Origin Of Runes Research Paper

Origin Of Runes Research Paper
Myth attributes the origins of runes to the Norse god Odin. Legend describes how Odin hung
himself from the World Tree, Yggdrasil, speared himself, and for nine days and nights, Odin
travelled to and from the edge of death; a painful, mystical journey of self–sacrifice and self–
awareness on which he discovered the runes. Odin then taught the goddess Freya, the wisdom of the
runes, who later passed on the knowledge of rune symbolism to Heimdall, god of the Rainbow
Bridge, attributed with teaching runic characters and mystical lore to humanity.
Runic inscriptions have been found on weaponry, boulders, manuscripts, jewellery, and other
personal objects. Runes were in common use up until the Middle Ages, with runic carvings found as
far north as Iceland, and as far south as England, where runes were used by wise counsellors and
Anglo–Saxon high chieftains. Although runes were used by the Vikings, earliest runic inscriptions
predate the Viking tribes. ... Show more content on Helpwriting.net ...
Some believe runes originated from either Latin, Turkish, or Etruscan languages. Other rune
enthusiasts have theorized that runes were developed from Old Italic, or Greek, however, this seems
highly unlikely for two main reasons. Firstly, Old Italic evolved from Etruscan, an ancient Greek
alphabet which evolved from the Semitic alphabet, disseminated by the Phoenicians. The Semitic
alphabet, Old Italic, and Greek alphabets, commence with the characters, Alpha and Beta. These two
letters are distinctly absent from all early runic inscriptions. Secondly, the oldest rune engravings
display runes that were written, and read, sometimes left to right, other times right to left, and in
some instances, both right to left and left to right in the same inscription. It was not until the runic
alphabet converged with Roman imperialism, that runes were predominantly written and read, left to
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What Is Eureka
Eureka! Poe's thoughts on the universe and its relation to God
"The Universe is a plot of God." Is one of the main ideas expressed throughout "Eureka a Prose
Poem" in which Edgar Allan Poe expresses his thoughts on the creation and purpose of the universe
(Poe). As a writer Poe has been known to be a man of the arts, a poet. "Eureka" is truly one of its
own among Poe's works, especially since it was his last major work before his death(. A "Prose
Poem" he called it. Although he was not expectant of his death, "Eureka" seems to be his last
testament of what he believes is the collective universe. Not surprisingly, God has the same
occupation in the universe as his, God is a writer. As a man of thought he left this earth with a final
testament to the world in which he wishes to explain the universe for all those who seek the truth
(Poe Preface).Eureka is not only an explanation of Poe's understanding of life based on his
experiences; but a reassurance that all creations in the universe have a reason for existence. ... Show
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Audiences were occupied with the reviews from the scientific community, which deemed Eureka "
arrant fudge"(Eakin). this caused the credibility of his discoveries to be diminished significantly.
People were not able to gain, share and discuss Poe's understanding of the universe, due to the wall
of critiques propped up by the scientific community. Ironically most of his statements were later
proven to contribute to modern day understanding of how the universe works and what purpose
humans have on this planet(Lienhard). Of course bad reviews were not the only culprit of the lack of
recognition of this

Foucault 's Assertion That One 's Own
Written Response Most Persuasive Assertion Michel Foucault 's assertion that one's own "author–
function" can exceed their own work is a claim in which can be backed by an array of existing and
deceased author 's. An agreeable claim, even though Foucault attempts to disassemble it later on in
the essay. Foucault initially states, "One might say that it is not true that the author of a novel is only
the author of his own text; in a sense, he also, provided that he acquires some "importance," governs
and commands more than that. To take a very simple example, one could say that Ann Radcliffe not
only wrote The Castles of Athlin and Dunbayne and several other novels, but also made possible the
appearance of the Gothic horror novel at the ... Show more content on Helpwriting.net ...
And the authors are given credit for their contributions to the world of literature not only in
founding new genres but crafting new styles and expanding on existing genres/formats. The
experimental novels of Dorothy Richardson displayed what would eventually be coined by William
James as the stream of conscious narrative form. Religious mythologies around the world crafted the
parable, which would later get perfected in the form of Grimm 's fairytales and Aesop 's fables. The
thread line of the evolution of literature is there and can be followed to its main contributors.
Contributors whose work can easily be defined as something which exceeds their "author–function"
as Foucault states it. Such a claim can be broadened out to any art form including that of music and
art. Even more contemporary style of storytelling in film and cinema had individuals whose work
exceeded their "author–intention" and opened up the doors to new styles, genres, and avenues for
aspiring artists to venture forth down. Least Persuasive Assertion Foucault 's claim that the Author is
"dead" is solely based off of perspective and how you see an author. His assertion mirrors the
philosophical concept fashioned by Nietzsche you was famously quoted for his saying "God is
dead,". The phrase was used to signify the change in philosophical discussions which removed any
form of a God like figure from

Diction In Poetry
1. How is diction important to writing and understanding poetry?
Diction is important part of writing and understanding poetry because each story helps create the
poem tone, mood, and all the poetic literary devices. Each word helps create a thoughtful heartfelt
short story. No word is put in a poem without a reason, in my poem I mentioned Jospeh colorful
coat because coat rhymed with boat. Poetry is about the diction and understand why they are there,
to reveal the hidden message within the poem. In the poem "Nothing Gold Can Stay" by Robert
Frost the message about sinning and how that stays with a person. Robert Frost did not use the word
sin once in his poem but used other words to get his message across like "Eden sank" (Frost 6) and
"nothing gold can stay" (Frost 8). To me the diction is the key to poetry because the author wants to
send a message of the story to the readers, but also wants the readers to use their mind to understand
what the hidden message is.
2. How are literary devices used to enhance poetry and its meaning? (2 devices, including 1 sound
device)
Literary devices are used to enhance poetry and and its meaning through sound, metaphor, simile,
and many ... Show more content on Helpwriting.net ...
You may start to think that prose do the same thing. Well, prose can tell people a story, fact, history,
making feel emotion, and make you think, but unlike poetry it has a deeper meaning and it has
something that the prose don't. Poetry is the literature that enable people to write about there true
emotions in a hidden way and people who read can talk about why did the poet put it in his poem.
What was the poet going thru? That is why poetry is so unique because a poet is able to unlock their
feels and put it on a piece of paper and turn it into something that has rhyme scheme, metaphors,
alliteration, and other poetic devices that can't be used in regular

Emily Dickinson 's Poetry And Poetry
Emily Dickinson's poems "They shut me up in Prose" and "I Dwell in Possibility" on the surface
may seem similar, both having the same structure, three–four lined stanzas, and punctuation.
However, they convey different messages. Typically Dickinson writes dark, meditative and defiant
toned poems about death, gender and poetry itself, often challenging social beliefs and traditions.
Each poem sticks to these pre–modernist views and styles, but place the emphasis on different
aspects of her common themes. Although the poems are similar in form and their uses of metaphors,
the focus of these poems are different, "I dwell in Possibility" focuses on the limitless possibilities
of poetry and the power associated with it, while "They shut me up in Prose" discusses the role of a
female poet being free of social restraints in a mans world through poetry, together these individual
themes convey Dickinson's emphatic view of poetry's ability to free women from social prejudices.
In "I dwell in Possibility" Emily Dickenson compares poetry to prose in the first few lines. Prose is
written in the normal syntax of everyday conversation. It has no metrical structure, as well; it is
tedious and lacks expression. After the first two lines however, prose is not mentioned any further.
This could possibly be because there is not much left to desired in prose or Dickinson is refraining
from giving prose any further recognition. To Dickinson, poetry is limitless in possibilities, which
she

