Historiografía postmoderna. conceptos, figuras, manifiestos luis g. de mussy y miguel valderrama

HISTORIOGRAFÍA
POSTMODERNA
ŽŶĐĞƉƚŽƐ͕ĮŐƵƌĂƐ͕ŵĂŶŝĮĞƐƚŽƐ
Luis G. De Mussy
Miguel Valderrama
Ediciones Universidad Finis Terrae

-VJT(%F.VTTZr.JHVFM7BMEFSSBNB
RIL editores
bibliodiversidad
2

Historiografía postmoderna
3

,UIS'$E-USSYs-IGUEL6ALDERRAMA
Conceptos, figuras, manifiestos
5

907.2 EF.VTTZ3PB
-VJT
D )JTUPSJPHSBGÎB QPTUNPEFSOB $PODFQUPT
àHVSBT

NBOJàFTUPT / -VJT(%F.VTTZ
.JHVFM7BMEFSSBNB.
mm4BOUJBHP3*-FEJUPSFT
2010.
254Q23DN*4#/978-956-284-771-1
1 Historiografía 2 Postmodernismo.
6OJWFSTJEBE'JOJT5FSSBF
Historiografía postmoderna.
$÷öëíøü÷û
îñïýúéû
õéöñîñíûü÷û
Primera edición: noviembre de 2010
© Luis G. de Mussy y Miguel Valderrama, 2010
Registro de Propiedad Intelectual
Nº 196.373
© RIL® editores, 2010
Alférez Real 1464
750-0960 Providencia
Santiago de Chile
Tel. (56-2) 2238100ÊUÊÝÊ2254269
ÀˆJÀî`ˆÌœÀiÃ°Vœ“ÊUÊÜÜÜ°Àî`ˆÌœÀiÃ°Vœ“
Composición e impresión: RIL® editores
“«ÀiÃœÊi˜Ê
…îÊUÊPrinted in Chile
ISBN Obra Completa: 978-956-284-771-1
Derechos reservados.
6

7
Los límites de mi lenguaje
significan los límites de mi mundo
-VEXJH8JUUHFOTUFJO
César muerto por un disparo de browning
-VDJFO'FCWSF

±öìñëí
Agradecimientos ...................................................................13
Advertencia ..........................................................................15
*)ñûü÷úñ÷ïúéîġéø÷ûüõ÷ìíúöé
*)JTUPSJPHSBGÎBQPTUNPEFSOB
VONBOJàFTUP .................19
9
**$÷öëíøü÷û
1PSVOBOVFWBHSBNÃUJDBEFMBIJTUPSJPHSBGÎB ..................39
DPOUFDJNJFOUP.........................................................43
SDIJWP ....................................................................47
DUVBMJEBE ................................................................50
OUJOPNJB ................................................................53
QPSÎB ......................................................................55
OBDSPOJTNP ............................................................57
#JPHSBGÎB ...................................................................61
#JPQPMÎUJDB ................................................................65
$BOPO ......................................................................70
$PNQSFOTJÓOIJTUÓSJDB..............................................80
%FDPMPOJ[BDJÓO QFOTBNJFOUPEFDPMPOJBM
.................85
%FDPOTUSVDDJÓO .........................................................88
TUSVDUVSBMJTNP ........................................................93
'FNJOJTNP FTDSJCJSMBIJTUPSJBEFMBTNVKFSFT
..........99
)JTUPSJDJTNP ...........................................................104
.BSDP FONBSDBNJFOUP
.........................................110
***'ñïýúéû
y$JUBSBMPTHSBOEFTPQSFTDJOEJSEFMPTOPNCSFT .........123
1BVM7FZOF .............................................................126
MJ[BCFUI%FFETSNBSUI .......................................129
%PNJOJDL-B$BQSB .................................................132
'SBOLOLFSTNJU ....................................................135
)BZEFO8IJUF .......................................................138
,FJUI+FOLJOT .........................................................142

.JDIFMEF$FSUFBV .......................................................145
MVO.VOTMPX .............................................................149
+PBO8BMMBDI4DPUU ......................................................151
10
*7.éöñîñíûü÷û
yTMBDPOEJDJÓOQPTUNPEFSOB
MBDPOEJDJÓOEFMPTNBOJàFTUPT ....................................157
)JTUPSJPHSBGÎBZQPTUNPEFSOJTNP
Frank Ankersmit .....................................................159
.BOJàFTUPJOBVHVSBM
Grupo de Estudios Subalternos ..............................185
-BPQDJÓOEFDPMPOJBM6ONBOJàFTUP
Walter Mignolo ......................................................199
5JFNQPEFNBOJàFTUPT
Hayden White ........................................................235

A Luis e Isabella por día a día enseñarme
la flexibilidad de las palabras y la necesidad
de la adaptación. Y a María Teresa por haberme
demostrado que cada despedida
era el comienzo de una nueva historia.
11
-(E.
A Alejandra, una vez más…
.7

ïúéìíëñõñíöü÷û
Historiografía postmoderna. Conceptos, figuras, manifiestos
FTQSPEVDUPEFVOBJOWFTUJHBDJÓOFOMBRVFDPMBCPSBSPO
FOEJT-
UJOUBTFUBQBT
MPTBZVEBOUFTEFOVFTUSPTDVSTPTEF)JTUPSJPHSBGÎB
Z5FPSÎB EF MB IJTUPSJB /FDFTBSJP FT QVFT OPNCSBSMPT B UPEPT
$MBVEJP7ÊMJ[
$BSMPT3PKBTF*HOBDJP4BSNJFOUP
OFMEFTBSSPMMPEFMBTFDDJÓOj$PODFQUPTvZj.BOJàFTUPTv
EFHistoriografía postmodernaDPOUBNPTDPOMBDPMBCPSBDJÓOEF
BDBEÊNJDPTEFTUBDBEPT
RVFOPQPEFNPTEFKBSEFNFODJPOBSO
FTUFTFOUJEP
EFCFNPTBHSBEFDFSNVZFTQFDJBMNFOUFBMFKBOESB
$BTUJMMPQPSSFTQPOEFSDPOFOUVTJBTNPBOVFTUSBJOWJUBDJÓOBDP-
MBCPSBSDPOMBWP[jGFNJOJTNP FTDSJCJSMBIJTUPSJBEFMBTNVKF-
SFT
v FO MB TFDDJÓOconceptos EF FTUB HSBNÃUJDB IJTUPSJPHSÃàDB
QSPWJTJPOBM%FJHVBMNBOFSB
EFCFNPTSFDPOPDFSFMBQPZPFOUV-
TJBTUBRVFOPTCSJOEBSPOFOEJTUJOUPTNPNFOUPTEFMBSFBMJ[BDJÓO
EFFTUBJOWFTUJHBDJÓO)BZEFO8IJUF
'SBOLOLFSTNJU
,FJUI+FO-
LJOT
MVO.VOTMPX
8BMUFS.JHOPMPZ4BOUJBHP$BTUSP(ÓNF[
13

ìþíúüíöëñé
.ñíóí #éô øúíûíöüħ ûý ôñêú÷ Conceptos viajeros en las hu-manidades
DPNPVOBHVÎBEFWJBKFTBCPDFUBEB Rough Guide

DPNP VO CSFWJBSJP JOEJTQFOTBCMF B MB IPSB EF JOJDJBS VO MBSHP
WJBKFDPOEFTUJOPJODJFSUPQPSFMBSDIJQJÊMBHPEFMBDVMUVSBDPO-
UFNQPSÃOFB4JCJFOTJFNQSFFTOFDFTBSJPUPNBSSFTHVBSEPTDPO-
USBBRVFMMBTBCJEVSÎBEFBFSPQVFSUPTZDBSSFUFSBTRVFOPTFYIPSUB
BBGSPOUBSWJBKFTQFMJHSPTPTZBHPUBEPSFTTJFOWFSEBERVFSFNPT
PCUFOFSMBSFDPNQFOTBEFVOBFYQFSJFODJBOVFWB
QFOTBNPTRVF
MBJEFBNJTNBEFMWJBKF
EFMWJBKFBCTPMVUP
FTBRVÎMBRVFNFKPS
FYQSFTB MB FYQFSJFODJB JONÓWJM EF QFOTBNJFOUP RVF CVTDBNPT
SFDSFBS QBSB QSPWPDBS FM NPWJNJFOUP EF QFOTBS 1VFT
MB DVFT-
UJÓOQSJODJQBMEFMBRVFUSBUBFOÙMUJNBJOTUBODJBHistoriografía
postmodernaFTEFDÓNPNPWFSTF
EFDÓNPQFSGPSBSFMNVSPEFM
QFOTBNJFOUPQBSBEFKBSTFEFHPMQFBSMBDBCF[BDPOUSBÊM2VJ[ÃT
UPEPEFQFOEBEFDÓNPTFHVJSFMNPWJNJFOUPEFMBDSJTÃMJEB
EF
DÓNP BDUJWBS VO TBCFSMBSWB RVF OPT QFSNJUB FWJUBS MPT GBMTPT
NPWJNJFOUPT
RVFOPTFOTFÒFBOPNPWFSOPTEFNBTJBEPQBSBEBS
MVHBSBMNPWJNJFOUP
àDJPOBEPBMBIJTUPSJBVOJWFSTBM
DVFOUB(JMMFT%FMFV[FRVF
MFTPSQSFOEJÓVOBGSBTFEFSOPME5PZOCFFRVFQBSFDÎBSFUSBUBS
DBCBMNFOUFTVFYQFSJFODJBOÓNBEBEFMWJBKFj/ÓNBEBTTPOMPT
RVFOPTFNVFWFO
TPOBRVFMMPTRVFBGVFS[BEFFTQFSBSTFDPO-
WJFSUFOFOOÓNBEBT
QPSRVFTFOJFHBOBQBSUJSv'JMÓTPGPEFMNP-
WJNJFOUP
B%FMFV[FMPDBVUJWBCBOMBTIJTUPSJBTZMBTOPWFMBT
MB
JEFBEFMWJBKFBCTPMVUPDPNPFTQFSBEFMBDPOUFDJNJFOUP OPIBZ
RVFNPWFSTFNVDIP
EFDÎB
jQBSBOPFTQBOUBSBMPTEFWFOJSFTv

DPNPQBTJÓOEFMDPODFQUP jFMFTUJMPFOàMPTPGÎBFTFMNPWJNJFO-
UPEFMDPODFQUPv
-PTFYUSFNPTTFUPDBO
PCTFSWB+PZDFDeath
is the highest form of life M WJBKF BCTPMVUP OP FT TÓMP MB WJEB
NJTNB
FT UBNCJÊO BRVFMMP RVF QSFDFEF Z TPCSFQBTB B MB WJEB

FTMBMFDUVSBBCTPMVUB RVFTÓMPEFWJFOFQÓTUVNB

ZFTUBNCJÊO
15

BRVFMMPRVFJOUFSSVNQFFODBEBDBTPMBTNFNPSJBTZHFPHSBGÎBT

MBTHVÎBTZDPOUSBGVFSUFTDPORVFTFCVTDBQSFQBSBSVOWJBKF
BVO-
RVFTFBFMEFMBMFDUVSB UBMWF[
FMNÃTQFMJHSPTPEFUPEPT

$PNPTFÒBMEFUSÃàDPFTUBBEWFSUFODJBRVJ[ÃSFRVJFSBEFPUSP
DPNJFO[P
EFPUSBJNBHFODPORVÊEFTUBDBSFMDBSÃDUFSQSPWJTJP-
OBMZGSBHNFOUBSJPEFFTUFPUSPQPTJDJPOBNJFOUPIJTUPSJPHSÃàDP
MWJBKF
TJOEVEB
FTVOBJNBHFOQPEFSPTBQBSBJMVTUSBSFMNP-
WJNJFOUPEFQFOTBSBRVFRVFSFNPTEBSMVHBS1FSP
FMWJBKFOP
TÓMPFTNPWJNJFOUP
OPTÓMPFTUSBWFTÎB
UBNCJÊOFTTJOÓOJNPEF
DBSHBZTPCSFQFTP-BUBSFBEFQPOEFSBSBRVFMMPRVFTFIBEFMMF-
WBSBDVFTUBTOPTJFNQSFFTGÃDJM
FMDÃMDVMPTFDPOGVOEFNVDIBT
WFDFTDPOMBBGFDDJÓO
FMpathosZMBDPONPDJÓO/PQPSOBEBMB
WJFKBSFUÓSJDBFOTFÒBCBRVFMPTPCKFUJWPTEFMBMJUFSBUVSBOPTÓMP
FSBO DBVTBS QMBDFS delectare
F JOTUSVJS docere
B MPT MFDUPSFT

TJOPUBNCJÊODPONPWFSMPT movere
1PSFTUBSB[ÓO
ZBUFOEJFO-
EPBMNPWJNJFOUPRVFCVTDBNPTJNQVMTBS
UBMWF[TFBOFDFTBSJP
PGSFDFS PUSP QVOUP EF QBSUJEB
PUSP QVFSUP EF FNCBSRVF EFTEF
EPOEFBDUJWBSGVUVSBTSFWVFMUBTFJOUFSWFODJPOFT
OVFWBTGVHBTZ
SFTJTUFODJBT
OPUSBTQBMBCSBT
MPTBVUPSFTEFFTUBTMFDDJPOFTEBSÎBOQPS
DVNQMJEB TV UBSFB
TJ
B MB NBOFSB EFM MFDUPSJEFBM RVF -VEXJH
8JUUHFOTUFJOQSFàHVSBQBSBFMTractatus logico-philosophicus
FM
MFDUPSPMFDUPSBEFFTUBHVÎBEFWJBKFQPSMB Historiografía post-moderna
TJOUJFSB MB JSSFTJTUJCMF OFDFTJEBE EF FNQSFOEFS PUSPT
SFDPSSJEPT
EF EBS MVHBS B OVFWPT NPWJNJFOUPT
BSSPKBOEP BTÎ
jMB FTDBMFSB EFTQVÊT EF IBCFS TVCJEP QPS FMMBv -B JNBHFO FT
SFDVSSFOUF
DBTJVOMVHBSDPNÙOFOMBEPYBDPOUFNQPSÃOFB
QFSP
OPIFNPTQPEJEPOJRVFSJEPEFTQSFOEFSOPTEFFMMBFODBEBNP-
NFOUPEFMBFMBCPSBDJÓOEFFTUFJUJOFSBSJPEFWJBKF-BJNBHFO

TJO EVEB
ZB QFSUFOFDF BM BSDIJWP DVMUVSBM EF MBT IVNBOJEBEFT

QPSFTUBSB[ÓOOPFTUÃEFNÃTWPMWFSBFMMBPUSBWF[BMDPNJFO[P

FTEFDJS
BMàOBM
16

*
17

*)ñûü÷úñ÷ïúéîġéø÷ûüõ÷ìíúöé

ýöõéöñîñíûü÷
%íûìí õíìñéì÷û ìí ô÷û éĥ÷û ûíüíöüé EFM TJHMP QBTBEP
MBT
DJFODJBTTPDJBMFTTFFODVFOUSBOBUSBWFTBOEPQPSMPRVFOUIPOZ
(JEEFOT IB MMBNBEP VO QFSÎPEP EF DSJTJT FTUBCMF1 /P FT GÃDJM
EFUFSNJOBSMBTSB[POFTRVFBOJNBOPKVTUJàDBOFTUFMBSHPDVFT-
UJPOBNJFOUP
QFSP
FO MP FTFODJBM
FMMBT FTUÃO ÎOUJNBNFOUF SFMB-
DJPOBEBTDPOMBMMBNBEBjDSJTJTEFMBSFQSFTFOUBDJÓOv'JOEFMPT
NFUBSSFMBUPT
RVJFCSFEFQBSBEJHNBT
BHPUBNJFOUPEFMPTNBQBT
DPHOJUJWPT
TPOTÓMPBMHVOBTEFMBTTFÒBTDPORVFTFJOUFOUBEFT-
DSJCJSFTUBQSPHSFTJWBQÊSEJEBEFGFFOMBFàDJFODJBZTVàDJFODJB
EFMPTSFHJTUSPTFYJTUFOUFTEFJOUFSQSFUBDJÓOEFMBTPDJFEBEZEFMB
IJTUPSJB)BZ
TJOEVEB
OPFTEJGÎDJMBEWFSUJSMP
VOUPOPQPTUNP-
EFSOPEPNJOBOEPMBFTDFOB1VFT
FOVOBNFEJEBNVZBNQMJB

FMQPTUNPEFSOJTNPWJFOFBSFQSFTFOUBSMBàHVSBEFMTFQVMUVSFSP
QBSBUPEBTBRVFMMBTDPODFQDJPOFTEFMNVOEPZEFMBIJTUPSJBCB-
TBEBTFOMBJEFBEFMBjHSBOUFPSÎBv
OFMÙMUJNPDVBSUPEFMTJHMPXXTFQSPEVKP
FOEFàOJUJWB
VO
EFTFODBOUPPEFTJMVTJÓODPOMBJEFBNPEFSOBEFDJFODJBTPDJBM
-BTDBVTBTEFFMMPTPONÙMUJQMFTZEJGÎDJMFTEFJEFOUJàDBS/BUVSBM-
NFOUF
MBDSJTJTHFOFSBMEFMNVOEPEFMBQPTUHVFSSBTFFODVFOUSB
FOMPTPSÎHFOFTEFMGFOÓNFOP$POáVZFO
BEFNÃT
FOFMQMBOPEF
MB MFUSB Z FM TJHOP
WBSJBOUFT FTQFDÎàDBT DPNP MB GVFSUF QSFTFO-
DJB EFM MFOHVBKF FO MBT EJTDVTJPOFT àMPTÓàDBT DPOUFNQPSÃOFBT

FMBCBOEPOPEFMFTUSVDUVSBMJTNP
MBDSJTJTEFMBTJEFPMPHÎBTZFM
BVHFZDPOTPMJEBDJÓOEFMPRVFTFIBEBEPFOMMBNBSMBTPDJFEBE
FOSFE-BNJTNBIJQÓUFTJTRVFSFDPOPDFFOMBTTPDJFEBEFTDPO-
1 OUIPOZ (JEEFOT
Modernidad e identidad del yo
#BSDFMPOB
1FOÎOTVMB

19
1994.

UFNQPSÃOFBTFMBWBODFEFVOQSPDFTPBDFMFSBEPEFWJSUVBMJ[BDJÓO
ZNFEJBUJ[BDJÓOmWJODVMBEPBVOFTUBEJPEFMBDVMUVSBFOMBDVBM
MPTQSPDFTPTEFEFTJHOBDJÓOZEFTJHOJàDBDJÓOTFTVCPSEJOBOBMB
MÓHJDBEFMTJHOJàDBOUFm
CJFOQVFEFTFSBQVOUBEBBRVÎDPNPVOB
JOUFSQSFUBDJÓOQMBVTJCMFEFMBDSJTJTEFSFQSFTFOUBDJÓORVFBGFDUB
IPZBMBTDJFODJBTTPDJBMFT
QBSUJSEFFTUFDPOUFYUPEFEJTDVTJPOFT
DPOTUJUVJEPQPSVO
FTUJMPEFQFOTBNJFOUPRVFEFTDPOGÎBEFMBTOPDJPOFTDMÃTJDBTEF
WFSEBE
SB[ÓO
JEFOUJEBE
PCKFUJWJEBEZVOJWFSTBMJEBE2
MBQSFPDV-
QBDJÓOQPSMBTJHOJàDBDJÓOBMJOUFSJPSEFMBTDJFODJBTTPDJBMFTIB
EBEPMVHBSBVOFYUFOTPEFCBUFTPCSFMPTMÎNJUFTEFMBSFQSFTFOUB-
DJÓOZTPCSFFMUJQPEFEFUFSNJOBDJPOFTFTUSVDUVSBMFTRVFDPOEJ-
DJPOBOZMJNJUBOUPEBQSPEVDDJÓOEFDPOPDJNJFOUPOFTUFTFO-
UJEP
OPTÓMPTFIBWVFMUPBFYBNJOBSDSÎUJDBNFOUFFMDPNQMFKPEF
SFMBDJPOFTRVFMBNPEFSOJEBEFTUBCMFDJÓCBKPMBTTJHOJàDBDJPOFT
EFjTBCFSvZjQPEFSv
TJOPRVF
BMNJTNPUJFNQP
TFIBQVFTUP
FODVFTUJÓOMBQSPQJBEJTUJODJÓOFOUSFBQBSJFODJBZSFBMJEBE
FOUSF
JOUFSJPS Z FYUFSJPS
RVF TVCZBDÎB B MPT BOÃMJTJT NPEFSOPT EF MB
NÃRVJOBEFSFQSFTFOUBDJÓOEFMBJOWFTUJHBDJÓOTPDJBM
5BM WF[
QPS FMMP
QPS MB JNQPSUBODJB RVF FTUBT EJTUJODJPOFT
UJFOFO BM JOUFSJPS EF UPEP NPEFMP SFQSFTFOUBDJPOBM EF DPOPDJ-
NJFOUP
FTRVFIBTJEPFOFMÃNCJUPEFMBIJTUPSJPHSBGÎBFOEPOEF
MBDSJTJTEFMBTDJFODJBTTPDJBMFTTFIBQSFTFOUBEPDPONBZPSSB-
EJDBMJEBEMOVFWPIJTUPSJDJTNP
MBWVFMUBEFMBOBSSBUJWB
ZMBT
OVFWBTGPSNBTEFFTDSJUVSBEFMBIJTUPSJB
TPOTÓMPBMHVOPTEFMPT
JOEJDJPTNÃTFWJEFOUFTEFMBDSJTJTRVFBGFDUBIPZBMBEJTDJQMJOB
1VFT
FOFGFDUP
EFTEFIBDFZBEPTEÊDBEBTFMQSPCMFNBDFOUSBMEF
MBIJTUPSJPHSBGÎBOPIBTJEPPUSPRVFSFTQPOEFSBMBQSFHVOUBQPS
MBQPTJCJMJEBEEFSFQSFTFOUBSFMQBTBEP4VCZBDFBFTUBQSFHVOUB
MBTPTQFDIBEFRVFTJFMEJTDVSTPTFDPOTUSVZFFOWJSUVEEFMBJN-
QPTJDJÓOEFVOBFTUSVDUVSBEFSFMBUPBVOEFUFSNJOBEPDPOKVOUP
EFBDPOUFDJNJFOUPT
MBFMFDDJÓOEFMUJQPEFSFMBUPOPFTFYUFSOBP
FYUFSJPSBMTJHOJàDBEPEFMPTBDPOUFDJNJFOUPT
.ÃTBMMÃEFMDPOTFOTPRVFFYJTUFFOMBBDUVBMJEBEBMNPNFO-
UPEFJEFOUJàDBSMPTNPUJWPTQSJODJQBMFTEFMBMMBNBEBjDSJTJTEF
MBTDJFODJBTTPDJBMFTv
MPDJFSUPFTRVFDPJODJEFOUFNFOUFBQBSUJS
2 5FSSZ BHMFUPO
Las ilusiones del posmodernismo
#VFOPT JSFT
1BJEÓT

20
1997.

