Este documento presenta una introducción a la sociedad de la información y la sociedad en red. Explica definiciones clave como sociedad de la información, sociedad post-industrial y sociedad del conocimiento. También explora conceptos centrales en la obra de Manuel Castells como estructura social en red, flujos, tecnología, información y comunicación. Finalmente, resume algunas características y fenómenos emergentes de la sociedad en red como globalización, trabajo precarizado, comunicación mediática y cultura.
1. Sociedad de la Información/Red Gemma San Cornelio Estudios de Ciencias de la Información y la Comunicación Universitat Oberta de Catalunya (UOC) Master en Comunicación Digital Interactiva UVic, 23 octubre 2009
2. 1. Programa 18.00 Presentación curso 18.30 Definiciones. Vídeos. 19.00 Discusión capítulo Castells. 19.30 Descanso. 19.50 Discusión conceptos Sociedad Red. 20.20 Visualización conceptos 1 Sociedad de la Información/Red
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15. 9. Gracias! 12 [email_address] Introducción a la Sociedad Red
Editor's Notes
What I’m going to present today is an ongoing research on locative media artworks as a part of a broader research Project entitled Art, Aesthetics and New media funded by the Spanish ministry of science and technology. Specifically the issue in what we are interested in this part of the project is how locative media can redefine our relationship with the space, both in aesthetic and in social terms. Thus, this is work in progress, which it is at a very initial stage, and the more information I got, the more difficult is to reach consistent conclusions at this stage. I have preferred to provide an overlook of what I am doing in order to open more questions that close answers.
What I’m going to present today is an ongoing research on locative media artworks as a part of a broader research Project entitled Art, Aesthetics and New media funded by the Spanish ministry of science and technology. Specifically the issue in what we are interested in this part of the project is how locative media can redefine our relationship with the space, both in aesthetic and in social terms. Thus, this is work in progress, which it is at a very initial stage, and the more information I got, the more difficult is to reach consistent conclusions at this stage. I have preferred to provide an overlook of what I am doing in order to open more questions that close answers.
What I’m going to present today is an ongoing research on locative media artworks as a part of a broader research Project entitled Art, Aesthetics and New media funded by the Spanish ministry of science and technology. Specifically the issue in what we are interested in this part of the project is how locative media can redefine our relationship with the space, both in aesthetic and in social terms. Thus, this is work in progress, which it is at a very initial stage, and the more information I got, the more difficult is to reach consistent conclusions at this stage. I have preferred to provide an overlook of what I am doing in order to open more questions that close answers.
What I’m going to present today is an ongoing research on locative media artworks as a part of a broader research Project entitled Art, Aesthetics and New media funded by the Spanish ministry of science and technology. Specifically the issue in what we are interested in this part of the project is how locative media can redefine our relationship with the space, both in aesthetic and in social terms. Thus, this is work in progress, which it is at a very initial stage, and the more information I got, the more difficult is to reach consistent conclusions at this stage. I have preferred to provide an overlook of what I am doing in order to open more questions that close answers.
What I’m going to present today is an ongoing research on locative media artworks as a part of a broader research Project entitled Art, Aesthetics and New media funded by the Spanish ministry of science and technology. Specifically the issue in what we are interested in this part of the project is how locative media can redefine our relationship with the space, both in aesthetic and in social terms. Thus, this is work in progress, which it is at a very initial stage, and the more information I got, the more difficult is to reach consistent conclusions at this stage. I have preferred to provide an overlook of what I am doing in order to open more questions that close answers.