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“The Writer”
by Richard Wilbur
Keely	
  McAveney	
  
Ms.	
  Kramer	
  	
  
AP	
  English	
  –	
  Period	
  2	
  
16	
  March	
  2014	
  
	
  
Stanza	
  1	
  
In	
  her	
  room	
  at	
  the	
  prow	
  
of	
  the	
  house	
  
Where	
  light	
  breaks,	
  and	
  
the	
  windows	
  are	
  tossed	
  
with	
  linden,	
  
My	
  daughter	
  is	
  writing	
  a	
  
story.	
  
The	
  speaker,	
  a	
  father,	
  can	
  hear	
  his	
  daughter	
  writing,	
  much	
  like	
  he	
  
does.	
  	
  
•  En	
  Media	
  Raes	
  	
  
•  Enjambment	
  
•  Imagery	
  
•  “at	
  the	
  prow	
  of	
  the	
  house”	
  
•  “where	
  the	
  light	
  breaks”	
  
•  “the	
  windows	
  are	
  tossed	
  with	
  
linden”	
  
Stanza	
  2	
  
I	
  pause	
  in	
  the	
  stairwell,	
  
hearing	
  
From	
  her	
  shut	
  door	
  a	
  
commotion	
  of	
  type-­‐writer	
  
keys	
  
Like	
  a	
  chain	
  hauled	
  over	
  a	
  
gunwale.	
  
The	
  speaker	
  continues	
  to	
  listen	
  to	
  the	
  sound	
  of	
  his	
  daughter’s	
  
typing.	
  It	
  sounds	
  loud	
  and	
  weighty,	
  like	
  writing	
  should	
  be.	
  It	
  should	
  
dare	
  to	
  be	
  loud	
  and	
  carry	
  intellectual	
  weight.	
  	
  
•  Enjambment	
  	
  
•  Motif	
  
•  Ship	
  
•  “chain	
  hauled	
  over	
  a	
  gunwale”	
  
•  Simile	
  	
  
•  “Like	
  a	
  chain	
  hauled	
  over	
  gunwale”	
  
•  Imagery	
  
•  “commotion	
  of	
  type-­‐writer	
  keys”	
  
Stanza	
  3	
  
Young	
  as	
  she	
  is,	
  the	
  stuff	
  
Of	
  her	
  life	
  is	
  a	
  great	
  cargo,	
  
and	
  some	
  of	
  it	
  heavy:	
  
I	
  wish	
  her	
  a	
  lucky	
  passage.	
  
The	
  speaker	
  describes	
  the	
  experiences	
  of	
  his	
  daughter’s	
  life	
  as	
  
cargo	
  that	
  she	
  continues	
  to	
  carry	
  with	
  her	
  throughout	
  the	
  rest	
  of	
  
it.	
  Some	
  of	
  it	
  is	
  “heavy”	
  meaning	
  that	
  it	
  is	
  unpleasant	
  and	
  burdens	
  
her	
  for	
  the	
  rest	
  of	
  her	
  life.	
  He	
  wishes	
  her	
  a	
  “passage”	
  of	
  happy	
  
experiences.	
  
•  Enjambment	
  
•  Motif	
  
•  Ship	
  
•  “cargo”	
  
•  “passage”	
  
•  Metaphor	
  
•  “the	
  stuff	
  /	
  Of	
  her	
  life	
  is	
  a	
  great	
  cargo”	
  	
  
•  Imagery	
  
•  “great	
  cargo…some	
  of	
  it	
  heavy”	
  
Stanza	
  4	
  
But	
  now	
  it	
  is	
  she	
  who	
  
pauses,	
  
As	
  if	
  to	
  reject	
  my	
  thought	
  
and	
  its	
  easy	
  figure.	
  
A	
  stillness	
  greatens,	
  in	
  
which	
  
The	
  daughter	
  pauses.	
  The	
  commotion	
  of	
  her	
  writing	
  ceases.	
  She	
  
rejects	
  his	
  wish	
  for	
  a	
  “lucky	
  passage”	
  or	
  happy	
  life.	
  She,	
  instead,	
  
chooses	
  to	
  lead	
  a	
  life	
  full	
  of	
  even	
  painful	
  experiences,	
  a	
  life	
  worth	
  
writing	
  about.	
  	