EFMPTBÒPTTFUFOUBEFMTJHMPQBTBEPTFIBQSPEVDJEPVOEFTQMB-
[BNJFOUPFOFMÃNCJUPEFMBTQSFPDVQBDJPOFTEFMBàMPTPGÎBZMB
FQJTUFNPMPHÎBEFMBIJTUPSJBTUFEFTQMB[BNJFOUPIBTJEPDBSBD-
UFSJ[BEP
NVDIBT WFDFT
CBKP FM UÊSNJOP EF jHJSP MJOHÛÎTUJDPv

FOSB[ÓOEFMBDSFDJFOUFBUFODJÓORVFFMMFOHVBKFZMBOBSSBDJÓO
UJFOFO FO MPT BOÃMJTJT NFUBIJTUPSJPHSÃàDPT EF MB EJTDJQMJOB 4JO
EVEBBMHVOB
FTUFHJSPPWJSBKFIBDJBFMUFYUPZMBOBSSBDJÓOOP
FT FYDMVTJWP EF MB EJTDJQMJOB IJTUPSJPHSÃàDB
Z QVFEF NVZ CJFO
TFSDBSBDUFSJ[BEPDPNPFMTÎOUPNBEFVOBNVUBDJÓOPGSBDUVSB
FOFMQFOTBNJFOUPàMPTÓàDPZTPDJBMEFMTJHMPXXOMBIJTUPSJP-
HSBGÎB
TJOFNCBSHP
FMHJSPMJOHÛÎTUJDPOPTÓMPIBTVQVFTUPVOB
DSJTJTQBSBEJHNÃUJDBFOMBEJTDJQMJOB
FOFMDBNQPEFQSPCMFNÃUJ-
DBTRVFPSHBOJ[BCBOTVTPQFSBDJPOFTEFDPOPDJNJFOUP
TJOPRVF
BEFNÃTIBTVQVFTUPVOBHSBOBNFOB[BBMBJEFOUJEBEEJTDJQMJOBS
EFMBIJTUPSJB*EFOUJEBEDPOTUJUVJEBBQBSUJSEFVOBGVFSUFBMJBO[B
DPOMBTDJFODJBTTPDJBMFTTUBBMJBO[BDBCFSFDPSEBSMPQFSNJUJÓ
FTUBCJMJ[BSMBJEFOUJEBEEJTDJQMJOBSEFMBIJTUPSJBDPNPjDJFODJB
IJTUÓSJDBv
BMFKÃOEPMB EF MB àMPTPGÎB
MB MJUFSBUVSB Z MB àMPMPHÎB
RVFBàOBMFTEFMTJHMP9*9QBSFDÎBODPOGPSNBSTVFTQBDJPOBUVSBM
EFFOVODJBDJÓO-BQSPQJBEJTUJODJÓOFOUSFDJFODJBTOPNPUÊUJDBT
Z DJFODJBT JEJPHSÃàDBT
BDVÒBEB QPS FM OFPLBOUJTNP BMFNÃO EF
àOFT EFM TJHMP 9*9
EB DVFOUB EF FTUB BMJBO[B QSJNJHFOJB FOUSF
IJTUPSJBZIVNBOJEBEFTMJBO[BRVFGVFSPUBBNFEJBEPTEFMPT
BÒPTDVBSFOUBEFMTJHMPQBTBEP
BQBSUJSEFMBDSFDJFOUFIFHFNP-
OÎBEFMBFTDVFMBEFAnnalesFOMBIJTUPSJPHSBGÎBNVOEJBM$BCF
SFDPSEBSRVFFTUBIFHFNPOÎBFTUÃÎOUJNBNFOUFBTPDJBEBBMEFTB-
SSPMMPRVFMBTDJFODJBTTPDJBMFTUVWJFSPOEVSBOUFFMDPSUPTJHMPXX

ZRVFOPFTJOEJGFSFOUFBMQBQFMRVFFTUBTDJFODJBTCVTDBSPOKVHBS
FOMBTHVFSSBTDVMUVSBMFTEFMTJHMP
4JFMTJHMPXXUFSNJOBDPOMBDBÎEBEFMNVSPEF#FSMÎO
UBMZ
DPNP BàSNB SJD )PCTCBXN
P TJ
QPS FM DPOUSBSJP
FTUF TJHMP
UFSNJOBDPOFMàOBMEFMBMBSHBEÊDBEBEFMPTTFTFOUB
DPNPQJFO-
TBOFOUSFPUSPT'SFESJD+BNFTPOZMBJO#BEJPV
MPDJFSUPFTRVF
DPJODJEFOUFNFOUFFMàOBMEFMTJHMPXXQBSFDFDPJODJEJSDPOFMàO
EF MB NPEFSOJEBEUFOJÊOEPOPT B FTUB UFTJT
QPESÎB BEWFSUJSTF
RVFIJTUPSJPHSÃàDBNFOUFFMàOEFTJHMPTVQPOFVOBUSJQMFSVQUVSB
FOFMPSEFOEFMQFOTBNJFOUPNPEFSOP3VQUVSBEFMBTBMJBO[BT
RVFPSHBOJ[BSPOMBQSPEVDDJÓOEFDPOPDJNJFOUPDJFOUÎàDPFOMB
21

NPEFSOJEBESVQUVSBEFMBTVOJEBEFTEFQSPEVDDJÓORVFPSHBOJ-
[BSPOUBOUPMBEJWJTJÓOTPDJBMEFMUSBCBKPFOFMDBNQPDJFOUÎàDP

DPNPMPTQSPDFTPTEFMFHJUJNBDJÓOEFMBQSPEVDDJÓOEFFTFDPOP-
DJNJFOUPSVQUVSBEFMBDBEFOBEFDBUFHPSÎBTRVFFTUSVDUVSBCBO
MBT QSPYJNJEBEFT Z EJTUBODJBT FOUSF QPEFS Z DPOPDJNJFOUP
FO-
USFSB[ÓOZFNBODJQBDJÓOTUBUSJQMFSVQUVSBQVFEFTFSUBNCJÊO
BQSFIFOEJEBDPNPVOBNVUBDJÓOPUSBOTGPSNBDJÓO
QFSPMPDJFS-
UPFTRVFFMMBTFÒBMBVODBNCJPEFÊQPDBRVFIPZTFBTPDJBmZB
TJOEJTDVTJÓOmDPOMBQPTUNPEFSOJEBE
-JNJUBOEPFMBOÃMJTJTBMPSEFOEFMBIJTUPSJPHSBGÎB
DBCFEFT-
UBDBSRVFFMHJSPMJOHÛÎTUJDPFOMBEJTDJQMJOBDPJODJEFUFNQPSBM-
NFOUFDPOFMàOEFTJHMPZDPOFMàOEFMBNPEFSOJEBEOFGFDUP

QVFEFEFDJSTFRVFMPTPSÎHFOFTEFMBIJTUPSJPHSBGÎBQPTUNPEFSOB
FTUÃOÎOUJNBNFOUFBTPDJBEPTBMBQVCMJDBDJÓOEFUSFTMJCSPTGVO-
EBNFOUBMFTRVFUFOESÃOFGFDUPTEFWBTUBEPSFTTPCSFFMDBOPOEF
MB SFQSFTFOUBDJÓO IJTUPSJBEPSB NPEFSOB 5SFT MJCSPT RVF EFTEF
EJTUJOUPTQVOUPTEFWJTUBBCSJSÃOMBEJTDVTJÓOFQJTUFNPMÓHJDBEF
MBIJTUPSJBOPTPMPBMBQSPCMFNÃUJDBEFMDBOPOIJTUPSJPHSÃàDP

TJOPRVFBUSBWÊTEFFTUBQSPCMFNÃUJDB
FOVOUSBCBKPEFQFSGPSB-
DJÓOPEFDBQUVSBEFMFMFNFOUPJNQFOTBEPEFMBNJTNB
BCSJSÃO
EJDIB EJTDVTJÓO BM QSPCMFNB EF MB QSPEVDDJÓO EF WBMPS FO IJT-
UPSJPHSBGÎB
BMPRVFQPESÎBMMBNBSTFFMUSBCBKPEFWBMPSJ[BDJÓO
IJTUPSJPHSÃàDBEFMPTPCKFUPTZMBUFNQPSBMJEBEMQSJNFSPEF
FTUPTMJCSPTQFSUFOFDFB1BVM7FZOF
ZMMFWBQPSUÎUVMPComment
on écrit l’histoire. Essai d’epistémologie
MTFHVOEPMJCSP
GVF QVCMJDBEP FO JOHMÊT
B DPNJFO[PT EF MPT BÒPT TFUFOUB
Z FT
PCSB EF VO IJTUPSJBEPS FTUBEPVOJEFOTF EF NFEJBOB FEBE DVZB
UFTJT EPDUPSBM TF IBCÎB DFOUSBEP FO MPT QSPCMFNBT EFM QBQBEP
SPNBOPEFDPNJFO[PTEFMTJHMP9**
ZFOMBJOáVFODJBRVFàHVSBT
DPNP#FSOBSEPEF$MBJSWBVYIBCÎBOUFOJEPFOMBSFGPSNBEFMB
JHMFTJBSPNBOBMMJCSPFTMetahistory. The Historical Imagina-tion
in Nineteenth-Century Europe

ZTVBVUPS)BZEFO
8IJUF QFOBT DPO EPT BÒPT EF EJGFSFODJB
QFSP FTDSJUP FO VO
VOJWFSTPJOUFMFDUVBMQBSBMFMPBMEF)BZEFO8IJUF
FMIJTUPSJBEPS
ZQTJDPBOBMJTUBGSBODÊT
.JDIFMEF$FSUFBV
EBBMBTQSFOTBTFO
1BSÎT
L’écriture de l’histoire
-BQVCMJDBDJÓOEFFTUPTUSFT
MJCSPTDPJODJEFDPOFMàOEFMBMBSHBEÊDBEBEFMPTBÒPTTFTFOUB

FTEFDJS
DPOFMUÊSNJOPEFMÙMUJNPDJDMPEFNPWJMJ[BDJPOFTZNP-
22

WJNJFOUPTSFWPMVDJPOBSJPTRVFDJFSSBOFMTJHMPXXZMBNPEFSOJ-
EBE3.
%FBIÎRVFEFTEFDJFSUBQFSTQFDUJWBMBQVCMJDBDJÓOEFFTUPT
USBCBKPTQVFEBMFFSTFDPNPBOUJDJQBEPSBEFVODBNCJPEFQBSB-
EJHNBFOFMBOÃMJTJTEFMBUSBEJDJÓODSÎUJDB
FTEFDJS
DPNPUFYUPT
RVF
BTVNPEP
CVTDBODPOEJWFSTBTIFSSBNJFOUBTBUSBWFTBSMB
GBOUBTÎBJEFPMÓHJDBEFMBIJTUPSJBQBSBBEFOUSBSTFFOMPTNPEPT
EFQSPEVDDJÓOZSFQSPEVDDJÓOEFTVSFQSFTFOUBDJÓO
TUFNPWJNJFOUPOPFTVONPWJNJFOUPBJTMBEPFOMBEJTDJQMJ-
OB
QVFT
QPESÎBBEWFSUJSTFRVFMPTPSÎHFOFTEFMB/VFWB)JTUPSJB
FOQBÎTFTDPNP$IJMFP*OHMBUFSSB
UJFOFDPNPQVOUPEFQBSUJEB
MBNJTNBDBUÃTUSPGFIJTUÓSJDBRVFDBSBDUFSJ[ÓFTFTJHMPEFFYUSF-
NPTSFMBUBEPQPS)PCTCBXN2VJ[ÃTMPEJTUJOUJWPEFFTUPTUSFT
USBCBKPT
EFTEFFMQVOUPEFWJTUBEFTVàMJBDJÓOJOUFMFDUVBM
TFB
MBJNQPSUBODJBRVFUVWPFODBEBVOPEFFMMPTMBPCSBEF.JDIFM
'PVDBVMU O FGFDUP
FTUB BàSNBDJÓO FT WÃMJEB OP TÓMP QBSB MB
PCSBEF1BVM7FZOF
RVJFOEFTMVNCSBEPQPSFMQFOTBNJFOUPEF
'PVDBVMUFTDSJCJSÃBMHVOPTBÒPTNÃTUBSEF
BQSPQÓTJUPEFMBQV-
CMJDBDJÓOEFL’Archéologie du savoir

VOFOTBZPUJUVMBEP
Foucault révolutionne l’histoire4TJOPRVFUBNCJÊOQVFEFBQMJ-
DBSTFDPOQSPQJFEBEBMUSBCBKPEF.JDIFMEF$FSUFBV
PCSBRVF
QVFEFMFFSTFDPNPVOEJÃMPHPJOJOUFSSVNQJEPDPOFMQFOTBNJFO-
UPGPVDBVMUJBOPOFGFDUP
ZBEFTEFFMQSJNFSZFYUFOTPDPNFO-
UBSJPRVF%F$FSUFBVEFEJDBSBBLes mots et les choses

IBTUB BRVFM UFYUP RVF FM IJTUPSJBEPS FTDSJCJFSB FO IPNFOBKF BM
BNJHPEFTBQBSFDJEPBNFEJBEPTEFMPTBÒPTPDIFOUB5
TFPCTFSWB
VOBQSFPDVQBDJÓOBGÎOQPSJOUFSSPHBSMBTQSÃDUJDBTZEJTQPTJUJWPT
EFMBJOTUJUVDJÓOIJTUPSJBEPSB
QPSEFTDSJCJSMPTQSPHSBNBTEFQP-
3 'SFESJD+BNFTPO
j1FSJPEJ[JOHUIFv
The Ideologies of Theory: Essays
1971-1986
WPM
The Syntax of History
.JOOFBQPMJT
6OJWFSTJUZPG.JO-
OFTPUB

QQ
4 -BQSPYJNJEBEDPOMBTUFTJTGPVDBVMUJBOBTFTUBMRVF7FZOFBÒBEFBMBSF-
FEJDJÓOEFTVPCSBEFCPMTJMMP
FO
FMFOTBZPFTDSJUPVOUJFNQPBOUFT
TPCSF'PVDBVMU7ÊBTF
1BVM7FZOF
j'PVDBVMUSÊWPMVUJPOOFMIJTUPJSFv
Com-ment
on écrit l’histoire
1BSÎT
-F4FVJM
1PJOUTIJTUPJSF

QQ
TJNJTNP
FT EF HSBO JOUFSÊT TV SFDJFOUF QSFTFOUBDJÓO EF 'PVDBVMU DPNP
jun penseur sceptiquevM SFTQFDUP
1BVM7FZOF
Foucault. Sa pensée, sa
personne
1BSÎT
MCJO.JDIFM

5 .JDIFMEF$FSUFBV
j-FSJSFEF.JDIFM'PVDBVMUv
Histoire et psychanalyse

1BSÎT
EJUJPOT(BMMJNBSE

QQ
23

EFSZWFSEBERVFFTUBTQSÃDUJDBTBDUVBMJ[BOZMPTFGFDUPTRVFFTUPT
QSPHSBNBTUJFOFOTPCSFMBWJEBZMPTDVFSQPT-BPCSBEF)BZEFO
8IJUF
QPSPUSBQBSUF
TJCJFOQPSNPNFOUPTQBSFDFPSHBOJ[BEBB
QBSUJSEFVOBDPOWFSTBDJÓOBCJFSUBDPOMBHSBOUSBEJDJÓOFVSPQFB
RVF WB EF7JDP B .BSY
EF $SPDF B $PMMJOHXPPE
EFVFSCB-
DIB#BSUIFT
JHVBMNFOUFQBSFDFJODPODFCJCMFTJOMBSFGFSFODJBBM
NBSDPEFMBOÃMJTJTGPVDBVMUJBOP-PTMBSHPTFTUVEJPTRVF8IJUF
DPOTBHSBB'PVDBVMUFOThe Content of the Form6ZFOTropics of
Discourse7EBODVFOUBEFMBJNQPSUBODJBRVFFMàMÓTPGPGSBODÊT
UJFOFFOFMQSPZFDUPUSPQPMÓHJDPEFMetahistoryTNÃT
KVHBOEP
VOQPDPDPOMPTTJHOJàDBOUFTZMPTEFTQMB[BNJFOUPT
QPESÎBEF-
DJSTFRVF'PVDBVMUSFQSFTFOUBQBSB8IJUFMBQPTJCJMJEBENFUPOÎ-
NJDBEFVOQVOUPEFOPSFUPSOPFOFMBOÃMJTJTEFMBTQSÃDUJDBTEF
MBJOTUJUVDJÓOIJTUPSJBEPSB
FMSFMFWPBQPUSPQBJDPRVFQFSNJUJSÎB
JONVOJ[BSFMUSBCBKPEFEFDPOTUSVDDJÓOEFMBTFTUSBUFHJBTUFYUVB-
MFTEFMBQSÃDUJDBIJTUPSJBEPSB
GSFOUFBDVBMRVJFSUFOUBDJÓOEFMB
EJTDJQMJOBQPSSFUPSOBSBMBDPODJFODJBIJTUÓSJDBEFMTJHMP9*9.
-B SFMFWBODJB EFM NFUBUFYUP GPVDBVMUJBOP FO MBT USFT PCSBT
TFÒBMBEBTTFBEWJFSUFDMBSBNFOUFFOMBjBQFSUVSBBSRVFPMÓHJDBv
RVF MBT USFT PCSBT QPTJCJMJUBO B VO QSPHSBNB QPTUNPEFSOP EF
EFDPOTUSVDDJÓO EF MB JOTUJUVDJÓO IJTUPSJBEPSB 4FB DVBM TFB TV
BMDBODF
TFB DVBMFT GVFSFO MPT GVOEBNFOUPT FOVODJBEPT FO FTF
QSPHSBNBEFEFDPOTUSVDDJÓOEFMBIJTUPSJPHSBGÎB
MPDJFSUPFTRVF
TVEFTBSSPMMPIBQFSNJUJEPBEWFSUJSMBTMJNJUBDJPOFTEFUPEPUSB-
CBKPDSÎUJDPBMJOUFSJPSEFMPRVF(BZBUSJ$IBLSBWPSUZ4QJWBLIB
EFOPNJOBEPMBjNÃRVJOBQFEBHÓHJDBv
OPUSBTQBMBCSBT
FMDVFTUJPOBNJFOUPBMBJOTUJUVDJÓORVFTF
BEJWJOBFOMBQSÃDUJDBEFMBIJTUPSJPHSBGÎBQPTUNPEFSOB
FOUFO-
EJEBFTUBDPNPQSÃDUJDBEFDPOTUSVDUJWB
FTEFDJS
DPNPQSÃDUJDB
QBSBTJUBSJBZTVQMFNFOUBSJBBMPTEJTQPTJUJWPTEFTBCFSEJTDJQMJ-
OBS
OPUJFOFPUSBàOBMJEBERVFMBEFEFTNPOUBSMBTFTUSVDUVSBT
EFQPEFSRVFPSHBOJ[BOMPTNPEPTEFFOVODJBDJÓOZEFSFQSFTFO-
6 )BZEFO 8IJUF
j'PVDBVMUT %JTDPVSTF 5IF )JTUPSJPHSBQIZ PG OUJ)V-
NBOJTNv
The Content of the Form: Narrative Discourse and Historical
Representation
#BMUJNPSF
5IF+PIOT)PQLJOT6OJWFSTJUZ1SFTT

QQ
104-141.
7 )BZEFO8IJUF
j'PVDBVMU%FDPEFE/PUFTGSPN6OEFSHSPVOEv
Tropics of
Discourse. Essays in Cultural Criticism
#BMUJNPSF
5IF+PIOT)PQLJOT6OJ-
WFSTJUZ1SFTT

QQ
24

UBDJÓOEFMB)JTUPSJBTUPTEJTQPTJUJWPTOPTPMPFTUÃOGVOEBEPT
FOSFMBDJPOFTEFQPEFSFKFSDJEBTDPOCSVUBMJEBEPSFàOBNJFOUPBM
JOUFSJPSEFMBJOTUJUVDJÓOIJTUPSJBEPSB
TJOPRVF
BEFNÃT
PSHBOJ-
[BOTVFàDBDJBBQBSUJSEFDJFSUBDFHVFSBTPCSFMPTQSPQJPTFGFDUPT
QFSGPSNBUJWPTEFMBSFQSFTFOUBDJÓOIJTUPSJBEPSBTUBBàSNBDJÓO
PCMJHB B MFFS B 'PVDBVMU KVOUP DPO %FSSJEB8 YUSBÒB QPS FMMP
RVF,FJUI+FOLJOT
UBMWF[VOPEFMPTQSJODJQBMFTJNQVMTPSFTFO
MFOHVB JOHMFTB EF VO QSPHSBNB EF IJTUPSJPHSBGÎB QPTUNPEFSOB

