SlideShare a Scribd company logo
1 of 32
Download to read offline
YRS1
65 Bleecker Street, New York, NY 10012
Copyright © 2003 by PlayinTime ProductionsTM, Inc.
International Copyright Secured.
All rights reserved including performing rights.
WARNING! this publication is protected by Copyright law. To photocopy or reproduce by
any method is an infringement of the Copyright law. Anyone who reproduces copyrighted
matter is subject to substantial penalties and assessments for each infringement.
Printed in the U.S.A.
ISBN 0-8258-xxxx-x
®
Is a registered trademark of Yamaha
Corporation of America
Layout & Engraving:
Mark Ralston & Musical/Arts Consultants Inc
Date Teacher · Assignments/Goals Student · Notes/Questions Mon. Tues. Wed. Thurs. Fri. Sat. Sun. Approval
Advantage · Practice
Musicianship from Day One
by Sandy Feldstein and Larry Clark
theYamaha
AdvantageTM
TM
Recorder Plus
Welcome to The Yamaha AdvantageTM Recorder Plus
This method will teach you to play the recorder by having fun singing and playing your favorite songs. After learning
to play the recorder, you may wish to learn to play a band or orchestral instrument. To help you make your choice,
The Yamaha AdvantageTM Recorder Plus Method includes information about many instruments.
The optional CD accompaniment for this book is recorded by a great band. The CD will also give you an example of
how your instrument should sound, as well as the other instruments you might like to play. It will also provide hours
of enjoyable play-along experiences. (CD available separately.)
Have a great time making music.
The instruments of today’s band and orchestra are divided into four INSTRUMENT FAMILIES.
The WOODWIND FAMILY (not all are made of wood), the BRASS FAMILY, the PERCUSSION FAMILY and the
STRING FAMILY. Throughout this book we will take a closer look at some instruments from each of the families.
STAFF
Music is written on a five line staff. Between each line there is a space.
At the beginning of each staff there is a clef. The treble clef encircles the second line which
is the note G and is sometimes called the G clef.
2
YRS1
Advantage · Recorder Plus
Introduction to Music Theory
space 4
space 3
space 2
space 1
line 5
line 4
line 3
line 2
line 1
G
MEASURE AND BAR LINES
Music is divided into measures by bar lines. Double bar lines end a piece of music.
TIME SIGNATURE
At the beginning of a piece of music there is a time signature. It tells you how many beats
are in each measure and what note gets one beat.
a half note or rest gets two beats
a whole note or rest gets four beats
measure
double barbar lines
4
4= four beats in each measure
= a quarter note gets one beat
TheoryTheoryTheoryTheory
Getting Started
3Advantage · Recorder Plus
YRS1
Play Rest Play Rest
& 4
4
1 2 3 4 1 2 3 4
∑
1 2 3 4 1 2 3 4
∑
air air
B
BB
Your First Note
Play Rest Play Rest
& 4
4
1 2 3 4 1 2 3 4
∑
1 2 3 4 1 2 3 4
∑
air air
BB BB
Half the Time
Play Rest Play Rest
& 4
4
1 2 3 4 1 2 3 4
∑
1 2 3 4 1 2 3 4
∑
air air
B B B B B BB BB B BB BB
The First Quarter
1
2
3
& B
Front ViewPlayingSide ViewLeft HandSide ViewRight Hand
AAAAAB
AAAAAB
Hold the bottom or bell of the
recorder with your right hand.
Cover the top hole in the back with
your thumb and the first (top) hole
on the front with your first finger.
You are now playing your first note:
Put the tip of the mouthpiece in
your mouth and lightly blow.
To start each note say “Tu”.
NotesNotesNotesNotes
4
YRS1
Advantage · Recorder Plus
Play Rest Play Rest
A
& 4
4 ∑ ∑
1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4
air air
AA
Your Second Note
Play Rest Play Rest
& 4
4 ∑ ∑
1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4
air air
AA AA
The Second Half
Play Rest Play Rest
& 44 ∑ ∑
1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4
air air
A A A A A AA AA A AA AA
The Second Quarter
4
5
6
& A
Front ViewFront ViewSide ViewSide View
A
A
To play A, keep your thumb
and first finger down.
Cover the second hole in the
front with your second finger.
NotesNotesNotesNotes
YRS1
Play Rest Play Rest
G
& 4
4 ∑ ∑
1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4
air air
GG
Your Third Note Repeat sign
Play Rest Play Rest
& 44 ∑ ∑
1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4
air air
GG GG
The Third Half
Play Rest Play Rest
& 4
4 ∑ ∑
1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4
air air
G G G G G GG GG G GG GG
The Third Quarter
Front View
TheoryTheoryTheoryTheory
& ..
Repeat Sign
Go back to the beginning
and play again.
7
8
9
& G
Front ViewFront ViewSide ViewSide View
G
G
To play G,
keep your thumb and
first two fingers down.
Cover the third hole
in the front with
your third finger.