  	
  
•  Enjambment	
  
•  Simile	
  
•  “as	
  if	
  to	
  reject	
  my	
  thought	
  
and	
  its	
  easy	
  figure”	
  
•  Imagery	
  
•  “a	
  stillness	
  greatens”	
  
Stanza	
  5	
  
The	
  whole	
  house	
  seems	
  
to	
  be	
  thinking,	
  
And	
  then	
  she	
  is	
  at	
  it	
  again	
  
with	
  a	
  bunched	
  clamor	
  
Of	
  strokes,	
  and	
  again	
  is	
  
silent.	
  
It	
  is	
  almost	
  as	
  if	
  his	
  daughter	
  can	
  hear	
  his	
  thoughts	
  through	
  the	
  house.	
  
The	
  whole	
  house	
  gains	
  this	
  sense	
  of	
  stillness	
  as	
  he	
  stops	
  to	
  think	
  about	
  
his	
  wishes	
  for	
  his	
  daughter	
  and	
  her	
  rejection	
  of	
  them.	
  It	
  is	
  far	
  too	
  simple	
  a	
  
comparison,	
  his	
  life	
  to	
  her	
  life,	
  that	
  he	
  has	
  made	
  and	
  based	
  his	
  wish	
  on.	
  
He	
  rejects	
  the	
  wish	
  too,	
  and	
  she	
  begins	
  to	
  write	
  again.	
  	
  
•  Enjambment	
  
•  Personification	
  
•  “The	
  whole	
  house	
  seems	
  to	
  be	
  
thinking”	
  
•  Repetition	
  
•  “silent”	
  like	
  the	
  idea	
  of	
  
“stillness”	
  in	
  the	
  previous	
  stanza	
  
Stanza	
  6	
  
I	
  remember	
  the	
  dazed	
  
starling	
  
Which	
  was	
  trapped	
  in	
  that	
  
very	
  room,	
  two	
  years	
  ago;	
  
How	
  we	
  stole	
  in,	
  lifted	
  a	
  
sash	
  
The	
  speaker	
  creates	
  a	
  new	
  likeness	
  for	
  his	
  daughter,	
  a	
  songbird.	
  
She	
  used	
  to	
  be	
  trapped	
  by	
  her	
  ideas,	
  but	
  the	
  speaker	
  and	
  someone	
  
else,	
  probably	
  her	
  mother,	
  helped	
  to	
  set	
  her	
  ideas	
  free.	
  	
  
•  Enjambment	
  
•  Time	
  and	
  Space	
  
•  Switches	
  to	
  past	
  tense	
  
•  Motif	
  
•  Bird	
  
•  “starling”	
  
•  Metaphor	
  
•  His	
  daughter	
  is	
  a	
  “dazed	
  starling”	
  who	
  was	
  “trapped”	
  
Stanza	
  7	
  
And	
  retreated,	
  not	
  to	
  
affright	
  it;	
  
And	
  how	
  for	
  a	
  helpless	
  
hour;	
  through	
  the	
  crack	
  of	
  
the	
  door,	
  
We	
  watched	
  the	
  sleek,	
  
wild,	
  dark	
  
The	
  speaker	
  describes	
  how	
  once	
  they’d	
  set	
  her	
  free,	
  they	
  
retreated,	
  as	
  not	
  to	
  overwhelm	
  her.	
  They	
  watched	
  her	
  as	
  she	
  
endured	
  the	
  pains	
  and	
  growth	
  of	
  adolescence	
  without	
  their	
  
assistance.	
  	