Analysis of 'Gaspard of the Night'
Gaspard of the Night
Gaspard De La Nuit was not published until a year after Aloysius Bertrand's death making an
interesting point about how he felt about his own work and its experimental nature.
Gaspard De La Nuit was the first important French work to utilize prose poetry as an art form.
The prose poem is inspired by medieval literature and thus uses a combination of the medieval
traditions, the gothic tradition, and the romantic of the French literary movement.
Gaspard comes from the Persian language which is a term meaning the man in charge of the royal
treasures, thus by giving the protagonist of these prose poems this name, Aloysius Bertrand
intentionally gives the reader the understanding that this is the perspective of a wealthy person, or at
the least an individual with some sort of high social class
"Gaspard de la Nuit" is also an old French expression which refers to the devil as he is an
embodiment of darkness. The combination of the two leads to a connection in the original
readership, who would have all been French people, of someone wealthy or at least connected to
wealth and also someone associated with death.
Gaspard De La Nuit traverses the line between reality and fantasy. The use of prose poetry is
designed to highlight this straddling of lines. As a prose poem is a form of poetry that does not have
to accept the stringent rules of poetic forms, so too the story of the poetry does not adhere to
anything that is strictly true to life nor is it

Addicted To Love Essay
Addicted to Love
In Gottfried Von Strassburg's retelling of the ancient romance, Tristan, love's portrayal as a
psychological disease is considerable. For Rivalin and Blancheflor, Tristan and Isolde, and also
King Mark, the affliction causes them to act in a way that they would normally shun. Love changes
the perspective on life of those who become intoxicated by its power; whether it's shared as a couple
or entirely unreciprocated, the lust to attain and secure its presence is consuming.
Love's torment of Tristan and Isolde is a sweet torment that "noble lovers" endure. Grieves are
shared, blessings are doubled, and embraces are electrifying on both the physical and emotional
levels. One sided love is a hell like no other. Here, ... Show more content on Helpwriting.net ...
For both Rivalin and Blancheflor the danger involved in consummating their love is twofold.
Bearing a bastard child would result not only in the cataclysmic loss of societal position, but quite
possibly her death. Rivalin, less prudent then his future son, risks the wrath of an angry Mark by out
right eloping with his true love. Under the influence of love's tyrannical reign, both disregard their
reservations and good sense; blinded by passion they escape to Parmenie to be legally wed. Like a
wounded cowboy in a classic western film who downs whiskey to avoid the pain of a gunshot
wound or snake bite, love appears to ease the pain of Rivalin's wounds after a battle. Although on
what is almost his death, the passion for Blancheflor numbs his hurt and allows Tristan to be
conceived.
As perfect lovers, Tristan and Isolde's addiction to Cupid's opiate is surpassed by none. This is
proven by the trials Brangane endures, the disregard for Isolde's personal acts of treason, and also
the blows to Tristan's honor and loyalty to his uncle. Once Isolde has the epiphany that the killer of
her Uncle Morold is bathing in the next room, she is enraged. However, she is unable to extract
revenge on Tristan. Gottfried suggests this is due to a feminine instinct; simply, that Isolde was too
refined to commit such an uncouth act. This delicate characterization of Isolde would not last long.
Upon the accidental ingestion of the love potion,

Tipis Chapter Summary
Introductory The book is about the transformation of tipis from past to the present day. The book
mentions the first culture that made tipis which was the "Clovis" and a brief background of their
culture. After the introductory into the Clovis' history the book will go into the reasons behind the
making of the tipis and how we view them in the modern day. Introductory Into Clovis History After
the Gravettian Culture split up to travel to search for more food after the food they hunted started to
run low, the Gravettian's mostly hunted Mammoths. New cultures developed around the world after
the Gravettian Split up and spread around the world. In America the new culture called the Clovis
developed. 80% of Native Americans in the present day in ... Show more content on Helpwriting.net
...
Dogs didn't live very long due to the way they lived. They weren't allowed to live in the Tipi so they
were exposed to the weather and were only given food what the Native Americans could spare,
sometime the food that was given to the dogs was inedible for humans can't eat. Due to the dogs not
living long, the Native Americans made temporary tipi like structures to shield the dog them from
the weather. Due to the compactor and the pieces of the tipi being easily, it was easily transported
using horses. Horses allowed tribes to travel further than they could before. If there wasn't any

What Is The Theme Of Girl By Jamaica Kincaid Essay
Olivia Blanda
English 101
Professor Grace Hughes
24 October 2017
A "Girl" and her Mother There are several responsibilities a girl should learn about before going off
on her own and it is usually the mother's job to teach their daughter these life lessons. In the prose
poem "Girl," by Jamaica Kincaid, a mother writes out a "guide" her daughter must follow in order to
succeed in her adult years. This poem that the mother has written for her daughter is better seen as a
"guide" to adulthood due to her use of an extremely long run–on sentence and choice of diction. The
run–on sentence consists of a list of commands like "this is how you sweep a corner; this is how you
sweep a whole house; this is how you sweep a yard" (22–24). Not only does the run–on sentence
depict that this is a guide, but so does the constant repetition of "this is how" and "don't ... Show
more content on Helpwriting.net ...
These three dishes are not just ordinary dishes you eat on a regular day, these dishes are dishes you
eat on tradition. The mother passing down these traditions to her daughter shows that she loves her
and wants her to follow these traditions too. The mother also tells her daughter, "this is how you
grow okra–far from the house, because okra tree harbors red ants" (20). Not only is she passing on
the tradition of how to grow "okra," but she is also giving her daughter advice on how to stay away
from red ants because she wants her daughter to be safe. When the mother says things like, "is it true
that you sing benna in Sunday school?...don't sing benna in Sunday school," (8–11) she is only
trying to pass down culture. Because the mother tells her daughter not to sing benna in Sunday
school, it is perceived that it is of the mother's culture to not sing benna in Sunday school, so she
does not want her daughter to fall out of

Tristan, Islare And The Romance Of Tristan And Isolde
Tristan and Isolde "Love so alike, that none do slacken, none can die" (The Good Morrow) the basis
of Tristan and Isolde is known to be a romantic tragedy but as the quote states their love continues
on despite their death. Tristan and Isolde regardless of the version of the story always are explained
to be in love, a love that consumes them so much they disregard every consequence that can come
from there so called love. Tristan and Isolde has become an epic and famous love story told in many
versions the origins of this story dates back many years ago but the film discussed was filmed in two
thousand and six in which we will compare it to the text of The Romance of Tristan and Iseult.
There many differences within the film and the story, that can be due to moderation, the audience
they are appealing to, and or just changes needed to corporate to fit the film. Due to the origins of
this story dating ages back there is no doubt that the film would differ from the story. A major
difference between the print version of the story and the film is that Tristan and Isolde fall in love
through a potion in the print version. In the film Tristan is seen to be rescued by Isolde and kept as
her secret from her father in which Tristan and Isolde spend time together and that is how their
relationship begins which is also the basis of the film about their love. The potion's power in the
print version allows "they who drink of it together love each other with their every single sense and

