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SCHOOL OF ARCHITECTURE, BUILDING & DESIGN
Centre for Modern Architecture Studies in Southeast Asia (MASSA)
Bachelor of Science (Honours) in Architecture
Module : ARCHITECTURAL DESIGN STUDIO 2 (ARC 60205)
Project 3 : Weekend Getaway @ National Botanical Garden, Shah Alam
Farnsworth House in Plano, Illinois.
Project 3 Individual
LO
1,2,3,4,5,8
50% Drawings + models Pin up / verbal presentation
Introduction
On your own, you are to further develop your project 2 into a Weekend Getaway at National Botanical Garden. A
Weekend Getaway denotes ‘A place where one escapes for relaxation, recreation and vacation for a short period of time.’
This Weekend Getaway must function as habitable architectural spaces to enable the activity associated with living,
dining, showering, cooking, storage and such within the built up space of 150 m2. The relationship between your design
and the context is also important in making the Weekend Getaway unique to its landscape and activity.
Objectives of Project
The objectives of this project are:
• To introduce the notions of concepts, program and process in architectural design
• To introduce students’ to the understanding of user specific design requirements
• To introduce the notions of space, form and function in architectural design
• To introduce awareness of site specific design and the process of site analysis
USER & CONTEXT
Learning Outcomes of this Project
1. interpret and analyse simple site context
2. interpret and analyse client’s character and needs in relation to the design of a small building
3. design a simple building type that meets user requirements and respect site context that balances both internal
(architectural spaces/layout/circulation) and external (aesthetics and forms) design values
Tasks - Methodology
As a group you had visited the site and finished the site investigation & ‘nature scanning’ to initiate the preliminary
conceptual approach of the Pavilion. You are expected to complete a site visit to record important information pertaining
to your project. A completed site analysis should be available in your design studio at all time for references during the
design process. Now it is important for your work to reflect your understanding of how architecture is created by applying
the basic design principles and spatial organization skills. Your work must also illustrate an understanding of how a
building is conceptualized and transformed into reality.
Project 3 extends the understanding of design concept and process. It introduces the notion of architectural space making
through the design of a user specific architectural scheme. This project explores the relationship between architectural
tectonics, function and space in architecture.
Submission Requirement
Final Design Scheme
The final submission for this project includes
1. Five (5) A5 Sketches
2. Sketches + Work in progress models
3. Diagrammatic explanation of the composition of Space and Form (which explains how the design is responding
to the character and context),
4. Site Analysis of the physical context (site plan, site section, site elevation – Scale of 1:500)
5. Models - scale of 1:100 and 1:500. The models should be made of white board and/or balsa wood, beautifully
presented on A3 MDF board.
6. A full set of Architectural drawings (floor plans, sections, elevations, axon, perspectives and sectional
detail) beautifully hand drawn onto (3) A1 size tracing/cartridge paper. You are always encouraged to explore
your own presentation technique however the size for the drawing must be in the scale of 1:100 (sectional
detail - scale of 1:50) hand drawn.
Timeline and Schedule
Name: ________________________________
Student ID: ____________________________
WEEK SESSION TOPIC
SUBMISSION COMMENTS TUTOR
8
1
(18.10.2016)
Project 3 Introduction: Weekend
Getaway
Project 3
Tutorials – 10 Conceptual models +
sketches
2
(20.10.2016)
Tutorials – Conceptual development
9
1
(25.10.2016)
Lecture 5: Architectural Space
Planning
Tutorials - Spatial Configuration +
Floor Plans
2
(27.10.2016)
Tutorials – Floor Plans + models
MID-SEMESTER BREAK & ACTIVITY WEEK 31.10.2016 – 6.11.2016 (non-contact week)
10
1
(8.11.2016)
Lecture 6: Architectural Tectonics
Tutorials – Plans, sections, elevations
+ models
2
(10.11.2016) Studio - Pin-up crit all drawings
11
1
(15.11.2016)
Lecture 7: Materials and Texture in
Space Making
Tutorials – Plans, sections, elevations
+ models
2
(17.11.2016)
Interim Submission - all drawings +
sketch models
Interim
Submission
12
1
(22.11.2016)
Tutorials – Plans, sections, elevations
+ models + sectional detail
2
(24.11.2016)
Tutorials – Models + Drawings
13
1
(29.11.2016)
Tutorials – Final Models + Drawings
2
(1.12.2016)
Tutorials – Presentation Boards
14
1
(5.12.2016) Submission - Pin up drawings.
