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POET'S PEN METHODIST DEBAKEY CARDIOVASC J |
14 (2) 2018
JOURNAL.HOUSTONMETHODIST.ORG
156
Midway upon the journey of our life
I found myself within a forest dark,
For the straightforward pathway had been lost.
Ah me! how hard a thing it is to say
What was this forest savage, rough, and stern,
Which in the very thought renews the fear.
So bitter is it, death is little more;
But of the good to treat, which there I found,
Speak will I of the other things I saw there.
I cannot well repeat how there I entered,
So full was I of slumber at the moment
In which I had abandoned the true way.
But after I had reached a mountain's foot,
At that point where the valley terminated,
Which had with consternation pierced my heart,
Upward I looked, and I beheld its shoulders,
Vested already with that planet's rays
Which leadeth others right by every road.
Then was the fear a little quieted
That in my heart's lake had endured throughout
The night, which I had passed so piteously.
And even as he, who, with distressful breath,
Forth issued from the sea upon the shore,
Turns to the water perilous and gazes;
So did my soul, that still was fleeing onward,
Turn itself back to re-behold the pass
Which never yet a living person left.
After my weary body I had rested,
The way resumed I on the desert slope,
So that the firm foot ever was the lower.
And lo! almost where the ascent began,
A panther light and swift exceedingly,
Which with a spotted skin was covered o'er!
And never moved she from before my face,
Nay, rather did impede so much my way,
That many times I to return had turned.
The time was the beginning of the morning,
And up the sun was mounting with those stars
That with him were, what time the Love Divine
At first in motion set those beauteous things;
So were to me occasion of good hope,
The variegated skin of that wild beast,
The hour of time, and the delicious season;
But not so much, that did not give me fear
A lion's aspect which appeared to me.
He seemed as if against me he were coming
With head uplifted, and with ravenous hunger,
So that it seemed the air was afraid of him;
And a she-wolf, that with all hungerings
Seemed to be laden in her meagreness,
And many folk has caused to live forlorn!
She brought upon me so much heaviness,
With the affright that from her aspect came,
That I the hope relinquished of the height.
And as he is who willingly acquires,
And the time comes that causes him to lose,
Who weeps in all his thoughts and is despondent,
E'en such made me that beast withouten peace,
Which, coming on against me by degrees
Thrust me back thither where the sun is silent.
Dante's Inferno, Canto I
Dante Alighieri, translated by Henry Wadsworth Longfellow
Dante Alighieri's Divine Comedy chronicles his journey through
the afterlife in three cantiche—from hell (Inferno), to purgatory
(Purgatorio), and
finally to heaven (Paradiso)—each comprising 33 cantos.
Writing in idiomatic Tuscan rather than the more common, but
less widely understood,
Latin, Dante is widely credited with establishing Italian as a
literary language and opening up contemporary literature to a
wider, less scholarly
audience. He wrote his epic during his political exile from
Florence, and completed it in 1320, just a year before his death.
Henry Wadsworth
Longfellow was the first American to translate the Divine
Comedy into English, publishing this version in 1867.
POET'S PENMETHODIST DEBAKEY CARDIOVASC J | 14
(2) 2018
JOURNAL.HOUSTONMETHODIST.ORG
157
While I was rushing downward to the lowland,
Before mine eyes did one present himself,
Who seemed from long-continued silence hoarse.
When I beheld him in the desert vast,
“Have pity on me,” unto him I cried,
“Whiche'er thou art, or shade or real man!”
He answered me: “Not man; man once I was,
And both my parents were of Lombardy,
And Mantuans by country both of them.
‘Sub Julio' was I born, though it was late,
And lived at Rome under the good Augustus,
During the time of false and lying gods.
A poet was I, and I sang that just
Son of Anchises, who came forth from Troy,
After that Ilion the superb was burned.
But thou, why goest thou back to such annoyance?
Why climb'st thou not the Mount Delectable,
Which is the source and cause of every joy?”
“Now, art thou that Virgilius and that fountain
Which spreads abroad so wide a river of speech?”