Essay about Analysis of Emily Dickinson’s No. 657 and No....
Analysis of Emily Dickinson's I dwell in Possibility (No. 657) and The Soul selects her own Society
(No. 303)
303
The Soul selects her own Society
Then shuts the Door
To her divine Majority
Present no more
Unmoved she notes the Chariots pausing
At her low Gate
Unmoved an Emperor kneeling
Upon her Mat
I've known her from an ample nation
Choose One
Then close the Valves of her attention
Like Stone
657
I dwell in Possibility
A fairer House than Prose
More numerous of Windows
Superior for Doors
Of Chambers as the Cedars
Impregnable of Eye
And for an Everlasting Roof
The Gambrels of the Sky
Of Visitors the fairest
For Occupation This
The spreading wide my narrow Hands

To gather Paradise ... Show more content on Helpwriting.net ...
The idea of a regal Emperor – and you may picture the Emperor in his flowing, ornate robes –
actually kneeling before a common woman – is an image that sets the tone of superiority. The reader
can 'see' the "ample nation" begging for her attention and 'see' her point at one then turn away from
the rest. "Like Stone" is a concrete image of the poet herself shutting out all that she does not desire.
Yet another analysis' of the images in "The Soul selects her own Society" are that they create a
theme analogous to God and the universe. The "Soul" as the human being sees herself as god–like,
she creates a universe of her own choosing by creating a defined space with her carefully chosen
words – "Door", "Gate" – which keep the external world out. Whereas God has created 'Heaven' for
His personal space, the poet's haven is not grand, but simple – "low Gate", "her Mat". The poet is
the 'common man' who becomes superior through linguistic word play. The suggestion of superiority
as stated above infer that the soul has given herself 'heavenly' qualities. Each word has been
carefully chosen by Dickinson to convey her message.
The search for the exact word is lauded in Dickinson's poem "I dwell in Possibility". In this poem
she speculates on the craft of poetry. The poet loves words and delights in the vast number of words
that she has to choose from. She sees poetry as having infinite "Possibility", whereas prose is more

The Role Of Fate In Medieval Literature
THE ROLE OF FATE IN THE DESIRES OF MEN IN MEDIEVAL LITERATURE Two of the
most common themes found in many medieval literature are those of desire and fate. Sometimes
these themes are explicitly explored by authors to illustrates their understanding or to make a point
about them. Other times the authors make implicit, nuanced suggestions through the plot of their
tales that allows the readers to discover their own understandings about two and to make
connections between them. Chaucer's The Wife of Bath's Tale, as well as Thomas of England's Le
Roman de Tristan and Marie de France's "Lanval" do just that. These three pieces of medieval
literature present a unique connection between the desires of men and the role of fate. "Wommen
desiren ... Show more content on Helpwriting.net ...
In Le Roman de Tristan and Isolde, Tristan is in love with Isolte, who healed his mortal battle
wounds but later became wife to King Mark of Cornwall. Tristan and Isolde engage in a secretive
love affair that results in banishment and tragedy. Through the duration of the tale, Tristan is so
driven by his love and lust for Isolte that engages in deceiving his king and risking grave
punishment. However, one could argue that Tristan is not driven humanly desire but by the magical
force of the potion that was accidentally given to him and Isolte by Brangein. It is the potion that
had caused them to fall deeply in love with each other and could be driving Tristan's desire.
Although this is a valid assumption, it can be refuted by the fact that towards the end of the tale we
are told that the effects of the potion eventually wear off, but we know Tristan continues to have
feelings of love and lust for Isolde even after this point is made.
The best way to decide what desires drive Tristan to behave as he does is to examine the reasons that
led him to certain circumstances. In other words, what workings of fate are also a driving force for
his desires? For example, what led to his meeting with Isolde? Early in the tale we learn that Tristan
becomes a vassal of King Mark; "But my body I give up to King Mark. I

Essay on Two Hearts that Beat as One in Tristan and Iseult
Two Hearts that Beat as One in Tristan and Iseult
What causes two people in a relationship to be caught in an emotional roller coaster? There are
many answers to this question. In the book, –The Romance of Tristan and Iseult, by Joseph Bedier,
Tristan and Iseult had a relationship that can only be explained psychologically and spiritually. From
the beginning of Tristans' childhood, he was born of misfortune that seemed to cycle throughout his
life. His father died and his mother abandoned him because she did not survive his birth. When he
had a relationship with Iseult, they were constantly separated from each other. Tristans' longing for
contact with Iseult is a reflection of his childhood relationships. Based on ... Show more content on
Helpwriting.net ...
In Psychology Today:"Soul Mates by Thomas Moore, "Relatedness means living with the particular
individuals who come into our lives, and not only with our ideals and images of the perfect family"
(Moore 28). The King trusted Tirstan's soul to welcome the stranger into his life. Tristan accepted
his invitation and felt connected to the King. Considering his biological father died the King was of
a father figure to him. Based on psychology, our feelings and emotions of love have derived from
past experiences. Tristan and Iseult supposedly fell in love spontaneously because of the potion they
drank. I disagree with that statement because De Rougemont believes the "potion was just an alibi
for passion" (48). There were signs in the story they were interested in each other, such as the
incident when she was taking him a bath after being injured from killing the Morholt.
Her glance lingered on the face of the wounded man; she saw that he was beautiful and thought to
herself, "Truly, if his prowess equals his beauty, my champion will fight a brave battle". . Tristan
looked at her, and as he looked at her he thought "So I have found the Queen of the Hair of Gold,"
and he smiled as he thought of it. (Bedier 32)
The incident above proves they both felt feelings for each other even without accidentally drinking
potion. Considering this story is a myth, the potion was to blame for their actions. The lovers insists
that

Essay on The Role of Poetry in Narrative Prose of the...
If I happen to encounter poetry imbedded within prose, I tend to either skip over it, scan it, or
otherwise read it as quickly as possible if it seems uninteresting. I am almost shamed to admit that
my reading habits hold no exception for traditional Japanese literature, although I guess I am forced
to go back and actually read them thoroughly now, since that happens to be the topic of this paper.
First of all, I can grasp the meaning of the poem if it is obvious enough in context. For someone
unfamiliar with Japanese literature, history, language, etc., it is difficult to understand, let alone
recognize the allusions present. Luckily, Royall Tyler was kind enough to footnote a good majority
of the poems for the inexperienced readers ... Show more content on Helpwriting.net ...
A deep–seated sorrow is felt at the loss of her companionship. Yes, yes, it is all very moving and
pretty, until one realizes that this is Narihira we are reading about. In the short time I have spent
with him and Genji, I have come to develop a distinct dislike for these two characters, which makes
me biased against anything involving them, especially their poetry. Just the thought of this poetry
being composed by such people, fictional or not, instantly makes it unappealing. Actual
correspondence between the men and women in these tales through poetry is even worse; having
that as the only form of communication between them seems frustrating. More often than not in its
romantic role in stories, poetry only serves to foster wrongful feelings, inciting misplaced passions
that lead to shameful misdeeds. I suppose society was simply like that at the time and I should give
in and accept it for what it was and be happy that that is not the modern convention. Perhaps it is an
ancient form of the current interpreting–the–text–message? Moving on to poetry in a different type
of narrative, the "Tosa Diary" is filled with poetry unconcerned with romantic relationships,
comprised of farewells, statements, and descriptions of the strange and horrifying new sights they
encounter on the sea–bound voyage. Many of them convey melancholic sentiments to their lost
loved ones or for fear for