HVBSEFTJMFODJPTPCSFMBJNQPSUBODJBEFMBPCSBGPVDBVMUJBOBFO
MBSFEFàOJDJÓOEFMPTBOÃMJTJTEFMBTJOTUJUVDJPOFTZQSÃDUJDBTEFM
TBCFS NPEFSOP9 TUF TJMFODJP
TJOUPNÃUJDP EF DJFSUB MFDUVSB EF
MBQSPCMFNÃUJDBQPTUNPEFSOBFOIJTUPSJPHSBGÎB
QVFEFTFSJOUFS-
QSFUBEP DPNP VOB DFHVFSB GSFOUF B MBT USBOTGPSNBDJPOFT EF MB
SFMBDJÓOQPEFSDPOPDJNJFOUPFOFMDBNQPEFMBQPTUNPEFSOJEBE
YQSFTBEPFOPUSPTUÊSNJOPT
MPRVFWJFOFBTPNFUFSTFBVOBEF-
DPOTUSVDDJÓOSBEJDBMFOMBIJTUPSJPHSBGÎBQPTUNPEFSOBOPFTTPMP
MBQSPQJBOPDJÓOEF)JTUPSJB DPOTUJUVJEBÊTUBQPSGVFSBEFUPEP
USBCBKPEFSFQSFTFOUBDJÓO

TJOPRVFFTQPSTPCSFUPEPMBNBRVJ-
OBSJB SFQSFTFOUBDJPOBM RVF PSHBOJ[B FM DVFSQP EF TBCFSFT EF MB
IJTUPSJPHSBGÎBTUBEFDPOTUSVDDJÓOQBSBEÓKJDBNFOUFTVQPOFVOB
IJTUPSJ[BDJÓOSBEJDBMEFMBTQSÃDUJDBTIJTUPSJBEPSBT
EFMBTDBUF-
HPSÎBTRVFMBDPOGPSNBO
ZEFMKVFHPEFPQPTJDJPOFTZSFMBDJPOFT
RVFPSHBOJ[BOFMUSBCBKPEFWBMPSJ[BDJÓOPEFDSFBDJÓOEFWBMPS
FO MB JOTUJUVDJÓO IJTUPSJBEPSB 1VFT
MB QSPQJB JEFB EF )JTUPSJB
TVQPOFEFTEFVOQSJODJQJP
VOQSPDFTPEFWBMPSJ[BDJÓOEFMBWJEB

VOUSBCBKPEFDSFBDJÓOEFWBMPSRVFOPFTFYUFSOPBMBNÃRVJOB
BOUSPQPHÊOJDBEFQSPEVDDJÓOEFMPIVNBOP
6OBOÃMJTJTEFDPOTUSVDUJWPEFMBTSFMBDJPOFTEFQPEFSZDP-
OPDJNJFOUP BM JOUFSJPS EF MB IJTUPSJPHSBGÎB SFRVJFSF
QPS UBOUP

FYBNJOBS FM UÎNQBOP RVF SFHVMB MP FOVODJBCMF Z MP BVEJCMF FO
FMFTQBDJPEFMBEJTDJQMJOB
DPNPEFTNPOUBSFMDPOKVOUPEFDBUF-
HPSÎBTRVFPSHBOJ[BOFTFNJTNPUSBCBKPEFDSÎUJDBZBOÃMJTJT
EF
DMÎOJDBZFTDVDIB
8 (BZBUSJ$IBLSBWPSUZ4QJWBL
j.PSFPO1PXFS,OPXMFEHFv
Outside in the
Teaching Machine
-POESFT
3PVEUMFEHF

Q
9 ,FJUI +FOLJOT
Why History? Ethics and postmodernity
-POESFT
3PVU-
25
MFEHF

%FBIÎRVFMBNÃYJNBEFj`IJTUPSJ[BSTJFNQSFv Always his-toricize!

RVF'SFESJD+BNFTPOQPQVMBSJ[BSBBDPNJFO[PTEFMPT
BÒPT PDIFOUB EFM TJHMP QBTBEP10
OP TFB TVàDJFOUF BM NPNFOUP
EF FOGSFOUBS MB DSJTJT DBUFHPSJBM EFM QFOTBNJFOUP IJTUÓSJDP NP-
EFSOP Z EF MBT GPSNBT OBSSBUJWBT DMÃTJDBT RVF PSHBOJ[BCBO TV
SFQSFTFOUBDJÓO O PUSBT QBMBCSBT
MB IJTUPSJ[BDJÓO SBEJDBM QSP-
QVFTUBQPS+BNFTPOEFCFOFDFTBSJBNFOUFTFSPCKFUPBTVWF[EF
VO USBCBKP EF IJTUPSJ[BDJÓO SBEJDBM RVF CVTRVF JOUFSSVNQJS FM
NJTNPUSBCBKPEFIJTUPSJ[BDJÓOSBEJDBMRVFMBEFNBOEBEFhis-torización
TVQPOF TUF MMBNBEP B TBCPUFBS MB NÃRVJOB IJTUP-
SJPHSÃàDB PCFEFDF B MB OFDFTJEBE EF QBSBMJ[BS P JOUFSSVNQJS FM
USBCBKPSFQSFTFOUBDJPOBMEFMBJOTUJUVDJÓOIJTUPSJBEPSB*OUFSSVQ-
DJÓORVFTVSHFQSFDJTBNFOUFEFMBFYJHFODJBQPMÎUJDBEFTVTQFO-
EFS MPT FGFDUPT OPSNBMJ[BEPSFT RVF MB SFQSFTFOUBDJÓO IJTUÓSJDB
DPNQPSUBFODVBOUPPSEFOEFTJHOJàDBDJÓOQBSUJSEFMPEJDIP

QVFEFBEWFSUJSTFRVFMBBUFODJÓOQSFEPNJOBOUFRVFMPTEFCBUFT
IJTUPSJPHSÃàDPTBDUVBMFTEBOBMQSPCMFNBEFMBSFQSFTFOUBDJÓO

OPTPMPFTJOEJDBUJWBEFVOBDSJTJTEFMPTQBSBEJHNBTTFNJÓUJDPT
DPORVFMBEJTDJQMJOBBDPTUVNCSBCBPSHBOJ[BSMBFYQFSJFODJBIJT-
UÓSJDBNPEFSOB
TJOPRVFFTUBBUFODJÓOFYBTQFSBEBFOUPSOPBMB
SFQSFTFOUBDJÓO IJTUÓSJDB FT TÎOUPNB BEFNÃT EF VOB SVQUVSB EF
MBQSPQJBFYQFSJFODJBNPEFSOB2VFFTUBSVQUVSBTFBQSPEVDUP
EFUSBOTGPSNBDJPOFTUFMFUFDOPMÓHJDBTRVFBGFDUBOMBTNBOFSBTEF
IBDFSZTFOUJS
RVFFTUBSVQUVSBEÊDVFOUBEFVOBUSBOTGPSNBDJÓO
FOFMNPEPEFQSPEVDDJÓOEFMBTIJTUPSJBT
OPRVJFSFEFDJSPUSB
DPTBRVFMBJOUFSQFOFUSBDJÓOFOUSFSB[ÓOEFMPTIFDIPTZSB[ÓO
EFMBTIJTUPSJBTQSPQJBEFMBÊQPDBNPEFSOBIBMMFHBEPBTVàO
MàOEFMBFYQFSJFODJBNPEFSOBSFBCSFMBWJFKBDVFTUJÓOEF
MBTSFMBDJPOFTFOUSFBDPOUFDJNJFOUPFJOTDSJQDJÓO
FOUSFMJUFSBSJF-
EBE F IJTUPSJDJEBE : NÃT BNQMJBNFOUF
FM àO EF MB FYQFSJFO-
DJBNPEFSOBBEWJFSUFBMBIJTUPSJPHSBGÎBRVFMBMJUFSBSJFEBEFTMB
DPOEJDJÓOBMNJTNPUJFNQPEFMBQSPEVDDJÓOEFMPTFOVODJBEPT
MJUFSBSJPT Z EF MPT FOVODJBEPT IJTUPSJPHSÃàDPT -B QSÃDUJDB MJUF-
SBSJB
TVTSFWPMVDJPOFTQPÊUJDBTZTVTSVQUVSBTNPEFSOJTUBT
OP
EFàOFOTPMPFMSÊHJNFOEFMBQBMBCSBMJUFSBSJB
TJOPRVFEFàOFO
UBNCJÊO MPT SFHÎNFOFT EF JOUFOTJEBE TFOTJCMF
MPT NBQBT EF MP
10 'SFESJD +BNFTPO
The Political Unconscious
*UIBDB
$PSOFMM 6OJWFSTJUZ
26
1SFTT

WJTJCMF
MBTUSBZFDUPSJBTFOUSFMPWJTJCMFZMPEFDJCMF
MBTSFMBDJP-
OFTFOUSFMPTNPEPTEFTFS
MPTNPEPTEFIBDFSZMPTNPEPTEF
EFDJS11%FàOFO
FOPUSPTUÊSNJOPT
WBSJBDJPOFTEFJOUFOTJEBEFT
TFOTJCMFT
QFSDFQDJPOFTZDBQBDJEBEFTEFMPTDVFSQPT
GPSNBTEF
MPFOVODJBCMF-BJOTUJUVDJÓOIJTUPSJBEPSB
TJOEVEB
TJFNQSFIB
CVTDBEPJOEFQFOEJ[BSTFEFTVDPOEJDJÓOMJUFSBSJB
TJFNQSFIBJO-
UFOUBEPSFQVEJBSMBQBUFSOJEBERVFTPCSFFMMBFKFSDFMBMJUFSBUVSB
4JOFNCBSHP
BUBEBBMBQBMBCSBZBMBQSPTBDPNPFTUÃ
TVKFUB
BVOEFUFSNJOBEPSÊHJNFOEFWFSEBERVFMFJNQPOFVONPEFMP
OBSSBUJWP EF SFQSFTFOUBDJÓO IFSFEBEP EFM SFBMJTNP MJUFSBSJP EF
MB HSBO OPWFMB EFM TJHMP 9*9
MB JOTUJUVDJÓO IJTUPSJBEPSB OP IB
QPEJEP
ZOPQVFEF
EBSDVFOUBEFFTBSVQUVSBEFMBFYQFSJFODJB
NPEFSOBRVFMBTUSBOTGPSNBDJPOFTTFNJÓUJDBTZUFMFUFDOPMÓHJDBT
BEWJFSUFO-PTFKFNQMPTTFEFKBOWFSBRVÎZBMMÃ
DPONPWJFOEPMB
OPDJÓONJTNBEFjBDPOUFDJNJFOUPIJTUÓSJDPv
QJFESBBOHVMBSEFM
FEJàDJPEFMBIJTUPSJPHSBGÎBNPEFSOB
y$ÓNPQVFEFFTUBSMBJOTUJUVDJÓOIJTUPSJBEPSBSFUSBTBEBSFT-
QFDUP EF TV QSPQJB NVFSUF y$ÓNP QVFEF MB QSÃDUJDB IJTUPSJP-
HSÃàDBPSHBOJ[BSFMwakeEFTVFTDSJUVSB
TJ
BUVSEJEBQPSFMOVEP
FOUSF MJUFSBSJFEBE Z BDPOUFDJNJFOUP
OP MPHSB BEWFSUJS FM àO EF
VOBQSÃDUJDBEFFTDSJUVSB
4FIBEJDIPRVFMBQPTUNPEFSOJEBETFDBSBDUFSJ[BQPSTFSFM
jUJFNQPEFMPTNBOJàFTUPTv124JOEVEB
MBBàSNBDJÓOEBDVFOUB
EFMPTJOUFOUPTBDUVBMFTEFMBTQSÃDUJDBTDJFOUÎàDBTZQPMÎUJDBTQPS
BQSFIFOEFSMBÊQPDB
QPSBTJSMBTPNCSBRVFBDPNQBÒBMPDPO-
UFNQPSÃOFP4JOEVEB
MBNJTNBOPDJÓOEFj.BOJàFTUPvTFFO-
DVFOUSBTVKFUBBRVÎBVOBUPSTJÓOSBEJDBM
BVOBBMUFSBDJÓOFOTV
GPSNBPMJUFSBSJFEBETJRVJFSFEBSDVFOUBEFMDBSÃDUFSFTQFDUSBMEF
MPDPOUFNQPSÃOFP1VFTEFFTPTFUSBUB
EFBTJSFMBDPOUFDJNJFOUP
IJTUÓSJDP
EFEBSDVFOUBEFÊMFOMBWJHJMJBEFMEVFMP
4J MB QPTUNPEFSOJEBE TF DBSBDUFSJ[B QPS MB QSPGVTJÓO EF à-
MPTPGÎBT EFM BDPOUFDJNJFOUP
FT QPSRVF MB NJTNB OPDJÓO EF
BDPOUFDJNJFOUPRVFEFàOÎBMPNPEFSOPTFFODVFOUSBBMUFSBEBP
DPONPWJEBFOMBFTQFDUSBMJEBEEFMQSFTFOUF:BTFEFàOBFMBDPO-
11 +BDRVFT3BODJÍSF
Le partage du sensible
1BSÎT
-B'BCSJRVF

12 )BZEFO8IJUF
j.BOJGFTUP UJNFv ,FJUI +FOLJOT
4VF .PSHBOE BOEMVO
.VOTMPX FET

Manifestos for History
-POESFT
3PVUMFEHF

QQ
220-231.
27

UFDJNJFOUP DPNP BMHP OP QSFTFOUF
QFSP RVF CVTDB EBSTF FO MP
RVFFTUÃQSFTFOUF
ZBTFMPEFàOBDPNPDPOUSBSJPBMPTIFDIPT

QFSPSFBMJ[ÃOEPTFFOFMMPT
BERVJSJFOEPBDUVBMJEBEZQSFTFODJBFO
FMMPT
QFSPJOWBSJBCMFNFOUFEFGPSNBQSPWJTJPOBMZNPEJàDBCMF

TJFNQSFTFUSBUBEFFMBCPSBSVODPODFQUPEFBDPOUFDJNJFOUPQPS
GVFSBEFMBMFZEFMBUFNQPSBMJEBE
EFVOBDPOUFDJNJFOUPTJFNQSF
QPSWFOJS
TJFNQSFTVTQFOEJEPFOFMNPNFOUPEFTVSFBMJ[BDJÓO
-B BOHVTUJB RVF QSPEVDF MB SFQSFTFOUBDJÓO EFM BDPOUFDJNJFOUP
FOMBQPTUNPEFSOJEBEFTUÃÎOUJNBNFOUFBTPDJBEBBMQSPCMFNBEF
MBJOTDSJQDJÓOEFMBDPOUFDJNJFOUP
BMBMJUFSBSJFEBEQPSWFOJSRVF
PSHBOJ[BSÃMPTNPEPTEFTVSFQSFTFOUBDJÓO
.ÃT BÙO
DPNP FTDSJCF )BZEFO 8IJUF FOTropics of Dis-course

FMBDPOUFDJNJFOUPIJTUÓSJDP
USBEJDJPOBMNFOUFDPODFCJEP
DPNPVOBDPOUFDJNJFOUPRVFGVFOPTPMPPCTFSWBCMFTJOPUBN-
CJÊOPCTFSWBEP
FTQPSEFàOJDJÓOVOBDPOUFDJNJFOUPRVFZBOPFT
NÃTPCTFSWBCMFZ
QPSUBOUP
OPQVFEFTFSWJSDPNPPCKFUPEFVO
DPOPDJNJFOUPUBOTFHVSPDPNPFMEFMPTBDPOUFDJNJFOUPTQSFTFO-
UFT
MPTDVBMFTBÙOQVFEFOTFSPCTFSWBEPT1FSPFTBRVÎ
DPOUJOVB
8IJUF
EPOEF MB EJTUJODJÓO FOUSF IFDIP Z BDPOUFDJNJFOUP EFCF
TFSTVCSBZBEB-BOPDJÓOEFBDPOUFDJNJFOUPIJTUÓSJDPIBTVGSJ-
EPVOBUSBOTGPSNBDJÓOSBEJDBMDPNPSFTVMUBEPEFMBPDVSSFODJB
FOFMTJHMPXXEFBDPOUFDJNJFOUPTEFVOBMDBODF
FTDBMBZQSP-
GVOEJEBEJOJNBHJOBCMFTQBSBIJTUPSJBEPSFTEFPUSPTUJFNQPT%F
JHVBMNPEP
FMTJHMPXXIBTJEPUFTUJHPEFVOEFTNBOUFMBNJFOUP
EFM DPODFQUP EF BDPOUFDJNJFOUP DPNP PCKFUP EF DPOPDJNJFOUP
FTQFDÎàDBNFOUFDJFOUÎàDP13-BTUSBOTGPSNBDJPOFTUFMFUFDOPNF-
EJÃUJDBTEFMBTPDJFEBEDPOUFNQPSÃOFBTVQPOFO
OFDFTBSJBNFO-
UF
USBOTGPSNBDJPOFTPGSBDUVSBTJOJNBHJOBCMFTFOMPTNPEPTEF
SFHJTUSP
DPOTJHOBDJÓO
àHVSBDJÓO
MFDUVSBFJOUFSQSFUBDJÓOEFMPT
BDPOUFDJNJFOUPT TUB BàSNBDJÓO JODVNCF QSJODJQBMNFOUF B MB
IJTUPSJB
TJTFIBEFBEWFSUJSRVFMBEJTDJQMJOBIJTUPSJPHSÃàDBOPFT
TJOPFMSFTVMUBEPEFVOBSFWPMVDJÓOUFMFUFDOPNFEJÃUJDB
1PSPUSBQBSUF
MBQSPQJBEJTUJODJÓOFOUSFMPTBTQFDUPTGFOP-
NÊOJDPTEFMBDPOUFDJNJFOUP TVFYUFSJPS
ZTVTFOUJEPPTJHOJàDB-
EP TVJOUFSJPS
IBTJEPTFSJBNFOUFDVFTUJPOBEBFOMBTEJTDVTJPOFT
DPOUFNQPSÃOFBTMTJHOJàDBEPEFMPTBDPOUFDJNJFOUPTOPQVFEF
13 )BZEFO8IJUF
Tropics of Discourse
#BMUJNPSF
+PIOT)PQLJOT6OJWFSTJUZ
28
1SFTT

QQ

EJTUJOHVJSTF EF TV PDVSSFODJB
QFSP FTUB FT JOFTUBCMF
áVJEB
FT-
QFDUSBM5BO FTQFDUSBM DPNP FM NPWJNJFOUP FO DÃNBSB MFOUB
FM
ÃOHVMPJOWFSTP
FMzoomZMBSFJUFSBDJÓOEFMBTSFQSFTFOUBDJPOFT
FOWJEFPEFMBUBRVFBMBT5PSSFT(FNFMBTFO/VFWB:PSLPEFM
CPNCBSEFPBM1BMBDJPEFMB.POFEBFO4BOUJBHPEF$IJMF
4J FTUB EFTNBUFSJBMJ[BDJÓO EFM BDPOUFDJNJFOUP NPEFSOP FT
BOÃMPHBBMBEFTNBUFSJBMJ[BDJÓOEFMBPCSBEFBSUF
TJFMMBFTQSP-
EVDUP EF MBT USBOTGPSNBDJPOFT UFMFUFDOPMÓHJDBT Z EF MBT USBOT-
GPSNBDJPOFT FO MB MJUFSBSJFEBE RVF MB MJUFSBUVSB BEFMBOUB DPNP
SÊHJNFOEFMPTFOTJCMF
FTBMHPRVFBÙOFTUÃQFOEJFOUFFOMBEJTDV-
TJÓO4JOEVEB
FO$IJMFMPTBDUVBMFTEFCBUFTTPCSFMBTSFMBDJPOFT
FOUSF BSUF
QPMÎUJDB F IJTUPSJB
TPCSF MB SFMBDJÓO FOUSF BDPOUFDJ-
NJFOUPFJOTDSJQDJÓO TJUPEBWÎBDBCFIBCMBSFOFTUPTUÊSNJOPT

UJFOFO QPS DFOUSP FTUBT DVFTUJPOFT14 2VJ[Ã QPS FMMP DPOWFOHB
USBFSBMBNFNPSJBVODPNFOUBSJPEF8JMMZ5IBZFSTPCSFFMBDPO-
UFDJNJFOUPFOFMUJFNQPUFMFUFDOPNFEJÃUJDPEFMBFTQFDUSBMJEBE
EFM QSFTFOUF j-B GPUPHSBGÎB DPO RVF FM OÙNFSP FTQFDJBM EF El
MercurioEFMEFTFQUJFNCSFEFMIJ[PDJSDVMBS
VOBWF[
NÃT
MBJNBHFOUFMFEJHJUBMEFMDJFMPEF/VFWB:PSLRVFNBOEPMBT
QBOUBMMBTZMBTQPSUBEBTEFMQMBOFUB
JNBHFORVFEVSBOUFUPEPFTF
BÒPOPEFKBNPTEFWFSVOBZPUSBWF[FOMB57EFMFTDBQBSBUFP
EFMSFTUBVSBOUF
PFOFMTPGÃEFMBDBTB
PFOMBJNBHJOBDJÓOUBM
GPUPHSBGÎBOPDJUBUBOUPFMFTUBMMJEPEFMBTUPSSFT
TJOPFMFWFOUPEF
TVNFEJBDJÓO
FMBDPOUFDJNJFOUPDPNPNFEJBDJÓO
MBNFEJBDJÓO
DPNPBDPOUFDJNJFOUP w
TUPOPRVJFSFEFDJSRVFZBOPIBZ
NÃTBDPOUFDJNJFOUPBMRVFEBSÊTUFTVCTVNJEPFOMBNFEJBDJÓO
2VJFSFEFDJSRVFMBNFEJBDJÓOBDPOUFDF
OPDFTBEFBDPOUFDFS
OP
EFKBEFDPJODJEJSMBNFEJBDJÓOFOFMBDPOUFDJNJFOUPZFMBDPOUF-
DJNJFOUPFOMBNFEJBDJÓOv15.
-PTQSPCMFNBTPBQPSÎBTRVFFTUBTDVFTUJPOFTQMBOUFBOBMB
EJTDJQMJOB
PCMJHBBIJTUPSJBEPSFTFIJTUPSJBEPSBTBSFJOJDJBSVOB
DPOGSPOUBDJÓO DSÎUJDB DPO FM DPOKVOUP EF MB USBEJDJÓO IJTUPSJP-
HSÃàDBPDDJEFOUBMTUBDPOGSPOUBDJÓOOFDFTBSJBNFOUFTJUÙBBMB
14 /FMMZ3JDIBSE
Fracturas de la memoria
#VFOPTJSFT
4JHMP99*EJUPSFT

