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mario andrea valori 
www.andreavalori.com 
ditesco artibus 
for an economy 
of art forgery 
A preliminary study 
Heidelberg, september 2014
the original idea 
ditesco artibus 
there are many ways to discover forgery in the art world. 
several of these, however, are incredibly expensive. 
it’s possible to find some alternatives, which help us in this conflict? 
This study proposes an economic approach to the problem, trying to 
understand if there are different models of market among genuine art 
works and counterfeits. 
mario andrea valori 
www.andreavalori.com
mario andrea valori 
www.andreavalori.com 
the proposal 
normally every person or institution attempts to maximize utility as a consumer and 
economic profit as a producer. and and this is also valid in the art market. the project 
presented is to study ownership transfers in the art world, to understand if those who 
intentionally sells fakes assume different economic behauvior or strategies from those who 
ditesco artibus 
do not. 
a limitation: many fakes have never been discovered or have never been reported to the 
public; then market analysis, extremely complicated, is also far from satisfactory in its 
results. a possible solution, in these cases, is to try to use a series of simulations
Simulations - data 
● groups: 8 
● players: 36 for each group 
● simulated actors: rightful owners, forgers, private collectors, museums, auction houses, 
brokers, investors, experts 
● properties: 256 
● mechanisms: auction, individually negotiated, private offering 
each group has played for five days. the goal of each player was to maximize their own gain 
ditesco artibus 
both in economic terms and in reputation. 
mario andrea valori 
www.andreavalori.com
mario andrea valori 
www.andreavalori.com 
Simulations - groups 
two groups from university of California Berkeley, human sciences and economics area 
(master degree level – graduates); 
one from Københavns Universitet, human sciences and economic / law area (master degree 
level - students); 
two from Latvijas Universitāte, human sciences and economics area (master degree level - 
students); 
two from Università di Ferrara, economic and law area (master degree level – students); 
one from Smithsonian Institute, - all the research area (internist – students and graduates); 
ditesco artibus
mario andrea valori 
www.andreavalori.com 
Simulations - rules 
● each work has a market value and a reputation. players know only a generic estimate (from 500.000 $ to 12.000.000 $; from 1 to 
10 points ); at the end of the game, two or more works by the same author are valued 20% more; 
● anyone can freely contact and be contacted by museums, brokers and auction houses; experts can only be contacted by anyone 
and cannot buy-sell anything; other participants start with a list of contacts and can increase it by paying a fee for each 
contact added; 
● any transaction performed successfully enhances personal reputation (+1); 
● buy or trying to sell a fake decreases reputation when and if the fake is made public; the decrease is even greater for museums 
and experts; 
● if a museum or a collector checks an art work and discover that it is a fake, can publicly denounce it and not lose reputation; 
● discover a fake before buying it increases reputation; 
● anyone can request an analysis by an expert. control is not free of charge (price is fixed by the expert and can be fixed or based 
on the artwork value) and take some time (standard 12 hours, accurate 18 hours); 
● experts receive a response on the authenticity of the painting accurate to 75% (90% in case of accurate analysis); experts can 
lie; 
● each work can be bought and sold without limits; in each transaction, 5% is paid as tax. 
ditesco artibus
mario andrea valori 
www.andreavalori.com 
Simulations - prize 
● for each group were selected the four best players who then played the final: to win we 
consider the improvement over the initial conditions of each player, based on three 
criteria: money left (20%), gained reputation (40%) and value of the works possessed (40%). 
● the ultimate prize, amounting to € 5,000, was divided proportionately among the players 
according to the result of the last game. 
ditesco artibus
mario andrea valori 
www.andreavalori.com 
Preliminary results 
● all simulations were tended homogeneous (differences within 5-8%); 
● checks are carried out almost exclusively on the basis of the price of the item; 
● controls decreased based on the alleged reputation of the seller; 
● false eliminated from the game were less to 10%; 
● private negotiations are more rapid in case of false; 
● normally the false is not offered alone, unless it has a value very high or very low.; 
● false tend to move much more quickly than the original; 
● experts prefer not to declare the work as fake; 
● often born alliances to sell falsified works; however, these chains differ in offering and 
selling speed from normal transactions. 