  
•  Enjambment	
  
•  Time	
  and	
  Space	
  
•  “helpless	
  hour”	
  
•  “through	
  the	
  crack	
  of	
  the	
  door”	
  
•  Alliteration	
  
•  “helpless	
  hour”	
  
•  Motif	
  
•  Bird	
  
•  “sleek,	
  wild,	
  dark”	
  
Stanza	
  8	
  
And	
  iridescent	
  creature	
  
Batter	
  against	
  the	
  
brilliance,	
  drop	
  like	
  a	
  
glove	
  
To	
  the	
  hard	
  floor,	
  or	
  the	
  
desk-­‐top,	
  
The	
  speaker	
  continues	
  to	
  describe	
  his	
  daughter’s	
  adolescent	
  
hardships.	
  He	
  links	
  the	
  bird	
  motif	
  to	
  her	
  with	
  the	
  phrase	
  “to	
  the	
  
hard	
  floor,	
  or	
  the	
  desk-­‐top.”	
  When	
  she	
  was	
  overwhelmed,	
  she	
  
dropped	
  like	
  a	
  bird	
  would	
  but	
  against	
  her	
  desk-­‐top,	
  where	
  she	
  was	
  
writing.	
  	
  
•  Enjambment	
  
•  Alliteration	
  
•  “batter	
  against	
  the	
  brilliance”	
  
•  Simile	
  
•  “drop	
  like	
  a	
  glove”	
  
•  Motif	
  
•  Bird	
  
•  “iridescent	
  creature”	
  
Stanza	
  9	
  
And	
  wait	
  then,	
  humped	
  
and	
  bloody,	
  
For	
  the	
  wits	
  to	
  try	
  it	
  again;	
  
and	
  how	
  our	
  spirits	
  
Rose	
  when,	
  suddenly	
  
sure,	
  
Much	
  like	
  a	
  bird,	
  his	
  daughter	
  recovers	
  from	
  her	
  adolescent	
  trials	
  
and	
  tribulations.	
  She	
  rises.	
  	
  
•  Enjambment	
  
•  Imagery	
  
•  “humped	
  and	
  bloody”	
  
•  Motif	
  
•  Bird	
  
•  “rose”	
  
Stanza	
  10	
  
It	
  lifted	
  off	
  from	
  a	
  chair-­‐
back,	
  
Beating	
  a	
  smooth	
  course	
  
for	
  the	
  right	
  window	
  
And	
  clearing	
  the	
  sill	
  of	
  the	
  
world.	
  
The	
  speaker	
  continues	
  to	
  describe	
  his	
  daughter’s	
  recovery	
  and	
  
how	
  she	
  rises	
  to	
  take	
  the	
  right	
  path,	
  narrowly	
  escaping	
  from	
  her	
  
obstacles,	
  which	
  are	
  the	
  “sill[s]	
  of	
  the	
  world.”	
  
•  Enjambment	
  
•  Metaphor	
  
•  “the	
  right	
  window”	
  =	
  right	
  path	
  in	
  
life	
  
•  “clearing	
  of	
  the	
  sill	
  of	
  the	
  world”	
  	
  
•  Motif	
  
•  Bird	
  
•  “beating	
  a	
  smooth	
  course”	
  
•  “clearing	
  of	
  the	
  sill”	
  
	
  
Stanza	
  11	
  
It	
  is	
  always	
  a	
  matter,	
  my	
  
darling,	
  
Of	
  life	
  or	
  death,	
  as	
  I	
  had	
  
forgotten.	
  I	
  wish	
  
What	
  I	
  wished	
  you	
  
before,	
  but	
  harder.	
  
The	
  speaker	
  lets	
  go	
  of	
  his	
  simplified	
  comparisons	
  of	
  ships	
  and	
  
starlings	
  to	
  her	
  life,	
  realizing	
  that	
  everything	
  is	
  simply	
  a	
  matter	
  of	
  
life	
  or	
  death.	
  He	
  re-­‐wishes	
  her	
  a	
  lucky	
  passage.	
  	