.JHVFM7BMEFSSBNB
Modernismos historiográficos
4BOUJBHPEF$IJMF

1BMJOPEJB
8JMMZ5IBZFS
Tecnologías de la crítica
4BOUJBHPEF$IJMF

EJDJPOFT.FUBMFTQFTBEPT

15 8JMMZ5IBZFS
El fragmento repetido
4BOUJBHPEF$IJMF
EJDJPOFT.FUBMFT
29
QFTBEPT

QQ

IJTUPSJPHSBGÎB FO VO FTQBDJP EF JOUFSSPHBDJÓO QPTUNPEFSOP ZB
TFFOUJFOEBFTUBEFTJHOBDJÓOFOUÊSNJOPTQPTUOBDJPOBMFT FOVOB
DMBWFEFMFDUVSBDFSDBOBB+FBO'SBOÉPJT-ZPUBSEPB'SFESJD+B-
NFTPO

PZBTFMBFOUJFOEBFOUÊSNJOPTQPTUDPMPOJBMFTPEFDPMP-
OJBMFT FOVOBMÎOFBEFMFDUVSBRVFFODVFOUSBFOMPTUSBCBKPTEF
(BZBUSJ $IBLSBWPSUZ 4QJWBL Z8BMUFS .JHOPMP EPT GVFOUFT EF
QPTJDJPOBNJFOUPDFOUSBMFT

4FUSBUBFOPUSPTUÊSNJOPTEFJOTJTUJSFOSFNBSDBSFMHJSPDSÎ-
UJDP RVF BGFDUB IPZ B MB EJTDJQMJOB
FO BEWFSUJS DÓNP FTUF HJSP
DSÎUJDP USBTUPDB Z TVCWJFSUF MPT DJNJFOUPT NJTNPT EFM PSEFO EF
TVEJTDVSTP16TUFHJSPDSÎUJDPFOFMQFOTBNJFOUPIJTUPSJPHSÃàDP
DPOUFNQPSÃOFP UJFOF QVOUPT EF QBSUJEB NÙMUJQMFT
àMJBDJPOFT Z
MFHBEPTBBNCPTMBEPTEFMUMÃOUJDP
FOFM/PSUFZFOFM4VS
FO
VSPQB
TJB
¦GSJDBZNÊSJDB-BUJOB1PSMBNJTNBSB[ÓO
QVF-
EF PCTFSWBSTF RVF DVBMRVJFS USBEJDJÓO DSÎUJDB QPESÎB FWFOUVBM-
NFOUFTFSWJSEFQVOUPEFQBSUJEBEFMBDSÎUJDBEJTDJQMJOBS
DPOUBM
RVFFTUFQVOUPEFQBSUJEBTFBDBQB[EFJOUFSSPHBSZDPONPWFSMB
JOGSBFTUSVDUVSB DPODFQUVBM Z NFUBGÓSJDB RVF PSHBOJ[B MBT PQF-
SBDJPOFT EF DPOPDJNJFOUP EF MB IJTUPSJPHSBGÎB NPEFSOB :B TF
UPNFDPNPSFGFSFODJBBMBTUSBEJDJPOFTEFMQPTUFTUSVDUVSBMJTNP
GSBODÊTZFTUBEPVOJEFOTF
ZBTFUPNFDPNPQVOUPEFJOáFYJÓOEF
MBBDUVBMEJTDVTJÓOIJTUPSJPHSÃàDBMBDSÎUJDBEFMBSFQSFTFOUBDJÓO
IJTUÓSJDB
RVFUFÓSJDBTDPNP/FMMZ3JDIBSEP#FBUSJ[4BSMPIBO
WFOJEP EFTBSSPMMBOEP EF MBT QSÃDUJDBT DVMUVSBMFT MBUJOPBNFSJDB-
OBT EFTEF NFEJBEPT EF MPT BÒPT PDIFOUB17
TJFNQSF TF USBUB EF
JOUFSSPHBSMPTFGFDUPTEFSFQSFTFOUBDJÓOEFMBSB[ÓOIJTUÓSJDB
MPT
NPEPTEFQSPEVDDJÓOZSFQSPEVDDJÓOEFTVTQPMÎUJDBTEFJOUFS-
QSFUBDJÓO
OTÎOUFTJT
QPESÎBEFDJSTFRVFCBKPMBEFTJHOBDJÓOEFIJTUP-
SJPHSBGÎB QPTUNPEFSOB OP TF CVTDB PUSB DPTB RVF QSFTFOUBS VO
BNQMJPFTQFDUSPEFUSBCBKPTRVFUJFOFOÙOJDBNFOUFFODPNÙOMB
JEFBEFRVFFTQSFDJTPBCBOEPOBS
EFVOBWF[QPSUPEBT
FMQSP-
HSBNBNJNÊUJDPFOIJTUPSJPHSBGÎBTUFBCBOEPOPTVQPOFBCSB-
16 -VJT(EF.VTTZ FE

Balance historiográfico chileno. El orden del discur-so
y el giro crítico actual
4BOUJBHPEF$IJMF
EJDJPOFT'JOJT5FSSBF

17 1BSBFTUBDSÎUJDB
WÊBTF
/ÊTUPS(BSDÎB$BODMJOJ
jTUVEJPT$VMUVSBMFTyVO
TBCFS FO FTUBEP EF EJDDJPOBSJP v
/FMMZ 3JDIBSE FE

En torno a los es-tudios
culturales. Localidades, trayectorias y disputas
4BOUJBHP EF $IJMF

$-$40EJUPSJBM3$*4

QQ
30

[BSDJFSUPmodernismo historiográfico
NPEFSOJTNPRVFQPOESÎB
FO DPOUBDUP B MB EJTDJQMJOB IJTUÓSJDB DPO MBT BSUFT WJTVBMFT Z MB
MJUFSBUVSB
DPOFMDJOFZMPTNFEJPT
DPOMBTJNÃHFOFTZMPTEJT-
QPTJUJWPTNFEJBMFTTUFDPOUBHJP
RVFOPFTPUSBDPTBRVFMBFO-
USBEBEFMBEJTDJQMJOBFOFMTJHMP99* PUSPNPEPEFQMBOUFBSFM
MMBNBEPEF*NNBOVFM8BMMFSTUFJOBJNQFTBSMBTDJFODJBTTPDJBMFT

FT EFDJS
B TBDBSMBT EFM TJHMP 9*9

EFNBOEB FM FKFSDJDJP EF VOB
QSÃDUJDB BQPSÊUJDB
B MB WF[ JOEJTDJQMJOBEB Z EJTDJQMJOBS
SBEJDBM
ZDPOTFSWBEPSB
FYQFSJNFOUBMZUSBEJDJPOBM1SÃDUJDBEFMBBQP-
SÎB
EFVOQBTPJNQPTJCMFRVFFOFMFYUSFNPEFTVFKFSDJDJP
FO
FMFYUSFNJTNPEFTVSBEJDBMJEBE
QFSNJUJSÎBBCSJSMBEJTDJQMJOBB
UPEPBRVFMMPRVFFOTVUSBEJDJÓOJNQJEFMBTNVUBDJPOFT
MPTFO-
HFOESPT
MBNPOTUSVPTJEBE
MBTNFUBNPSGPTJT
-B BàSNBDJÓO EF VOB SFUÓSJDB EF MB GPSNB
EF VO EFWFOJS
cyborg IJTUPSJPHSÃàDP
FT MB BàSNBDJÓO EF VOB USBOTGPSNBDJÓO
ZB FO DVSTP FO MB EJTDJQMJOB
FT MB BDFQUBDJÓO EFM DBNCJP
EFM
DBNCJPSBEJDBM
DPNPWFDUPSQFSGPSNÃUJDPEFMBQSÃDUJDBIJTUP-
SJPHSÃàDBTUBBàSNBDJÓOFTUÃFOMBTBOUÎQPEBTEFBRVFMMBTSFWJ-
TJPOFTDPTNÊUJDBTEFMBIJTUPSJB
DPOTJTUFOUFTFOBHSFHBSOVFWPT
DBNQPTEFJOWFTUJHBDJÓOPOVFWBTGPSNBTEFQSFTFOUBDJÓOBMPT
QSPDFEJNJFOUPT Z MBT QSÃDUJDBT FTUBCMFDJEBT EF MB IJTUPSJPHSBGÎB
USBEJDJPOBMPDPOWFODJPOBMOPQPTJDJÓOBMPRVFQVFEBOQFOTBS
IJTUPSJBEPSFT QSPGFTJPOBMFT EF UFOEFODJB DPOTFSWBEPSB FO FQJT-
UFNPMPHÎB
DPNP (BCSJFM 4BMB[BS
$SJTUJÃO (B[NVSJ P .BOVFM
7JDVÒB
FTUBNVUBDJÓOEJTDJQMJOBSOPTVQPOFVOBNPEFSOJ[BDJÓO
EF MB EJTDJQMJOB
VOB QSPGFTJPOBMJ[BDJÓO EF TVT QSÃDUJDBT P VOB
QSPZFDDJÓO EF jSFTQPOTBCJMJEBE TPDJBMv FO TV RVFIBDFS IJTUP-
SJPHSÃàDP18.VDIPNFOPTTVQPOFSFQSPEVDJSWJFKBTGPSNBTEF
IBDFSIJTUPSJBFOOVFWPTGPSNBUPTNFEJBMFT
DPNPBMHVOPTIJT-
UPSJBEPSFTSFDJFOUFNFOUFIBODSFÎEPBàSNBSDPODJFSUPPSHVMMP
5BNQPDPTFUSBUBEFVODBNCJPEFFTDBMBFOMPTNPEPTEFPSHB-
18 -BJEFBEFVOQSPHSBNBEFSFTQPOTBCJMJEBETPDJBMFIJTUÓSJDBQBSBMBEJT-
DJQMJOB
FO UBOUP jDJFODJB TPDJBMv
TF SFWFMB QSPGVOEBNFOUF DPOTFSWBEPSB

BMOPDVFTUJPOBSFMTVQVFTUPBOUSPQPMÓHJDPRVFMBSJHFZEFUFSNJOB MBJEFB
EFIVNBOJEBE

ZBMOPSFWJTBSDSÎUJDBNFOUFMPTEJTQPTJUJWPTJOTUJUVDJPOBMFT
RVFMBTPQPSUBO6OàFMSFQSFTFOUBOUFEFFTUBQPTJDJÓODPOTFSWBEPSBFOMB
IJTUPSJPHSBGÎBDIJMFOBFT(BCSJFM4BMB[BS7ÊBTF
(4BMB[BS
j)JTUPSJPHSBGÎB
DIJMFOBTJHMP99*USBOTGPSNBDJÓO
SFTQPOTBCJMJEBE
QSPZFDDJÓOv
-VJT(EF
.VTTZ FE

Balance historiográfico chileno
PQDJU
QQ
31

OJ[BSZSFQSFTFOUBSMBQSÃDUJDBIJTUPSJPHSÃàDB
QVFT
FTUFDBNCJP
EF FTDBMB
BM OP DVFTUJPOBS MBT QPMÎUJDBT EF FONBSDBNJFOUP RVF
EFUFSNJOBOMBQSPEVDDJÓOEFMDPOPDJNJFOUPIJTUÓSJDP
EFKBàOBM-
NFOUFJOUBDUPFMOÙDMFPDPODFQUVBMZNFUBGÓSJDPRVFPSHBOJ[ÓFO
MBNPEFSOJEBEMBQSÃDUJDBZMBUFPSÎBIJTUPSJPHSÃàDB19.
4J MBT USBOTGPSNBDJPOFT FO FM PSEFO EFM EJTDVSTP EF MB EJT-
DJQMJOB DPOTUJUVZFO EFTQMB[BNJFOUPT P SVQUVSBT FO VO EFUFSNJ-
OBEPTJTUFNBEFDMBTJàDBDJÓOZSFQSFTFOUBDJÓOIJTUÓSJDB
TJFTUBT
SVQUVSBT P EFTQMB[BNJFOUPT CVTDBO SFEFàOJS JODFTBOUFNFOUF FM
SÊHJNFOEFWJTJCJMJEBEEFMBSFQSFTFOUBDJÓOIJTUPSJBEPSB
QPESÎB
BEWFSUJSTF
FOUPODFT
RVFMBIJTUPSJPHSBGÎBQPTUNPEFSOBOPCVTDB
TJOPMMBNBSMBBUFODJÓOTPCSFMBTQPMÎUJDBTEFFONBSDBNJFOUPZ
SFFONBSDBNJFOUPEFMBEJTDJQMJOBIJTUPSJPHSÃàDBQBSBJOUFSSVN-
QJSMBT EFàOJUJWBNFOUF 4J MBT USBOTGPSNBDJPOFT FO MB EJTDJQMJOB
QVFEFO TFS WJTUBT DPNP jTBMJEBT EF NBSDPv
DPNP RVJFCSFT Z
GSBDUVSBTFOMPTTJTUFNBTEFSFGFSFODJBDPORVFMPTIJTUPSJBEPSFT
ZMBTIJTUPSJBEPSBTBDPTUVNCSBOSFQSFTFOUBSFMNVOEP
MPTmo-dernismos
historiográficosQPSWFOJSEFMBIJTUPSJPHSBGÎBQPTUNP-
EFSOB QVFEFO TFS EFTDSJUPT
FOUPODFT
BOÃMPHBNFOUF
DPNP VO
DPOKVOUPTPTUFOJEPEFFTGVFS[PTQPSWPMWFSBJOUFSSPHBSSBEJDBM-
NFOUFMBIJTUPSJDJEBEEFMBIJTUPSJBOPUSBTQBMBCSBT
TJOPN-
CSFTQSPQJPTDPNP)BZEFO8IJUF
'SBOLOLFSTNJUZ.JDIFMEF
$FSUFBV JNQPOFO B MB EJTDJQMJOB VOB SFáFYJÓO TPCSF FMmedio

FTUPFT
TPCSFMBFTDSJUVSBZFMUFYUPIJTUÓSJDP
FMQSPQJPEFWFOJS
EFMBIJTUPSJPHSBGÎBQPTUNPEFSOBQBSFDFSÎBJNQPOFSOVFWBTSF-
MBDJPOFTBOBMÓHJDBT
OVFWPTDPOUBHJPT
OVFWPTQVOUPTEFGVHBT

OVFWPT SFQBSUPT Z USBZFDUPSJBT EF MP TFOTJCMFTÎ
TJ MB QSPCMF-
NÃUJDB EF MB jTBMJEB EF NBSDPv FO IJTUPSJPHSBGÎB SFNJUÎB FO MB
NPEFSOJEBEBMBJEFBEFSFWPMVDJPOFTIJTUPSJPHSÃàDBT
BEFTDSJCJS
OVFWBTPQFSBDJPOFTEFEFTFONBSDBNJFOUPZSFFONBSDBNJFOUP
EF MB SFQSFTFOUBDJÓO IJTUPSJBEPSB Z
QPS MP UBOUP
B JEFOUJàDBS
USBOTGPSNBDJPOFTQPMÎUJDBTFOMBQSPQJBSFQSFTFOUBDJÓOIJTUÓSJDB

MBQSPCMFNÃUJDBEFMNBSDPFOMBIJTUPSJPHSBGÎBQPTUNPEFSOBSF-
19 1BSB VOB EFDPOTUSVDDJÓO EF MB USBEJDJÓO FQJTUFNPMÓHJDB EPNJOBOUF FO MB
IJTUPSJPHSBGÎBNPEFSOB
.JHVFM7BMEFSSBNB
Posthistoria. Historiografía y
comunidad
4BOUJBHPEF$IJMF
1BMJOPEJB
-VJT(EF.VTTZ
j)JTUP-
SJPHSBGÎBT DPNQBSBEBT MAUPUBM DFSP EF MB IJTUPSJPHSBGÎB DIJMFOB BDUVBMv

ARBOR. Ciencia, pensamiento y cultura
$-999***
/ž
.BESJE

QQ
32

NJUJSÎB
FODBNCJP
BMBTVTQFOTJÓOEFUPEPNBSDPEFSFQSFTFOUB-
DJÓOIJTUÓSJDBTUBTVTQFOTJÓOPJOUFSSVQDJÓOEFMBQSPCMFNÃUJDB
EFMNBSDPFOIJTUPSJPHSBGÎBSFQFUJSÎB BMUFSÃOEPMB
MBQSPCMFNÃ-
UJDBEFMBQJOUVSBEFMTJHMPQBTBEP%FBIÎRVFTJMBQSFHVOUBQPS
FMmedioFOQJOUVSBGVFFMNFEJPRVFMBEJTDJQMJOBEFMDBCBMMFUF
TF EJP B TÎ NJTNB QBSB TBMJS EFM NBSDP Z EF MB SFQSFTFOUBDJÓO
QJDUÓSJDB
QVFEFEFDJSTFEFJHVBMNBOFSBRVFMBQSFHVOUBQPSFM
medioFOIJTUPSJPHSBGÎBTFSÃFMNFEJPRVFMBEJTDJQMJOBTFEBSÃB
TÎNJTNBQBSBBCBOEPOBSFMQSPHSBNBNJNÊUJDPZBUSFWFSTFEF
VOBWF[QPSUPEBTBDPSUFKBSTVQSPQJPàO-BDSJTJTEFMBQJOUVSB
EFDBCBMMFUFEFMBRVFEBDVFOUB$MFNFOU(SFFOCFSHBàOFTEFMPT
BÒPTDVBSFOUBEFMTJHMPQBTBEP20
GVFBMNJTNPUJFNQPVOFTGVFS-
[PEFTFTQFSBEPEFMPTBSUJTUBTQPSMMFWBSBTVTMÎNJUFTMBTQSPQJF-
EBEFTEFQMBOJUVEZGSPOUBMJEBEEFMBQJOUVSBCJEJNFOTJPOBM3F-
TVMUBFWJEFOUFRVFFMDPMPSZMBQJODFMBEBTFWVFMWFOJNQPSUBOUFT
FOQJOUVSBTPMPDVBOEPFMJMVTJPOJTNPSFUSPDFEJÓDPNPPCKFUJWP
EFMBQJOUVSBZMBNJNFTJTSFUSPDFEJÓDPNPUFPSÎBEFàOJUPSJBEFM
BSUF¼OJDBNFOUFDVBOEPMBQJOUVSBFOTÎNJTNBMMFHÓBTFSVO
àONÃTRVFVONFEJP
ZDVBOEPMBQJODFMBEBJOEJDÓRVFTFEFCÎB
NJSBSMBQJOUVSBBOUFTRVFNJSBSBUSBWÊTEFFMMB
FOFMTFOUJEPFO
RVFjBUSBWÊTEFvJNQMJDBUSBOTQBSFODJB
MBQJOUVSBTFMJCFSÓEF
MBSFQSFTFOUBDJÓOZTFWPMWJÓBCTUSBDUBFOVOTFOUJEPNBUFSJBMJT-
UB-BHÊOFTJTEFMPBCTUSBDUPFOMBQJOUVSBNPEFSOJTUBFTBTÎMB
HÊOFTJT EF MP BCTUSBDUP NBUFSJBM
EPOEF MBT QSPQJFEBEFT GÎTJDBT
EFMBQJOUVSBmTVGPSNB
TVTVQFSàDJFQMBOB flat surface

TVNB-
UFSJBmTFWVFMWFOMBFTFODJBJOFWJUBCMFEFMBQJOUVSBDPNPBSUF21.
SUIVS%BOUPIBPCTFSWBEP
DPODJFSUBTPSQSFTB
RVFFMMFHBEP
EFMNPEFSOJTNPTFIBJEFOUJàDBEPFOUJFNQPTSFDJFOUFTDPOjMB
NVFSUF EF MB QJOUVSBv TUB JEFOUJàDBDJÓO OP FT B[BSPTB
QVFT

FMMBOPFYQSFTBTJOPDPOPUSBTQBMBCSBTMBSFWPMVDJÓONFEJBMRVF
20 $MFNFOU(SFFOCFSH
j5IF$SJTJTPGUIFBTFM1JDUVSFv
The Collected Essays
and Criticism
WPM
Arrogant Purpose, 1945-1949
$IJDBHP
5IF6OJWFS-
TJUZPG$IJDBHP1SFTT

QQ1BSBVOBFYQPTJDJÓODSÎUJDBEFMBT
UFTJTEF(SFFOCFSH
WÊBTF
SUIVS%BOUP
j.PEFSOJTNBOEUIF$SJUJRVFPG
1VSFSU5IF)JTUPSJDBM7JTJPOPG$MFNFOU(SFFOCFSHv
After the End of
Art. Contemporary Art and the Pale of History
1SJODFUPO
1SJODFUPO6OJ-
WFSTJUZ1SFTT

QQ
21 SUIVS %BOUP
j.PEFSOJTN BOE UIF $SJUJRVF PG 1VSFSU5IF )JTUPSJDBM
7JTJPOPG$MFNFOU(SFFOCFSHv
After the End of Art
PQDJU
Q
33