Whitman Against The Civil War
The discussion opened with the question of whether or not Whitman was a supporter of the war, as it
was obvious that he was against the suffering caused by it. There seemed to be a definitive
consensus that Whitman was against the war. The Civil War, in particular, pitted brother against
brother, which was exemplified in Whitman's prose, Two Brothers, One South, One North. Cory
remarked that Whitman glorified the wounded to prove that there was no true winner in war. This
brought about the discussion of Stephen's second question of whether Whitman's prose and poetry
differed in focus and in realism. For many of the class, it was felt that there was a vast contrast
between his poetry and his prose. Carrie argued that Whitman's poetry feels romanticized

German Medieval Literature: Hildebrandslied
In each text of the following German medieval literature: "Hildebranslied," "Nibelungenlied" and
Tristan courtly virtues of muot, êre, and triuwe are present and have importance within the context
which either make a situation acceptable or not. These virtues make characters within each text
either admirable or looked down upon. It also makes meaning of the text complex rather than one–
sided. Although all virtues are present and emphasized, equal value is not given to the virtues in all
texts except for êre. In "Hildebrandslied," the character that displays êre in an extreme situation is
Hildebrand. The conflict of the passage is a father who knows he must battle his son in the name of
triuwe and especially êre. While Hildebrand has knowledge that his opponent is his son, his son
Hadubrand did not recognize Hildebrand as his father because he believes his father is dead from
battle. (27–29) Although not directly mentioned, muot is also present through the description of both
Hildebrand and Hadubrand as champions. (2) Mental strength is shown through Hadubrand calling
Hildebrand "utterly cunning." (38) However in "Hildebranslied," muot is not as valued as triuwe and
particularly êre. As êre was most valued because although Hildebrand had knowledge of his son, he
still has to fighting his opponent to guard his honor and the honor of his lord. This leads to
Hildebrand showing triuwe and perfect êre to his lord, as he performs the order to fight against his
enemy,

Tristan And Iseult Comparative Essay
The Romance of Tristan and Iseult, by Joseph Bédier, and Jean Cocteau's 1943 cinematic adaptation
of the epic love story Eternal Return, both portray the love between Tristan and Iseult, and Patrice
and Natalie as an agonizing cancer that overpowers the lovers after they consume the love potion.
But the differences of how and when the love potion is administered, and the lovers' feelings for
each other before the potion is drunk, reveal different depictions of the love potion between the
novel and the film.
The first difference between the film and the novel is when the two lovers drink the love potion. In
the book, they drink the love potion when they are still on the boat and have "dropped anchor by an
island" ... Show more content on Helpwriting.net ...
When Tristan is injured after battling the dragon and Iseult is healing him "Her glance linger[s] on
the face of [Tristan]; she [sees] that he [is] beautiful" (Bédier, 32). Here she is already falling for
him. She also gets upset when he says that she will marry King Mark, and "tremble[s] for shame and
anguish...it [is] to another that he [is] delivering her" (Bédier, 37). In these two instances before the
love potion is drunk, Iseult is already showing signs of affection for Tristan, albeit as much as the
decorum of the day allows her. In the film, Natalie also shows her love for Patrice before they
consume the love potion. Like the book, she is upset when Patrice says that he wants her to marry
his uncle, and later on their journey from the island, when Patrice asks her if she thought he was
proposing to her, she scornfully replies "you are a child," but cannot stop the tears from forming in
her eyes. When Morholt comes looking for Patrice at Natalie's home, she says that she hates Patrice
and will have him out of there in the morning. She is saying this because she loves Patrice and
wishes to protect him from Morholt, who is there to get his revenge. She also says that she will
marry Morholt, and then she says that they cannot get married if he kills Patrice and ends up in jail.
Once again Natalie's words are to protect Patrice, and her actions speak louder than her words,
because she refuses to kiss

Why Do You Think Tristan Is A 22-Year-American
Case Study Tristan is a 22–year–old, female, who self–identifies as a European American, and
strictly follows the Roman Catholic faith. She was referred to Mazzitti and Sullivan Counseling
Services by her mother due to her antisocial behavior towards family outings, depression, and
aggressive outbursts towards her mother and brothers after the loss of her grandfather six months
ago. As you walk into the lobby to great Tristan, you notice her calm demeanor and curiosity of the
agency. You greet Tristan with a friendly hello, a handshake, and welcome her back to your office.
Three months ago, Tristan lost her grandfather to a moderate case of pneumonia. Prior to this illness,
he had cancer in one lung and had it remove. Due to having one lung, the doctor informed that he
has a low chance of surviving. While her grandfather was in the hospital, Tristan made the time to
visit him as much as she could. Sometimes, she would bring her school work with her and studied
while her grandfather slept. ... Show more content on Helpwriting.net ...
Due to the death of her grandfather, she has been noticed a change in her appetite, loss ten pounds,
suffering from jaw pain due to grinding her teeth at night, poor sleep habits, and a decline in her
grades. Throughout Tristan's childhood and adolescent years, she remembers her father as an
alcoholic and most of her memories with her father during these years consisted of her father being
intoxicated, rarely spending time with her father, and him passed out on the couch for long periods
of time. However, while her father was at work, Tristan and her siblings would stay at their
grandparent's house, where her grandfather taught them how to fish, hunt, and play sports. From
there, Tristan saw her grandfather as more of a father

Poetry vs. Prose: A Killer Topic
It started with an argument between which is better, poetry or prose, and it ended with a knife. On
January 20, 2014, a Russian man was stabbed to death in the Sverdlovsk region over an argument of
which is better, poetry or prose. Poetry and prose have various common aspects, though it is their
differences that make each unique in how they are loved. There seem to be three types of people in
the world, those who love poetry and hate prose, those who love prose and despise poetry, and the
mediators that love both. There is no in between opinions in this matter. Although poetry and prose
are undeniable different in their use of language, format, and structure, I found that their differences
are what makes them both so beautiful in their own unique way. Poetry and prose use language to
express the feeling they are trying to convey very differently. Poetry is a form of literary art in which
the language used to bring vivid images to the reader's mind and has a designed to have a very
pleasing appearance in addition to the meaning of the poems. On the other hand, prose is the most
quintessential form of language and is very straightforward. Poetry has a beautiful rhythmical
composition to it, exciting pleasure by beautiful, creative, or even whimsical thoughts while prose is
written without the metrical structure that distinguishes it from poetry. The language of poetry tends
to be more expressive or brightened with comparisons, rhyme, and rhythm which all contributes to a

The Norse tale of Ragnarok Essay
The Norse tale of Ragnarok presents an interesting example of apocalyptic literature by providing
both an end and a unique beginning. The world which rises from the cosmic rubble seems to be
essentially equivalent to that which the apocalypse destroyed, possessing the same creatures,
features and Gods of times past. This considered, and by incorporating themes of time and fate,
Snorri challenges the concepts of the past, present and future of Norse lore by providing a
framework which allows for the potential reiteration of history. By reviewing The Prose Edda's
telling of the events surrounding Ragnarok, the relationship between fate, time and history provide a
unique alternative to the standard eschatological timeline. The Prose Edda ... Show more content on
Helpwriting.net ...
Instead the Gods are awarded most of the spotlight. Unlike John's Revelation, The Poetic Edda
offers no guidance to man on how to confront this issue, nor does it offer any means of escape.
Therefor, it can be assumed that man has no effect on the end, except possibly by way of untrimmed
nails and scrap leather (Snorri, 72). However, by presenting deities that possess more human
characteristics, who have weaknesses and quarrels, they become the relatable entities within the text.
Introductions established, The Edda continues by exhibiting the questioning of Odin, chief of the
Gods, by Gylfi, a traveling king (Snorri, 10). Gylfi asks about the race of Gods, to which Odin tells
the story of his wife Frigg and their favorite son Balder. The purity of whom foreshadows his future
significance. Balder, Odin responds, suffered from a series of foreboding dreams which prompts
Frigg's to take maternal action. She traveled the world, requiring an oath from every substance and
material that they will not harm her son. Thus protected, Balder could bear the abuse of swords,
sticks and fire without sustaining injury (Snorri, 65). Here Odin introduces of Loki, the trickster
God, who becomes jealous of Balder's immunity. While disguised, Loki asks Frigg " 'Have all things
given their oath not to harm Balder?' Frigg answers, 'A shoot of wood grows to the west of Valhalla.
It is called Mistletoe, and it seemed too young for me to demand its

