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[object Object],[object Object],[object Object],[object Object],The Rise of Civilization:  The Art of the Ancient Near East 2
ANE Empires  (continued…) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Elamite Art Image Source
About Elam ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
 
Kneeling bull holding a spouted vessel  from Susa, Iran ca. 3,000-2,900 B.C.E. silver
Statue of Queen Napir-Asu from Susa, Iran ca. 1,350-1,300 B.C.E. bronze and copper 50 3/4 in. high
Chogha Zanbil  Ziggurat  Susa, Iran ca. 1340–1300 B.C  |  mud bricks, baked bricks ,[object Object],[object Object],[object Object],[object Object],[object Object],Image Source
Image Source Site of Chogha Zanbil ziggurat
Assyrian Art
About Assyria ,[object Object],[object Object],[object Object]
 
Reconstruction drawing of the citadel of Sargon II, Dar Sharrukin (modern Khorsabad) Iraq ca. 720-705 B.C.E.
during excavation Lamassu (winged human headed bull) from the citadel of Sargon II, Dar Sharrukin (modern Khorsabad) Iraq ca. 720-705 B.C.E. Limestone  13 ft. 10 in. high Image Source
Lamassu (winged human headed bull) from the citadel of Sargon II, Dar Sharrukin (modern Khorsabad) Iraq ca. 720-705 B.C.E.  |  limestone  |  13 ft. 10 in. high
 
 
 
This 40 ton statue was one of a two flanking the entrance to the throne room of King Sargon II. A protective spirit known as a lamassu, it is shown as a composite being with he head of a human, the body and ears of a bull, and the wings of a bird. When viewed from the side, the creature appears to be walking; when viewed from the front, to be standing still. Thus it is actually represented with five, rather than four legs. Image Source
Gilgamesh Wrestling Lion from the citadel of Sargon II, Dar Sharrukin ca. 720-705 B.C.E. limestone 13 ft. 10 in. high
 
Assyrian archers pursuing enemies from the Northwest Palace of Ashurnasirpal II, Kalhu (modern Nimrud) ca. 875-860 B.C.E. gypsum  |  2 ft. 10 3/8 in. high
 
Ashurbanipal hunting lions from the North Palace of Ashurbanipal, Ninevah (modern Kuyunjik) Iraq ca. 645-640 B.C.E.  |  Gypsum  |  approximately 5 ft. high For their palace walls the Assyrian kings commissioned extensive series of narrative reliefs exalting royal power and piety. The degree of documentary detail in the Assyrian reliefs is without parallel in the ancient Near East.
Ashurbanipal hunting lions from the North Palace of Ashurbanipal, Ninevah (modern Kuyunjik) Iraq ca. 645-640 B.C.E.  |  gypsum approximately 5 ft. high
Ashurbanipal hunting lions from the North Palace of Ashurbanipal, Ninevah (modern Kuyunjik) Iraq ca. 645-640 B.C.E.  |  Gypsum  |  approximately 5 ft. high
Neo-Babylonian Art
About Neo-Babylonia ,[object Object],[object Object],[object Object],[object Object]
A 16th-century hand-coloured engraving of the "Hanging Gardens of Babylon" by Dutch artist Martin Heemskerck, with the Tower of Babel in the background. Image Source
 
restored Ishtar Gate from Babylon, Iraq ca. 575 B.C.E. glazed brick
restored Ishtar Gate details of dragon (Marduk) and  bull (Adad) from Babylon, Iraq ca. 575 B.C.E. glazed brick
Ishtar Gate  restored details of lion (Ishtar)  from Babylon, Iraq ca. 575 B.C.E.  |  glazed brick
 
Achaemenid Persian Art
About Achaemenid Persia ,[object Object],[object Object],[object Object],[object Object]
 
Palace of Darius I and Xerxes I Persepolis, Iran ca. 521-465 B.C.E. UNESCO declared the citadel of Persepolis a World Heritage Site in 1979.
Palace of Darius I and Xerxes I Gate of All Nations Persepolis, Iran  |  ca. 521-465 B.C.E. The most important source of knowledge about Persian art and architecture is the ceremonial and administrative complex on the citadel at Persepolis.It was built between 521 and 465 BCE by Darius I (r. 522-486 BCE) and Xerxes (r. 486-465 BCE), successors of Cyrus.
Palace of Darius I and Xerxes I Persepolis, Iran ca. 521-465 B.C.E.
Sasanian Art
About Sasanid  ,[object Object],[object Object],[object Object]
 
Palace of Shapur I from Ctesiphon, Iraq ca. 250 C.E.
Palace of Shapur I from Ctesiphon, Iraq ca. 250 C.E.
 
Triumph of Shapur I over Valerian from Bishapur, Iraq ca. 260 C.E. rock-cut relief
Triumph of Shapur I over Valerian from Bishapur, Iraq ca. 260 C.E. |  rock-cut relief
Shapur I  drachim ca. 260 C.E. cast silver coins
Head of Sasanian King (Shapur II?) from Ctesiphon, Iraq ca. 350 C.E. silver with mercury gilding 15 3/4 in. high
Head of Sasanian King (Shapur II?) from Ctesiphon, Iraq ca. 350 C.E. silver with mercury gilding 15 3/4 in. high
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ARTID111 Ancient Near East Art - Part 2