BGFDUBIPZBMBQJOUVSBZBMBTBSUFTWJTVBMFTZ
QPSFYUFOTJÓO
BMB
IJTUPSJPHSBGÎBZMBTEJTDJQMJOBTTPDJBMFT
OVOFTGVFS[PQPSEFTBSSPMMBSVOBOÃMJTJTEFMUFYUPIJTUÓSJDP
DPNPUPUBMJEBEEFTFOUJEP
'SBOLOLFSTNJUIBQSPQVFTUPFYB-
NJOBSSFDJFOUFNFOUFMBOBSSBDJÓOIJTUPSJPHSÃàDBEFTEFMBQFST-
QFDUJWBEFMBTBSUFTWJTVBMFT
EJGFSFODJBOEPBTÎFMBOÃMJTJTQJDUÓ-
SJDPEFMUFYUPEFVOBOÃMJTJTMJUFSBSJPDFOUSBEPFOMBTFTUSVDUVSBT
EFTJHOJàDBDJÓOEFMBOBSSBDJÓO1BSBFMMP
EJTUJOHVFFMTJHOJàDB-
EPjJOUFHSBMvEFMUFYUPIJTUPSJPHSÃàDPEFMTJHOJàDBEPQBSDJBMEF
DBEB VOB EF TVT PSBDJPOFT P FTUSVDUVSBT WFSCBMFT %F BDVFSEP
BFTUBEJTUJODJÓO
FMTJHOJàDBEPJOUFHSBMEFMUFYUPDPOTUJUVJSÎBMB
jTVTUBODJBOBSSBUJWBvEFMBSFQSFTFOUBDJÓOIJTUÓSJDB
FTUBTVTUBO-
DJBWFOESÎBBTFSVOanalogonEFTJHOJàDBDJÓOEFMBQJOUVSBO
QBMBCSBTEFOLFSTNJU
jZBRVFMBTVTUBODJBOBSSBUJWBDPNPTJH-
OPEF VOBQBSUFEF
MBSFBMJEBEIJTUÓSJDBFTFYQSFTBEBTPMPFO
FMUFYUPIJTUÓSJDPUPUBM
MBQSFHVOUBQPSMBAEFOTJEBEEFMTJTUFNB
EFTJHOJàDBDJÓOIJTUÓSJDPOPFTVOBQSFHVOUBQPSMBSFMBDJÓOFO-
USF EJTUJOUPT FMFNFOUPT EF VO NJTNP UFYUP IJTUÓSJDP
TJOP VOB
QSFHVOUBQPSFMVOJWFSTPOBSSBUJWPEFMUFYUPMFRVJWBMFOUFIJT-
UPSJPHSÃàDPEFMPTTJHOPTQJDUÓSJDPTRVFDPNQPOFOMBQJOUVSBFT
FMUFYUPIJTUÓSJDPJOUFHSBMv22MHJSPJOUSPEVDJEPEFFTUFNPEP
FOMBUFPSÎBIJTUPSJPHSÃàDBPCMJHBSÎBBFYBNJOBSMBIJTUPSJBEFMB
SFQSFTFOUBDJÓOIJTUPSJBEPSBBMBMV[EFMBIJTUPSJBEFMBSFQSFTFO-
UBDJÓO QJDUÓSJDB %JDIP FYBNFO EFCFSÎB QPOFS FO FM DFOUSP EFM
BOÃMJTJTMBTOPDJPOFTEFjUFYUPvZjDVBESPvDPOUJOVBNFOUFWJO-
DVMBEBTBFTBTIJTUPSJBTEFMBSFQSFTFOUBDJÓOTÎ
ZBDPHJFOEPMB
SFUÓSJDBEFMNBSDPRVFFTUBTIJTUPSJBTEFKBOFOUSFWFS
MBIJTUPSJB
EFMBQJOUVSBTFSÎBJOEJDBUJWBEFMBIJTUPSJBEFMBIJTUPSJPHSBGÎB:
NÃTBÙO
FMNJTNPDVFTUJPOBNJFOUPEFMDVBESPDPNPFTRVFNB
QSPEVDUJWPEFMBSFQSFTFOUBDJÓOQJDUÓSJDBQPESÎBTFÒBMBSTFBRVÎ
DPNPJOEJDBUJWPEFVODVFTUJPOBNJFOUPTJNJMBSEFMBOPDJÓOEF
UFYUPDPNÙONFOUFBTPDJBEBBMBMÓHJDBEFMBSFQSFTFOUBDJÓOIJT-
UPSJBEPSB
22 'SBOL OLFSTNJU
j4UBUFNFOUT
5FYUT BOE 1JDUVSFTv
'SBOL OLFSTNJU Z
)BOT ,FMMOFS FET

A New Philosophy of History
$IJDBHP
5IF 6OJWFS-
TJUZ PG $IJDBHP 1SFTT

QQ 'SBOL OLFSTNJU
Experiencia
histórica sublime
4BOUJBHPEF$IJMF
1BMJOPEJB

34

QFTBSEFMBTJMVNJOBEPSBTDPOFYJPOFTRVFQSPNFUFFMBOÃ-
MJTJT EFOLFSTNJU
FTUF FO ÙMUJNB JOTUBODJB EFCF TFS TVQFSBEP

QVFT
OPBEWJFSUFDPODMBSJEBEMBTDPOTFDVFODJBTRVFFMHJSPBCT-
USBDUPNBUFSJBMUFOESÎBQBSBMBQJOUVSBZMBIJTUPSJPHSBGÎBOMB
QJOUVSBMBTDPOTFDVFODJBTEFFTUFHJSPZBIBOTJEPBNQMJBNFOUF
TFÒBMBEBTZEJTDVUJEBT
BMQVOUPEFRVFSUIVS%BOUPIBMMFHBEP
BBTPDJBSFMTVSHJNJFOUPEFMNPEFSOJTNPFOMBQJOUVSBDPOjMB
NVFSUFEFMBQJOUVSBvOIJTUPSJPHSBGÎB
FNQFSP
MBTDPOTFDVFO-
DJBTEFMHJSPIBDJBMBBCTUSBDDJÓOZMBNBUFSJBMJEBEBÙOOPIBO
TJEPTVàDJFOUFNFOUFUFNBUJ[BEBTFOMPTEFCBUFTEFMBQSÃDUJDBZ
MBUFPSÎBIJTUPSJPHSÃàDBTUPTEFCBUFTTJCJFOFTUÃOÎOUJNBNFOUF
BTPDJBEPTBMBSFWPMVDJÓONFEJBMFODVSTP
ZBMBBUFODJÓOSFOP-
WBEB RVF MBT USBOTGPSNBDJPOFT UFMFUFDOPMÓHJDBT QSPEVDFO FO MB
JEFB EF IJTUPSJB EFM QFOTBNJFOUP IJTUPSJPHSÃàDP NPEFSOP
BÙO
OPQFSDJCFOMPTRVJFCSFTFQJTUFNPMÓHJDPTRVFTVQPOFJOUFSSPHBS
FMUFYUPZMBFTDSJUVSBFOIJTUPSJPHSBGÎB
4JO EVEB BMHVOB
FM àO EFM QSPHSBNB NJNÊUJDP UFSNJOBSÃ

UBSEFPUFNQSBOP
QPSQPOFSFOFMDFOUSPEFMBEJTDVTJÓOIJTUPSJP-
HSÃàDBMBIJTUPSJDJEBEEFMBIJTUPSJBTUBQSFHVOUBSFOPWBEBQPS
MBIJTUPSJDJEBEEFMBEJTDJQMJOBFTVOBEFMBTDPOTFDVFODJBTNÃT
WJTJCMFTEFMHJSPBCTUSBDUPNBUFSJBMFOIJTUPSJPHSBGÎB
HJSPRVFBM
DPMPDBSFOFMGPOEPEFMBEJTDVTJÓOMBNBUFSJBMJEBEEFMBTQSÃD-
UJDBTEFMBJOTUJUVDJÓOIJTUPSJBEPSB
BMJOUFSSPHBSQBDJFOUFNFOUF
MPTFGFDUPTRVFFTUBTQSÃDUJDBTQSPEVDFO
MPTSFHÎNFOFTEFWFSEBE
BRVFEBOMVHBS
OPTPMPCVTDBJOUFSSPHBSFMNBSDPRVFPSHBOJ[B
FTUBTQSÃDUJDBTEFTJHOJàDBDJÓO
TJOPRVFBWBO[BOEPVOQBTPNÃT
BMMÃ
FTGPS[ÃOEPTFQPSWJTJCJMJ[BSFMNBSDPJOWJTJCMFRVFPSHBOJ-
[BUPEPNBSDPWJTJCMF
CVTDBàOBMNFOUFJOUFSSVNQJSZBMUFSBSMB
QSÃDUJDBIJTUPSJPHSÃàDBEFMBSFQSFTFOUBDJÓOIJTUÓSJDB
M HJSP DSÎUJDP FO IJTUPSJPHSBGÎB
FO TÎOUFTJT
OP FT NÃT RVF
PUSPNPEPEFOPNCSBSFTUBBUFODJÓOEFTWFMBEBTPCSFMPTHFTUPT
NÃTTJNQMFTEFMPàDJPUFODJÓORVFIBEFWVFMUPBMBDJFODJBIJT-
UÓSJDBBMBFEBEEFTVJOPDFODJB
PCMJHÃOEPMBBQMBOUFBSOVFWB-
NFOUFUPEBTFTBTQSFHVOUBTRVFEFTFONBTDBSBOTVJOPDFODJB
MBT
TJNQMFTQSFHVOUBTEFTVJOPDFODJByRVÊFTMFFS
yRVÊFTFTDSJCJS
1MBOUFBSFTUBTQSFHVOUBTOPTVQPOFBàSNBSVOBFTFODJBjNÃT
SFBMvEFMBIJTUPSJB
OPFOUSBÒBPGSFDFSVOBSFTQVFTUBQPTUNPEFS-
OBBMBDMÃTJDBQSFHVOUB¿qué es la historia?1MBOUFBSFTUBTQSF-
35

HVOUBTFTTJNQMFNFOUFPUSPNPEPEFWFMBSMBWPDBDJÓOJONVOJ-
UBSJBEFMBSB[ÓOIJTUPSJBEPSB1MBOUFBSFTUBTQSFHVOUBTFTRVJ[ÃT
TPMPVOBNBOFSBEJGFSFOUFEFJOJDJBSFMUSBCBKPEFEFDPOTUSVDDJÓO
EFMBQPMÎUJDBJEFOUJUBSJBRVFNPOUBHVBSEJBFOMBTGSPOUFSBTJOUF-
SJPSFTEFMBEJTDJQMJOB
WJHJMBOEPZSFQSJNJFOEPUPEPBRVFMMPRVF
BNFOB[BBDUVBMPQPUFODJBMNFOUFFMPSEFOEFTVTBCFS
36

**
$÷öëíøü÷û
37

1÷úýöéöýíþéïúéõĕüñëé
ìíôéðñûü÷úñ÷ïúéîġé
*öüú÷ìýëñúýöéïúéõĕüñëéQPTUNPEFSOBFOIJTUPSJPHSBGÎBFT
JOUFOUBS EBS DVFOUB EF MBT NVUBDJPOFT EFM QBSBEJHNB QPMÎUJDP
àMPTÓàDPIJTUPSJPHSÃàDPTPCSFMBIJTUPSJBTUBTNVUBDJPOFTEF-
NBOEBOOFDFTBSJBNFOUFMBFMBCPSBDJÓOEFVOWPDBCVMBSJPIJTUP-
SJPHSÃàDPDBQB[EFBQSFIFOEFSMPTRVJFCSFTZUSBOTGPSNBDJPOFT
RVFMBEJTDJQMJOBTVGSFDVBOEPZBOPQVFEFBQPZBSTFFOMPTTV-
QVFTUPT FQJTUFNPMÓHJDPT Z POUPMÓHJDPT RVF PSHBOJ[BSPO TV USB-
CBKPFOMBNPEFSOJEBE%JTDVUJFOEPFTUBTDFTVSBTZNVUBDJPOFT

JOUFOUBOEPQFOTBSFMDBNQPEFQSPCMFNÃUJDBTRVFMBQPTUNPEFS-
OJEBEJNQPOFBUPEPQFOTBNJFOUPEFMPQPMÎUJDP
OUPOJP/FHSJ
IBEFTDSJUPFTUFUJFNQPDPNPVOUJFNQPEFUSBOTJDJÓORVFFYJHF
MBFMBCPSBDJÓOEFDPODFQUPTZDBUFHPSÎBTDBQBDFTEFWJTMVNCSBS
MBTUSBOTGPSNBDJPOFTRVFIPZBGFDUBOBMBTTPDJFEBEFTDPOUFN-
QPSÃOFBT1OFMPSEFOEFMBTIVNBOJEBEFT
JOWFTUJHBEPSBTDPNP
.JFLF#BM2P%POOB)BSBXBZ3SFDMBNBO
EFJHVBMNPEP
MBOFDF-
TJEBEEFGPSKBSOVFWBTIFSSBNJFOUBTDPODFQUVBMFTQBSBMPTDBN-
CJPTFODVSTP
-BUBSFBFTJONFOTBZEFNBOEBHJHBOUFTDPTFTGVFS[PTDPMFD-
UJWPTEFJOWFTUJHBDJÓO
DSVDFTEFGSPOUFSBT
WJBKFTFOUSFDPODFQ-
UPT
GPSNBT JOÊEJUBT EF DPOUBHJP FOUSF EJTDJQMJOBT
NVUBDJPOFT
JOTPTQFDIBEBT
SJUVBMFT EF QBTP
TBDSJàDJPT Z USBOTàHVSBDJPOFT

ZUBNCJÊOFYUJODJPOFT-BUFBUSBMJEBERVFFYJHFOFTUBTSFQSFTFO-
1 OUPOJP/FHSJ
La fábrica de porcelana. Una nueva gramática de la política

39
#BSDFMPOB

2 .JFLF#BM
Conceptos viajeros en las humanidades. Una guía de viaje
.VS-
DJB
$FOEFBD

3 %POOB )BSBXBZ
The Companion Species Manifesto. Dogd, People, and
Significant Otherness
$IJDBHP
1SJDLMZ1BSBEJHN1SFTT

UBDJPOFT
MBESBNBUVSHJBRVFSFDMBNBQPOFSFONPWJNJFOUP
MBT
performancesBRVFEBOMVHBS
PCMJHBOBFMBCPSBSVOQFOTBNJFO-
UPRVFCVTRVFSFTQPOEFSFOUPEPNPNFOUPBMBTFYJHFODJBTRVF
JNQPOFMBDPOTUJUVDJÓOQPMÎUJDBFQJTUFNPMÓHJDBEFMQSFTFOUFTUB
FYJHFODJBEFQFOTBNJFOUPIBIFDIPEFFTUFUJFNQPEFUSBOTJDJÓO
VO UJFNQP EF NBOJàFTUPTTÎ
MB UFNQPSBMJEBE EF un es tiem-po
de decirQBSFDFDPJODJEJSDPOMBUFNQPSBMJEBEEFun decir el
tiempo#BKPFMNPEPEFDMBSBUJWP
TFCVTDBBàSNBSMBPTBEÎBZ
MBBVEBDJBEFVOQFOTBNJFOUP
TFCVTDBIBDFSMVHBSBVOBQBTJÓO
EFM DPODFQUP RVF TF FKFSDF FO MB VSHFODJB EF VO DPOUSBUJFNQP

DPOUSB UPEP Z UPEPT
Z RVF SFDMBNB QBSB TÎ ÙOJDBNFOUF MB OP
DPOUFNQPSBOFJEBEenMPDPOUFNQPSÃOFP
-B QBTJÓO EFM DPODFQUP
EF DPODFQUPT RVF TF FTUSVDUVSBO B
USBWÊT EF BGFDUPT Z QFSDFQDJPOFT
EFNBOEB OFDFTBSJBNFOUF VO
USBCBKP DPO MBT QBMBCSBT RVF TJFNQSF TF QSFTFOUB CBKP GPSNBT
BQPSÊUJDBT P BOUJOÓNJDBT 1VFT
FTUF USBCBKP
FTUB QBTJÓO
FTUÃ
TJFNQSFBUSBQBEBFOVOEPCMFNPWJNJFOUPEFDPOTUSVDDJÓOZEF-
DPOTUSVDDJÓO
EFDPSUFZDPOUJOVJEBE
EFQFSNBOFODJBZUSBOTGPS-
NBDJÓO
EFJNQPTJCJMJEBEZQPTJCJMJEBE
UFOEJFOEP B FTUBT EJàDVMUBEFT
BEWJSUJFOEP MPT QSPCMFNBT
RVF DPOMMFWB MB QSPQPTJDJÓO EF VOB OVFWB HSBNÃUJDB IJTUPSJP-
HSÃàDBEFSBÎ[QPTUNPEFSOB
FTRVFCBKPFMUÊSNJOPConceptos
TFIBRVFSJEPEBSÙOJDBNFOUFÊOGBTJTEFMFDUVSB
TFÒBTPNBSDBT
EJTUJOUJWBTEFPUSBGPSNBEFQFOTBNJFOUP
EFVOBQSÃDUJDBIJTUP-
SJPHSÃàDBRVFJOUFOUBQPSUPEPTMPTNFEJPTBQSFIFOEFSMBDFTVSB
EFMPQPTUNPEFSOP
RVFTFFTGVFS[BQPSSFHJTUSBSMBFOVOOVFWP
MFOHVBKF
FOMBTJNQSFTJPOFTZTPCSFJNQSFTJPOFTEFVOBNFNPSJB
OFDFTBSJBNFOUFGSBHNFOUBSJBZQBSDJBM
1BSBGSBTFBOEP B (BZBUSJ 4QJWBL4
QPESÎB BEWFSUJSTF RVF MB
TFDDJÓOConceptos
FOUPEPMPRVFUJFOFEFjGBDDJÓOv
jCBOEBv
PjFTDVFMBv
FTTJNQMFNFOUFVONPEPQBSUJEJTUBEFMMBNBSBMB
BDDJÓO
EFJODJUBSBMPTKÓWFOFTJOWFTUJHBEPSFTFJOWFTUJHBEPSBTB
RVFTFEFDJEBOEFVOBCVFOBWF[BEBSMBFTQBMEBBVOBIJTUP-
SJPHSBGÎBGVOEBEBFOFMTJHMP9*9
ZDPNJFODFOBUSBCBKBSFOMB
SFEBDDJÓOEFVOOVFWPWPDBCVMBSJPQPTUNPEFSOPEFMBIJTUPSJP-
4 (BZBUSJ$IBLSBWPSUZ4QJWBL
Muerte de una disciplina
4BOUJBHPEF$IJMF

40
1BMJOPEJB

HSBGÎB RVF CVTRVF SFTQPOEFS B MPT EFTBGÎPT Z MBT VSHFODJBT EFM
UJFNQPQSFTFOUF
TUFWPDBCVMBSJP
FTUFOVFWPMÊYJDPIJTUPSJPHSÃàDPTJRVJFSF
SFBMNFOUFJNQPOFSTFFOMBEJTDJQMJOBEFCFSÃDPOTUJUVJSTFBQBSUJS
EF VOB PUSB HSBNÃUJDB IJTUPSJPHSÃàDB
EF VOB OVFWB GPSNB EF
QFOTBSDPOTUJUVJEBZPSHBOJ[BEBBUSBWÊTEFVOBQSÃDUJDBQBSB-
EJHNÃUJDB
RVFUFOHBQPSPCKFUJWPIBDFSJOUFMJHJCMFVOBTFSJFEF
GFOÓNFOPTDVZPQBSFOUFTDPGPS[PTBNFOUFFTUÃGVFSBEFMDBNQP
EFWJTJÓOEFMBIJTUPSJPHSBGÎBUSBEJDJPOBM
41

43
ë÷öüíëñõñíöü÷
Una manera de FYQMJDBS MP
RVF TJHOJàDB FM QPTUNPEFSOJT-
NPFTEFDJSRVFFTVOBàMPTPGÎB
EFMBDPOUFDJNJFOUP
ZVONPEP
EF FYQMJDBS MP RVF TJHOJàDB MB
IJTUPSJPHSBGÎB QPTUNPEFSOB FT
EFDJSRVFFTVOBIJTUPSJPHSBGÎB
EFMBDPOUFDJNJFOUPOUBMEFT-
DSJQDJÓO
MP GVOEBNFOUBM FT MB
OPDJÓO EF jBDPOUFDJNJFOUPv

RVF
FO BSBT EF MB CSFWFEBE

QVFEF EFTDSJCJSTF DPNP
VO
BDPOUFDJNJFOUP OP FT FYBDUB-
NFOUFMPRVFPDVSSF
RVFFTMP
RVF MB QBMBCSB JOHMFTB TVHJFSF
event

TJOP BMHP EBEP en MP
RVF PDVSSF
BMHP RVF IB TJEP
FYQSFTBEP P SFBMJ[BEP
P B MP
RVFTFMFIBEBEPGPSNBFOMP
PDVSSJEP O PUSBT QBMBCSBT

FM BDPOUFDJNJFOUP OP FT BMHP
QSFTFOUF
TJOP BMHP RVF CVTDB
EBSTF FO MP RVF FTUÃ QSFTFOUF
6O BDPOUFDJNJFOUP OP FT VO
IFDIP
TJOP BMHP RVF BDUÙB FO
VOIFDIP-PTBDPOUFDJNJFOUPT
TF SFBMJ[BO FO MPT IFDIPT
BE-
RVJFSFOBDUVBMJEBEZQSFTFODJB
FOFMMPT
QFSPTJFNQSFEFGPSNB
QSPWJTJPOBM Z NPEJàDBCMF
EF
NPEPRVFMBJORVJFUVEEFMáVJS
EFMPTIFDIPTTFFYQMJDBBUSB-
WÊTEFMPTBDPOUFDJNJFOUPTRVF
BMCFSHBO 3FTQFDUP B TV UFN-
QPSBMJEBE
MPT BDPOUFDJNJFO-
UPT TJO FTUBS OVODB QSFTFOUFT
QBSFDFO SFDMBNBS VO QSFTFOUF