Comparison Of Alexander Pope, Aristotle And William...
Poems vs. Prose
(A comparison between Alexander Pope, Aristotle and William Woodsworth compared to Virginia
Woolf.) Virgina Woolf was one of the most gifted modernists writers. She started writing novels and
trying to compete with others, but she had her own views. She took a stance on poets and people
who wrote prose. With her unique style she chose to write in letterform. Her ideas were similar to
three other prominent writes. William Woodsworth who was born in 1770 was a prominent writer
whose writing was challenged when the war started. He was an orphan and started writing.
Eventually he was an influential writer, but took a slightly different stance on prose and poetry then
Virginia Woolf. Alexander Pope who was born almost a hundred years earlier was also a writer that
many people admired. He showed London and the world his only feelings and his views, which
were similar to Woolf. Lastly, the oldest poet Aristotle who was born in 385 B.C. was a Greek who
changed writing. He also published their views. While there were many years that separated these
individuals they all described an idea that was based off of prose versus poets. All held a high
position in society, but show different ideas. Alexander Woolf wrote a letter that held similar ideas to
Aristotle, Alexander Pope and William Woodsworth. Aristotle held his own personal views
regarding prose and poets that were similar to Virginia Woolf. Both Aristotle and Woolf believed
that people needed to be united in

The Things I Know Nothing At All : A Little Thing From...
The title of my project is called The Things I Know Nothing at All: A Little Thing from Experience.
The genre is diverse and falls under the categories of prose poetry, micro fiction, or creative non–
fiction. It is inspired by Anne Carson's Short Talks where she analyzes different subjects that are
interconnected on a grander scheme. I used Janet Burroway's Imaginative Writing: the Elements of
Craft to create my creative non–fiction piece and to develop its subjects. The goal of my project is to
offer a different perception on subjects that are deemed irrelevant, but present an insight that shows
a collective meaning.
The genre of creative nonfiction is evolving and hot publications such as Penguin Random House
and Fourth Genre are taking advantage of it. Creative Nonfiction Magazine deems Penguin Random
House a top publisher for creative nonfiction because of best seller Unbroken: A World War II Story
by Laura Hillenbrand. Its website houses Vintage International Series, which is founded in literary
fiction and also published Anne Carson's Planiwater: Essays and Poetry. Annette Gendler, a writer
and photographer, who has published in the Wall Street Journal and Tablet Magazine rates Fourth
Genre against the criteria of winning either a 2010 Pushcart for Nonfiction or Best American Essay
of 2010. She also excluded venues who did not allow simultaneous submissions. Fourth Genre
among the other eleven publishers mentions that they are looking for innovative work that is

Comparison Of The Arthurian Legend Of Tristan And Isoud
Tristan and Isoud The Arthurian legend of Tristan and Isoud is a timeless tale of two people in
surreptitious love. Tristan being the nephew of King Mark and his obligation to the chivalric code
are the couple's greatest hurdles inhibiting their relationship from prospering. Isoud and Tristan's
legend changes from merely being means of entertainment about two forbidden lovers in Le Morte
D'Arthur, by Thomas Malory, to having a deeper purpose in Cornwall's Wonderland, by Mabel
Quiller Couch. Couch's version of the tale provides perspective on not only what the couple goes
through, but also makes the story relatable to her readers during the time of World War I and
women's rights being limited.
World War I's impact on people at the time is devastating and Couch knows that her audience is
looking for an escape when reading, whereas Malory is simply telling a story for the fun of it and
not the details. Tristan becomes very distraught from his loneliness and as a result he goes to
Brittany to find "Iseult la Blanche Mains, or Iseult of the White Hands" in an effort to ease his pain
of losing his true love La Belle Isoud. In Cornwall's Wonderland, Tristan knows that Iseult la
Blanche Mains has feelings for him and he feels that at least one person in the love triangle deserves
to be happy. Tristan says to himself that he "cannot love her as she deserves," but he will "try to
make her happy" (Couch 228). Once he arrives to Brittany, Tristan has to fight an earl by the name
of

Tristman And Iseult Research Paper
Love is something that cannot be helped, unless it is an accident. The legend of Tristan and Iseult is
a love story that ends in tragedy. The star–crossed lovers, who accidentally fell helplessly in love by
drinking a love potion, run into issues while trying to hide their love. Throughout time, the many
authors of stories about Tristan and Iseult changed parts of the story to fit the time period the stories
were written in. Audiences in the different time periods appeal to different kinds of entertainment.
Therefore, the changes that occur in different versions of the story over time are due to different
audiences appealing to different things.
The poem "Tristram and Iseult" by Matthew Arnold, published in 1852, differs from the movie ...
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The story of Tristan and Iseult proves that love conquers all. Their love was an accident, but they
still loved each other more than anything else. Though their story is always changing, their love
remains. The changes in the story result from people in different time periods appealing to different

Gender And Magic : Artificial And Biological Elements
Gender and magic are two artificial concepts based on natural and biological elements (sex and the
mind–related aspects, including beliefs) to organize the human societies – gender arranges social
interactions and behavior while magic suggests an explanation of a supernatural world and
connection to religious matters, which can be used to influence our societies. These concepts appear
to have influence on each other and have been studied on for thousands of years. A huge amount of
these works have been performed on the Old Norse mythology, sagas and gods. Although both men
and women have practiced magic in Norse literature, it is explicitly pointed out in most stories that
men, by using most forms of magic, were taking on a female art, which meant risking their
reputation and manliness. It is sad to acknowledge that most of these findings have categorized
magic into just masculine or just feminine, not both or any other groups, making the complex
relationship between Norse magic and gender often unfitting (disqualifying) or unclear. While there
have been a large observations and notices of behaviors and characters that went beyond the binary
categories, such as Loki the male wily trickster god of Norse mythology that usually took on the
form of a female or the common theme of cross–dressing in many Icelandic sagas, forcing magic–
related events and methods into either only male or only female just does not make sense – as these
data are not belong in solely one to be

