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Storyboard Changes
When filming we did not stick to our original storyboard, as we realised
that the shots we initially drew up didn’t provide enough substance for
the film, therefore it would not have been understandable for our
audience. Although we have still used a montage of images to represent
the character’s state of mind, we in fact used different images which
added to the success of our opening sequence. This didn’t affect our
filming process and didn’t slow down the development of our film.

Below is a storyboard which shows our changes made.
Shot 1                      Shot 2                     Shot 3




     ICON PURSUIT GLOBAL           UK FILM COUNCIL &    IN ASSOCIATION WITH BABA
                                 BRANCHWORK PRESENT         FILM & TV MISSION



Shot 4                       Shot 5                    Shot 6




 A HEK FILMS & PICTURES IN                                       THE STALKING
     FEAR PRODUCTION

                                                       ALKING

Shot 7                       Shot 8                    Shot 9
Shot 10   Shot 11                         Shot 12




                                                      COMPOSER
                                                     EMILY WILSON

                                                            COMPOSER
                                                           EMILY WILSON
Shot 13    Shot 14                       Shot 15




                                                      PRODUCER
                                                    KATHERINE LAWS

                                           PRODUCER
                                          HERINE LAWS
Shot 16    Shot 17                        Shot 18
                          EDITED BY
                        HANNAH SIMPSON

                       EDITED BY
                     HANNAH SIMPSON
Shot 19                            Shot 20    Shot 21

 ASTING
 WILSON
             CASTING
           EMILY WILSON

                       CASTING
                      EMILY WILS
 Shot 22                            Shot 23    Shot 24




 Shot 25                            Shot 26    Shot 27




                                                           DIRECTED BY
                                                         HANNNAH SIMPSON

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Storyboard changes

  • 1. Storyboard Changes When filming we did not stick to our original storyboard, as we realised that the shots we initially drew up didn’t provide enough substance for the film, therefore it would not have been understandable for our audience. Although we have still used a montage of images to represent the character’s state of mind, we in fact used different images which added to the success of our opening sequence. This didn’t affect our filming process and didn’t slow down the development of our film. Below is a storyboard which shows our changes made.
  • 2. Shot 1 Shot 2 Shot 3 ICON PURSUIT GLOBAL UK FILM COUNCIL & IN ASSOCIATION WITH BABA BRANCHWORK PRESENT FILM & TV MISSION Shot 4 Shot 5 Shot 6 A HEK FILMS & PICTURES IN THE STALKING FEAR PRODUCTION ALKING Shot 7 Shot 8 Shot 9
  • 3. Shot 10 Shot 11 Shot 12 COMPOSER EMILY WILSON COMPOSER EMILY WILSON Shot 13 Shot 14 Shot 15 PRODUCER KATHERINE LAWS PRODUCER HERINE LAWS Shot 16 Shot 17 Shot 18 EDITED BY HANNAH SIMPSON EDITED BY HANNAH SIMPSON
  • 4. Shot 19 Shot 20 Shot 21 ASTING WILSON CASTING EMILY WILSON CASTING EMILY WILS Shot 22 Shot 23 Shot 24 Shot 25 Shot 26 Shot 27 DIRECTED BY HANNNAH SIMPSON