CVTDÃOEPMP Z EFTCPSEÃOEPMP
BMBWF[%FTEFDJFSUBQFSTQFD-
UJWB EFDPOTUSVDUJWB
MPT BDPO-
UFDJNJFOUPT UJFOFO MB FTUSVD-
UVSB EF MB QSPNFTB
EF MP RVF
%FSSJEB MMBNB MP JNQSFWJTJCMF
jQPSWFOJSv à venir
OPUSBT
QBMBCSBT
MBT EFMBJO #BEJPV

MPTBDPOUFDJNJFOUPTTPOTJOHV-
MBSJEBEFTJSSFEVDUJCMFT
jGVFSB
EFMBMFZv EF MBT TJUVBDJPOFT
MBJO#BEJPV
L’Ethique

-B EJTDVTJÓO UFÓSJDB DPO-
UFNQPSÃOFB TPCSF MB OPDJÓO EF
BDPOUFDJNJFOUP UJFOF QPS GVFO-
UFT QSJODJQBMFT MBT Tesis TPCSF
MB IJTUPSJB EF8BMUFS #FOKBNJO

MBT àMPTPGÎBT EF (JMMFT %FMFV[F
GVOEBNFOUBMNFOUF
La lógica

del sentido

MBJO#BEJPV QSJO-
DJQBMNFOUF TPCSF UPEP TVT EPT
jHSBOEFTvMJCSPTTPCSFFMBDPO-
UFDJNJFOUPEl ser y el aconteci-miento
y Lógica de los mundos

Z +BDRVFT %FSSJEB Fuerza de
ley y Espectros de Marx
OMB
EJTDVTJÓOIJTUPSJPHSÃàDB
QVFEF
DPOTJEFSBSTF RVF MB SFáFYJÓO
QSJODJQBM EF )BZEFO 8IJUF Z
'SBOL OLFSNJTU IB HJSBEP FO
MPT ÙMUJNPT BÒPT FO UPSOP B MB
QSFHVOUBQPSFMBDPOUFDJNJFOUP
FO MB OBSSBDJÓO IJTUPSJPHSÃàDB
O FTUF TFOUJEP
DFOUSBMFT B MB
EJTDVTJÓOIJTUÓSJDBTFSÎBOMPTFO-
TBZPTEF)BZEFO8IJUFDPOUFOJ-
EPTFOFigural Realism

ZFMUFYUPQJPOFSPEFOLFSTNJU

Narrative Logic

O PUSBT QBMBCSBT
CJFO
QVFEF BàSNBSTF RVF MB EJTUJO-
DJÓO FOUSF IFDIPT Z TJHOJàDB-
EPT
VTVBMNFOUF DPOTJEFSBEB
DPNPVOBCBTFEFMSFMBUJWJTNP
IJTUÓSJDP
OPUJFOFPUSPPCKFUJ-
WP FO )BZEFO 8IJUF Z 'SBOL
OLFSTNJU RVF EBS MVHBS B MB
QSFHVOUB QPS FM BDPOUFDJNJFO-
UP FO MB IJTUPSJB 1VFT
FT MB
NJTNB OBUVSBMF[B BOÓNBMB
EF MPT BDPOUFDJNJFOUPT
TV FT-
UBS GVFSBEFMBMFZ EF MB TJUVB-
DJÓO MB RVF PCMJHB B QMBOUFBS
MB QSFHVOUB QPS MB GVODJÓO
EFM TJHOJàDBEP BTJHOBEP B MPT
BDPOUFDJNJFOUPT %FTEF FTUB
QFSTQFDUJWBMPTIFDIPTTPOVOB
44
GVODJÓO EFM TJHOJàDBEP BTJH-
OBEP B MPT BDPOUFDJNJFOUPT
Z
OP VO EBUP QSJNBSJP RVF EF-
UFSNJOB RVÊ TJHOJàDBEPT QVF-
EB UFOFS VO BDPOUFDJNJFOUP
.ÃTBÙO
DPNPFTDSJCF8IJUF

FM BDPOUFDJNJFOUP IJTUÓSJDP

USBEJDJPOBMNFOUF DPODFCJEP
DPNP VO BDPOUFDJNJFOUP RVF
GVF OP TPMP PCTFSWBCMF TJOP
UBNCJÊOPCTFSWBEP
FTQPSEF-
àOJDJÓOVOBDPOUFDJNJFOUPRVF
ZBOPFTNÃTPCTFSWBCMFZ
QPS
UBOUP
OP QVFEF TFSWJS DPNP
PCKFUPEFVODPOPDJNJFOUPUBO
TFHVSPDPNPFMEFMPTBDPOUF-
DJNJFOUPTQSFTFOUFT
MPTDVBMFT
BÙO QVFEFO TFS PCTFSWBEPT
1FSP FT BRVÎ
DPOUJOVB 8IJUF

EPOEFMBEJTUJODJÓOFOUSFFMIF-
DIP Z FM BDPOUFDJNJFOUP EFCF
TFS TVCSBZBEB -B OPDJÓO EF
BDPOUFDJNJFOUP IJTUÓSJDP IB
TVGSJEPVOBUSBOTGPSNBDJÓOSB-
EJDBMDPNPVOSFTVMUBEPEFMB
PDVSSFODJBFOOVFTUSPTJHMPEF
BDPOUFDJNJFOUPTEFVOBMDBODF

FTDBMB Z QSPGVOEJEBE JOJNBHJ-
OBCMFT QBSB IJTUPSJBEPSFT EF
PUSPTUJFNQPTZEFMEFTNBOUF-
MBNJFOUPEFMDPODFQUPEFBDPO-
UFDJNJFOUPDPNPPCKFUPEFVO
UJQP FTQFDÎàDBNFOUF DJFOUÎà-
DP EF DPOPDJNJFOUP )BZEFO
8IJUF
El texto histórico como
artefacto literario
-BT USBOT-
GPSNBDJPOFT UFMFUFDOPNFEJÃ-
UJDBTEFMBTPDJFEBEDPOUFNQP-

SÃOFBTVQPOFO
OFDFTBSJBNFOUF

USBOTGPSNBDJPOFT P GSBDUVSBT
JOJNBHJOBCMFTFOMPTNPEPTEF
SFHJTUSP
DPOTJHOBDJÓO
MFDUVSB
F JOUFSQSFUBDJÓO EF MPT BDPO-
UFDJNJFOUPT TUB BàSNBDJÓO
JODVNCF QSJODJQBMNFOUF TPCSF
UPEP B MB IJTUPSJB
TJ TF IB EF
BEWFSUJS RVF MB EJTDJQMJOB IJT-
UPSJPHSÃàDB
DPNPFTDSJUVSBEFM
UJFNQP
OPFTTJOPFMSFTVMUBEP
EF VOB SFWPMVDJÓO UFMFUFDOP
NFEJÃUJDB .JHVFM7BMEFSSBNB

Heródoto y lo insepulto

1PS PUSB QBSUF
MB QSPQJB
EJTUJODJÓO FOUSF MPT BTQFD-
UPT GFOPNÊOJDPT EFM BDPO-
UFDJNJFOUP TV FYUFSJPS
Z
TV TFOUJEP P TJHOJàDBEP TV
JOUFSJPS
IB TJEP TFSJBNFOUF
DVFTUJPOBEB FO MBT EJTDVTJP-
OFTDPOUFNQPSÃOFBTMTJHOJ-
àDBEPEFMPTBDPOUFDJNJFOUPT
OP QVFEF EJTUJOHVJSTF EF TV
PDVSSFODJB
QFSPFTUBFTJOFT-
UBCMF
áVJEB
GBOUBTNBHÓSJDB
5BO GBOUBTNBHÓSJDB DPNP FM
NPWJNJFOUPFODÃNBSBMFOUB

FM ÃOHVMP JOWFSTP
FMzoom y
MBSFJUFSBDJÓOEFMBTSFQSFTFO-
UBDJPOFTFOWJEFPEFMBFYQMP-
TJÓOEFMChallenger
FMBUBRVF
BMBT5PSSFT(FNFMBTFO/VF-
WB :PSL P FM CPNCBSEFP BM
1BMBDJPEFMB.POFEBFO4BO-
UJBHP EF $IJMF 5PEP JOUFOUP
EFQSPQPSDJPOBSVOBDPOTJEF-
SBDJÓO PCKFUJWB EFM BDPOUFDJ-
45
NJFOUP
TFBPGSFDJFOEPBCVO-
EBOUFT EFUBMMFT P VCJDÃOEPMP
FOTVDPOUFYUP
EFCFUFOFSFO
DVFOUB EPT DJSDVOTUBODJBT

FMOÙNFSPEFEFUBMMFTJEFOUJà-
DBCMFT FO DVBMRVJFS BDPOUFDJ-
NJFOUP TJOHVMBS FT QPUFODJBM-
NFOUFJOàOJUPZ
FMDPOUFYUP
EF DVBMRVJFS BDPOUFDJNJFOUP
TJOHVMBS FT JOàOJUBNFOUF FY-
UFOTPPBMNFOPTOPEFUFSNJ-
OBCMFEFNBOFSBPCKFUJWB
O $IJMF
MB EJTDVTJÓO
TPCSF FM FTUBUVUP EFM BDPO-
UFDJNJFOUP FO MB IJTUPSJB IB
DPCSBEP FO FM ÙMUJNP UJFNQP
HSBOJNQPSUBODJB1VFT
EFBM-
HVOBGPSNBQVFEFEFDJSTFRVF
FM TVSHJNJFOUP EF MB MMBNBEB
j/VFWB )JTUPSJBv OP FT TJOP
FMSFTVMUBEPEFPQPOFSVOBIJT-
UPSJPHSBGÎB BDPOUFDJNFOUBM B
VOB IJTUPSJPHSBGÎB FTUSVDUVSBM
-B WVFMUB BM jTVKFUP EF DBSOF
ZIVFTPvSFDMBNBEBQPSIJTUP-
SJBEPSBT F IJTUPSJBEPSFT DPNP
.BSÎB OHÊMJDB *MMBOFT Z (B-
CSJFM 4BMB[BS
OP TPMP TVQPOF
VOB PQPTJDJÓO EFUFSNJOBEB B
VOB DPNQSFOTJÓO FTUSVDUVSB-
MJTUB EF MB IJTUPSJB
TJOP RVF

BM NJTNP UJFNQP
TVQPOF VOB
BUFODJÓO QSJWJMFHJBEB B MB
FNFSHFODJBEFMBDPOUFDJNJFOUP
FOMBIJTUPSJB
BBRVFMMBTTJOHV-
MBSJEBEFTJSSFEVDUJCMFTBVOEF-
UFSNJOBEPFTUBEPEFTJUVBDJÓO
TPDJPIJTUÓSJDB

OFMÃNCJUPEFMPTEFCBUFT
DSÎUJDPTàMPTÓàDPT
MB DVFTUJÓO
EFM BDPOUFDJNJFOUP IB FODPO-
USBEPVOMVHBSEFFYDFQDJÓOFO
MB EJTQVUB TPTUFOJEB QPS /FMMZ
3JDIBSEZ8JMMZ5IBZFSTPCSFFM
HPMQFEFTUBEPEFMEFTFQ-
UJFNCSF EF TUB EJTQVUB
46
TF PSHBOJ[B FO UPSOP B MB QSF-
HVOUB QPS FM BDPOUFDJNJFOUP

TPCSF MB QPTJCJMJEBE EF EJTUJO-
HVJS FOUSF VO BDPOUFDJNJFOUP
Z VO QTFVEPBDPOUFDJNJFOUP
Z
BÙOIPZQFSNBOFDFTVTQFOEJEB
TPCSF FM QFOTBNJFOUP IJTUPSJP-
HSÃàDPZàMPTÓàDPOBDJPOBM
r-FDUVSBTTVHFSJEBT/FMMZ3JDIBSE
Fracturas de la me-moria

#VFOPTJSFT
4JHMP 99*
8JMMZ5IBZFS
El
fragmento repetido. Escritos en estado de excepción

4BOUJBHPEF$IJMF
.FUBMFT1FTBEPT
4FSHJP3PKBT

Pensar el acontecimiento. Variaciones sobre la emergen-cia

4BOUJBHPEF$IJMF
6OJWFSTJEBE3$*4
.BSÎB
OHÊMJDB*MMBOFT
j-BIJTUPSJPHSBGÎBAQPQVMBSVOBFQJTUF-
NPMPHÎBEFANVKFS$IJMF
EÊDBEBEFv
FOSolar. Es-tudios
latinoamericanos
/
4BOUJBHPEF$IJMF

(BCSJFM4BMB[BS
La historia desde abajo y desde dentro

4BOUJBHP EF $IJMF
6OJWFSTJEBE EF $IJMF
.JHVFM
7BMEFSSBNB
Heródoto y lo insepulto
4BOUJBHPEF$IJMF

1BMJOPEJB
MJ[BCFUI$PMMJOHXPPE4FMCZ
El filo fo-tográfico
de la historia
4BOUJBHPEF$IJMF
EJDJPOFT.F-
UBMFT1FTBEPT
(JMMFT%FMFV[F
La lógica del sentido
.BESJE
1BJEÓT
+BDRVFT%FSSJEB
Decir el aconte-cimiento,
¿es posible?
.BESJE
SFOB-JCSPT
)B-
ZEFO8IJUF
El texto histórico como artefacto literario

#VFOPTJSFT
1BJEÓT
'SBOLOLFSTNJU
Historia y
tropología. Auge y caída de la metáfora
.ÊYJDP
'$

'SBOL OLFSTNJU
Experiencia histórica sublime

4BOUJBHPEF$IJMF
1BMJOPEJB
%PNJOJDL-B$BQSB

Historia en tránsito
#VFOPTJSFT
4JHMP99*

47
úëðñþ÷
ö ûý ë÷öîñïýúéëñħö UÊDOJ-
DB
BSDIJWPMÓHJDB F IJTUPSJP-
HSÃàDB
FM BSDIJWP OPNCSB FM
GPOEP EPDVNFOUBM EF VO FT-
UBCMFDJNJFOUP : NÃT QSFDJTB-
NFOUF
EFTDSJCFVODPOKVOUPEF
EPDVNFOUPT
TFBO DVBMFT TFBO
TVT GPSNBT P TV TPQPSUF NB-
UFSJBM
DVZP DSFDJNJFOUP TF IB
FGFDUVBEP EF GPSNB PSHÃOJDB

Z DVZB DPOTFSWBDJÓO SFTQFUB
FTF DSFDJNJFOUP TJO EFTNFN-
CSBSMPKBNÃTMBSDIJWPFTFO
PUSPTUÊSNJOPTVOEFQÓTJUPEF
FTDSJUPT
VO DPOKVOUP EF UFTUJ-
NPOJPT
VOSFHJTUSPEFIVFMMBT

JNÃHFOFTPTPOJEPTYUFSJPSJ-
EBE EF VO MVHBS
DPOTUJUVDJÓO
EF VOB JOTUBODJB EF BVUPSJEBE
Z DPOTJHOBDJÓO
MB DPOEJDJÓO
EFM BSDIJWP FT MB EF VO BMNB-
DFOBNJFOUP EF JNQSFTJPOFT Z
MBEFVOEFTDJGSBNJFOUPEFMBT
NJTNBT%FBIÎRVF
HVBSEBO-
EP àEFMJEBE BM TFOUJEP DPN-
QPSUBEP FO MB UÊDOJDB EF TV
DPOàHVSBDJÓO
1BVM 3JDPFVS
IB QPEJEP EFDMBSBS RVF UPEP
jBSDIJWPFTFTDSJUVSBv*ODMVTP
BOUFTEFRVFMBQBMBCSBBSDIJ-
WPSFNJUBIBDJBFMQBTBEP
BMPT
JOEJDJPTEFMBNFNPSJBDPOTJH-
OBEB
BMBàEFMJEBEEFMBUSBEJ-
DJÓO
TV DPOàHVSBDJÓO UÊDOJDB
ZB EFDMBSB RVF TV DPOEJDJÓO
QSJNPSEJBM FT FM SFHJTUSP
RVF
MBGVODJÓOBSDÓOUJDBEFTVEF-
DJSTPMPFTQPTJCMFBDPOEJDJÓO
EFMBJOTDSJQDJÓOZMBUSBOTDSJQ-
DJÓOMBSDIJWPBTÎSFTFÒBEPFT
FMjIBZvEFMBSFQSFTFOUBDJÓO
O PUSPT UÊSNJOPT
TJ TF
BDVFSEB EFàOJS QPS BSDIJWP FM
GPOEPEPDVNFOUBMEFVOBJOTUJ-
UVDJÓO
UFOESÎBRVFSFDPOPDFS-
TF
EFJHVBMNPEP
RVFMBTDPO-
EJDJPOFT EF QSPEVDDJÓO CBKP
MBTDVBMFTTFPSHBOJ[BFMBMNB-
DFOBNJFOUP Z MB DPOTFSWBDJÓO
EF MBT IVFMMBT EF MP ZB EJDIP

DPSSFTQPOEFO HFOÊSJDBNFOUF
B MBT DPOEJDJPOFT EF QSPEVD-
DJÓO EF TVT FOVODJBEPT TUP

BMNFOPT
TJUBMZDPNPTVHJFSF
+BDRVFT-F(PGG
FTDJFSUPRVF
USBT MB IBCMBEVSÎB MJCFSUJOB Z

QBSMBODIJOB EFM EPDVNFOUP TF
FODVFOUSBMBJOTUSVDDJÓOQFEB-
HÓHJDBZNPSBMJ[BEPSBEFMNP-
OVNFOUP -B JEFOUJEBE RVF MB
DSÎUJDB DPOUFNQPSÃOFB QBSFDF
FTUBCMFDFSBTÎFOUSFEPDVNFOUP
Z NPOVNFOUP
OP WJFOF TJOP
BEFWFMBSFOPUSPTUÊSNJOPTMB
FTUSVDUVSBFMFNFOUBMEFEJTUJO-
DJPOFT Z PQPTJDJPOFT RVF IJT-
UÓSJDBNFOUF IBO DPOTUJUVJEP B
MB OPDJÓO NJTNB EF BSDIJWP
TUSVDUVSB FMFNFOUBM EF TJH-
OJàDBDJÓO RVF FODVFOUSB FO
MB OPDJÓO EF jPCKFUJWJEBEv FM
WBMPSGVOEBNFOUBMRVFIBBSUJ-
DVMBEPVOTJOHVMBSSÊHJNFOEF
QSPEVDDJÓO EF MB SFBMJEBE QB-
TBEB
VOPSEFOZVOBNFUÓEJDB
EFFOVODJBDJÓOEFMB)JTUPSJB
:
OP PCTUBOUF
MB DSÎUJDB FO
WFSEBEOPEFKBEFTFSQBSBEÓKJ-
DB1VFT
MBQBMBCSBEPDVNFOUP
QPSUBEFTEFTVPSJHFOFMTJHOP
EFVOBJOTUSVDDJÓO
FMJNQFSBUJ-
WPUFTUBNFOUBSJPEFVOBFOTF-
ÒBO[B-BEFOVODJBEFMDPOUSB-
TFOUJEP OP JNQJEF DPOTJEFSBS

TJOFNCBSHP
BMPTFTDSJUPTEFM
BSDIJWP DPNP EPDVNFOUPT
FT
EFDJS
DPNPSFHJTUSPTPJOTDSJQ-
DJPOFTQBTBEBTEFTQSPWJTUBTEF
UPEBQSFUFOTJÓOFEJàDBOUF
1SFDJTBNFOUF
BUFOEJFOEP
B FTF DBSÃDUFS EF MPT FOVODJB-
EPT EFM BSDIJWP
BM NVSNVMMP
BOÓOJNPFJSSFTQPOTBCMFEFTV
GB[ HFTUJDVMBOUF
TF IB MMFHBEP
B QSFTFOUBS FM BSDIJWP DPNP
48
VOTJTUFNBEFSFMBDJPOFTRVFTF
DPOTUJUVZFBQBSUJSEFMPEJDIP
ZMPOPEJDIP
DPNPVOFTQBDJP
àOJUPZQPTJCMFEFFOVODJBDJÓO
IJTUÓSJDB %F BDVFSEP B FTUB
DBSBDUFSJ[BDJÓO JTPNÓSàDB EFM
NBUFSJBM EPDVNFOUBM
FM BS-
DIJWP EFTJHOBSÎB FM NBSHFO FO
RVFTFSFDPSUBZEFMJNJUBDBEB
UPNB EF QBMBCSB :
NÃT BN-
QMJBNFOUF
OPNCSBSÎB FM TJTUF-
NB EF GVODJPOBNJFOUP EF VO
DBNQP FOVODJBUJWP EBEP
MB
SFHVMBSJEBE RVF SJHF MB BQBSJ-
DJÓO
BDUVBMJEBEZUSBOTGPSNB-
DJÓO EF VO FOVODJBEP FO VOB
ÊQPDBIJTUÓSJDBEFUFSNJOBEB
O MB UFPSÎB EF MB DVMUVSB
QPTUNPEFSOB
FM BSDIJWP FTUÃ
FOFMDFOUSPEFMBTEJTDVTJPOFT
EF MBT SFDJFOUFT UFPSÎBT DVMUV-
SBMFTEFjMPOVFWPvPjMPDPO-
UFNQPSÃOFPv%FBMHÙONPEP

BRVFMMB QSFPDVQBDJÓO RVF FM
IJTUPSJBEPSKVEÎPEFMBNFNP-
SJB
:PTFG )BZJN :FSVTIBMNJ

NBOJGFTUÓ TPCSF FMdevenir ar-chivo
EF MBT TPDJFEBEFT DPO-
UFNQPSÃOFBTTFFODVFOUSBIPZ
QSFTFOUF FO FM BDUVBM JOUFSÊT
QPS MB jDVFTUJÓO EFM BSDIJWPv
4JOEVEBBMHVOB
EFTQVÊTEFMB
SFáFYJÓO EF .JDIFM 'PVDBVMU
TPCSF FM BSDIJWP
MB QSPCMF-
NÃUJDB BSDIJWPMÓHJDB QBSFDJF-
SB JNQMJDBS IPZ OP TPMP B MB
IJQÓUFTJT RVF BEWJFSUF RVF FM
BSDIJWPFTMBDPOEJDJÓOQSFWJB
QBSBRVFQVFEBFYJTUJSBMHPBTÎ