NotesNotesNotesNotes
Advantage · Recorder Plus 5
6
YRS1
Advantage · Recorder Plus
& 4
4 ..
Play Rest
Ó
Play Rest
Ó
Play Rest
∑
1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4
AB
G
Moving Down
air air air
& 44 ..
Play Rest
Ó
Play Rest
Ó
Play Rest
∑
1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4
AG
B
Stepping Back Up
air air air
& 4
4 ..
Play
1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4
BB A AGGG G
Down and Up
air air air air
Side Front
All Three Notes
GSide FrontASide FrontAAAAAB
When moving from B to A to G, your second finger covers the second hole and then your third finger covers the third hole.
Listen to the sound. When you put your fingers down, the sound goes down or gets lower.
When moving from G to A to B, your third finger comes up and opens the third hole and
then your second finger comes up and opens the second hole.
Listen to the sound. When you lift your fingers up, the sound goes up or gets higher.
10
11
12
Shape Note Music Note Note Name
=
=
=
= whole note
= half note
= quarter note
1 2 3 41 2 3 4
7Advantage · Recorder Plus
YRS1
&
&
44
4
4
Hot Cross
˙
Hot Cross
Buns.
Buns.
Hot Cross
˙
Hot Cross
Buns.
Buns.
B A G
B A
BB
G
G
Hot Cross Buns
1 2 3 4
1 2 3 4
1 2 3 4
1 2 3 4
1 2 3 4
1 2 3 4
1 2 3 4
1 2 3 4Count:
&
&
4
4
44
Mer - ri - ly we
œ œ œ œ
Mer - ri - ly we
roll a - long,
œ œ
roll a - long,
roll a - long,
œ œ ˙
roll a - long,
roll a - long.
œ œ
roll a - long.
B A G
B B B
B B
A A A B B B
A A AA
B B BB
A
B
A
G
A
Merrily We Roll Along
1 2 3 4
1 2 3 4
1 2 3 4
1 2 3 4
1 2 3 4
1 2 3 4
1 2 3 4
1 2 3 4Count:
Play the beginning of these familiar songs written with shape notes followed by music notation.
13
14
www.yamahaadvantage.com
RhythmRhythmRhythmRhythm
8
YRS1
Advantage · Recorder Plus
Hot Cross Buns. Hot Cross Buns.
One a pen - ny two a pen - ny Hot Cross Buns.
ditionalTra
&4
4
&
Hot Cross Buns
G G G G
A A A A
G
G
B
B
A
A
B
B
A
A
G
BB
AA
Mer - ri - ly we roll a - long, roll a - long, roll a - long.
Mer - ri - ly we roll a - long, o’er the deep blue sea.
ditional
&4
4
&
Merrily We Roll Along
raT
B B B
A
G
A A A
G
B
B
B
A
B
B B BA B A
G
A A AB
B B B
A
Sing this lit - tle French song, “Bon - jour” means hel - lo.
Sing this lit - tle French song, “Bon - sóir” means good - bye.
lk Song
&44
&
Au Clair De La Lune
French Fo
G
G
B
B
G G G G
G
A
G G G
A
A
A
A
AB
B
A
AB
B
A
A
15
16
17
Performance
AdvantageAdvantageAdvantageAdvantage
9Advantage · Recorder Plus
YRS1
& w
______
& w
______
& w
______
Draw a line to connect the musical example to its name.
Music is divided into these.
This tells you there are four beats in each
measure and a quarter note gets one beat.
This shows the end of the music.
Draw a line to
connect the symbol
with its name.
More Matching
Theory
AdvantageAdvantageAdvantageAdvantage
Fingering
Name the note and color the holes that are covered to play the notes indicated.
Matching Game
Double bar line
Measures
Time Signature
Whole Note
Quarter Note
Half Note
&
& 4
4
&
w
˙
œ
10
YRS1
Advantage · Recorder Plus
Front View
& C
Front ViewFront ViewSide ViewSide View
AAAAAAAAAAAAAAC
To play C,
keep your thumb on
the hole in the back and
cover the second hole
on the front with
your second finger.
NotesNotesNotesNotes
& 44 ˙ ˙
Do Ti
˙ ˙
La Sol,
œ œ œ œ
Down the scale and
œ œ ˙
back a - gain.
Scale Song
18
& 44 ˙ œ œ
Down by the
˙ ˙
sta - tion
œ œ œ œ
ear - ly in the
˙ ˙
mor - ning.
& ..œ œ œ œ
See the sta - tion
˙ ˙
mas - ter
œ œ œ œ
toot toot off we
w
go.
Down by the Station
Traditional
19
& 44 œ œ œ œ
Hel - lo ____ - ____,
œ œ œ œ
hel - lo ____ - ____,
˙ ˙
I’m your friend.
& œ œ œ œ
Friend - ship, friend - ship
œ œ œ œ
our great friend - ship
˙ ˙
will not end.
Friendship Song
By ____________________
20
AAAAAAAAAAAAAAC
Composing Fun
Finish this song by adding a friend’s name in measures one and two. To complete the melody, add one note that you have
learned in measures four and eight. Add your name as the composer.
ComposingAdvantageAdvantageAdvantageAdvantage
& 4
4 ..œ œ ˙
C D A
œ œ ˙
C D B
œ œ œ œ
move your thumb to
w
play.
A Minor Mood
11Advantage · Recorder Plus
YRS1
Front View
& D
Front ViewFront ViewSide ViewSide View
AAAAAAAAAAAAAAAAAAAD
To play D,
lift your thumb off
the hole in the back and
cover the second hole
on the front with
your second finger.
NotesNotesNotesNotes
21
& 44 œ œ œ œ
Oats and beans and
œ œ ˙
bar - ley grow,
œ œ œ œ
Oats and beans and
œ œ ˙
bar - ley grow,
& œ œ œ œ
You nor I nor
œ œ œ œ
an - y - one know
œ œ œ œ
how oats, beans and
œ œ ˙
bar - ley grow.
Oats and Beans and Barley Grow
American Folk Song
22
/ 4
4
Everyone:
œ œ œ œ
Mu - sic is such
œ œ ˙
fun to play,
œ œ œ œ
with re - cord - ers
œ œ ˙
ev - ’ry day.
/
Girls:
œ œ ˙
I play high.
Boys:
œ œ ˙
I play low.
Girls:
œ œ œ œ
I play fast, and
Boys:
œ œ ˙
I play slow.
23
AAAAAAAAAAAAAAAAAAAD
Rap ’n’ Rhythm
Add the bar lines, clap the rhythm then sing the rap.
RhythmAdvantageAdvantageAdvantageAdvantage
12
YRS1
Advantage · Recorder Plus
& 4
4 ˙ œ œ
Go tell Aunt
˙ ˙
Rho - dy.
˙ œ œ
Go tell Aunt
œ œ ˙
Rho - dy.
& ..˙ œ œ
Go tell Aunt
˙ œ œ
Rho - dy, the
œ œ œ œ
old gray goose is
w
dead.
Go Tell Aunt Rhody
Traditional
& 44 œ œ œ œ
Good King Wen - ces -
œ œ ˙
las looked out,
œ œ œ œ
On the Feast of
˙ ˙
Steph - en,
& ..œ œ œ œ
When the snow lay
œ œ ˙
round a - bout,
œ œ œ œ
Deep and crisp and
˙ ˙
e - ven.
Good King Wenceslas
Traditional Carol
& 44 œ œ œ œ
When we sing this
œ œ œ œ
mel - o - dy, our
œ œ œ œ
hearts are filled with
œ œ ˙
joy - ful - ness.
& œ œ œ œ
Sing it loud and
œ œ œ œ
sing it strong, this
œ œ œ œ
mel - o - dy by
œ œ ˙
Bee - tho - ven.
Ode to Joy
Ludwig van Beethoven
24
25
26
13Advantage · Recorder Plus
YRS1
The FLUTE, which is made of metal, is a member of the woodwind family
and plays the high notes in band and orchestra music.
The flute is played by blowing across the open hole in the
mouthpiece, much like you might blow across the top
of a bottle to make a sound.
The air that goes into the instrument vibrates to
produce the flute sound.
To play sounds (notes) that are higher or
lower, you release or depress the keys.
& 44 œ œ ˙
Light - ly row,
œ œ ˙
light - ly row,
œ œ œ œ
o’er the shin - ing
œ œ ˙
waves we go;
& œ œ ˙
Smooth - ly glide.
œ œ ˙
smooth - ly glide,
œ œ œ œ
on the si - lent
w
tide.
& œ œ œ œ
Let the wind and
œ œ ˙
wa - ters be
œ œ œ œ
min - gled with our
œ œ ˙
mel - o - dy,
& œ œ ˙
Sing and float,
œ œ ˙
sing and float,
œ œ œ œ
in our lit - tle
w
boat.
Lightly Row
German Folk Song
27
28
www.yamahaadvantage.com
Meet The InstrumentsAdvantageAdvantageAdvantageAdvantage
14
YRS1
Advantage · Recorder Plus
& 44 œ œ œ œ
As a black - bird
œ œ ˙
in the Spring,
œ œ œ œ
’Neath the wil - low
w
tree.
& œ œ œ œ
Joy - ous - ly I
œ œ ˙
heard him sing,
œ œ œ œ
of his Au - ra
w
Lee.
Aura Lee
Folk Song
& 4
4 œ œ ˙
Jin - gle bells,
œ œ ˙
Jin - gle bells,
œ œ
œ œ
Jin - gle all the
w
way!
& œ œ œ œ
Oh what fun it
œ œ œ œ
is to ride a
œ œ œ œ
one horse o - pen
˙ ˙
sleigh! Hey!
& œ œ ˙
Jin - gle bells,
œ œ ˙
Jin - gle bells,
œ œ œ œ
Jin - gle all the
w
way!
& œ œ œ œ
Oh what fun it
œ œ œ œ
is to ride a
œ œ œ œ
one horse o - pen
w
sleigh!
Jingle Bells
James Pierpont
29
30
/ 4
4 œ œ œ œ œ œ œ œ
1 & 2 & 3 & 4 &
œ œ œ œ œ œ
1 & 2 & 3 4
œ œ œ œ œ œ
1 & 2 3 & 4
œ œ œ œ œ Œ
1 & 2 & 3 4
Quarter
Rest
31
Count the beats and clap the rhythm, then sing the rhythm
RhythmRhythmRhythmRhythm
œ œœ œ œ œ
1
1
1
&
&
2
2
&
&
Eighth
Notes
Πquarter rest
15Advantage · Recorder Plus
YRS1
& 44
Slow
œ œ œ œ œ œ
Jin - gle bells, Jin - gle bells,
œ œ œ œ ˙
Jin - gle all the way!
œ œ œ œ œ œ œ œ
Oh what fun it is to ride a
œ œ œ œ œ œ
one horse o - pen sleigh! Hey!
& œ œ œ œ œ œ
Jin - glebells, Jin - gle bells,
œ œ œ œ ˙
Jin - gle all the way!
œ œ œ œ œ œ œ œ
Oh what fun it is to ride a
œ œ œ œ œ Œ
one horse o - pen sleigh!
Jingle In Eighths
James Pierpont
& 44
Moderately
1 2 3
O -
&
ver
4
my
Ó œ œ œ w
head,
Œ œ œ œ œ œ œ
I hear mu - sic in the
w
air.
& Œ œ œ œ œ
Yes o - ver my
w
head,
Œ œ œ œ œ œ œ
I hear mu - sic in the
w
air.
& Ó œ œ œ
O - ver my
w
head,
Œ œ œ œ œ œ œ
I hear mu - sic in the
w
air.
& Ó Œ œ
There
œ Œ œ œ
must be a
œ œ ˙
heav - en some -
w
where.
œ Œ Ó
Yeah!
Over My Head
African-American SpiritualHalf
Rest
32
33
Compare this version of Jingle Bells to the one on pg. 14.
Ó half rest Tempo: Slow, Moderately
RhythmRhythmRhythmRhythm MusicianshipMusicianshipMusicianshipMusicianship
16
YRS1
Advantage · Recorder Plus
& 4
3
Moderately
˙ œ
France is
˙ œ
home to
œ œ œ
the great com -
˙ œ
pos - er
œ œ œ
who wrote the
& ˙ œ
Bar - ca -
tie—hold note for six beats
.˙
rolle.
1 2 3
.˙
1 2 3
˙ œ
France is
˙ œ
home to
& œ œ œ
the great com -
˙ œ
pos - er
œ œ œ
Mis - ter Jacques
˙ œ
Off - en -
.˙
bach.
.˙
Barcarolle
Jacques Offenbach
& 43
Moderately
œ œ œ
Here is a
œ œ œ
rid - dle, the
œ œ œ
an - swer’s not
œ œ œ
fid - dle, but
˙ œ
is the
& œ œ œ
name of a
.˙
wood -
˙ œ
wind. It’s
œ œ œ
made out of
œ œ Œ œ
met - al, sounds
& œ œ œ
high as a
˙ œ
lute. Of
˙ œ
course it
˙ œ
is a
.˙
______________________.
œ Œ Œ
The __________ Song
Sandy Feldstein & Larry Clark
34
35
Solve the riddle and fill in the name of the song.
RhythmRhythmRhythmRhythm
43
1 2 3
.˙
1 2 3
.˙Tie
– three beats in each measure
– quarter note gets one beat œ œ œ
1
1
2
2
3
3
.˙
Dotted
Half
Note
TheoryTheoryTheoryTheory
17Advantage · Recorder Plus
YRS1
The CLARINET, which is made of wood, is a member of the woodwind