Consequences of Passion Exposed in The Romance of Tristan...
Consequences of Passion Exposed in The Romance of Tristan and Iseult
The story of Tristan and Iseult celebrates the triumph of adultery. When looking vaguely at this
romance, readers may think the potion of love that they both drink is the one that makes them to
commit adultery. However, this is only a representation of the power of passion and lust Tristan and
Iseult have for each other.
To better understand this love story, one must realize that Tristan is a marshal hero who volunteers
to take a battle against the King of Ireland, in order to redeem the people and the monarch of King
Mark. It would therefore, be suitable to say that King Mark has given his nephew the trust to
accomplish the mammoth exercise. In Ireland, Tristan ... Show more content on Helpwriting.net ...
(368)
This is where the story of Tristan and Iseult takes a twist because the reader knows enough that
Tristan, if given the chance, would like to have Iseult for himself. It is fascinating therefore, when
Iseult's mother entrusts Tristan with the potion of love that should only be shared between King
Mark and Iseult. By this time, Tristan and Iseult have developed passion in each other, and the
potion they would drink only enhances the chemistry that is already existent. To not drink the
potion, which Tristan knows would cause Iseult to love him even more, is attempting to remain
dishonest to his true self. Tristan is not just an ordinary man; he is a war hero seducing the would–
be– queen of Cornwall. Because of this predicament, Iseult as the wife to the king is to engage in
adulterous affair with Tristan to reinforce the courtly love value, while Tristan gains access to Iseult
through chivalrious prowess. The potion of wine therefore, serves as a big temptation for both, and
the Christian ideal that is forced into the situation by the hermit stands as an experiment.
How then can all these three values be reconciled in this story? I think it is not only the flaw
displayed by medieval people like Tristan to succumb to the temptation of fulfilling sexual desires.
The concept of "eat, drink and be merry" comes into play in this story and quite evidently, even in
our contemporary society, we have not

Examples Of Epilogue To Isolde
As Tristan's fingers danced with the strings of the harp, a soft melody filled the void of the
courtyard. Queen Isolde sat near and closed her eyes at the sound of the precious song her pauper
delivered, becoming more and more mesmerized with each note he played. It was a familiar song––
her mother used to sing a similar rhythm to her as a girl before the plague struck. Tristan's life was at
risk by playing this instrument from the King's collection, but he would do anything to please his
Queen. To Isolde, it was the most treasured item she had and she deemed anyone that played it to be
just as precious. She smiled at the sweet memories she shared with her mother and beamed with
excitement thinking about her future with Tristan. Living an eternity with him would be everything
she had ever dreamt of; pure, bright, and blissful. However, this was everything she did not have.
Isolde was trapped within the walls of Ireland's kingdom, tethered by her promise to the King.
According to the Church, marriage exemplified loyalty, but to Isolde, it brought her closer to
suffering. ... Show more content on Helpwriting.net ...
A single tear streaked across her face, for she knew she could never escape the obedience of the
King. She was tantalized solely by Tristan's profound love and it killed her realizing she had to
betray Ireland to obtain it. "I only want what is best for you, Isolde, and I am what is best for you;
you are the Queen, yet no one treats you as one." whispered Tristan. "Avail the beauty of the earth
and run away with me. You are drowning in a lake of sorrow and I am your only breath of fresh

The Poetry and Prose of Edgar Allen Poe
Art is in everything. Artists can be experts with a paintbrush, phenomenal with piano or a master of
their pen. Authors and poets have a chance to manipulate words like no other artist can. Poets in
particular can use their words to encompass different kinds of art by painting a picture with lyrical
rhythm and imagery. Poets may be common, but for their poetry to be timeless it must be
universally relatable. Edgar Allen Poe is regarded as one of the most famous poets in American
history due to his well renowned debauchery, gothic tales of terror, and poems which are taught in
schools and still analyzed today.
Edgar Allen Poe was born in Boston Massachusetts in the early nineteenth century. It is well known
that Poe endured a difficult ... Show more content on Helpwriting.net ...
Each category had a surplus of corresponding poems. Mark Canada of University of North Carolina
at Pembroke cites critic Rodger Asselineau with the quote:
If Roderick Usher, Egaeus, Metzengerstein, and even Dupin are all alike, if Ligeia, Morella, and
Eleonora look like sisters, it is because, whether he consciously wanted to or not, he always takes
the story of his own life as a starting point, a rather empty story on the whole since he had mostly
lived in his dreams, imprisoned by his neuroses and obsessed by the image of his dead mother.
(Canada)
This expertly defines why all of Poe's themes were reoccurring. Another inspiration for Poe's themes
was his fascination with psychology. Phrenology is known as the study of the idea that certain
functions are controlled by differing parts of the brain. In order to explore this idea, Poe used themes
such as self–destruction and madness in his poetry (Canada). Based on this premise, Mark Canada
explains that he believes Poe to have had a "potent right cerebral hemisphere" which is believed to
be the center of vivid imagery, music, emotions and "self–destructive urges;" Poe was consistently
documented to have each of these traits. Poe is also well known for his lucid imagery, lyric meter
and tales of horror, depicted with rhyme and rank symbolism.
Certain poems contain repeating themes that best showcase the effect of the

Charles Baudelaire 's Paris Spleen Or Le Spleen De Paris
Charles Baudelaire's Paris Spleen or Le Spleen de Paris, published after his death in 1869, is a
collection of prose poems that captures the essence of city life in early 19th century Paris. It has
been translated from French into a myriad of languages, including an English version translated by
Louise Varése in 1970. However, it is crucial to note that any close reading of one of Baudelaire's
fifty–one poems in Paris Spleen warrants a twice over examination of the text's chosen lexicon–once
in the language of the reader's preferred tongue and another in Baudelaire's French. The necessity
for the twice over examination is because the work of translation, especially in the case of Paris
Spleen, cannot be simply categorized as a marketing ... Show more content on Helpwriting.net ...
Through the means of intervention, the mediation of translation serves as a nexus between authorial
intent and imposed cultural meaning. Therefore, it then creates a suspension of meaning. The act of
translation does not in any way signify absolute meaning. Instead, translation gives two different
versions of the same text that encourages the reader to decide upon which one best suits their
reading. Baudelaire, in similar fashion, offers two different interpretations of pleasure in "The
Double Room" that then leads to the piece's moral suspension. The theme of suspension found in
Baudelaire's "The Double Room" focuses on the morality of decadent pleasure. The piece begins
with an overwhelming sensory description of a "spiritual room" where the nameless narrator
describes the romantic nature of indolence. In the room he goes on to mention the presence of a
"sovereign queen" and room's "aromatic perfumes of desire and regret" (5). The narrator creates an
implied higher force, the "sovereign queen," that beckons to him into a life of romanticized
indolence. The narrator labels the room as spiritual because it allows him to manipulate the external
world of his room to enable and justify his behavior. The enclosed space inadvertently becomes a
haven for his indolence. However, the haven of lush idleness is challenged by the intervention of a
"Spectre" at the room's door.
The sudden emergence of the Spectre intervenes with the romantic

Analysis Of Dorothy Parker 's ' One Perfect Rose
One Perfect Rose, is a short poem from Dorothy Parker's first book of poetry Enough Rope (1926).
Parker cohesively explores two major themes throughout the poem; frustration and disappointment.
The two themes are conveyed in the narrative by the narrator who ultimately outlines a
dissatisfaction with the cliched conventions of romance and courtship. The projection of these
themes are outlined through three dominant modes of discourse which I will be engaging with
throughout the literary commentary; structure, voice and the use of metaphor. The commentary will
address these discourses in relation to an adaptation of the original poem into prose, taking into
consideration the implications of textual adaptation. This textual intervention ... Show more content
on Helpwriting.net ...
However, in the process of adapting the poetic form into prose fiction conceptual complications
arise. Furthermore, in written prose, structure is less symbolic as there are less prior connotations
and conventions associated with a novel 's aesthetic structure. Whereas, a poem's form is dictated by
the structure, such as a sonnet form; identified by having fourteen lines of poetry and following a
strict rhyme scheme. In contrast to this, the structure of a novel form is defined through narrative,
plot and setting. Therefore, in adaptation from poetry into prose the significance of structure has to
be substituted by narrative in order to reinstate the same irony which Parker achieves structurally
through her text. The type of irony would also have to be altered in order to fit the adapted text. In
the prose version, verbal irony depicted through the narrative form is the most effective way of
reproducing the irony in the original. Parker's poem, employs situational irony, which is where the
actions in a situation have the opposite effect and consequences from the original intention.
Ambiguous narration and voice is established in the poems inception, as the author states that she
had received 'a single flow'r'. The plural nature of the adjective 'single' creates uncertainty around
the poem's