DPNPMBjIJTUPSJBv QVFT
TPMP
DVBOEP FM BSDIJWP FTUÃ EJTQP-
OJCMFQVFEFMMFWBSTFBDBCPFTB
DPNQBSBDJÓO EF MP OVFWP DPO
MPBOUJHVPRVFQSPEVDFMBIJT-
UPSJBDPNPUBM

TJOPRVF
BEF-
NÃT
MBOPDJÓONJTNBEFSFBMJ-
EBEmZBTFBRVFTFMBDPOTJEFSF
DPNP FYUFSJPS BM BSDIJWP
ZB
TFB RVF TF MB DPOTJEFSF DPNP
FGFDUP EF VO PSEFO EF TJHOJà-
DBDJÓOEFUFSNJOBEPmQBSFDFSÎB
49
FTUBS DPOUFOEJEB P JNQMJDBEB
FO MB EJTDVTJÓO DVMUVSBM EFM
BSDIJWP O QBMBCSBT EF #PSJT
(SPZT
FMBSDIJWPOPTPMPTFSÎB
VOB NÃRVJOB EF QSPEVDDJÓO
EF SFDVFSEPT
VOB NÃRVJOB
RVF GBCSJDB IJTUPSJB B QBSUJS
EFMNBUFSJBMEFMBSFBMJEBERVF
OPIBTJEPSFDPQJMBEP
TJOPRVF
TFSÎBVOBNÃRVJOBQSPEVDUPSB
EFFTBEJGFSFODJBMMBNBEBjSFB-
MJEBEv
r-FDUVSBTTVHFSJEBTOESFB(JVOUB
Objetos mutantes.
Sobre arte contemporáneo
4BOUJBHPEF$IJMF
1BMJOPEJB

DBQjSDIJWPTv.JHVFM7BMEFSSBNB
Posthisto-ria.
Historiografía y comunidad
4BOUJBHP EF $IJMF
1B-
MJOPEJB
DBQ j%FM BSDIJWPv .JDIFM 'PVDBVMU

La arqueología del saber
.ÊYJDP
'$+BDRVFT
%FSSJEB
Mal de archivo. Una impresión freudiana
.B-
ESJE
5SPUUB
#PSJT(SPZT
Sobre lo nuevo. Un en-sayo
de economía cultural
7BMFODJB
1SF5FYUPT

#PSJT (SPZT
Bajo sospecha. Una fenomenología de los
medios
7BMFODJB
1SFUFYUPT
.JFLF #BM
Concep-tos
viajeros en humanidades
#BSDFMPOB
$FOEFBD

DBQj1BTJÓOEFSDIJWPv1BVM3JDPFVS
La memoria,
la historia, el olvido
.BESJE
5SPUUB

50
ëüýéôñìéì
-é øéôéêúé éëüýéôñìéì es
RVJ[ÃT VOB EF MBT NÃT EJGÎDJ-
MFT EF BCPSEBS FO DVBMRVJFS
TFNÃOUJDBIJTUÓSJDBMQSPCMF-
NB QSJODJQBM EF TV BCPSEBKF
OP SFTJEF UBOUP FO FM QFMJHSP
TJFNQSF QSFTFOUF EF RVFEBS
SF[BHBEP GSFOUF B FMMB NJTNB

DPNP FO MBT DVFTUJPOFT RVF FM
UÊSNJOP TVQPOF B MB BSRVJUFD-
UVSBNJTNBEFUPEBTFNÃOUJDB
UFNQPSBM 1VFT MB QBMBCSB BD-
UVBMJEBEOPTPMPTVQPOFEJTUJO-
HVJSDPOGVFS[BFOUSFMPBDUVBM
ZMPWJSUVBM
OPTPMPTVQPOFEJ-
GFSFODJBSMPBDUVBMEFMPQBTB-
EP
TJOP RVF TVQPOF
BEFNÃT

GVOEBNFOUBMNFOUF
EJTUJOHVJS
FOUSFBDUPZQPUFODJBTUBEJT-
UJODJÓO FT EF QPS TÎ DPNQMFKB

QVFT FMMB UJFOEF B EFTEJCVKBS-
TFFOMBFYQFSJFODJB
FOMPRVF
1BPMP7JSOPIBEBEPFOMMBNBS
jFMSFDVFSEPEFMQSFTFOUFv
4JO FNCBSHP
DPOWJFOF
SFUFOFS MB OPDJÓO EF jBDUPv
QBSB QFOTBS FM QSFTFOUF EF
MB BDUVBMJEBE $PNP FTDSJ-
CF SJTUÓUFMFT jFM BDUP FT FM
FYJTUJS EF MB DPTBv TUBS FO
BDUPTJHOJàDBFTUBSQSFTFOUFM
WPDBCMP BDUVBMJEBE
RVF FO FM
VTPDPNÙOJOEJDBFMNPNFOUP
FOFMDVBMTFFTUÃ
FMIPZ
BQVO-
UBBTÎBOUFUPEPBMDVNQMJNJFO-
UPEFVOBQPTJCJMJEBE
BMBNB-
OJGFTUBDJÓOEFVOBGBDVMUBE
FO
TVNB
B VOB SFBMJ[BDJÓO TUB
EFàOJDJÓO EF SBÎ[ BSJTUPUÊMJ-
DB
UJFOEFBWJODVMBSVOBIPSB
BDUP
ZVOFTUBEPEFQPUFODJB
%F BIÎ
RVF BMHVOPT DSÎUJDPT
SFDIBDFO FTUÃ EFUFSNJOBDJÓO
EFM UÊSNJOP BEWJSUJFOEP RVF
VOBDUPTPMPHBOBQSFSSPHBUJWB
UFNQPSBMEFQSFTFODJBBQBSUJS
EF TV SFMBDJÓO OFHBUJWB DPO FM
TFS QPUFODJBM FM DVBM FT TJFN-
QSFMBUFOUF
JOBDUVBM
OPUSBT
QBMBCSBT
MB BDUVBMJEBE QBSB
TFSUBM
EFCFDPSUBSUPEPWÎODV-
MPDPOMBMBUFODJBEFMPQPUFO-
DJBM6OBBDUVBMJEBETFSFMBDJP-
OBDPOFMQBTBEPZFMGVUVSP
ZB
TFB DPNP BDUVBMJEBE BOUJHVB

ZB TFB DPNP BDUVBMJEBE QPS

WFOJS -B EJTDVTJÓO TF DPNQMJ-
DBTJTFJOUFOUBEFUFSNJOBSMBT
EJGFSFODJBT FOUSF MB BDUVBMJEBE
ZMPDPOUFNQPSÃOFP
MBBDUVB-
MJEBEZMPOVFWP
MBBDUVBMJEBE
ZFMQSFTFOUF
PMBBDUVBMJEBEZ
MBNPEB
51
QFTBSEFFTUBTDPNQMJDB-
DJPOFT
Z EFM WÊSUJHP RVF QVF-
EFO QSPEVDJS
FT ÙUJM SFUFOFS
FM VTP DPNÙO EFM WPDBCMP BD-
UVBMJEBE TJ MP RVF TF CVTDB FT
BEWFSUJSFMDBSÃDUFSDPOTUSVJEP
EFMBNJTNB
FMFOPSNFUSBCB-
KPJOWFSUJEPFOFMBDUPEFUPEB
BDUVBMJEBE -B BDUVBMJEBE FT
IFDIB 1PS FMMP
FT JNQPSUBOUF
TBCFS EF RVÊ FTUÃ IFDIB
QFSP
BÙONÃTJNQPSUBOUFFTSFDPOP-
DFSRVFFTUÃIFDIB-BBDUVBMJ-
EBEOPFTBMHPEBEP
TJOPBMHP
BDUJWBNFOUF QSPEVDJEP MMB
FT PSEFOBEB
JOWFTUJEB Z QFS-
GPSNBUJWBNFOUF JOUFSQSFUBEB
QPSVOBTFSJFEFQSPDFEJNJFO-
UPT KFSBSRVJ[BOUFT Z TFMFDUJWPT
RVF TJFNQSF FTUÃO BM TFSWJDJP
EFQPEFSFTFJOUFSFTFTEJWFSTPT
-BjSFBMJEBEvEFMBBDUVBMJEBE
TPMPMMFHBBMQSFTFOUFNFEJBOUF
EJTQPTJUJWPTEFàDDJÓO
BSUFGBD-
UPTEFDBQUVSBZSFDPOPDJNJFO-
UP RVF PSHBOJ[BO FM jBIPSBv
IJTUÓSJDP
DPNPMBOPDJÓONJT-
NBEFBSDIJWP
-P RVF MMBNBNPT BDUVBMJ-
EBE
FTDSJCF 8JMMZ 5IBZFS
OP
FT VO QSFTFOUF
OJ TJRVJFSB VO
UJFNQPj.ÃTCJFOFTVOFTQB-
DJP FO RVF DPOáVZFO
NFUPOÎ-
NJDBNFOUF
QSFTFOUFT
NPEPT
EF QSPEVDDJÓO NFUPOÎNJDPT
BTVWF[
EFEJWFSTPPSEFOM
FTUBS DPOTUJUVJEB QPS UJFNQPT
EFEJWFSTPPSEFO
MBBDUVBMJEBE
OP QVFEF DPOTUJUVJSTF DPNP
QSFTFOUF $VBOEP EFTDSJCJNPT
MB BDUVBMJEBE DPNP FTQBDJP
FO RVF DPOáVZFO UJFNQPT EF
EJWFSTP PSEFO
UBNQPDP DPN-
QSFOEFNPT FM FTQBDJP DPNP
VOTVFMPDPNÙOQSFWJPFORVF
EJWFSTPT UJFNQPT RVFEBO DPO-
UFOJEPT -B BDUVBMJEBE OP FT
VOBQSJPSJFTQBDJBMRVFBDPHF
JMJNJUBEBNFOUF UFNQPSBMJEB-
EFT NÙMUJQMFT -B BDUVBMJEBE
QMVSJUFNQPSBMOPFTQSFWJBBMB
NVMUJUVEKBMPOBEBEFUJFNQPT

EFMNJTNPNPEPRVFFMDVFSQP
EF'SBOLFOTUFJOOPFTBOUFSJPS
BMPTUSP[PTRVFMPDPNQPOFO
-BBDUVBMJEBEOPQSFDFEFBMPT
BSDIJWPT RVF MB QVFCMBO Z TF
DPOTUJUVZF EFTEF MB QMÊUPSB EF
QSFTFOUFT
MFKBOPT FOUSF TÎ MF-
KBOPT UBNCJÊO EF TÎ NJTNPT

RVF DPJODJEFO BDUJWBOEP NF-
NPSJBT
BCSJFOEP QBTBKFT RVF
TF EJTHSFHBO TJO DFOUSP 'SBH-
NFOUPTEJTQVFTUPTFOVOKVFHP
EFBDFMFSBDJPOFTRVFBMDIPDBS
PSP[BSTFQSPEVDFONFNPSJBT

EJTZVODJPOFT
QFOTBNJFOUPT
NÃTWFMPDFTRVFMBTÎOUFTJT
RVF
FYDFEFO VO PSEFO SFTVFMUP EF
SFQSFTFOUBDJÓO TB BDUVBMJ-
EBE PQFSB BOUFT DPNP TVQFS-

NFSDBEP
DPNP JEFB BCTPMVUB

RVF DPNP SFEFODJÓOv 8JMMZ
5IBZFS
El fragmento repetido

52
4BOUJBHP EF $IJMF
EJDJPOFT
.FUBMFTQFTBEPT

r-FDUVSBTTVHFSJEBT8JMMZ5IBZFS
El fragmento repeti-do.
Escritos en estado de excepción
4BOUJBHP EF $IJMF

EJDJPOFT.FUBMFT QFTBEPT
DBQ jM (PMQF DPNP
DPOTVNBDJÓOEFMBWBOHVBSEJBv1BPMP7JSOP
El recuer-do
del presente. Ensayo sobre el tiempo histórico
#VFOPT
JSFT
1BJEÓT
(JBDPNP.BSSBNBP
Minima tem-poralia.
Tiempo, espacio, experiencia
#BSDFMPOB
(FEJTB

(JBDPNP.BSSBNBP
Kairós, Apología del tiempo
oportuno
#BSDFMPOB
(FEJTB
(JPSHJP HBNCFO

Qu’ est-ce que le contemporain?
1BSJT
1BZPU3JWBMFT

3FJOIBSU,PTFMMFDL
Los estratos del tiempo: estu-dios
sobre la historia
#BSDFMPOB
1BJEÓT
+BDRVFT
%FSSJEB
j5IF %FDPOTUSVDUJPO PG DUVBMJUZv
Radical
Philosophy
/
-POESFT

QQ

53
Antinomia
ö íô ìíêéüí TPCSF MB QPTU-
NPEFSOJEBEFTZBVOBDPOWFO-
DJÓOIBCJUVBMEJTUJOHVJSMBBOUJ-
OPNJBEFMBDPOUSBEJDDJÓO-B
BàSNBDJÓOFTEF'SFESJD+BNF-
TPO
ZTFFODVFOUSBFOFMMBSHP
FOTBZPRVFFOLas semillas del
tiempoEFEJDBBDBSBDUFSJ[BSMB
MÓHJDB EF MB QPTUNPEFSOJEBE
-B BOUJOPNJB BàSNB EPT QSP-
QPTJDJPOFT RVF TPO SBEJDBM Z
BCTPMVUBNFOUF JODPNQBUJCMFT
O FTUF TFOUJEP FMMB FTUÃ NÃT
DFSDB EF MB PQPTJDJÓO Z EF MB
DPOUSBEJDDJÓOMÓHJDBRVFEFMB
DPOUSBEJDDJÓOEJBMÊDUJDB
'SFESJD +BNFTPO OP TF
FRVJWPDBBMBEWFSUJSRVFMPRVF
TF FODVFOUSB USBT MB DSFDJFOUF
QPQVMBSJEBE EF MB BOUJOPNJB
FO FM QFOTBNJFOUP DPOUFNQP-
SÃOFP
FTFMEFTFPEFEFTQMB[BS
P EFWBMVBS MB OPDJÓO EF DPO-
USBEJDDJÓO EJBMÊDUJDB EFM BOÃ-
MJTJTIJTUÓSJDPOFTUFTFOUJEP

FTUF FTGVFS[P EF DMBSJàDBDJÓO
BOBMÎUJDB QPTUFTUSVDUVSBMJTUB FT
QSPGVOEBNFOUFBOUJIFHFMJBOP

QVFTTFEFTBSSPMMBFOPQPTJDJÓO
B UPEPT BRVFMMPT BOÃMJTJT IJT-
UÓSJDPT RVF UJFOFO FO MB EJBMÊ-
DUJDB IFHFMJBOB mDPOTDJFOUF P
JODPOTDJFOUFNFOUFm TV NBUSJ[
EF BOÃMJTJT TUB PQPTJDJÓO FT
àMPTÓàDBP
BMNFOPT
TFPSHB-
OJ[BFOUPSOPBMOÙDMFPàMPTÓ-
àDPRVFPSHBOJ[BMPTEJTDVSTPT
IJTUPSJPHSÃàDPTNPEFSOPTO
MPTEFCBUFTTPCSFMBTOPDJPOFT
EF jBOUJOPNJBv Z jDPOUSBEJD-
DJÓOv TF KVFHB
FO PUSBT QB-
MBCSBT
VO PSEFO EF EJTDVSTP
IJTUPSJPHSÃàDP
VO NPEP EF
SFQSFTFOUBDJÓO EF MB IJTUPSJB
TUB EJTDVTJÓO RVF 3BOBKJU
(VIBEFTDSJCFFOUÊSNJOPTOB-
SSBUPMÓHJDPT
FTEFDJS
BUFOEJFO-
EPBMBFTUSVDUVSBQSPGVOEBEF
TJHOJàDBDJÓO EF MB OBSSBDJÓO
IJTUPSJPHSÃàDB
OP TPMP BGFD-
UB P JODVNCF B MPT NPEPT EF
SFQSFTFOUBS MB jSFBMJEBEv EF
MB )JTUPSJB
TJOP RVF UBNCJÊO
EFUFSNJOBMPTQSPCMFNBTQSJO-
DJQBMFT EF MB FQJTUFNPMPHÎB
IJTUPSJPHSÃàDB
ZBTFBBUSBWÊT

EFMBWBMJEBDJÓOEFMPTQSPHSB-
NBTEFJOWFTUJHBDJÓOEFMBEJT-
DJQMJOB IJTUÓSJDB FO UÊSNJOPT
FQJTUFNPMÓHJDPT DBVTBMJEBE
IJTUÓSJDB
EFUFSNJOBDJÓO EF
SFHVMBSJEBEFT TPDJPIJTUÓSJDBT

KVTUJàDBDJÓO EFM FTUBUVUP DJFO-
UÎàDPEFMDPOPDJNJFOUPIJTUÓSJ-
DP
FUDÊUFSB

ZBTFBBUSBWÊTEF
TV JOWBMJEBDJÓO B QBSUJS EF VO
DVFTUJPOBNJFOUPEFMPTNBSDPT
IJTUÓSJDPT
RVF DPOEJDJPOBSPO
MBDPOTUSVDDJÓOEFMBIJTUPSJP-
HSBGÎBNPEFSOB
54
-B BDUVBMJEBE EF MB BOUJ-
OPNJB TF EFCF QSJNBSJBNFOUF
B MB EFDPOTUSVDDJÓO
DVBOEP

QBSUJDVMBSNFOUF FO NBOPT EF
1BVM EF .BO
TF DPOWJSUJÓ FO
FMJOTUSVNFOUPQBSBTBDBSBMB
MV[ UPEP BRVFMMP RVF FTUVWJF-
SBFODPOáJDUPDPOTJHPNJTNP
EFOUSPEFVOQFOTBNJFOUPZVO
MFOHVBKF
BMBWF[RVFTFTVCSB-
ZBCBTVFTFODJBMQBSÃMJTJTFJN-
QSPEVDUJWJEBE FO VOB FTQFDJF
EF jFOUVNFDJNJFOUP DPODFQ-
UVBMv 'SFESJD +BNFTPO
%F
MBT BOUJOPNJBT
TF QVFEF DPO-
DMVJS RVF PSHBOJ[BO DPODFQ-
UVBMNFOUF MB SFQSFTFOUBDJÓO
EFMPDPOUFNQPSÃOFP yPEFMP
QPTUDPOUFNQPSÃOFP
B QBS-
UJS EFM KVFHP EF PQPTJDJPOFT Z
BMUFSOBODJBT FOUSF JEFOUJEBE Z
EJGFSFODJB +VFHP EF PQPTJDJP-
OFTZBMUFSOBODJBTRVFQBSBDSÎ-
UJDPTFIJTUPSJBEPSFTDPNP'SF-
ESJD+BNFTPOP1FSSZOEFSTPO
FYQPOF
TJO EVEB
VOB DJFSUB
FTUSFDIF[PCMPRVFPEFMQFOTB-
NJFOUPQPTUNPEFSOP
QFSPRVF
QBSBIJTUPSJBEPSFTDPNP,FJUI
+FOLJOTP)BZEFO8IJUFSFWF-
MBO MPT JNQBTFT Z BQPSÎBT EFM
UJFNQPQSFTFOUF
r -FDUVSBT TVHFSJEBT 'SFESJD +BNFTPO
Las semillas del
tiempo
.BESJE
5SPUUB
DBQj-BTBOUJOPNJBTEF
MBQPTUNPEFSOJEBEv3BOBKJU(VIB
Las voces de la his-toria

.BESJE
$SÎUJDB
DBQj-BQSPTBEFDPOUSBJO-
TVSHFODJBv1FSSZOEFSTPO
Los orígenes de la postmo-dernidad

#BSDFMPOB
OBHSBNB
1BVMEF.BO
La
ideología estética
.BESJE
5FDOPT

55
Aporía
$÷õ÷êñíöéìþñíúüí+BDRVFT
%FSSJEB
MB QBMBCSB jBQPSÎBv
FT VOB QBMBCSB HSJFHB HBTUBEB
EFUBOUPVTP
jGBUJHBEBEFàMP-
TPGÎB Z EF MÓHJDBv -B QBMBCSB
jBQPSÎBv BQBSFDF QPS QSJNFSB
WF[FOFMUFYUPEFMBFísica IV
CB
EF SJTUÓUFMFT
M DPOUFYUP EF BQBSJDJÓO EFM
UÊSNJOP FT FM QSPCMFNB EFM
UJFNQP
EF TV EFàOJDJÓO Z OB-
UVSBMF[B SJTUÓUFMFT FYBNJOB
QBDJFOUFNFOUF MPT BUPMMBEFSPT
MÓHJDPTBRVFTFFOGSFOUBDVBM-
RVJFSJOUFOUPEFEFUFSNJOBDJÓO
EF MB FYJTUFODJB EFM UJFNQP
B
MBT jBQPSÎBTv V PQPTJDJPOFT
RVF DPNQPSUB UPEP FTGVFS[P
EF EFàOJDJÓO TUBT BQPSÎBT
BEWFSUJSÎBOEFMBJNQPTJCJMJEBE
EFFMBCPSBSVODPODFQUPWVMHBS
EF UJFNQP C

UBM Z DPNP
QPESÎBFTQFSBSTFEFVOFYBNFO
EFMPTTVQVFTUPTPBUSJCVUPTEF
FYJTUFODJB EFM TFS %FSSJEB SF-
UPNBOEP TV EFàOJDJÓO MJUFSBM

SFDVFSEB RVF jBQPSÎBv TJHOJà-
DB jTJO DBNJOPv
jDBNJOP TJO
TBMJEBv
jEJàDVMUBEv Apories.
(BMJMÊF