  
•  Enjambment	
  
•  Repetition	
  (0f	
  idea)	
  
•  “I	
  wish	
  /	
  What	
  I	
  wished	
  
you	
  before,	
  but	
  harder”	
  
Conclusion	
  
The	
  father	
  compares	
  his	
  daughter’s	
  journey	
  
through	
  life	
  and	
  writing	
  to	
  his	
  own.	
  However,	
  
then	
  he	
  compares	
  it	
  using	
  ship	
  imagery.	
  He	
  then	
  
sees	
  this	
  comparison	
  as	
  unfit,	
  as	
  well,	
  so	
  he	
  
compares	
  it	
  using	
  bird	
  imagery.	
  Finally,	
  he	
  
realizes	
  her	
  life,	
  much	
  like	
  every	
  life,	
  is	
  
incomparable.	
  Realizing	
  the	
  unpredictability	
  of	
  	
  
her	
  life	
  because	
  of	
  this,	
  he	
  merely	
  wishes	
  her	
  a	
  
lucky	
  passage.	
  	
  

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KMcAveney Analysis of "The Writer"

  • 1. “The Writer” by Richard Wilbur Keely  McAveney   Ms.  Kramer     AP  English  –  Period  2   16  March  2014    
  • 2. Stanza  1   In  her  room  at  the  prow   of  the  house   Where  light  breaks,  and   the  windows  are  tossed   with  linden,   My  daughter  is  writing  a   story.   The  speaker,  a  father,  can  hear  his  daughter  writing,  much  like  he   does.     •  En  Media  Raes     •  Enjambment   •  Imagery   •  “at  the  prow  of  the  house”   •  “where  the  light  breaks”   •  “the  windows  are  tossed  with   linden”  
  • 3. Stanza  2   I  pause  in  the  stairwell,   hearing   From  her  shut  door  a   commotion  of  type-­‐writer   keys   Like  a  chain  hauled  over  a   gunwale.   The  speaker  continues  to  listen  to  the  sound  of  his  daughter’s   typing.  It  sounds  loud  and  weighty,  like  writing  should  be.  It  should   dare  to  be  loud  and  carry  intellectual  weight.     •  Enjambment     •  Motif   •  Ship   •  “chain  hauled  over  a  gunwale”   •  Simile     •  “Like  a  chain  hauled  over  gunwale”   •  Imagery   •  “commotion  of  type-­‐writer  keys”  
  • 4. Stanza  3   Young  as  she  is,  the  stuff   Of  her  life  is  a  great  cargo,   and  some  of  it  heavy:   I  wish  her  a  lucky  passage.   The  speaker  describes  the  experiences  of  his  daughter’s  life  as   cargo  that  she  continues  to  carry  with  her  throughout  the  rest  of   it.  Some  of  it  is  “heavy”  meaning  that  it  is  unpleasant  and  burdens   her  for  the  rest  of  her  life.  He  wishes  her  a  “passage”  of  happy   experiences.   •  Enjambment   •  Motif   •  Ship   •  “cargo”   •  “passage”   •  Metaphor   •  “the  stuff  /  Of  her  life  is  a  great  cargo”     •  Imagery   •  “great  cargo…some  of  it  heavy”  
  • 5. Stanza  4   But  now  it  is  she  who   pauses,   As  if  to  reject  my  thought   and  its  easy  figure.   A  stillness  greatens,  in   which   The  daughter  pauses.  The  commotion  of  her  writing  ceases.  She   rejects  his  wish  for  a  “lucky  passage”  or  happy  life.  She,  instead,   chooses  to  lead  a  life  full  of  even  painful  experiences,  a  life  worth   writing  about.       •  Enjambment   •  Simile   •  “as  if  to  reject  my  thought   and  its  easy  figure”   •  Imagery   •  “a  stillness  greatens”  
  • 6. Stanza  5   The  whole  house  seems   to  be  thinking,   And  then  she  is  at  it  again   with  a  bunched  clamor   Of  strokes,  and  again  is   silent.   It  is  almost  as  if  his  daughter  can  hear  his  thoughts  through  the  house.   The  whole  house  gains  this  sense  of  stillness  as  he  stops  to  think  about   his  wishes  for  his  daughter  and  her  rejection  of  them.  It  is  far  too  simple  a   comparison,  his  life  to  her  life,  that  he  has  made  and  based  his  wish  on.   He  rejects  the  wish  too,  and  she  begins  to  write  again.     •  Enjambment   •  Personification   •  “The  whole  house  seems  to  be   thinking”   •  Repetition   •  “silent”  like  the  idea  of   “stillness”  in  the  previous  stanza  