family. The clarinet is played by blowing across a reed made of
wood (cane), which is attached to the mouthpiece. The reed vibrates
and sends the vibrations through the instrument to produce
the clarinet sound. To play sounds (notes) that are higher
or lower, you release or depress the keys.
36 & 44
Moderately
œ œ œ œ
Love some - bod - y!
œ œ ˙
’Deed I do!
œ œ œ œ
Love some - bod - y!
œ œ ˙
Now guess who?
& œ œ œ œ
Love some - bod - y!
œ œ ˙
Have you guessed?
œ œ œ œ
You’re the one that
œ œ ˙
I love best!
Love Somebody
Traditional
37
38
& 4
3
Moderately
˙ œ
Mon - day,
˙ œ
Tues - day,
˙ œ
Wednes - day,
˙ œ
Thurs - day,
˙ œ
Fri - day,
œ œ ˙
Sat - ur - day, Sun - day.
& ˙ œ
All the
˙ œ
days are
.˙
fun,
˙ œ
but
˙ œ
I like _______________
.˙
best.
.˙
The Days of the Week
By __________________
www.yamahaadvantage.com
Meet The InstrumentsAdvantageAdvantageAdvantageAdvantage
Fill in the name of your favorite day of the week.
Write your name as the composer.
18
YRS1
Advantage · Recorder Plus
& F
Front ViewFront ViewSide ViewSide View
AAAAAF
To play F, you add the right hand.
There are two fingerings for F. Just
adding the first finger of the right
hand is okay; but if you also add
your third and fourth fingers, the
note will sound more in tune.
NotesNotesNotesNotes
& 44 ..œ œ œ œ œ
œ ˙ œ
œ Œ œ
œ
œ Œ œ
œ œ œ œ w39
& 43
Slow
Œ Œ œ
Good -
˙ œ
bye, Old
˙
œ
Paint, I’m
œ œ œ
leav - in’ Chey -
˙
œ
enne. Good -
& ˙ œ
bye, Old
˙
œ
Paint, I’m
œ œ œ
leav - in’ Chey -
˙ œ
enne. I’m
œ œ œ
leav - in’ Chey -
˙ œ
enne. I’m
& œ œ œ
off to Mon -
˙ œ
tan! Good -
˙ œ
bye, Old
˙
œ
Paint, I’m
œ œ œ
leav - in’ Chey -
.˙
enne.
Goodbye, Old Paint
American Folk Song
40
Skipping to and from F requires movement of fingers in both hands.
Practice this exercise slowly before playing Goodbye, Old Paint.
AAAAAF
YRS1
& 4
4 ..œ œ œ œ ˙ œ œ œ œ ˙ œ œ œ œ œ œ œ œ œ œ œ ˙
E
41
Be sure your fingers completely cover the holes.
& 44
Moderately
œ œ œ œ
I’m a wood - en
œ œ Œ œ
wood - wind who
œ œ œ œ
makes sound with a
w
reed.
& œ œ œ œ
I’m in ev - ’ry
œ œ œ œ œ
Dix - ie - land set, my
œ œ œ œ
name’s the _____________________.
˙ Ó
The Dixieland ______________
42
Solve the riddle and fill in the name of the song.
&
&
4
4
44
..
..
Moderately
œ œ œ œ œ
Prac - tice this song both
œ œ œ œ œ
Rock - in’ Re - cord - er,
œ œ œ œ ˙
in and out of school.
œ œ œ œ œ œ
rock - in’ the blues. You know
œ œ œ œ œ
Rock - in’ Re - cord - er
œ œ œ œ œ œ
Rock-in’ the Re - cord - er
œ œ ˙
is real cool!
œ œ ˙
is real cool!
Rockin’ Recorder
(Duet)
Sandy Feldstein & Larry Clark
43
& E
Front ViewFront ViewSide ViewSide View
AAAAAAAAAAAAAAE
AAAAAAAAAAAAAAE
To play E, keep your left hand down
and add fingers one and two
of your right hand.
NotesNotesNotesNotes
Advantage · Recorder Plus 19
Play each line separately, then play as a duet.
20
YRS1
Advantage · Recorder Plus
& 4
4
Moderately
œ œ œ œ
1. Jol -
2. Christ -
ly
mas
old
Eve
Saint
is
œ œ ˙
Ni -
com -
cho -
ing
las,
soon;
œ œ œ œ
lean
Now,
your
you
ear
dear
this
old
w
way!
man,
& ..œ œ œ œ
Don’t
whis -
you
per
tell
what
a
you’ll
œ œ ˙
sin -
bring
gle
to
soul
me,
œ œ œ œ
what
tell
I’m
me
going
if
to
you
1.
w
say.
2.
w
can.
Jolly Old Saint Nicholas
Traditional Carol
2nd time
AAAAAAAAAAAAAAAAAAAD
44
/ 43 œ œœœ œœœ œ Œ œ œ œ œ ˙ œ œ œ œ Œ Œ45
46
& D
Front ViewFront ViewSide ViewSide View
AAAAAAAAAAAAAAAAAAAD
To play D, add the third finger
of your right hand.
NotesNotesNotesNotes
TheoryTheoryTheoryTheory
..
1. 2.
1st and 2nd Ending
2nd time
RhythmAdvantageAdvantageAdvantageAdvantage
Add the bar lines, write in the counts, clap, sing and play.
The SAXOPHONE, which is made of brass, is a member of the
woodwind family. Like the clarinet, the saxophone is played
by blowing across a reed made of wood (cane), which is
attached to the mouthpiece. The reed vibrates and sends
the vibrations down through the instrument to produce
the saxophone sound. To play sounds (notes) that are
higher or lower, you release or depress the keys.
Meet The InstrumentsAdvantageAdvantageAdvantageAdvantage
21Advantage · Recorder Plus
YRS1
& 4
4
Slow
˙ œ œ
Sleep ba - by
w
sleep,
˙ œ œ
sleep ba - by
.˙ œ
sleep. Your
& ..œ œ œ œ œ œ œ œ
moth - er holds you ver - y tight, she
œ œ œ œ œ œ œ
sings this lul - la - by to-night,
˙ œ œ
Sleep ba - by
w
sleep.
Lullaby
Traditional
/ 44
Fast
œ œ œ œ
I’m a wood - wind
œ œ œ œ œ
made out of brass who’s
œ œ œ œ œ œ œ
pop - u - lar in all styles of
œ œ Œ Œ œ œ
mu - sic. I be -
/ œ œ œ œ œ œ
lieve it’s be-cause I pro -
œ œ œ œ œ œ
duce a great tone. I’m the
œ œ œ œ
one and on - ly
œ œ œ œ Œ
______ - ____ - ________.
The _____________ Rap
Sandy Feldstein & Larry Clark
& 44
A.
Moderately
œ œ œ œ
Hip hop hip hop