I made response to him with bashful forehead.
“O, of the other poets honour and light,
Avail me the long study and great love
That have impelled me to explore thy volume!
Thou art my master, and my author thou,
Thou art alone the one from whom I took
The beautiful style that has done honour to me.
Behold the beast, for which I have turned back;
Do thou protect me from her, famous Sage,
For she doth make my veins and pulses tremble.”
“Thee it behoves to take another road,"
Responded he, when he beheld me weeping,
“If from this savage place thou wouldst escape;
Because this beast, at which thou criest out,
Suffers not any one to pass her way,
But so doth harass him, that she destroys him;
And has a nature so malign and ruthless,
That never doth she glut her greedy will,
And after food is hungrier than before.
Many the animals with whom she weds,
And more they shall be still, until the Greyhound
Comes, who shall make her perish in her pain.
He shall not feed on either earth or pelf,
But upon wisdom, and on love and virtue;
‘Twixt Feltro and Feltro shall his nation be;
Of that low Italy shall he be the saviour,
On whose account the maid Camilla died,
Euryalus, Turnus, Nisus, of their wounds;
Through every city shall he hunt her down,
Until he shall have driven her back to Hell,
There from whence envy first did let her loose.
Therefore I think and judge it for thy best
Thou follow me, and I will be thy guide,
And lead thee hence through the eternal place,
Where thou shalt hear the desperate lamentations,
Shalt see the ancient spirits disconsolate,
Who cry out each one for the second death;
And thou shalt see those who contented are
Within the fire, because they hope to come,
Whene'er it may be, to the blessed people;
To whom, then, if thou wishest to ascend,
A soul shall be for that than I more worthy;
With her at my departure I will leave thee;
Because that Emperor, who reigns above,
In that I was rebellious to his law,
Wills that through me none come into his city.
He governs everywhere, and there he reigns;
There is his city and his lofty throne;
O happy he whom thereto he elects!”
And I to him: “Poet, I thee entreat,
By that same God whom thou didst never know,
So that I may escape this woe and worse,
Thou wouldst conduct me there where thou hast said,
That I may see the portal of Saint Peter,
And those thou makest so disconsolate.”
Then he moved on, and I behind him followed.
Copyright of Methodist DeBakey Cardiovascular Journal is the
property of Methodist
DeBakey Cardiovascular Journal and its content may not be
copied or emailed to multiple
sites or posted to a listserv without the copyright holder's
express written permission.
However, users may print, download, or email articles for
individual use.
Business Requirements
Reference number:
Document Control
Change Record
Date
Author
Version
Change Reference
Reviewers
Name
Position
Table of Contents
2Document Control
1
Business Requirements
4
1.1
Project Overview
4
1.2
Background including current process
4
1.3
Scope
4
1.3.1
Scope of Project
4
1.3.2
Constraints and Assumptions
5
1.3.3
Risks
5
1.3.4
Scope Control
5
1.3.5
Relationship to Other Systems/Projects
5
1.3.6
Definition of Terms (if applicable)
5
1 Business Requirements
1.1 Project Overview
Provide a short, yet complete, overview of the project.
1.2 Background including current process
Describe the background to the project, (same section may be
reused in the Quality Plan) include:
This project is
The project goal is to
The IT role for this project is
1.3 Scope
1.3.1 Scope of Project
The scope of this project includes a number of areas. For each
area, there should be a corresponding strategy for incorporating
these areas into the overall project.
Applications
In order to meet the target production date, only these
applications will be implemented:
Sites
These sites are considered part of the implementation:
Process Re-engineering
Re-engineering will
Customization
Customizations will be limited to
Interfaces
the interfaces included are:
Architecture
Application and Technical Architecture will
Conversion
Only the following data and volume will be considered for
conversion:
Testing
Testing will include only
Funding
Project funding is limited to
Training
Training will be
Education
Education will include
1.3.2 Constraints and Assumptions
The following constraints have been identified:
The following assumptions have been made in defining the
scope, objectives and approach:
1.3.3 Risks
The following risks have been identified as possibly affecting
the project during its progression:
1.3.4 Scope Control
The control of changes to the scope identified in this document
will be managed through the Change Control, with business
owner representative approval for any changes that affect cost
or timeline for the project.
