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Evaluation Task 1
In what ways does your media
production of film use, develop or
challenge forms and conventions of real
media products?
One of the first notable things about our
thriller is the way we challenge the
conventions of real media products by not
putting the name of a director or producer
in the opening credits. We felt that our
film would be pioneered by the cast more
so than the director as the likelihood
would be that they are not well known or
possibly it is they're first film.
We can see the way this differs from
acclaimed thriller Se7en. This opening
sequence displays the name of director
and producer before even arriving at
what is a widely known cast. However,
we must consider that this is a thriller
that is on a completely different scale
to ours with a much higher concept.
We see Food Chain use the conventions
of a similar thriller with the British made
Dead Mans Shoes where the protagonist
solemnly walks on his own throughout
the opening sequence suggesting he is on
a journey somewhere.
This is near identical to a shot in our
thriller where we see a shot of our
protagonist doing the same thing. Both
characters are also walking rom left to
right within the frame. This naturally
unsettles the audiences slightly as it is
the opposite to reading. The only thing
different in these shots is that our mise
en scene establishes the urban
environment that our lead character
lives in.
Kidulthood Food Chain
Here we see two sets of near identical shots between our thriller and urban, British drama/thriller Kidulthood. In the
top clip we see a our bully holding up someone just like in the real film to its left. This shows that we share the same
interpretation of physical bullying in a school environment. Interestingly, we have both subverted a stereotype and
made the lead bully a girl making the actions more alarming to a contemporary audience.
Both Food Chain and Kidulthood also show a similar kind of violence from a boy with this comparison being more
accurate considering that the scene is outside against a wall much like in our thriller, as opposed to in a classroom. In
both scenes of Kidulthood, the bullies use an array of antagonistic and rude language which is something we were keen
to include in our thriller to attain a sense of realism.
This is a screen shot form the opening
sequence of Martin Scorsese's Shutter
Island. A prominent feature of the
sequence as with many thriller opening
sequences is the ominous and dark
music. This gives the audience the
general mood and direction of the
thriller straight from the outset and
reveals that something dangerous is on
the precipice.
As opposed to this, in our thriller we
made the conscious decision not to use
music, even at moments where it would
have been appropriate. This lulls the
audience into a false sense of security
and nearly bores them therefore making
it far more surprising where the fight
breaks out seemingly from nowhere.
They think the protagonist is safe but
are awoken from this realisation. By
definition, I believe this is more
‘thrilling’.
This is a screen shot form the opening
sequence of Martin Scorsese's Shutter
Island. A prominent feature of the
sequence as with many thriller opening
sequences is the ominous and dark
music. This gives the audience the
general mood and direction of the
thriller straight from the outset and
reveals that something dangerous is on
the precipice.
As opposed to this, in our thriller we
made the conscious decision not to use
music, even at moments where it would
have been appropriate. This lulls the
audience into a false sense of security
and nearly bores them therefore making
it far more surprising where the fight
breaks out seemingly from nowhere.
They think the protagonist is safe but
are awoken from this realisation. By
definition, I believe this is more
‘thrilling’.

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Evaluation Task 1

  • 1. Evaluation Task 1 In what ways does your media production of film use, develop or challenge forms and conventions of real media products?
  • 2. One of the first notable things about our thriller is the way we challenge the conventions of real media products by not putting the name of a director or producer in the opening credits. We felt that our film would be pioneered by the cast more so than the director as the likelihood would be that they are not well known or possibly it is they're first film. We can see the way this differs from acclaimed thriller Se7en. This opening sequence displays the name of director and producer before even arriving at what is a widely known cast. However, we must consider that this is a thriller that is on a completely different scale to ours with a much higher concept.
  • 3. We see Food Chain use the conventions of a similar thriller with the British made Dead Mans Shoes where the protagonist solemnly walks on his own throughout the opening sequence suggesting he is on a journey somewhere. This is near identical to a shot in our thriller where we see a shot of our protagonist doing the same thing. Both characters are also walking rom left to right within the frame. This naturally unsettles the audiences slightly as it is the opposite to reading. The only thing different in these shots is that our mise en scene establishes the urban environment that our lead character lives in.
  • 4. Kidulthood Food Chain Here we see two sets of near identical shots between our thriller and urban, British drama/thriller Kidulthood. In the top clip we see a our bully holding up someone just like in the real film to its left. This shows that we share the same interpretation of physical bullying in a school environment. Interestingly, we have both subverted a stereotype and made the lead bully a girl making the actions more alarming to a contemporary audience. Both Food Chain and Kidulthood also show a similar kind of violence from a boy with this comparison being more accurate considering that the scene is outside against a wall much like in our thriller, as opposed to in a classroom. In both scenes of Kidulthood, the bullies use an array of antagonistic and rude language which is something we were keen to include in our thriller to attain a sense of realism.
  • 5. This is a screen shot form the opening sequence of Martin Scorsese's Shutter Island. A prominent feature of the sequence as with many thriller opening sequences is the ominous and dark music. This gives the audience the general mood and direction of the thriller straight from the outset and reveals that something dangerous is on the precipice. As opposed to this, in our thriller we made the conscious decision not to use music, even at moments where it would have been appropriate. This lulls the audience into a false sense of security and nearly bores them therefore making it far more surprising where the fight breaks out seemingly from nowhere. They think the protagonist is safe but are awoken from this realisation. By definition, I believe this is more ‘thrilling’.
  • 6. This is a screen shot form the opening sequence of Martin Scorsese's Shutter Island. A prominent feature of the sequence as with many thriller opening sequences is the ominous and dark music. This gives the audience the general mood and direction of the thriller straight from the outset and reveals that something dangerous is on the precipice. As opposed to this, in our thriller we made the conscious decision not to use music, even at moments where it would have been appropriate. This lulls the audience into a false sense of security and nearly bores them therefore making it far more surprising where the fight breaks out seemingly from nowhere. They think the protagonist is safe but are awoken from this realisation. By definition, I believe this is more ‘thrilling’.