  • 1.
  • 2.
  • 4.
  • 5.  
  • 6. Kneeling bull holding a spouted vessel from Susa, Iran ca. 3,000-2,900 B.C.E. silver
  • 7. Statue of Queen Napir-Asu from Susa, Iran ca. 1,350-1,300 B.C.E. bronze and copper 50 3/4 in. high
  • 8.
  • 9. Image Source Site of Chogha Zanbil ziggurat
  • 11.
  • 12.  
  • 13. Reconstruction drawing of the citadel of Sargon II, Dar Sharrukin (modern Khorsabad) Iraq ca. 720-705 B.C.E.
  • 14. during excavation Lamassu (winged human headed bull) from the citadel of Sargon II, Dar Sharrukin (modern Khorsabad) Iraq ca. 720-705 B.C.E. Limestone 13 ft. 10 in. high Image Source
  • 15. Lamassu (winged human headed bull) from the citadel of Sargon II, Dar Sharrukin (modern Khorsabad) Iraq ca. 720-705 B.C.E. | limestone | 13 ft. 10 in. high
  • 16.  
  • 17.  
  • 18.  
  • 19. This 40 ton statue was one of a two flanking the entrance to the throne room of King Sargon II. A protective spirit known as a lamassu, it is shown as a composite being with he head of a human, the body and ears of a bull, and the wings of a bird. When viewed from the side, the creature appears to be walking; when viewed from the front, to be standing still. Thus it is actually represented with five, rather than four legs. Image Source
  • 20. Gilgamesh Wrestling Lion from the citadel of Sargon II, Dar Sharrukin ca. 720-705 B.C.E. limestone 13 ft. 10 in. high
  • 21.  
  • 22. Assyrian archers pursuing enemies from the Northwest Palace of Ashurnasirpal II, Kalhu (modern Nimrud) ca. 875-860 B.C.E. gypsum | 2 ft. 10 3/8 in. high
  • 23.  
  • 24. Ashurbanipal hunting lions from the North Palace of Ashurbanipal, Ninevah (modern Kuyunjik) Iraq ca. 645-640 B.C.E. | Gypsum | approximately 5 ft. high For their palace walls the Assyrian kings commissioned extensive series of narrative reliefs exalting royal power and piety. The degree of documentary detail in the Assyrian reliefs is without parallel in the ancient Near East.
  • 25. Ashurbanipal hunting lions from the North Palace of Ashurbanipal, Ninevah (modern Kuyunjik) Iraq ca. 645-640 B.C.E. | gypsum approximately 5 ft. high
  • 26. Ashurbanipal hunting lions from the North Palace of Ashurbanipal, Ninevah (modern Kuyunjik) Iraq ca. 645-640 B.C.E. | Gypsum | approximately 5 ft. high
  • 28.
  • 29. A 16th-century hand-coloured engraving of the "Hanging Gardens of Babylon" by Dutch artist Martin Heemskerck, with the Tower of Babel in the background. Image Source
  • 30.  
  • 31. restored Ishtar Gate from Babylon, Iraq ca. 575 B.C.E. glazed brick
  • 32. restored Ishtar Gate details of dragon (Marduk) and bull (Adad) from Babylon, Iraq ca. 575 B.C.E. glazed brick
  • 33. Ishtar Gate restored details of lion (Ishtar) from Babylon, Iraq ca. 575 B.C.E. | glazed brick
  • 34.  
  • 36.
  • 37.  
  • 38. Palace of Darius I and Xerxes I Persepolis, Iran ca. 521-465 B.C.E. UNESCO declared the citadel of Persepolis a World Heritage Site in 1979.
  • 39. Palace of Darius I and Xerxes I Gate of All Nations Persepolis, Iran | ca. 521-465 B.C.E. The most important source of knowledge about Persian art and architecture is the ceremonial and administrative complex on the citadel at Persepolis.It was built between 521 and 465 BCE by Darius I (r. 522-486 BCE) and Xerxes (r. 486-465 BCE), successors of Cyrus.
  • 40. Palace of Darius I and Xerxes I Persepolis, Iran ca. 521-465 B.C.E.
  • 42.
  • 43.  
  • 44. Palace of Shapur I from Ctesiphon, Iraq ca. 250 C.E.
  • 45. Palace of Shapur I from Ctesiphon, Iraq ca. 250 C.E.
  • 46.  
  • 47. Triumph of Shapur I over Valerian from Bishapur, Iraq ca. 260 C.E. rock-cut relief
  • 48. Triumph of Shapur I over Valerian from Bishapur, Iraq ca. 260 C.E. | rock-cut relief
  • 49. Shapur I drachim ca. 260 C.E. cast silver coins
  • 50. Head of Sasanian King (Shapur II?) from Ctesiphon, Iraq ca. 350 C.E. silver with mercury gilding 15 3/4 in. high
  • 51. Head of Sasanian King (Shapur II?) from Ctesiphon, Iraq ca. 350 C.E. silver with mercury gilding 15 3/4 in. high
  • 52.
  • 53.
  • 54.
  • 55.
  • 56.
  • 57.

Editor's Notes

  1. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  2. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  3. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  4. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  5. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  6. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  7. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  8. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  9. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  10. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  11. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  12. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  13. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  14. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  15. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  16. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  17. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  18. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  19. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  20. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  21. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  22. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  23. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  24. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  25. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  26. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  27. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  28. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  29. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  30. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  31. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  32. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  33. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  34. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  35. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  36. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  37. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  38. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  39. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  40. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  41. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  42. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  43. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  44. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  45. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  46. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  47. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  48. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  49. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  50. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  51. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  52. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  53. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  54. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  55. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  56. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  57. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.