Romance Of Tristan And Iseult By Joseph Bedier And The...
Romance stories are often thought of as tales of physical affection and love. However, from the
twelfth to the sixteenth century, romance stories fell under the genre of chivalric romance (Norton
A23). Stories of chivalric romance have a distinct "tripartite structure of social integration, followed
by disintegration... [and] reintegration in a happy ending" and consist of "aristocratic social milieux"
(A23). However, romances occurred long before the 12th century. For example, The Odyssey by
Homer is an example romance involving "separation, testing and travel...and the premise of, a final
homecoming and recognition" from centuries before the rise of chivalric romance (119). Stories
such as The Romance of Tristan and Iseult by Joseph ... Show more content on Helpwriting.net ...
For medieval readers, romance was the genre of choice and the subtlety this genre prompted a
subcategory of romance necessitating questions related to love (Norton 11). Tristan and Isolde are
lovers bound together by the effects of the love potion, initially believed to be wine by Iseult,
however what "she had found [was] not wine – but Passion and Joy most sharp, and Anguish
without end, and Death" (Bédier 38). Therefore, this book leads the reader to question if love is a
product of a strong relationship or the result of actions and situations. For example, the love of
Tristan and Iseult was a product of the love potion which caused Tristan and Iseult to "love each
other with their every single sense and with their every thought, forever..." (37). Because the love of
Tristan and Iseult does not have a traditional foundation, the love potion also causes the lovers to
challenge traditions about love. For example, Tristan and Iseult consummate their love after
drinking the love potion, which goes against traditions of chivalric love and more specifically
courtly love (TVtropes courtly love). Additionally, both Tristan and Iseult are willing to give up
privileges in order to live together and love each other. While speaking to Ogrin, a hermit that often
represents traditional catholic values, Tristan says that he "would rather beg my life long and live of
roots and herbs with Iseult than, lacking her, be king of a wide

The Definition Of Poems: The Universal Concept Of Poetry
Although poetry has existed since time immemorial, as Perrine explains, "Poetry is as universal as
language and almost as ancient" (2); establishing a definition that satisfies all aspects of poetry is
not simple. Therefore, throughout history many poets and critics have elaborated different
definitions to summarize in a few words what poetry is. Poets such as Samuel Taylor, Ralph Waldo,
Emily Dickinson and Robert Frost have tried to establish a universal concept of poetry. Each of
them has developed a concept of poetry that differs in some respects from each other because every
author emphasize the definition only in certain aspects of poetry. However, this essay will explain
why the definition proposed by Samuel Taylor is the one that best represents the poems studied in
class from the perspective of two uses of language, the practical and the literary. Moreover, this
essay will use the poem "Siren Song" by Margaret Atwood as an example for supporting Taylor's
definition. ... Show more content on Helpwriting.net ...
In this definition Taylor states that poetry is not simply a group of pretty words as people mistakenly
think. Poetry from Taylor's perspective goes beyond magnification of beauty; for this author poetry
conveys to readers a perception of life through the appropriate selection of words. In other words,
poetry makes use of a concentrated and condensed language; therefore, each one word in a poem
has a meaning. However, this transmission of experience should not be mistakenly associated with a
moral of the poem because conveying a moral is not a function of poetry, as other types of narrative
works do. In the poem "Siren Song," reader can see this transmission of significant experience
because the speaker who is probably a siren develops themes such as isolation and

Susan Glaspell 's Trifles And A Jury Of Her Peers
Although "A Jury of Her Peers" and "Trifles" are similar in plot, Mustazza's article, "Generic
Translation and Thematic Shift in Susan Glaspell's 'Trifles' and 'A Jury of Her Peers'" highlights the
differences and similarities between the two. Mustazza's article may help aid readers to understand
the differences between Glaspell's two works and provide understanding as to why Glaspell may
have changed the genre and form of the plot. "Trifles" is a dramatic play whereas "A Jury of Her
Peers" is prose fiction. While some differences may be seen on the surface, other differences will
need to be inspected closely. Mustazza's article may help one to understand Glaspell's works by
providing analysis and additional perspectives on both "A Jury of her Peers" and "Trifles".
The most obvious difference between Glaspell's two works is the title. The play is entitled "Trifles"
whereas the prose version is called "A Jury of Her Peers". Both titles draw the attention of the
audience to different parts of the plot. "Trifles" highlights the "trivial household items" in the plot
whereas "A Jury of Her Peers" accentuates the women's roles and how they question what is morally
right (Mustazza 489). Mustazza's article provides background knowledge and a reason why Glaspell
may have changed and retitled the prose version. Since women were in the final years of fighting for
the right to vote in 1917, changing the title from "Trifles" to "A Jury of Her Peers" made the piece
more contemporary and

Love and Death in Tristan by Gottfried Von Strassburg’s
Love always seems to find a place in someone's heart not by choice but by admiration. One who
admires another appears to feel something towards the person they are admiring and that feeling
they have can lead into the feeling of love. Despite all of Love's joy and excitement, Gottfried Von
Strassburg's Tristan and Thomas' Tristan, reveals the way love overwhelms a person and the
outcomes that happen when two lovers cannot be near or without each other. Love's overwhelming
feeling often associates with death, in that those in love are so consumed with emotion and the
desire to be with their beloved that it can lead to their downfall. Even though the loves of Rivalin
and Blancheflor and Tristan and Isolde/Ysolt are similar in ways, they also are different.
Both Rivalin and Blancheflor and Tristan and Isolde undergo the torments of love which lead to
their demise. Both sets of lovers fall madly in love and give themselves up to their passion for one
another with a disregard for consequences in a similar fashion. The episodes of "Rivalin and
Blancheflor" and "the Love Potion" by Gottfried is very similar to the episode of "the death of
Tristan and Ysolt" by Thomas. Both Rivalin and Blancheflor and Tristan and Isolde die yearning to
be with one another. In Thomas version in the episode of "the death of Tristan and Ysolt," Tristan's
death comes from an inflicted wound which can only be cure by his lover, Ysolt. Thomas states, "He
longs for the coming of Ysolt, desiring nothing

Aesir Research Paper
LITERARY BACKGROUNDS AND TERMINOLOGIES The primary texts are derived from two
major sources of Scandinavian mythology: the Elder Edda (Poetic Edda) and the Younger Edda
(Prose Edda). As the name suggests, the former contains some old materials composed as early as
the 10th and 11th centuries, including Völuspá (The Seeress's Prophecy), Thrymskvida (Thyrm's
Poem), and Lokasenna (Loki's Quarrel). While the authors of the Elder remains unknown, the
Younger is written by the Icelandic historian, poet, and politician Snorri Sturluson around A.D.
1220. Both texts are related in a way that Sturluson cited various contents from the Elder to produce
the Younger (von Schnurbein, 2000, pp. 110–111). Interestingly, he wrote it in a style of a textbook
... Show more content on Helpwriting.net ...
In the beginning, he is not just a regular travel companion of the two major gods–Odin and Thor, but
also a figure who proves his competence to solve problems for them (Lindow, 2002, pp. 217; von
Schnurbein, 2000, pp. 115). In Thrymskvida, the author recounts a story about the recovery of
Thor's hammer from the giant Thrym. To get back the hammer, Loki sets foot in Jötunheimr, where
he negotiates with Thrym, who demands the goddess Freyja to be his wife as an exchange.
However, when Freyja refuses, much to the annoyance of Thor, he has to pretend by dressing up as
her. When Thor complains, Loki scolds him and says, "be quite, Thor, ... / The giant will be settling
in Asgard / unless you get your hammer back" (Larrington, 2008, pp. 99). Here, Loki's warning
indicates his allegiance to the Aesir over the giants. Interestingly, being notoriously known for his
short temper, Thor does not lash out against Loki when he orders him to be quite. In fact, Thor
willingly obeys his request because Thor senses the truth that without the hammer, the safety of
Asgard will be jeopardized. With the help of Loki, Thor manages to get back his hammer in the end.
This story demonstrates how much the Aesir trust Loki so that they make him as their travel
companion, whom they seek an advice

