the Crimea. Can trace his genealogy over a period of 500 years; 11. Te Wiremu Te Tonga — the Chief of the Ngatirangewewehi tribe, a loyal, well disposed man, — presented an ornamented spear to his Excellency Governor Browne, when introduced to him on the Queen's birthday, 1856; 12. Tamati Waka Nene — Chief of one of the Ngapuhi tribes at Hokianga,— a man of deep penetration, firm judgment, and indomitable courage — deservedly respected by all classes of both races.
  • 33.
  • 35. 220
  • 36. A Captain's Chiefly Gift - Tales from Te Papa episode 52 (3:02)

Editor's Notes

  1. 213. Nan Madol. Pohnpei, Micronesia. Saudeleur Dynasty. c. 700–1600 C.E. Basalt boulders and prismatic columns.
  2. 213. Nan Madol. Pohnpei, Micronesia. Saudeleur Dynasty. c. 700–1600 C.E. Basalt boulders and prismatic columns.
  3. Nan Madol. Pohnpei, Micronesia. Saudeleur Dynasty. c. 700–1600 C.E. Basalt boulders and prismatic columns.
  4. 214. Moai on platform (ahu). Rapa Nui (Easter Island). c. 1100–1600 C.E. Volcanic tuff figures on basalt base.
  5. 214. Moai on platform (ahu). Rapa Nui (Easter Island). c. 1100–1600 C.E. Volcanic tuff figures on basalt base.
  6. 217. Female deity. Nukuoro, Micronesia. c. 18th to 19th century C.E. Wood. (Goddess Kawe)
  7. Navigation chart (mattang), probably 19th or early 20th century C.E., Marshall Islands, Micronesia
  8. Navigation chart (mattang), probably 19th or early 20th century C.E., Marshall Islands, Micronesia, 75.5 cm © Trustees of the British Museum Wapepe Navigation Chart Marshall Islands 19th century. Sticks, coconut fiber, shells, 29 1/2 x 29 1/2"
  9. 216. Staff god. Rarotonga, Cook Islands, central Polynesia. Late 18th to early 19th century C.E. Wood, tapa, fiber, and feathers. [Note: search for Atua rakau when searching.]
  10. The staff was used in ceremonies. This print shows staffs being laid in front of visiting Europeans.
  11. 218. Buk (mask). Torres Strait. Mid- to late 19th century C.E. Turtle shell, wood, fiber, feathers, and shell. 222. Malagan display and mask. New Ireland Province, Papua New Guinea. c. 20th century C.E. Wood, pigment, fiber, and shell. [Note: search for Tatanua when searching for the mask.]
  12. 222. Malagan mask
  13. Several tatuanas, not the one on the list. 222. Malagan display and mask. New Ireland Province, Papua New Guinea. c. 20th century C.E. Wood, pigment, fiber, and shell. [Note: search for Tatanua when searching for the mask.]
  14. 222. Malagan display and mask. New Ireland Province, Papua New Guinea. c. 20th century C.E. Wood, pigment, fiber, and shell. [Note: search for Tatanua when searching for the mask.]
  15. 219. Hiapo (tapa). Niue. c. 1850–1900 C.E. Tapa or bark cloth, freehand painting.
  16. 223. Presentation of Fijian mats and Tapa cloths to Queen Elizabeth II 1953. multi-media performance, costume, cosmetics, scent, chant movement and pandanus (fiber, hibiscus mats)
  17. Maori chieftain Tamati Waka Nene. Top drawing by Samuel Stuart. Center photo ca 1870 by Elizabeth Pulman. Painting on r by Gottfried Lindauer, 1891.
  18. Ingres, Napoleon I on His Imperial Throne, 1806 Lindauer, Tamati Waka Nene, 1891
  19. 215 - ‘Ahu ‘ula (feather cape). Hawaiian (different one) – not one on list. One found in Te Papa Museum in New Zealand, worn by Capt. Cook. Upper right shot is a video still from the above video.