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John donne

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John donne

  1. 1. John Donne<br />
  2. 2. John Donne<br />Born in London, 1572<br />Poet, satirist, lawyer and priest<br />Married Ann More, niece of Sir Thomas Egerton, Lord Keeper of the Great Seal<br />Satires, love poetry, elegies, sermons<br />Wrote on religion, sexuality, love and death<br />
  3. 3. More Background…<br />Metaphysical Poet<br />Metaphysics<br />Seeking to understand the fundamental nature of being and the world, and attempts to answer two basic questions: What is there, and what is it like?<br />Metaphysical Conceits<br />Extended metaphors<br />Motif of True Religion<br />“A Harry or a Martin taught [me] this.”<br />
  4. 4. The Flea<br />Rhyme scheme<br />Playful<br />The flea as an erotic symbol<br />Contrary to Donne’s later religious poems<br />
  5. 5. Good Friday, 1613. Riding Westward<br />Apology for Faithless Acts<br />5 Arguments<br />Lines 1-14 Nature<br />Lines 15-28 Looking at God causes death<br />Lines 29-32 “Pity”<br />Lines 33-35 “Memory”<br />Lines 35-40 Submits to “Corrections”<br />
  6. 6. The Sun Rising<br />Stanza 1<br />Ovid Amores<br />Personifying sun<br />Love is not subjected to time<br />Stanza 2<br />Challenging the sun<br />Treasures of India<br />Kings <br />
  7. 7. The Sun Rising<br />Stanza 3<br />All nations<br />Nothing compares to his lover<br />Making the sun’s job easier<br />Hyperbolic Assertions<br />Sun being a busybody<br />Love and time<br />Importance of their love<br />Consciousness of new lover<br />
  8. 8. The Good-Morrow<br />Stanza 1<br />Rejecting former life<br />New awareness<br />Stanza 2<br />Awakened souls<br />Rejecting the outer world<br />
  9. 9. The Good-Morrow<br />Stanza 3<br />Perfect Sincerity<br />Immortality<br />Other Aspects:<br />Alliteration<br />Replication<br />
  10. 10. The Canonization<br />Stanza Three:<br />“Call us what you will, we are made by such love;<br />Call her one, me another fly,<br />We’re tapers too, and at our own cost die,<br />And we in us find the eagle and the dove.<br />The phoenix riddle hath more wit<br />By us: we two being one, are it.<br />So, to one neutral thing both sexes fit.<br />We die and rise the same, and prove<br />Mysterious by this love.<br />
  11. 11. The Canonization<br />Stanza Three:<br />“Call us what you will, we are made by such love;<br />Call her one, me another fly,<br />We’re tapers too, and at our own cost die,<br />And we in us find the eagle and the dove.<br />The phoenix riddle hath more wit<br />By us: we two being one, are it.<br />So, to one neutral thing both sexes fit.<br />We die and rise the same, and prove<br />Mysterious by this love.”<br />
  12. 12. The Canonization<br />Stanza Four:<br />“We can die by it, if not live by love,<br />And if unfit for tombs and hearse<br />Our legend be, it will be fit for verse;<br />And if no piece of chronicle we prove,<br />We’ll build in sonnets pretty rooms;<br />As well a well-wrought urn becomes<br />The greatest ashes, as half-acre tombs,<br />And by these hymns, all shall approve<br />Us canonized for love;”<br />
  13. 13. A Valediction: Forbidden Mourning<br />Main Points<br /> Metaphysical Conceits<br /> Marriage between spiritual and physical love<br />
  14. 14. A Valediction: Forbidden Mourning<br />Stanza Six:<br />“Our two souls therefore, which are one,<br />Though I must go, endure not yet<br />A breach, but an expansion,<br />Like gold to airy thinness beat.”<br />
  15. 15. A Valediction: Forbidden Mourning<br />Stanza Seven<br />“If they be two they are two so<br />As stiff twin compasses are two;<br />Thy soul, the fixed foot, makes no show<br />To move, but doth, if th’ other do.”<br />
  16. 16. A Valediction: Forbidden Mourning<br />Stanza Eight:<br />“And though it in the center sit,<br />Yet when the other far doth roam,<br />It leans and harkens after it,<br />And grows erect, as that comes home.”<br />
  17. 17. A Valediction: Forbidden Mourning<br />Stanza Nine:<br />“Such wilt thou be to me, who must, <br />Like th’ other foot, obliquely run;<br />Thy firmness makes my circle just,<br />And makes me end where I begun.”<br />
  18. 18. Song<br />GO and catch a falling star,   <br />  Get with child a mandrake root,   <br />Tell me where all past years are,   <br />  Or who cleft the Devil's foot;   <br />Teach me to hear mermaids singing,          5<br />Or to keep off envy's stinging,   <br />        And find   <br />        What wind   <br />Serves to advance an honest mind.   <br />  <br />If thou be'st born to strange sights,   10<br /> Things invisible to see,   <br />Ride ten thousand days and nights   <br />  Till Age snow white hairs on thee;   <br />Thou, when thou return'st, wilt tell me   <br />All strange wonders that befell thee,   15<br />        And swear   <br />        No where   <br />Lives a woman true and fair.   <br />  <br />