Project 3
(50%)2
(6.12.2016) Final Review (Date TBC)
Marking criteria
Marks shall be distributed as follows:
Marking Criteria
Marks
%
Acquired
TGC FAIL
POO
R
SATISFACT
ORY GOOD
EXCELL
ENT
CONCEPTUAL
DEVELOPMENT AND
TRANSLATION INTO DESIGN
30
2.1,2.2,2.
3
Does the design work
demonstrate a clear idea?
10
Is the translation & development
of ideas into design evident
through concept, study models
and/or sketches?
20
APPROPRIATENESS OF
FORM AND SPACE
50
2.1,2.2,3.
1,3.2,
Does the design work
demonstrate a
relationship/engagement with its
site context?
10
Does the design meet the
functional requirement required
by the project brief?
10
Does the scheme shows
understanding/relationship of
private and public spaces?
10
Does the design demonstrate
consideration and understanding
of anthropometry, proportion and
scale?
10
Does the internal space explore
and express light/shadow?
10
COMMUNICATION OF DESIGN
THROUGH VISUAL AND
VERBAL PRESENTATION
20 8.1
Does the final model
demonstrate clear design and
design idea and it is well-
crafted?
10
Do the drawings demonstrate
the design and design idea and
are they well-drawn? 10
Recommended Readings
1. D.K. Ching, F. 1993. Architecture: Form Space and Order (2nd ed.). Van Nostrand Reinhold.
2. Porter, Tom, 2000 Architectural Supermodel: Physical design simulation / Tom Porter and John Neale.
3. Professional Model Making: a handbook of techniques and materials for architects and designers.
4. Rasmussen, Steen Eiler,1958, Experiencing Architecture, MIT press.
Remarks:
1. The Module is to be distributed to the students in the first week of the semester.
2. Any changes to the Module shall be communicated (in writing) to the Programme Director and the approved revised version must
be communicated to the students

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Arc60205 project 3 weekend getaway

  • 1. SCHOOL OF ARCHITECTURE, BUILDING & DESIGN Centre for Modern Architecture Studies in Southeast Asia (MASSA) Bachelor of Science (Honours) in Architecture Module : ARCHITECTURAL DESIGN STUDIO 2 (ARC 60205) Project 3 : Weekend Getaway @ National Botanical Garden, Shah Alam Farnsworth House in Plano, Illinois. Project 3 Individual LO 1,2,3,4,5,8 50% Drawings + models Pin up / verbal presentation Introduction On your own, you are to further develop your project 2 into a Weekend Getaway at National Botanical Garden. A Weekend Getaway denotes ‘A place where one escapes for relaxation, recreation and vacation for a short period of time.’ This Weekend Getaway must function as habitable architectural spaces to enable the activity associated with living, dining, showering, cooking, storage and such within the built up space of 150 m2. The relationship between your design and the context is also important in making the Weekend Getaway unique to its landscape and activity. Objectives of Project The objectives of this project are: • To introduce the notions of concepts, program and process in architectural design • To introduce students’ to the understanding of user specific design requirements • To introduce the notions of space, form and function in architectural design • To introduce awareness of site specific design and the process of site analysis USER & CONTEXT
  • 2. Learning Outcomes of this Project 1. interpret and analyse simple site context 2. interpret and analyse client’s character and needs in relation to the design of a small building 3. design a simple building type that meets user requirements and respect site context that balances both internal (architectural spaces/layout/circulation) and external (aesthetics and forms) design values Tasks - Methodology As a group you had visited the site and finished the site investigation & ‘nature scanning’ to initiate the preliminary conceptual approach of the Pavilion. You are expected to complete a site visit to record important information pertaining to your project. A completed site analysis should be available in your design studio at all time for references during the design process. Now it is important for your work to reflect your understanding of how architecture is created by applying the basic design principles and spatial organization skills. Your work must also illustrate an understanding of how a building is conceptualized and transformed into reality. Project 3 extends the understanding of design concept and process. It introduces the notion of architectural space making through the design of a user specific architectural scheme. This project explores the relationship between architectural tectonics, function and space in architecture. Submission Requirement Final Design Scheme The final submission for this project includes 1. Five (5) A5 Sketches 2. Sketches + Work in progress models 3. Diagrammatic explanation of the composition of Space and Form (which explains how the design is responding to the character and context), 4. Site Analysis of the physical context (site plan, site section, site elevation – Scale of 1:500) 5. Models - scale of 1:100 and 1:500. The models should be made of white board and/or balsa wood, beautifully presented on A3 MDF board. 6. A full set of Architectural drawings (floor plans, sections, elevations, axon, perspectives and sectional detail) beautifully hand drawn onto (3) A1 size tracing/cartridge paper. You are always encouraged to explore your own presentation technique however the size for the drawing must be in the scale of 1:100 (sectional detail - scale of 1:50) hand drawn.