ditesco artibus

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for an economy of art forgery. a preliminary study

  • 1. mario andrea valori www.andreavalori.com ditesco artibus for an economy of art forgery A preliminary study Heidelberg, september 2014
  • 2. the original idea ditesco artibus there are many ways to discover forgery in the art world. several of these, however, are incredibly expensive. it’s possible to find some alternatives, which help us in this conflict? This study proposes an economic approach to the problem, trying to understand if there are different models of market among genuine art works and counterfeits. mario andrea valori www.andreavalori.com
  • 3. mario andrea valori www.andreavalori.com the proposal normally every person or institution attempts to maximize utility as a consumer and economic profit as a producer. and and this is also valid in the art market. the project presented is to study ownership transfers in the art world, to understand if those who intentionally sells fakes assume different economic behauvior or strategies from those who ditesco artibus do not. a limitation: many fakes have never been discovered or have never been reported to the public; then market analysis, extremely complicated, is also far from satisfactory in its results. a possible solution, in these cases, is to try to use a series of simulations
  • 4. Simulations - data ● groups: 8 ● players: 36 for each group ● simulated actors: rightful owners, forgers, private collectors, museums, auction houses, brokers, investors, experts ● properties: 256 ● mechanisms: auction, individually negotiated, private offering each group has played for five days. the goal of each player was to maximize their own gain ditesco artibus both in economic terms and in reputation. mario andrea valori www.andreavalori.com
  • 5. mario andrea valori www.andreavalori.com Simulations - groups two groups from university of California Berkeley, human sciences and economics area (master degree level – graduates); one from Københavns Universitet, human sciences and economic / law area (master degree level - students); two from Latvijas Universitāte, human sciences and economics area (master degree level - students); two from Università di Ferrara, economic and law area (master degree level – students); one from Smithsonian Institute, - all the research area (internist – students and graduates); ditesco artibus
  • 6. mario andrea valori www.andreavalori.com Simulations - rules ● each work has a market value and a reputation. players know only a generic estimate (from 500.000 $ to 12.000.000 $; from 1 to 10 points ); at the end of the game, two or more works by the same author are valued 20% more; ● anyone can freely contact and be contacted by museums, brokers and auction houses; experts can only be contacted by anyone and cannot buy-sell anything; other participants start with a list of contacts and can increase it by paying a fee for each contact added; ● any transaction performed successfully enhances personal reputation (+1); ● buy or trying to sell a fake decreases reputation when and if the fake is made public; the decrease is even greater for museums and experts; ● if a museum or a collector checks an art work and discover that it is a fake, can publicly denounce it and not lose reputation; ● discover a fake before buying it increases reputation; ● anyone can request an analysis by an expert. control is not free of charge (price is fixed by the expert and can be fixed or based on the artwork value) and take some time (standard 12 hours, accurate 18 hours); ● experts receive a response on the authenticity of the painting accurate to 75% (90% in case of accurate analysis); experts can lie; ● each work can be bought and sold without limits; in each transaction, 5% is paid as tax. ditesco artibus
  • 7. mario andrea valori www.andreavalori.com Simulations - prize ● for each group were selected the four best players who then played the final: to win we consider the improvement over the initial conditions of each player, based on three criteria: money left (20%), gained reputation (40%) and value of the works possessed (40%). ● the ultimate prize, amounting to € 5,000, was divided proportionately among the players according to the result of the last game. ditesco artibus
  • 8. mario andrea valori www.andreavalori.com Preliminary results ● all simulations were tended homogeneous (differences within 5-8%); ● checks are carried out almost exclusively on the basis of the price of the item; ● controls decreased based on the alleged reputation of the seller; ● false eliminated from the game were less to 10%; ● private negotiations are more rapid in case of false; ● normally the false is not offered alone, unless it has a value very high or very low.; ● false tend to move much more quickly than the original; ● experts prefer not to declare the work as fake; ● often born alliances to sell falsified works; however, these chains differ in offering and selling speed from normal transactions. ditesco artibus