Japanese Poetry: The Roles of Poetry in Narrative Prose...
The ninth century was one of major turning points of Japanese literature history, in which the kana
syllabary was developed, along with abolishment of the legation to China (Handout 8). Moreover,
the invention of the Japanese native writing systems served as a stimulus to the creation of a prose
literature, as well as the births of prominent female writers (Handout 8). Two types of the prose went
mainstream in the Heian literature: monogatari (tale) and nikki (diary) (Handout 8). Murasaki
Shikibu's Genji Monogatari (Tale of Genji) is probably the most famous work from the era and
therefore I will focus on it as an example in the monogatari genre in this paper; as for the second
genre, I will use Ki no Tsurayuki's Tosa Nikki (Tosa Diary) in ... Show more content on
Helpwriting.net ...
This part also reminded me of the chapter title and actually explained the author's intension toward
naming the title:
 I who never knew what it was the broom tree meant now wonder to find the road to Sonohara le
me so far from my way. (p. 52)
Stricken with regret to have it known she was born in a humble home, the broom tree you briefly
glimpsed fades and is soon lost to view. (p. 53)
In point of fact, apparently some of the chapters of The Tale of Genji contain poems that empitomize
the chapter and/or its title, like the ones above from the chapter of The Broom Tree. Some other
examples include:
 Poems exchanged between Yūgao and Genji:
At a guess I see that you may indeed be he: the light silver dew brings to clothe in loveliness a
twilight beauty flower. (p. 57)
Let me then draw near and see whether you are she, whom glimmering dusk gave me faintly to
discern in twilight beauty flowers. (p. 58)
 A piece Genji sung to himself, longing for Young Murasaki who has the same family lineage as
Fujitsubo.
How glad I would be to pick and soon to make mine that little wild plant sprung up from the very
root shared by the murasaki (p. 113)
 A sequence of poems between the Dame of Staff and Genji, when she unsuccessfully seduced
him. This part may imply how noble Aoi was considered in the society, or the plot, in addition to
how attractive Genji was. The kakekotoba: 葵 and逢う日(NAC Hiroshima) is

The Film Thor ( 2011 ) Directed By Kenneth Branagh
Sierra Burow
4/16/15
SCAN 3202 The film Thor (2011) directed by Kenneth Branagh is a piece of contemporary
expressive culture that draws from many various components of Norse mythology. Of the
mythological characters being used, the most prominent in the film are Thor, Odin, Frigg, Sif, and
Heimdall. The contemporary depictions of these characters parallel and diverge their depictions in
original old Norse mythology sources in numerous ways. These original sources include but are not
limited to The Prose Edda by Snorri Sturluson and The Poetic Edda translated by Carolyne
Larrington, both being revered and treasured by scholars and Norse fans alike. The contemporary
portrayals of Norse mythological characters in the film Thor took the form they did for a variety of
reasons, the foremost being Judeo–Christian influence, followed by the objective to create a film
that is contemporary and relatable to a wide demographic. In Marvel's 2011 film, Thor could be
described as a cross between an alien, superhero, and a God. However according to Norse myth, he
is a God that presides over the air, including wind, storms, rain, and therefore crop growth and
fertility. He is the most valiant of the Gods despite his inevitable doom in Ragnarok; he is
committed to protecting humanity, hyper–masculine, and wields a powerful hammer that
boomerang's back to him when he throws it and helps him in his duty to protect humanity against
evil (Lindow 486 (Thor's Hammar)). Thor primarily specializes

Charles Baudelaire And John Wieners
A Comparison Between the Responses of Charles Baudelaire and John Wieners to Modernization In
order to compare the poetry of Charles Baudelaire and John Wieners within the context of
modernity, one must recognize the discrepancy between their time periods. Baudelaire was born in
Paris in 1821, and much of his work was published after the February Revolution of 1848. John
Wieners, on the other hand, was born in 1934 –67 years after Baudelaire's death–near Boston,
Massachusetts. Both poets explored sexual and drug–related themes that opposed the conventions of
their society. However, poets played a larger role in Baudelaire's modern society than in Wieners's.
People in Baudelaire's modern society read for entertainment as well as instruction, so therefore, as
a source of this entertainment, the poet and his contemporaries would naturally inhabit the
mainstream, insofar as their occupation if not their fame. John Wieners, on the other hand, was
pushed into the fringe of his society's consciousness. Part of this push likely had to do with new and
less demanding forms of entertainment such as television and record players. However, the much
more likely caused by the subject matter of his poems. It is true that like Baudelaire, John Wieners
challenged societal norms, but unlike Baudelaire, his occupation as a poet drew little attention to the
skill so clearly evident within his poems. Both poets describe the modern urban landscape they
inhabit within their poems. For example,

Role of Poetry in Narrative Prose of the Heian Period Essay
Japanese literature in the Heian period was most popular for its domination of women's culture
(Hooker, Richard). During this time, a new writing technique was implemented called hiragana.
This was especially accepted as a woman's way of writing since a woman knowing Chinese
characters was considered unladylike. For many years Chinese characters was the only accepted
way of writing, thus the birth of a new writing technique was like a revelation. This incorporation
made a huge impact on Japanese literature, since long before it existed, most techniques were
adopted from the Chinese. The most popular works during this time included various monogatari
such as Ise monogatari and Taketori monogatari, and most popular, Genji monogatari. ... Show more
content on Helpwriting.net ...
The earliest full fledge narrative is Taketori monogatari, also known as The Bamboo Cutter. The
author is unknown, but said to be a woman since written in kana, since only men knew kanji and
Chinese characters. It is a story of Kaguya Hime, a moon princess, who is also immortal, and who
was sent to earth as punishment. Her founder finds her in bamboo, when she is only inches tall, and
he takes her in as his own daughter and raises her, loves her as his own, and is devastated when she
has to go back. The imagery in this tale is so strong. You can see and imagine all of the places where
the suitors lie about or actually do go to. The imagination needed to create such an in–depth story is
truly amazing. The most popular and lasting piece is Genji monogatari written by Murasaki Shikibu.
Genji monogatari is most well known for being one of the greatest novels in world literature. The
story is not accepted by all women since it reveals the type of man Genji was. He was known to rape
and kidnap women and a lot of women still get angry with this. Still today, women do not like Genji.
The role of poetry in Genji is to play into the character that Genji is supposed to be. In the story he
is handsome and loved by all, but also makes love to a lot of women all the time. He writes poems
about his relationships with women, good and bad. In the story he is perfect, including the fact that
he is a perfect

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