œ œ ˙
hip hop hop.
B.
œ œ œ œ
Hip hop hip hop
œ œ ˙
hip hop hop.
& ..œ Œ œ Œ
Ribit Ribit
œ Œ œ Œ
Ribit Ribit
œ œ œ œ
Sing the frog song
œ œ ˙
in a round.
Frog Song
(Round)
Japanese Folk Song
47
48
49
MusicianshipMusicianshipMusicianshipMusicianship
Tempo: Fast
Solve the riddle and fill in the name of the song.
Speak the Rap.
22
YRS1
Advantage · Recorder Plus
Theory
AdvantageAdvantageAdvantageAdvantage
Name the Notes
and Draw the Fingerings
& w
______
& w
______
& w
______
& w
______
& w
______
& w
______
& w
______
& w
______
& 4
4 ..œ œ ˙ œ Œ œ Œ ˙ œ œ œ œ ˙
& 43 ..œ œ œ œœ˙ œ Œ œ ˙ œ œ œ œ œœ˙ .˙ ˙ Œ
Adding Bar Lines
Add the bar lines, write in the counts, clap, sing and play.
50
The TRUMPET, which is made of brass, is a member of the brass family.
It is played by buzzing the lips in the mouthpiece. The vibration of the
lips sends vibrations into the instrument to produce the trumpet
sound. To play sounds (notes) that are higher or lower,
you release or depress the valves.
51
Meet The InstrumentsAdvantageAdvantageAdvantageAdvantage
23Advantage · Recorder Plus
YRS1
& 43
f
Moderately
œ œ œ
1. Beau -
2. where
ti -
are
ful
those
œ œ œ
beau -
beau -
ti -
ti -
ful
ful
œ ˙
brown
brown
eyes,
eyes,
1.
.˙ œ œ œ
smi - ling right
œ œ œ
in - to my
& ...˙
heart.
˙ œ
But now
2.
˙ œ
why
œ œ œ
must we be
œ œ œ
so far a -
.˙
part.
œ Œ Œ
Beautiful Brown Eyes American Folk Song
52
& 44 ..
Fast
p
œ œ œ œ œ ˙53
& 4
4 ..
A.
Moderately
p
œ œ œœ œ
I have a don-key
œ œœ œ ˙
Hap - py is his name.
B.
œ œ œœ œ
I have a don-key
œ œœœ ˙
Hap-py is his name.
C.
˙ ˙
He is
œ œ œ Œ
my best friend.
Happy Little Donkey
(Round)
American Folk Song
55
& 44
f
Moderately
œ œ œ œ œ
Play - ing the trum - pet
œ œ œ Œ œ
is real hip, to
œ œ œ Œ
make it sound
œ œ œ Œ
_____ your lip.
& œ œ œ œ
Push the valves down.
œ œ œ œ
Push the valves down.
œ œ œ œ Œ
Play the Trum- pet
˙ œ Œ
Tune, yeah!
Trumpet Tune
Sandy Feldstein & Larry Clark
54
Dynamics: - forte loud
- piano soft
TheoryTheoryTheoryTheory
Play by Ear · Good King WenceslasAdvantageAdvantageAdvantageAdvantage
f
p
1st and 2nd endings can be more than one measure long.
Fill in the missing word.
MusicianshipMusicianshipMusicianshipMusicianship
24
YRS1
Advantage · Recorder Plus
Pick-up Notes
& 4
4
Moderately
f
œ œ
From
3
this
4
˙ œ œ
1
val - ley they
˙ œ œ
say you are
œ .˙
go - ing;
œ Œ
œ œ
I will
˙ œ œ
miss your bright
& ˙ œ œ
eyes and sweet
w
smile;
œ Œ œ œ
for they
˙ œ œ
say you are
˙ œ œ
tak - ing the
& ˙ ˙
sun - shine
œ Œ
˙
that
˙ œ œ
bright - ens our
˙ œ œ
path - way a -
w
while.
˙
1 2
Red River Valley
American Folk Song
56
& 44
Moderately
p
˙ œ œ œ œ
Jo - hann Se - bas-tian
˙ œ œ œ œ
Jo - hann Se - bas-tian
œ œ œ œ œ
Jo - hann Se - bas - tian
œ œ œ œ
Bach, we love him.
& ..˙ œ œ œ œ
Born 1 - 6 - 8 - 5
˙ œ œ œ œ
died 1 - 7 - 5 - 0.
œ œ œ œ œ
He wrote the great B
œ œ ˙
Mi - nor Mass.
Musette
Johann Sebastion Bach
57
The SNARE DRUM is made of wood or metal. It has a drum head
on both the top and bottom. It also has wire snares which
lightly touch the bottom drum head. It is played by
striking the top head of the drum with a stick.
The head vibrates and sends the vibrations
through the drum to the bottom head which
also vibrates, causing the snares to vibrate
which produces the snare drum sound.
58
Meet The InstrumentsAdvantageAdvantageAdvantageAdvantage
TheoryTheoryTheoryTheory
25Advantage · Recorder Plus
YRS1
.. ..
Repeat within piece
& 44 ..
p
Moderately
œ
It’s
˙ œ œ
rain - ing, it’s
˙ œ œ
pour - ing, the
˙ œ œ
old man is
˙ œ œ
snore - ing. He
& ..œ œ œ œ
went to bed and
œ œ œ œ
bumped his head and
œ œ œ œ
didn’t get up till
1.
˙ œ œ
morn - ing. It’s
2.
˙ œ
morn - ing.
It’s Raining, It’s Pouring
Traditional
& 44
f
Moderately
œ œ œ
Oh, when the
w
Saints
œ œ œ œ
go march - ing
w
in,
œ œ œ œ
Oh, when the
&
˙ ˙
Saints go
˙ ˙
march - ing
w
in,
˙ œ œ
Yes, we’ll
.˙ œ
all get
˙ ˙
up and
&
œ .˙
join ’em,
˙ œ œ
When the
˙ ˙
Saints go
˙ ˙
march - ing
w
in.
œ
When the Saints Go Marching In
Traditional
& 4
4
f
Fast
œ œ œ œ
When I play the
œ œ ˙
sold - iers come.
œ œ œ œ œ
You know me, I’m the
œ œ ˙
great snare ________.
Play Percussion
Sandy Feldstein & Larry Clark
59
60
61
TheoryTheoryTheoryTheory
Fill in the missing word.
26
YRS1
Advantage · Recorder Plus
F#
#Also F
& 4
4
f
Moderately
œ œ œ œ
Yan - kee Doo - dle
œ œ œ œ
went to town a
œ œ œ œ
rid - ing on a
˙ œ# Œ
po - ny,
& œ œ œ œ
stuck a feath - er
œ œ œ œ
in his hat and
œ# œ œ œ
called it mac - a -
˙ œ Œ
ro - ni.
Yankee Doodle
Folk Song
62
& 4
4
f
Moderately
œ œ# ˙
This old man,
œ œ# ˙
he played one,
œ œ œ œ#
He played nick - nack
œ œ# œ œ œ
on my thumb, With a
& ..œ œ œ œ œ
nick - nack pad - dy whack,
œ œ œ# œ ˙