1.3.5 Relationship to Other Systems/Projects
It is the responsibility of the business unit to inform IT of other
business initiatives that may impact the project. The following
are known business initiatives:
1.3.6 Definition of Terms (if applicable)
List any definitions that will be used throughout the duration of
the project.
5
2-3 pages due in 24 hours.
By the due date assigned, respond to the Discussion
Assignment. Post your response to the Discussion Area. Your
answer should:
· Provide detailed evidence, including excerpts from the literary
text.
· Demonstrate a clear understanding of the themes, genres,
cultures, time periods, and texts that are this week's focus.
· Apply APA style guidelines to the source material.
By the end of week, review and comment on two of your
classmates' answers and the peer-reviewed article that they post,
writing at least one paragraph about the peer-reviewed article.
Your responses should be substantive, which means that you
should provide a significant level of detail in your reply and
show active engagement by referencing the readings, drawing
on your own experiences, giving your opinions, respectfully
disagreeing where appropriate, or asking questions designed to
generate further discussion on the material and its implications
outside the realm of the question.
Question: One of the major themes in The Inferno is the
relationship between God and humanity, particularly as it
relates to sin and God's justice. Let's explore what the
scholarship has to say about this topic. First, review the lecture
on evaluating sources and locating peer-reviewed articles. Then,
go to the SUO library and in a scholarly journal find a credible,
full-text, peer-reviewed article about The Inferno. Write a
citation for the article that is formatted in APA style and then
annotate the article.
Now, review The Inferno, and locate a specific passage that you
feel illustrates one key aspect of the relationship between God
and humanity. Provide your interpretation of this relationship.
How does Dante imagine the relationship between God and
humanity? What are the differences between your interpretation
and the article you located? What are the similarities?
Remember that your claims in all parts of the assignment should
be substantiated by excerpts from appropriate sources (scholarly
research and/or literary texts). Quotes, paraphrase, and
summary used in the assignment should be arranged according
to APA rules of style, and in-text and reference citations should
be provided, also formatted in APA style. Quoted material
should not exceed 25% of the post. Submit the final document
in the Discussion Area.

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  • 1. POET'S PEN METHODIST DEBAKEY CARDIOVASC J | 14 (2) 2018 JOURNAL.HOUSTONMETHODIST.ORG 156 Midway upon the journey of our life I found myself within a forest dark, For the straightforward pathway had been lost. Ah me! how hard a thing it is to say What was this forest savage, rough, and stern, Which in the very thought renews the fear. So bitter is it, death is little more; But of the good to treat, which there I found, Speak will I of the other things I saw there. I cannot well repeat how there I entered, So full was I of slumber at the moment In which I had abandoned the true way. But after I had reached a mountain's foot, At that point where the valley terminated, Which had with consternation pierced my heart, Upward I looked, and I beheld its shoulders, Vested already with that planet's rays Which leadeth others right by every road. Then was the fear a little quieted
  • 2. That in my heart's lake had endured throughout The night, which I had passed so piteously. And even as he, who, with distressful breath, Forth issued from the sea upon the shore, Turns to the water perilous and gazes; So did my soul, that still was fleeing onward, Turn itself back to re-behold the pass Which never yet a living person left. After my weary body I had rested, The way resumed I on the desert slope, So that the firm foot ever was the lower. And lo! almost where the ascent began, A panther light and swift exceedingly, Which with a spotted skin was covered o'er! And never moved she from before my face, Nay, rather did impede so much my way, That many times I to return had turned. The time was the beginning of the morning, And up the sun was mounting with those stars That with him were, what time the Love Divine At first in motion set those beauteous things; So were to me occasion of good hope, The variegated skin of that wild beast, The hour of time, and the delicious season; But not so much, that did not give me fear A lion's aspect which appeared to me. He seemed as if against me he were coming
  • 3. With head uplifted, and with ravenous hunger, So that it seemed the air was afraid of him; And a she-wolf, that with all hungerings Seemed to be laden in her meagreness, And many folk has caused to live forlorn! She brought upon me so much heaviness, With the affright that from her aspect came, That I the hope relinquished of the height. And as he is who willingly acquires, And the time comes that causes him to lose, Who weeps in all his thoughts and is despondent, E'en such made me that beast withouten peace, Which, coming on against me by degrees Thrust me back thither where the sun is silent. Dante's Inferno, Canto I Dante Alighieri, translated by Henry Wadsworth Longfellow Dante Alighieri's Divine Comedy chronicles his journey through the afterlife in three cantiche—from hell (Inferno), to purgatory (Purgatorio), and finally to heaven (Paradiso)—each comprising 33 cantos. Writing in idiomatic Tuscan rather than the more common, but less widely understood, Latin, Dante is widely credited with establishing Italian as a literary language and opening up contemporary literature to a wider, less scholarly audience. He wrote his epic during his political exile from Florence, and completed it in 1320, just a year before his death.
