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Diced
By
Matt Berglas
1 DISTRIBUTOR IDENT 1
BBC Films Presents
2 PRODUCTION COMPANY IDENT 2
A Film London Production
3 PRODUCTION COMPANY IDENT 3
Matt’s Media Productions
4 EXT.ALLEYWAY.NIGHT 4
Camera follows a man from behind as he approaches victim,
he is holding a metal meat hammer. His face is not visible
and he is dressed in all black. He lifts the hammer to the
air and swings at victims head. Upon impact there is a
smash cut to a the man popping a cork off a wine bottle.
5 INT.KITCHEN.DAY 5
The first title appears as a close up of the wine is
poured into a glass. Calm piano music begins to play. A
further shot reveals a man to be pouring the wine. He is
wearing a white/grey, buttoned up shirt with an apron
wrapped around his waist. His kitchen is organised and
symmetrical. Half of the wall is mounted with expensive
looking paintings, whilst the other half is a mix of
cupboards and draws as well as a stove, where a small pan
is being heated. The man begins to sip the wine as he
prepares his dinner. There are cuts between different
foods being made and quick shots of the scenery around his
apartment, furniture, paintings, utensils etc. to
establish the environment. This is also where the majority
of the opening credits will be displayed. He starts by
flattening an unknown meat with a hammer. A record player
is briefly shown to be playing the classical music. Next,
an above angle shot displays the meat being seasoned with
salt and pepper. A montage-like sequence will show the
meat being elegantly cooked in a pan with oil and garlic.
The man then adds wine from the bottle he was drinking
into the pan. The pan goes up in flames. A reflection of
the fire is shown in the man’s eyes. A news report will be
heard in the background, overlapping with the music,
talking about murders with organs being taken, the main
character’s expression remains emotionless. The music
begins to sound more eerie and mysterious. The pacing of
the scene quickens and extreme close-ups of his mouth and
eyes create a scary tone. When he has made his dinner, he
takes it on a silver tray into the dining room.
2.
6 INT.DINING ROOM.DAY 6
An aerial view shows a table covered in white table cloth.
The man places the meal he has just cooked on the table as
credits continue to appear on the screen. The classical
music is now accompanied by eerie background noise to
build tension even more. He is sitting on the end of the
table in front of a window, the blinds are shut. Before
sitting down, the man peers through the blinds and admires
the view outside his secluded house. Next, He pours a
thick, blood-red sauce onto his meal, sits down and
prepares to eat. The news report will be heard again, this
time it talks about bodies being stuffed with
newspaper. The man is shown sitting still for a long time
before he eats, with his eyes shut, possibly praying.
There is an irony of him being a religious killer. The
camera cuts to a half open door, which slowly tracks in to
build tension. The music is silent now. There is now a cut
back to close up of his eyes and mouth murmuring prayers.
And another cut back to inside the room. Inside the room
will be the meat hammer which was used at the beginning of
the scene as well as a large stack of newspapers. The word
newspapers will echo in the background. He will then take
the first bite of his food. The music will then cut off
and the screen will cut to black. Classical music will
begin to play again quietly as the final title is shown.
7 CUT TO BLACK W TITLE 7

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Diced Script

  • 2. 1 DISTRIBUTOR IDENT 1 BBC Films Presents 2 PRODUCTION COMPANY IDENT 2 A Film London Production 3 PRODUCTION COMPANY IDENT 3 Matt’s Media Productions 4 EXT.ALLEYWAY.NIGHT 4 Camera follows a man from behind as he approaches victim, he is holding a metal meat hammer. His face is not visible and he is dressed in all black. He lifts the hammer to the air and swings at victims head. Upon impact there is a smash cut to a the man popping a cork off a wine bottle. 5 INT.KITCHEN.DAY 5 The first title appears as a close up of the wine is poured into a glass. Calm piano music begins to play. A further shot reveals a man to be pouring the wine. He is wearing a white/grey, buttoned up shirt with an apron wrapped around his waist. His kitchen is organised and symmetrical. Half of the wall is mounted with expensive looking paintings, whilst the other half is a mix of cupboards and draws as well as a stove, where a small pan is being heated. The man begins to sip the wine as he prepares his dinner. There are cuts between different foods being made and quick shots of the scenery around his apartment, furniture, paintings, utensils etc. to establish the environment. This is also where the majority of the opening credits will be displayed. He starts by flattening an unknown meat with a hammer. A record player is briefly shown to be playing the classical music. Next, an above angle shot displays the meat being seasoned with salt and pepper. A montage-like sequence will show the meat being elegantly cooked in a pan with oil and garlic. The man then adds wine from the bottle he was drinking into the pan. The pan goes up in flames. A reflection of the fire is shown in the man’s eyes. A news report will be heard in the background, overlapping with the music, talking about murders with organs being taken, the main character’s expression remains emotionless. The music begins to sound more eerie and mysterious. The pacing of the scene quickens and extreme close-ups of his mouth and eyes create a scary tone. When he has made his dinner, he takes it on a silver tray into the dining room.
  • 3. 2. 6 INT.DINING ROOM.DAY 6 An aerial view shows a table covered in white table cloth. The man places the meal he has just cooked on the table as credits continue to appear on the screen. The classical music is now accompanied by eerie background noise to build tension even more. He is sitting on the end of the table in front of a window, the blinds are shut. Before sitting down, the man peers through the blinds and admires the view outside his secluded house. Next, He pours a thick, blood-red sauce onto his meal, sits down and prepares to eat. The news report will be heard again, this time it talks about bodies being stuffed with newspaper. The man is shown sitting still for a long time before he eats, with his eyes shut, possibly praying. There is an irony of him being a religious killer. The camera cuts to a half open door, which slowly tracks in to build tension. The music is silent now. There is now a cut back to close up of his eyes and mouth murmuring prayers. And another cut back to inside the room. Inside the room will be the meat hammer which was used at the beginning of the scene as well as a large stack of newspapers. The word newspapers will echo in the background. He will then take the first bite of his food. The music will then cut off and the screen will cut to black. Classical music will begin to play again quietly as the final title is shown. 7 CUT TO BLACK W TITLE 7