give a dog a bone!
œ œ œ œ
This old man came
œ# œ œ
Œ
roll - ing home.
This Old Man
Folk Song
63
& # F#
Front ViewFront ViewSide ViewSide View
AAAAAF#
To play F≥, lift up the first finger
of your right hand. Your left hand
fingers and fingers two and three
of your right hand remain down.
NotesNotesNotesNotes
TheoryTheoryTheoryTheory
The TROMBONE, which is made of brass, is a member of
the brass family. Like the trumpet, it is played by buzzing
the lips in the mouthpiece. The vibration of the lips
sends vibrations into the instrument to produce
the trombone sound. To play sounds
(notes) that are higher or lower,
you move the slide in or out.
The sharp sign (≥) affects all F’s that appear in the same measure.
64
Meet The InstrumentsAdvantageAdvantageAdvantageAdvantage
27Advantage · Recorder Plus
YRS1
&
#
&
#
44
Slowly
p œ œ œ œ
Twin-kle, twin-kle
œ œ ˙
lit - tle star,
œ œ œ œ
How I won-der
œ œ ˙
what you are,
œ œ œ œ
Up a - bove the
œ œ ˙
world so high,
&
#
œ œ œ œ
Like a dia-mond
œ œ ˙
in the sky.
œ œ œ œ
Twin-kle, twin - kle
œ œ ˙
lit - tle star,
œ œ œ œ
How I won- der
œ œ ˙
what you are.
Twinkle, Twinkle Little Star
Traditional(≥)
&
#
44
f
Fast
˙ œ œ
Hail! To the
œ œ œ œ
vic - tors, val - iant,
˙ œ œ
Hail! To the
œ œ œ œ
con - qu’ring her - oes
&
#
˙ ˙
Hail! Hail!
œ œ œ œ
To our lead - ers
˙ œ œ
they are the
w
best.
&
#
˙ œ œ
Hail! To the
œ œ œ œ
vic - tors, val - iant,
˙ œ œ
Hail! To the
œ œ œ œ
con - qu’ring her - oes
&
#
˙ ˙
Hail! Hail!
œ œ œ œ
To our lead - ers
œ œ œ œ
champ - ions of our
˙ œ
Œ
school. Yeah!
The Victor’s March
Traditional
& 43
f
Moderately
œ
The
˙ œ
large trom -
œ œ œ
bone can not
.˙
hide
œ Œ œ
to
˙ œ
change its
.˙
sound
œ œ œ
you use a
.˙
________.
Trombone Time
Sandy Feldstein & Larry Clark
65
66
67
Key Signature
Key of G – one sharp (F≥)
Play F’s as F≥
Fill in the missing word.
TheoryTheoryTheoryTheory
28
YRS1
Advantage · Recorder Plus
&
#
44
Moderately
f
˙ ˙
All day
˙ ˙
all night,
œ œ ˙
Ma - ry Ann,
w ˙ œ œ
Down by the
&
#
˙ ˙
sea - shore
œ œ ˙
sift - ing sand.
w œ œ œ œ
All the lit - tle
˙ œ œ
chil - dren love
&
# œ œ ˙
Ma - ry Ann,
w ˙ œ œ
Down by the
˙ ˙
sea - shore
œ œ ˙
sift - ing sand.
w
Mary Ann
Caribbean Folk Song
68
&
#
44 .. ..
p
Slowly
œ
This
˙ œ œ
theme we all
˙ œ œ
know was com -
1.
œ œœ œ œ
posed by Jo-han-nes
.˙
œ
Brahms. This
2.
œ œ œ œ œ
posed for the First Sym -
˙ œ
phon - y.
Theme from Symphony No. 1
Johannes Brahms
69
The VIOLIN is made of wood with four strings attached. It is a
member of the string family and plays the high notes in the
orchestra. It is played by plucking the strings with the finger
(like a guitar) or by drawing a bow across them. The strings
vibrate to produce the violin sound. To play sounds
(notes) that are higher or lower, you depress the
strings at different points.
70
Meet The InstrumentsAdvantageAdvantageAdvantageAdvantage
29Advantage · Recorder Plus
YRS1
&
#
4
3
f
Moderately
.˙
Dai -
.˙
sy,
.˙
Dai -
.˙
sy,
œ œ œ
give me your
˙ œ
an - swer
&
#
.˙
do.
.˙ .˙
I’m
.˙
half
.˙
cra -
.˙
zy
&
#
œ œ œ
all for the
˙ œ
love of
.˙
you.
œ Œ
p
œ
It
œ œ œ
won’t be a
˙ œ
styl - ish
&
#
œ ˙
mar - riage;
˙ œ
I
˙ œ
can’t af -
˙ œ
ford a
œ ˙
car - riage.
œ
Œ
f
œ
But
&
#
˙ œ
you’ll look
œ Œ
œ
sweet up -
˙ œ
on the
œ œ œ
seat of a
œ œ œ
bi - cy - cle
˙ œ
built for
.˙
two.
œ Œ Œ
A Bicycle Built for Two
Harry Daere
71
& 43
Slowly
p œ
My
œ œ œ
string sound is
œ œ ˙
high not low.
œ œ œ œ
To make that sound,
œ œ œ
I use a
.˙
___________.
œ Œ
Violin Song
Sandy Felstein & Larry Clark
72
www.yamahaadvantage.com
Fill in the missing word.
30
YRS1
Advantage · Recorder Plus
Performance
AdvantageAdvantageAdvantageAdvantage
&
&
#
#
44
44
p
Descant
Moderately
œ œ œ œ œ
f
Melody
œ œ œ œ œ
This lit - tle light of
œ œ œ œ
w
mine,
œ œ œ œ œ
œ œ œ œ œ
I’m gon - na let it
œ œ œ œ
w
shine,
&
&
#
#
Descant
œ œ œ œ œ
Melody
œ œ œ œ œ
This lit - tle light of
œ œ œ œ
w
mine,
œ œ œ œ œ
œ œ œ œ œ
I’m gon - na let it
œ œ œ œ
w
shine,
&
&
#
#
Descant
œ œ œ œ œ
Melody
œ œ œ œ œ
This lit - tle light of
œ œ œ œ
w
mine,
œ œ œ œ
œ œ œ œ œ
I’m gon - na let it
˙ œ œ
˙ œ œ
shine, let it
&
&
#
#
Descant
˙ œ œ
Melody
˙ œ œ
shine, let it
œ œ œ œ œ
˙ œ œ
shine, let it
˙ œ œ
w
shine.
˙ Ó
˙ Ó
This Little Light of Mine
(Duet)
Spiritual
1a
2a
2
1
1b
2b
1c
2c
73
A DESCANT is a second melody or duet part played above the main melody.
31Advantage · Recorder Plus
YRS1
Fingering Chart
&
w
C
& w
D
& w
E
& w
F
& w#
F≥
& w
G
& w
A
& w
B
& w
C
& w
D
Left
Hand
Thumb
in back
Right
Hand
Certificateof
Achievement
isrecognizedforachievingahighstandardofmusicianshipby
successfullycompletingTheYamahaAdvantageTMRecorderPlusMethod.
MusicianshipfromDayOne
BandDirectorDate
®
theYamaha
AdvantageTM
TM