  • 4. Henry Wadsworth Longfellow was the first American to translate the Divine Comedy into English, publishing this version in 1867. POET'S PENMETHODIST DEBAKEY CARDIOVASC J | 14 (2) 2018 JOURNAL.HOUSTONMETHODIST.ORG 157 While I was rushing downward to the lowland, Before mine eyes did one present himself, Who seemed from long-continued silence hoarse. When I beheld him in the desert vast, “Have pity on me,” unto him I cried, “Whiche'er thou art, or shade or real man!” He answered me: “Not man; man once I was, And both my parents were of Lombardy, And Mantuans by country both of them. ‘Sub Julio' was I born, though it was late, And lived at Rome under the good Augustus, During the time of false and lying gods. A poet was I, and I sang that just Son of Anchises, who came forth from Troy, After that Ilion the superb was burned. But thou, why goest thou back to such annoyance? Why climb'st thou not the Mount Delectable,
  • 5. Which is the source and cause of every joy?” “Now, art thou that Virgilius and that fountain Which spreads abroad so wide a river of speech?” I made response to him with bashful forehead. “O, of the other poets honour and light, Avail me the long study and great love That have impelled me to explore thy volume! Thou art my master, and my author thou, Thou art alone the one from whom I took The beautiful style that has done honour to me. Behold the beast, for which I have turned back; Do thou protect me from her, famous Sage, For she doth make my veins and pulses tremble.” “Thee it behoves to take another road," Responded he, when he beheld me weeping, “If from this savage place thou wouldst escape; Because this beast, at which thou criest out, Suffers not any one to pass her way, But so doth harass him, that she destroys him; And has a nature so malign and ruthless, That never doth she glut her greedy will, And after food is hungrier than before. Many the animals with whom she weds, And more they shall be still, until the Greyhound Comes, who shall make her perish in her pain. He shall not feed on either earth or pelf, But upon wisdom, and on love and virtue;
  • 6. ‘Twixt Feltro and Feltro shall his nation be; Of that low Italy shall he be the saviour, On whose account the maid Camilla died, Euryalus, Turnus, Nisus, of their wounds; Through every city shall he hunt her down, Until he shall have driven her back to Hell, There from whence envy first did let her loose. Therefore I think and judge it for thy best Thou follow me, and I will be thy guide, And lead thee hence through the eternal place, Where thou shalt hear the desperate lamentations, Shalt see the ancient spirits disconsolate, Who cry out each one for the second death; And thou shalt see those who contented are Within the fire, because they hope to come, Whene'er it may be, to the blessed people; To whom, then, if thou wishest to ascend, A soul shall be for that than I more worthy; With her at my departure I will leave thee; Because that Emperor, who reigns above, In that I was rebellious to his law, Wills that through me none come into his city. He governs everywhere, and there he reigns; There is his city and his lofty throne; O happy he whom thereto he elects!” And I to him: “Poet, I thee entreat, By that same God whom thou didst never know,
  • 7. So that I may escape this woe and worse, Thou wouldst conduct me there where thou hast said, That I may see the portal of Saint Peter, And those thou makest so disconsolate.” Then he moved on, and I behind him followed. Copyright of Methodist DeBakey Cardiovascular Journal is the property of Methodist DeBakey Cardiovascular Journal and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. Business Requirements Reference number: Document Control Change Record Date Author Version Change Reference
  • 8. Reviewers Name Position Table of Contents 2Document Control 1 Business Requirements 4 1.1 Project Overview 4 1.2 Background including current process
  • 9. 4 1.3 Scope 4 1.3.1 Scope of Project 4 1.3.2 Constraints and Assumptions 5 1.3.3 Risks 5 1.3.4 Scope Control 5 1.3.5 Relationship to Other Systems/Projects 5 1.3.6 Definition of Terms (if applicable) 5 1 Business Requirements 1.1 Project Overview Provide a short, yet complete, overview of the project. 1.2 Background including current process Describe the background to the project, (same section may be reused in the Quality Plan) include: This project is The project goal is to The IT role for this project is