  19. 19. Song<br />If thou find'st one, let me know;   <br />  Such a pilgrimage were sweet.   20<br />Yet do not; I would not go,   <br />  Though at next door we might meet.   <br />Though she were true when you met her,   <br />And last till you write your letter,   <br />        Yet she   25<br />        Will be   <br />False, ere I come, to two or three. <br />
  20. 20. What is Donne talking about in this poem, and what is his attitude about the subject?<br />What is his thought process through each stanza?<br />What elements of metaphysical poetry do you see in this poem?<br />
  21. 21. Holy Sonnets (1, 7, 10, 13, 14, 18)<br />Determine:<br />Structure<br />Themes<br />Message<br />Tone<br />How are these sonnets Metaphysical?<br />
  22. 22. Holy Sonnet 1<br />THOU hast made me, and shall Thy work decay ?<br />Repair me now, for now mine end doth haste ;<br />I run to death, and Death meets me as fast,<br />And all my pleasures are like yesterday.<br />I dare not move my dim eyes any way ;<br />Despair behind, and Death before doth cast<br />Such terror, and my feeble flesh doth waste<br />By sin in it, which it towards hell doth weigh.<br />Only Thou art above, and when towards Thee<br />By Thy leave I can look, I rise again ;<br />But our old subtle foe so tempteth me,<br />That not one hour myself I can sustain.<br />Thy grace may wing me to prevent his art<br />And thou like adamant draw mine iron heart. <br />
  23. 23. Holy Sonnet 7<br />At the round earth's imagined corners blow<br />Your trumpets, angels, and arise, arise<br />From death, you numberless infinities<br />Of souls, and to your scattered bodies go ;<br />All whom the flood did, and fire shall o'erthrow,<br />All whom war, dea[r]th, age, agues, tyrannies,<br />Despair, law, chance hath slain, and you, whose eyes<br />Shall behold God, and never taste death's woe.<br />But let them sleep, Lord, and me mourn a space ;<br />For, if above all these my sins abound,<br />'Tis late to ask abundance of Thy grace,<br />When we are there.   Here on this lowly ground,<br />Teach me how to repent, for that's as good<br />As if Thou hadstseal'd my pardon with Thy blood. <br />
  24. 24. Holy Sonnet 10 <br />Death, be not proud, though some have called thee <br />Mighty and dreadful, for thou art not so ; <br />For those, whom thou think'st thou dost overthrow, <br />Die not, poor Death, nor yet canst thou kill me. <br />From rest and sleep, which but thy picture[s] be, <br />Much pleasure, then from thee much more must flow, <br />And soonest our best men with thee do go, <br />Rest of their bones, and soul's delivery. <br />Thou'rt slave to Fate, chance, kings, and desperate men, <br />And dost with poison, war, and sickness dwell, <br />And poppy, or charms can make us sleep as well, <br />And better than thy stroke ;  why swell'st thou then ? <br />One short sleep past, we wake eternally, <br />And Death shall be no more ;  Death, thou shalt die. <br />
  25. 25. Holy Sonnet 13<br />What if this present were the world's last night ?<br />Mark in my heart, O soul, where thou dost dwell,<br />The picture of Christ crucified, and tell<br />Whether His countenance can thee affright.<br />Tears in His eyes quench the amazing light ;<br />Blood fills his frowns, which from His pierced head fell ;<br />And can that tongue adjudge thee unto hell,<br />Which pray'd forgiveness for His foes' fierce spite ?<br />No, no ; but as in my idolatry<br />I said to all my profane mistresses,<br />Beauty of pity, foulness only is<br />A sign of rigour ; so I say to thee,<br />To wicked spirits are horrid shapes assign'd ;<br />This beauteous form assures a piteous mind. <br />
  26. 26. Holy Sonnet 14<br />Batter my heart, three-person'd God ; for you<br />As yet but knock ; breathe, shine, and seek to mend ;<br />That I may rise, and stand, o'erthrow me, and bend<br />Your force, to break, blow, burn, and make me new.<br />I, like an usurp'd town, to another due,<br />Labour to admit you, but O, to no end.<br />Reason, your viceroy in me, me should defend,<br />But is captived, and proves weak or untrue.<br />Yet dearly I love you, and would be loved fain,<br />But am betroth'd unto your enemy ;<br />Divorce me, untie, or break that knot again,<br />Take me to you, imprison me, for I,<br />Except you enthrall me, never shall be free,<br />Nor ever chaste, except you ravish me. <br />
  27. 27. Holy Sonnet 18<br />Show me, dear Christ, thy spouse so bright and clear.<br />What! is it she which on the other shore<br />Goes richly painted? or which, robbed and tore,<br />Laments and mourns in Germany and here?<br />Sleeps she a thousand, then peeps up one year?<br />Is she self-truth, and errs? now new, now outwore?<br />Doth she, and did she, and shall she evermore<br />On one, on seven, or on no hill appear?<br />Dwells she with us, or like adventuring knights<br />First travel we to seek, and then make love?<br />Betray, kind husband, thy spouse to our sights,<br />And let mine amorous soul court thy mild dove,<br />Who is most true and pleasing to thee then<br /> When she is embraced and open to most men. <br />

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