O VO TFOUJEP
àHVSBEP
QPESÎBNPT BHSFHBS

MB BQPSÎB FT FOUFOEJEB DBTJ
TJFNQSFDPNPVOBQSPQPTJDJÓO
TJOTBMJEBMÓHJDB
DPNPVOBEJ-
àDVMUBEMÓHJDBJOTVQFSBCMF
-BBQPSÎBQPESÎBTFSMMBNB-
EBmZBTÎFGFDUJWBNFOUFMPBE-
WJFSUF FM àMÓTPGP FTQBÒPM +PTÊ
'FSSBUFS .PSBm BOUJOPNJB P
QBSBEPKB TÎ PDVSSF DPO MBT
QBSBEPKBT EF ;FOÓO
UBNCJÊO
MMBNBEBTBQPSÎBTPEJàDVMUBEFT
EF;FOÓOEFMFB SFDVÊSEFTF

FOUSFPUSBT
MBGBNPTBQBSBEP-
KB EF jRVJMFT Z MB UPSUVHBv

O FM ÃNCJUP EF MB USBEJDJÓO
àMPTÓàDB
MBjBQPSÎBvFTUÃBTP-
DJBEBBMFTDFQUJDJTNPOMBFT-
DFOBEFEFCBUFTQPTUNPEFSOPT

MBJOUSPEVDDJÓOEFMBTBQPSÎBT

EF VO QFOTBNJFOUP EF MB BQP-
SÎB
ZEFMPRVFUBNCJÊOQPESÎB
MMBNBSTFVOBBQPSÊUJDB
TFEFCF
QSJODJQBMNFOUF B MPT USBCBKPT
EFTBSSPMMBEPT FO MB BUNÓTGFSB
EFM FTUSVDUVSBMJTNP Z FM QPTU

FTUSVDUVSBMJTNP GSBODÊT 4JO
QSFUFOEFS FTUBCMFDFS QBUFSOJ-
EBEFT Z àMJBDJPOFT ZB +BNFT
+PZDF OPT BEWFSUÎB RVF MB QB-
UFSOJEBEFTVOBjàDDJÓOMFHBMv

VOFNQFÒPEFMBWPMVOUBE

QP-
ESÎB SFDPOPDFSTF FO MPT OPN-
CSFTEF+BDRVFT-BDBOZ-PVJT
MUIVTTFS QVOUPT JNQPSUBOUFT
EFSVQUVSBPJOáFYJÓOSFTQFDUP
BMBUSBEJDJÓOEJBMÊDUJDBQSFEP-
NJOBOUFFOMPTBOÃMJTJTIJTUÓSJ-
DPàMPTÓàDPT EFM TJHMP WFJOUF

56
BTÎ DPNP UBNCJÊO OP IBCSÎB
RVF EFTDPOPDFS FO FM USBCBKP
EFàMÓTPGPTDPNP+BDRVFT%F-
SSJEB Z +FBO'SBOÉPJT -ZPUBSE
PUSPT NPNFOUPT JNQPSUBOUFT
EF EFTBSSPMMP EF VOB BQPSÊUJ-
DB EFM UJFNQP QSFTFOUF O FM
ÃNCJUP EFM BOÃMJTJT EF MB BQP-
SÎB
RVJ[ÃMPTUSBCBKPTEF+FBO
$MBVEF.JMOFSIBOTJEPGVOEB-
NFOUBMFT FO SFDPOPDFS MB SBÎ[
MJUFSBSJBEFFTUFQFOTBNJFOUP
r-FDUVSBTTVHFSJEBT+BDRVFT%FSSJEB
Aporías. Esperarse
en los límites de la verdad
.BESJE
1BJEÓT

+BDRVFT
-BDBO
El Seminario. Libro 11. Los cuatro conceptos
fundamentales del psicoanálisis
#BSDFMPOB
EJUPSJBM1BJ-
EÓT
+FBO$MBVEF.JMOFS
Détections fictives
1BSJT

EJUJPOTEV4FVJM
+FBO'SBOÉPJT-ZPUBSE
La dife-rencia

#BSDFMPOB
EJUPSJBM 1BJEÓT
4MBWPK ;J[FL

Mirando al sesgo. Una introducción a Jacques Lacan a
través de la cultura popular
.ÊYJDP
EJUPSJBM 1BJEÓT

2000.

57
öéëú÷öñûõ÷
ô éöéëú÷öñûõ÷ OP FYJTUF
DPNP DPODFQUP JOEJWJEVBMJ[B-
EP mP DPNP FOUSBEB EF ÎOEJ-
DFmFOMBTCJCMJPHSBGÎBTTPCSFFM
UJFNQP
FO MB UFPSÎB EF MB IJT-
UPSJPHSBGÎB EF #FOFEFUUP $SP-
DF
FOMBàMPTPGÎBEFMBIJTUPSJB
DPOUBEB QPS 3BZNPOE SPO

FO FM DPOPDJNJFOUP IJTUÓSJDP
TFHÙO )FOSJ*SÊOÊF .BSSPV

FOMBTDBUFHPSÎBTFOMBIJTUPSJB
EF$IBJN1FSFMNBO
FOMBNF-
UPEPMPHÎBEFMBIJTUPSJBEFMPT
EJTDÎQVMPT EF 'FSOBOE #SBV-
EFM
OJ FO MPT UFNBT EF MPT ÎO-
EJDFTEFMBSFWJTUBEFAnnales.
*ODMVTP
QPESÎB BHSFHBSTF
FM
DPODFQUP OP TF FODVFOUSB FO
MB HVÎB EF MB IJTUPSJB EFDPOT-
USVDDJPOJTUB PGSFDJEB SFDJFOUF-
NFOUFQPSFMIJTUPSJBEPSJOHMÊT
MVO .VOTMPX M BOBDSPOJT-
NP FT VO UÊSNJOP NBMEJUP FO
IJTUPSJPHSBGÎB T VOP EF MPT
NBZPSFT QFDBEPT RVF QVFEF
DPNFUFSFMIJTUPSJBEPSPMBIJT-
UPSJBEPSB2VJ[ÃTQFSUFOF[DBB
-VDJFO'FCWSFFMFYUSBÒPQSJWJ-
MFHJPEFIBCFSTJEPFMQSJNFSP
FO GPSNVMBS DPO OPUBCMF DMB-
SJEBE MB DPOEFOB EFM UÊSNJOP
OBDSPOJTNP j-B FUJRVFUB
NF FTDBOEBMJ[B T VO QPDP

HVBSEBOEP MBT QSPQPSDJPOFT

DPNPTJTFRVJTJFSB
FOFMDJOF

NPTUSBSNFB$ÊTBSNVFSUPQPS
VO EJTQBSP EF browning *O-
DMVTP NÃT HSBWF QVFT FM BOB-
DSPOJTNP EFM VUJMMBKF NBUFSJBM
OPUJFOFFMNJTNPQFTPRVFFM
BOBDSPOJTNP EFM VUJMMBKF NFO-
UBMv Annales

%FàOJ-
EP DPNP MB JOUSVTJÓO EF VOB
ÊQPDB FO PUSB
F JMVTUSBEP QPS
FM FKFNQMP TVSSFBMJTUB RVF WF
B$ÊTBSTJOMBDBKBDSBOFBOBZ
DPO MPT TFTPT BM BJSF QPS DBV-
TBEFVOEJTQBSPEFbrowning

FM BOBDSPOJTNP FT FYQVFTUP Z
DPOEFOBEP EF VO NPEP NÃT
FYQMÎDJUP QPS FM IJTUPSJBEPS
GSBODÊT FO MB JOUSPEVDDJÓO EF
TV DMÃTJDP FTUVEJP TPCSF MB SF-
MJHJÓOEF3FCFMBJTj-BIJTUPSJB
FTIJKBEFTVUJFNQP/PMPEJHP

FO WFSEBE
QBSB SFCBKBSMB w

$BEBÊQPDBTFGPSKBNFOUBMNFO-
UFTVVOJWFSTP w
-BFMBCPSB
DPO TVT QSPQJPT EPUFT
DPO TV
JOHFOJP FTQFDÎàDP
TVT DVBMJ-
EBEFT Z TVT JODMJOBDJPOFT
DPO
UPEPMPRVFMBEJTUJOHVFEFMBT
ÊQPDBT BOUFSJPSFT w
FM QSP-
CMFNB DPOTJTUF FO EFUFSNJOBS
DPO FYBDUJUVE MB TFSJF EF QSF-
DBVDJPOFT RVF EFCFO UPNBSTF
ZEFQSFTDSJQDJPOFTBRVFVOP
EFCF TPNFUFSTF QBSB FWJUBS FM
QFDBEP NBZPS EF UPEPT MPT
QFDBEPT
FM NÃT JSSFNJTJCMF EF
UPEPT FM BOBDSPOJTNPv -V-
DJFO 'FCWSF
Le Problème de
l’incroyance au XVI siècle. La
religión de Rabelais
1BSJT
M-
CJO.JDIFM

Q

58
j$FTBSNVFSUPQPSVOEJT-
QBSPEFbrowningvFTFMFKFN-
QMP KVTUP EF BOBDSPOJTNP IJT-
UÓSJDPMFKFNQMPTVQPOFVOB
DPJODJEFODJB FTUSVDUVSBM FOUSF
VOPSEFODSPOPMÓHJDPZVOPS-
EFONFOUBM/PTFQVFEFSFUSP-
DFEFSFOFMUJFNQPFJOUSPEVDJS
FMFNFOUPTEFÊQPDBTGVUVSBTFO
ÊQPDBT QBTBEBT /P TF QVFEF
JOUSPEVDJS VO BSNB EF GVFHP
DPOUFNQPSÃOFB FO FM UJFNQP
EFM *NQFSJP 3PNBOP 1FSP
BM
NJTNP UJFNQP VO IJTUPSJBEPS
P IJTUPSJBEPSB OP EVEBSÎB FO
BàSNBS RVF VO BOÃMJTJT EF MB
DPOKVSB QPMÎUJDB FO MB BOUJHVB
3PNB QPESÎB WFSTF CFOFà-
DJBEP EF MPT BOÃMJTJT Z FKFN-
QMPT EF MB DPOKVSB QPMÎUJDB FO
MB ÊQPDB DPOUFNQPSÃOFB -B
BQPSÎB RVF QBSFDF EFTQVOUBS
FO FTUB PCTFSWBDJÓO FODVFOUSB
TVNBOJGFTUBDJÓONÃTDMBSBFO
MB JEFB DSPDFBOB
RVF BEWJFSUF
RVF UPEB IJTUPSJB FT IJTUPSJB
DPOUFNQPSÃOFB y2VÊ BDUJUVE
BEPQUBSGSFOUFBFTUBBQPSÎBEFM
DPOPDJNJFOUP IJTUÓSJDP y4F
QVFEF JHOPSBS MB BQPSÎB RVF
QMBOUFB FM BOBDSPOJTNP y4F
QVFEFSFJWJOEJDBSFMBOBDSPOJT-
NP FO IJTUPSJB )JTUPSJBEPSFT
EFM BSUF DPNP (FPSHFT %JEJ
)VCFSNBO
P IJTUPSJBEPSBT
EF MB BOUJHÛFEBE DPNP /JDP-
MF -PSBVY
IBO FNQSFOEJEP
SFDJFOUFNFOUF FM USBCBKP EF
SFIBCJMJUBDJÓO EFM BOBDSPOJT-
NP TUB SFIBCJMJUBDJÓO DPO-
MMFWB VO FTGVFS[P TVQSFNP EF
USBTUPDBDJÓO P USBTUPSOBDJÓO
EFM UJFNQP IJTUÓSJDP
TVQPOF

FO PUSBT QBMBCSBT
QFOTBS RVF
FYJTUFONPEPTEFDPOFYJÓOFO
MB IJTUPSJB RVF QPEFNPT MMB-
NBSQPTJUJWBNFOUFBOBDSPOÎBT
BDPOUFDJNJFOUPT
OPDJPOFT
TJH-
OJàDBDJPOFTRVFUPNBOFMUJFN-
QPBMSFWÊT
RVFIBDFODJSDVMBS
FM TFOUJEP EF VOB NBOFSB RVF
FTDBQB B UPEB DPOUFNQPSBOFJ-
EBE
BUPEBJEFOUJEBEEFMUJFN-
QP DPOTJHP NJTNP -B QSPQJB
JEFBEFNVMUJQMJDJEBEEFMÎOFBT
UFNQPSBMFT
EF UJFNQPT IJT-
UÓSJDPT EJWFSTPT JODMVJEPT FO

VO jNJTNPv UJFNQP IJTUÓSJDP
FT MB DPOEJDJÓO EFM IBDFS IJT-
UÓSJDP M BOBDSPOJTNP FT EF
FTUF NPEP QFOTBEP DPNP VO
TFHNFOUP EF UJFNQP
DPNP
VOB FTRVJSMB EF TFOUJEP RVF
JMVNJOBVONPNFOUPIJTUÓSJDP
EFUFSNJOBEPYQVFTUPFOVOB
HSBNÃUJDBCFOKBNJOJBOB
FOFM
MFOHVBKF EFM #FOKBNJO EF MBT
TesisTPCSFMBIJTUPSJB
FMBOB-
DSPOJTNP FT MB QSÃDUJDB EF MB
IJTUPSJBBDPOUSBQFMP
FTVOTBM-
UPEFUJHSFIBDJBFMQBTBEP
FT
FMDFQJMMPNBUFSJBMJTUBVUJMJ[BEP
BDPOUSBQFMPEFMBIJTUPSJB
1BSB IJTUPSJBEPSFT DPNP
%JEJ)VCFSNBO
FM BOBDSPOJT-
NP TVSHF FO FM QMJFHVF FYBDUP
EF MB SFMBDJÓO FOUSF JNBHFO F
IJTUPSJBOTFOUJEPFTUSJDUP
FM
BOBDSPOJTNP OPNCSB MB TVT-
QFOTJÓORVFUPEBJNBHFOQSP-
EVDF FO MB IJTUPSJB RVF QPSUB

MB TVQFSWJWFODJB EF NFNPSJBT
NÙMUJQMFT Z DPOUSBEJDUPSJBT
)JTUPSJB TJODPQBEB
IJTUPSJB
EF TÎOUPNBT
MB MMBNB %JEJ
)VCFSNBO TUB IJTUPSJB TFSÎB
VOB IJTUPSJB EF VOB IFUFSPHF-
59
OFJEBE SBEJDBM
EF SVQUVSBT

EF FNFSHFODJBT
BM QVOUP
RVF
TÓMPIBCSÎBIJTUPSJBEFBOBDSP-
OJTNPT
jIJTUPSJB BOBDSÓOJDBv
%JEJ)VCFSNBO
Ante el tiem-po

Q
1BSB/JDPMF-PSBVY
VOB EFGFOTB EFM BOBDSPOJTNP
FOIJTUPSJBPCMJHBSÎBBQSFHVO-
UBS
QPSFKFNQMP
QPSRVÊFOMPT
USBCBKPT EF IJTUPSJBEPSFT UBO
JNQPSUBOUFTQBSBFMEFTBSSPMMP
BDUVBMEFMPTFTUVEJPTDMÃTJDPT

DPNPTPO1JFSSF7JEBM/BRVFU
Z+FBO1JFSSF7FSOBSU
MBTSFGF-
SFODJBT B 'SFVE P B /JFU[TDIF
FTUÃOBVTFOUFTPTJMFODJBEBT
-BEJTZVODJÓOFOMBQSFTFO-
DJBNJTNBEFMQSFTFOUF
FTBFT-
QFDJFEFOPDPOUFNQPSBOFJEBE
DPOTJHP NJTNP EFM UJFNQP
FT
BMHPRVFMBjBOBDSPOÎBvEJDFZ
OPEJDFBMBWF[1BSBFYQSFTBS-
MPFOUÊSNJOPTEF%FSSJEB
EFM
%FSSJEBEFEspectros de Marx

MB BOBDSPOÎB FO IJTUPSJB OPN-
CSBSÎBVOQFOTBNJFOUPBCJFSUP
BMQPSWFOJSEFMBDPOUFDJNJFOUP

BMBQSPNFTBEFTVSBEJDBMIF-
UFSPHFOFJEBE
r -FDUVSBT TVHFSJEBT8BMUFS #FOKBNJO
La dialéctica en
suspenso. Fragmentos sobre historia
4BOUJBHP EF $IJMF

6OJWFSTJEBE3$*4-0.FEJDJPOFT
EPMGP8JMMZ

Historia a contrapelo. Una constelación
.ÊYJDP
EJDJP-
OFTSB
DBQj7JPMFODJB
EFTQPKP
HMPCBMJ[BDJÓOv
(FPSHFT %JEJ)VCFSNBO
Ante el tiempo. Historia del
arte y anacronismo de las imágenes
#VFOPTJSFT
ESJB-
OB )JEBMHP FEJUPSB
+BDRVFT %FSSJEB
Espectros

de Marx. El estado de la deuda, el trabajo del duelo y
la nueva internacional
.BESJE
EJUPSJBM 5SPUUB

DBQj*OZVODJPOFTEF.BSYv/JDPMF-PSBVY
jMPHFEF
MBOBDISPOJTNF FO IJTUPJSFv
Le Genre humain
/

1BSJT

QQ +BDRVFT 3BODJÍSF
j-F DPODFQU
EBOBDISPOJTNFFUMBWFSJUBEFMIJTUPSJFOv
L’Inactuel
/

1BSJT

QQ-VDJFO'FCWSF
El problema de
la incredulidad en el siglo XVI. La religión de Rabelais

.ÊYJDP
65)
OESÊ #VSHVJÍSF EJS

Diccio-nario
de las Ciencias históricas
.BESJE
EJDJPOFTLBM

FOUSBEBjOBDSPOJTNPv
60

61
#ñ÷ïúéîġé
2ýñĂĕû øýíìé QBSFDFS VOB
QBSBEPKBRVFFOMBÊQPDBEFMB
jNVFSUF EFM BVUPSv
EF MB IJT-
UPSJBFOUFOEJEBDPNPjQSPDFTP
TJOTVKFUPv
TFFTUÊFOQSFTFODJB
EFVOBFTQFDJFEFWVFMUBEFMB
CJPHSBGÎB
PEFFTDSJUVSBTBàOFT
B FMMB DPNP TPO MBT IJTUPSJBT
EFWJEB
FMHÊOFSPUFTUJNPOJBM

MBBVUPCJPHSBGÎB
MPTSFMBUPTEF
WJEB Z MB BVUPFOUSFWJTUB 5P-
EPTFTUPTHÊOFSPTEFTQMJFHBOB
QSJNFSBWJTUBVOQSPHSBNBEF
SFQSFTFOUBDJÓO IJTUÓSJDB PSHB-
OJ[BEPBQBSUJSEFMBJEFOUJàDB-
DJÓO FOUSF FTDSJUVSB Z WJEB
P

BM NFOPT
B QBSUJS EFM TVQVFT-
UP EF RVF VOB WJEB QVFEB TFS
SFQSFTFOUBEB P DPOUBEB FO MB
FTDSJUVSB T NÃT
FO VO QSJ-
NFS NPNFOUP FTUBT FTDSJUVSBT
EFM bios QBSFDJFSBO FODPOUSBS
TV KVTUJàDBDJÓO ÙMUJNB FO MB
SFGPSNVMBDJÓO EF MB WJFKB JEFB
OFPLBOUJBOB F IJTUPSJDJTUB EF
RVF MB IJTUPSJB VOJWFSTBM FT
MB CJPHSBGÎB
MB BVUPCJPHSBGÎB
EF MB IVNBOJEBE 3BZNPOE
SPO
La philosophie critique
de l’histoire

%FTEF DJFSUB QFSTQFDUJWB
DSÎUJDB
B àO B VOB MFDUVSB FT-
USVDUVSBMPEJBMÊDUJDBEFMBTP-
DJFEBE
FMHÊOFSPCJPHSÃàDPTF
DPOTJEFSBVOWJFKPMFHBEPEFMB
DVMUVSB CVSHVFTB DVZP FGFDUP
FTFODJBM FT PDVMUBS P EJTGSB[BS
MBTEFTJHVBMEBEFTTPDJBMFT1PS
UBOUP
MB CJPHSBGÎB
MPT SFMBUPT
EFWJEBZMBBVUPCJPHSBGÎBTVF-
MFOTFSWJTUBTDPNPGVFOUFTEF
BMJFOBDJÓO TPDJBM PGSFDJEBT B
CVFO QSFDJP B VO NFSDBEP EF
MFDUPSFT ÃWJEPT EF MFFS FO MBT
WJEBT EF jPUSPTv MB SFWBODIB
RVF VOB WJEB NJTFSBCMF QVFEF
DPCSBS TPCSF TV USJTUF TVFSUF
DPUJEJBOB 4JO FNCBSHP
Z FO
TJOUPOÎBDPOMBIFSFODJBDSÎUJDB
EF USBEJDJPOFT NBSYJTUBT IFUF-
SPEPYBTBMBQFSTQFDUJWBEJBMÊ-
DUJDB Z FTUSVDUVSBM
UBNCJÊO FT
QPTJCMF FODPOUSBS QPTJDJPOFT
GBWPSBCMFTBMBCJPHSBGÎBZMPT
SFMBUPT EF WJEB DPNP MBT EF
8BMUFS #FOKBNJO QBSB RVJFO

Historiografía postmoderna. conceptos, figuras, manifiestos luis g. de mussy y miguel valderrama

Historiografía postmoderna. conceptos, figuras, manifiestos luis g. de mussy y miguel valderrama

Recommended

Recommended

More Related Content

Viewers also liked

Viewers also liked (9)

More from Marco Yañez Olivares

More from Marco Yañez Olivares (13)

Recently uploaded

Recently uploaded (20)

Historiografía postmoderna. conceptos, figuras, manifiestos luis g. de mussy y miguel valderrama