More Related Content

What's hot

Prelude 3 The Baroque Era
Prelude 3 The Baroque EraPrelude 3 The Baroque Era
Prelude 3 The Baroque EraLaura Riddle
 
Aula 2 - Flauta Transversal - Nível 1 e 2 - Projeto Aprendiz VV - 2012
Aula 2 - Flauta Transversal - Nível 1 e 2 - Projeto Aprendiz VV - 2012Aula 2 - Flauta Transversal - Nível 1 e 2 - Projeto Aprendiz VV - 2012
Aula 2 - Flauta Transversal - Nível 1 e 2 - Projeto Aprendiz VV - 2012Ramon Fávero
 
Método de divisão musical praticado com a flauta doce
Método de divisão musical   praticado com a flauta doceMétodo de divisão musical   praticado com a flauta doce
Método de divisão musical praticado com a flauta doceSaulo Gomes
 
Instrumentos musicales.pdf
Instrumentos musicales.pdfInstrumentos musicales.pdf
Instrumentos musicales.pdfDorisMarion
 
Curso basico de guitrra
Curso basico de guitrraCurso basico de guitrra
Curso basico de guitrramztrecords
 
Acoustics of Speech: The Voice Mechanism
Acoustics of Speech: The Voice MechanismAcoustics of Speech: The Voice Mechanism
Acoustics of Speech: The Voice MechanismFarhat Surve
 
Claims for hearing loss
Claims for hearing lossClaims for hearing loss
Claims for hearing lossHimaniBansal15
 
Método de iniciacion al saxofon
Método de iniciacion al saxofonMétodo de iniciacion al saxofon
Método de iniciacion al saxofoncanoadrian123
 
Metodo flauta dulce iniciacion
Metodo flauta dulce iniciacionMetodo flauta dulce iniciacion
Metodo flauta dulce iniciacionFELIPE TORRES
 
Pure tone audiometry new
Pure  tone  audiometry newPure  tone  audiometry new
Pure tone audiometry newDr GaneshBala A
 