  • 7. Stanza  6   I  remember  the  dazed   starling   Which  was  trapped  in  that   very  room,  two  years  ago;   How  we  stole  in,  lifted  a   sash   The  speaker  creates  a  new  likeness  for  his  daughter,  a  songbird.   She  used  to  be  trapped  by  her  ideas,  but  the  speaker  and  someone   else,  probably  her  mother,  helped  to  set  her  ideas  free.     •  Enjambment   •  Time  and  Space   •  Switches  to  past  tense   •  Motif   •  Bird   •  “starling”   •  Metaphor   •  His  daughter  is  a  “dazed  starling”  who  was  “trapped”  
  • 8. Stanza  7   And  retreated,  not  to   affright  it;   And  how  for  a  helpless   hour;  through  the  crack  of   the  door,   We  watched  the  sleek,   wild,  dark   The  speaker  describes  how  once  they’d  set  her  free,  they   retreated,  as  not  to  overwhelm  her.  They  watched  her  as  she   endured  the  pains  and  growth  of  adolescence  without  their   assistance.     •  Enjambment   •  Time  and  Space   •  “helpless  hour”   •  “through  the  crack  of  the  door”   •  Alliteration   •  “helpless  hour”   •  Motif   •  Bird   •  “sleek,  wild,  dark”  
  • 9. Stanza  8   And  iridescent  creature   Batter  against  the   brilliance,  drop  like  a   glove   To  the  hard  floor,  or  the   desk-­‐top,   The  speaker  continues  to  describe  his  daughter’s  adolescent   hardships.  He  links  the  bird  motif  to  her  with  the  phrase  “to  the   hard  floor,  or  the  desk-­‐top.”  When  she  was  overwhelmed,  she   dropped  like  a  bird  would  but  against  her  desk-­‐top,  where  she  was   writing.     •  Enjambment   •  Alliteration   •  “batter  against  the  brilliance”   •  Simile   •  “drop  like  a  glove”   •  Motif   •  Bird   •  “iridescent  creature”  
  • 10. Stanza  9   And  wait  then,  humped   and  bloody,   For  the  wits  to  try  it  again;   and  how  our  spirits   Rose  when,  suddenly   sure,   Much  like  a  bird,  his  daughter  recovers  from  her  adolescent  trials   and  tribulations.  She  rises.     •  Enjambment   •  Imagery   •  “humped  and  bloody”   •  Motif   •  Bird   •  “rose”  
  • 11. Stanza  10   It  lifted  off  from  a  chair-­‐ back,   Beating  a  smooth  course   for  the  right  window   And  clearing  the  sill  of  the   world.   The  speaker  continues  to  describe  his  daughter’s  recovery  and   how  she  rises  to  take  the  right  path,  narrowly  escaping  from  her   obstacles,  which  are  the  “sill[s]  of  the  world.”   •  Enjambment   •  Metaphor   •  “the  right  window”  =  right  path  in   life   •  “clearing  of  the  sill  of  the  world”     •  Motif   •  Bird   •  “beating  a  smooth  course”   •  “clearing  of  the  sill”    
  • 12. Stanza  11   It  is  always  a  matter,  my   darling,   Of  life  or  death,  as  I  had   forgotten.  I  wish   What  I  wished  you   before,  but  harder.   The  speaker  lets  go  of  his  simplified  comparisons  of  ships  and   starlings  to  her  life,  realizing  that  everything  is  simply  a  matter  of   life  or  death.  He  re-­‐wishes  her  a  lucky  passage.     •  Enjambment   •  Repetition  (0f  idea)   •  “I  wish  /  What  I  wished   you  before,  but  harder”  
  • 13. Conclusion   The  father  compares  his  daughter’s  journey   through  life  and  writing  to  his  own.  However,   then  he  compares  it  using  ship  imagery.  He  then   sees  this  comparison  as  unfit,  as  well,  so  he   compares  it  using  bird  imagery.  Finally,  he   realizes  her  life,  much  like  every  life,  is   incomparable.  Realizing  the  unpredictability  of     her  life  because  of  this,  he  merely  wishes  her  a   lucky  passage.