  • 3. Timeline and Schedule Name: ________________________________ Student ID: ____________________________ WEEK SESSION TOPIC SUBMISSION COMMENTS TUTOR 8 1 (18.10.2016) Project 3 Introduction: Weekend Getaway Project 3 Tutorials – 10 Conceptual models + sketches 2 (20.10.2016) Tutorials – Conceptual development 9 1 (25.10.2016) Lecture 5: Architectural Space Planning Tutorials - Spatial Configuration + Floor Plans 2 (27.10.2016) Tutorials – Floor Plans + models MID-SEMESTER BREAK & ACTIVITY WEEK 31.10.2016 – 6.11.2016 (non-contact week) 10 1 (8.11.2016) Lecture 6: Architectural Tectonics Tutorials – Plans, sections, elevations + models 2 (10.11.2016) Studio - Pin-up crit all drawings 11 1 (15.11.2016) Lecture 7: Materials and Texture in Space Making Tutorials – Plans, sections, elevations + models 2 (17.11.2016) Interim Submission - all drawings + sketch models Interim Submission 12 1 (22.11.2016) Tutorials – Plans, sections, elevations + models + sectional detail 2 (24.11.2016) Tutorials – Models + Drawings 13 1 (29.11.2016) Tutorials – Final Models + Drawings 2 (1.12.2016) Tutorials – Presentation Boards 14 1 (5.12.2016) Submission - Pin up drawings. Project 3 (50%)2 (6.12.2016) Final Review (Date TBC)
  • 4. Marking criteria Marks shall be distributed as follows: Marking Criteria Marks % Acquired TGC FAIL POO R SATISFACT ORY GOOD EXCELL ENT CONCEPTUAL DEVELOPMENT AND TRANSLATION INTO DESIGN 30 2.1,2.2,2. 3 Does the design work demonstrate a clear idea? 10 Is the translation & development of ideas into design evident through concept, study models and/or sketches? 20 APPROPRIATENESS OF FORM AND SPACE 50 2.1,2.2,3. 1,3.2, Does the design work demonstrate a relationship/engagement with its site context? 10 Does the design meet the functional requirement required by the project brief? 10 Does the scheme shows understanding/relationship of private and public spaces? 10 Does the design demonstrate consideration and understanding of anthropometry, proportion and scale? 10 Does the internal space explore and express light/shadow? 10 COMMUNICATION OF DESIGN THROUGH VISUAL AND VERBAL PRESENTATION 20 8.1 Does the final model demonstrate clear design and design idea and it is well- crafted? 10 Do the drawings demonstrate the design and design idea and are they well-drawn? 10 Recommended Readings 1. D.K. Ching, F. 1993. Architecture: Form Space and Order (2nd ed.). Van Nostrand Reinhold. 2. Porter, Tom, 2000 Architectural Supermodel: Physical design simulation / Tom Porter and John Neale. 3. Professional Model Making: a handbook of techniques and materials for architects and designers. 4. Rasmussen, Steen Eiler,1958, Experiencing Architecture, MIT press.
  • 5. Remarks: 1. The Module is to be distributed to the students in the first week of the semester. 2. Any changes to the Module shall be communicated (in writing) to the Programme Director and the approved revised version must be communicated to the students