  • 10. 1.3 Scope 1.3.1 Scope of Project The scope of this project includes a number of areas. For each area, there should be a corresponding strategy for incorporating these areas into the overall project. Applications In order to meet the target production date, only these applications will be implemented: Sites These sites are considered part of the implementation: Process Re-engineering Re-engineering will Customization Customizations will be limited to Interfaces the interfaces included are: Architecture Application and Technical Architecture will Conversion Only the following data and volume will be considered for conversion: Testing Testing will include only Funding Project funding is limited to
  • 11. Training Training will be Education Education will include 1.3.2 Constraints and Assumptions The following constraints have been identified: The following assumptions have been made in defining the scope, objectives and approach: 1.3.3 Risks The following risks have been identified as possibly affecting the project during its progression: 1.3.4 Scope Control The control of changes to the scope identified in this document will be managed through the Change Control, with business owner representative approval for any changes that affect cost or timeline for the project. 1.3.5 Relationship to Other Systems/Projects It is the responsibility of the business unit to inform IT of other business initiatives that may impact the project. The following are known business initiatives:
  • 12. 1.3.6 Definition of Terms (if applicable) List any definitions that will be used throughout the duration of the project. 5 2-3 pages due in 24 hours. By the due date assigned, respond to the Discussion Assignment. Post your response to the Discussion Area. Your answer should: · Provide detailed evidence, including excerpts from the literary text. · Demonstrate a clear understanding of the themes, genres, cultures, time periods, and texts that are this week's focus. · Apply APA style guidelines to the source material. By the end of week, review and comment on two of your classmates' answers and the peer-reviewed article that they post, writing at least one paragraph about the peer-reviewed article. Your responses should be substantive, which means that you should provide a significant level of detail in your reply and show active engagement by referencing the readings, drawing on your own experiences, giving your opinions, respectfully disagreeing where appropriate, or asking questions designed to generate further discussion on the material and its implications outside the realm of the question. Question: One of the major themes in The Inferno is the relationship between God and humanity, particularly as it relates to sin and God's justice. Let's explore what the scholarship has to say about this topic. First, review the lecture on evaluating sources and locating peer-reviewed articles. Then, go to the SUO library and in a scholarly journal find a credible, full-text, peer-reviewed article about The Inferno. Write a citation for the article that is formatted in APA style and then
  • 13. annotate the article. Now, review The Inferno, and locate a specific passage that you feel illustrates one key aspect of the relationship between God and humanity. Provide your interpretation of this relationship. How does Dante imagine the relationship between God and humanity? What are the differences between your interpretation and the article you located? What are the similarities? Remember that your claims in all parts of the assignment should be substantiated by excerpts from appropriate sources (scholarly research and/or literary texts). Quotes, paraphrase, and summary used in the assignment should be arranged according to APA rules of style, and in-text and reference citations should be provided, also formatted in APA style. Quoted material should not exceed 25% of the post. Submit the final document in the Discussion Area.