What's hot (20)

Prelude 3 The Baroque Era
Prelude 3 The Baroque EraPrelude 3 The Baroque Era
Prelude 3 The Baroque Era
 
Recorder lesson
Recorder lessonRecorder lesson
Recorder lesson
 
Aula 2 - Flauta Transversal - Nível 1 e 2 - Projeto Aprendiz VV - 2012
Aula 2 - Flauta Transversal - Nível 1 e 2 - Projeto Aprendiz VV - 2012Aula 2 - Flauta Transversal - Nível 1 e 2 - Projeto Aprendiz VV - 2012
Aula 2 - Flauta Transversal - Nível 1 e 2 - Projeto Aprendiz VV - 2012
 
Método de divisão musical praticado com a flauta doce
Método de divisão musical   praticado com a flauta doceMétodo de divisão musical   praticado com a flauta doce
Método de divisão musical praticado com a flauta doce
 
ORFF
ORFFORFF
ORFF
 
Dholak
DholakDholak
Dholak
 
Plano de aula i violino
Plano de aula i violinoPlano de aula i violino
Plano de aula i violino
 
Instrumentos musicales.pdf
Instrumentos musicales.pdfInstrumentos musicales.pdf
Instrumentos musicales.pdf
 
Curso basico de guitrra
Curso basico de guitrraCurso basico de guitrra
Curso basico de guitrra
 
Acoustics of Speech: The Voice Mechanism
Acoustics of Speech: The Voice MechanismAcoustics of Speech: The Voice Mechanism
Acoustics of Speech: The Voice Mechanism
 
Claims for hearing loss
Claims for hearing lossClaims for hearing loss
Claims for hearing loss
 
El canto
El cantoEl canto
El canto
 
La duración
La duraciónLa duración
La duración
 
Método de iniciacion al saxofon
Método de iniciacion al saxofonMétodo de iniciacion al saxofon
Método de iniciacion al saxofon
 
Metodo flauta dulce iniciacion
Metodo flauta dulce iniciacionMetodo flauta dulce iniciacion
Metodo flauta dulce iniciacion
 
Lecture 5 description of electro acoustic characteristics of hearing instrume...
Lecture 5 description of electro acoustic characteristics of hearing instrume...Lecture 5 description of electro acoustic characteristics of hearing instrume...
Lecture 5 description of electro acoustic characteristics of hearing instrume...
 
Voice
VoiceVoice
Voice
 
Musical instruments
Musical instrumentsMusical instruments
Musical instruments
 
Pure tone audiometry new
Pure  tone  audiometry newPure  tone  audiometry new
Pure tone audiometry new
 
Equalisers
EqualisersEqualisers
Equalisers
 

Similar to Yamaha advantage recorder

تعلم العزف على الجيتار
تعلم العزف على الجيتارتعلم العزف على الجيتار
تعلم العزف على الجيتارWael Sharba
 
Accent On Achievement
Accent On AchievementAccent On Achievement
Accent On AchievementMary Calkins
 
Guitar for New Beginners
Guitar for New Beginners Guitar for New Beginners
Guitar for New Beginners Wajid Javaid
 
Metodo de ukulele
Metodo de ukuleleMetodo de ukulele
Metodo de ukuleleSaulo Gomes
 
Basic guitar chords_000
Basic guitar chords_000Basic guitar chords_000
Basic guitar chords_000Ashish Pareek
 
Basic guitar chords
Basic guitar chordsBasic guitar chords
Basic guitar chordsDaffa Daffa
 
Basic guitar chords_000
Basic guitar chords_000Basic guitar chords_000
Basic guitar chords_000Debojit Neog
 
Worship Guitar Seminar: Strumming Patterns
Worship Guitar Seminar: Strumming PatternsWorship Guitar Seminar: Strumming Patterns
Worship Guitar Seminar: Strumming PatternsMusicademy
 
Acoustic Guitar Masterclass: Strumming patterns, capo placements, and transpo...
Acoustic Guitar Masterclass: Strumming patterns, capo placements, and transpo...Acoustic Guitar Masterclass: Strumming patterns, capo placements, and transpo...
Acoustic Guitar Masterclass: Strumming patterns, capo placements, and transpo...Musicademy
 
Ideal of Hope IOS Task
Ideal of Hope IOS TaskIdeal of Hope IOS Task
Ideal of Hope IOS TaskSamuel Wright
 
aas0117(0)-Jazz Improvisation Tips.pdf
aas0117(0)-Jazz Improvisation Tips.pdfaas0117(0)-Jazz Improvisation Tips.pdf
aas0117(0)-Jazz Improvisation Tips.pdfSEDUC-PA
 
50 simple tunes for the tin whistle (book)
50 simple tunes for the tin whistle (book)50 simple tunes for the tin whistle (book)
50 simple tunes for the tin whistle (book)Saulo Gomes
 
Real blues keyboard
Real blues keyboardReal blues keyboard
Real blues keyboardSaulo Gomes
 
Music anthology all scores ch
Music anthology all scores chMusic anthology all scores ch
Music anthology all scores chsiobhanpdst
 
Acoustic Guitar Masterclass: tuning, substitute chords, capo tips and tricks,...
Acoustic Guitar Masterclass: tuning, substitute chords, capo tips and tricks,...Acoustic Guitar Masterclass: tuning, substitute chords, capo tips and tricks,...
Acoustic Guitar Masterclass: tuning, substitute chords, capo tips and tricks,...Musicademy
 
Violino método - infantil
Violino   método - infantilViolino   método - infantil
Violino método - infantilSaulo Gomes
 

Similar to Yamaha advantage recorder (20)

p22_pianist81
p22_pianist81p22_pianist81
p22_pianist81
 
تعلم العزف على الجيتار
تعلم العزف على الجيتارتعلم العزف على الجيتار
تعلم العزف على الجيتار
 
Accent On Achievement
Accent On AchievementAccent On Achievement
Accent On Achievement
 
Guitar for New Beginners
Guitar for New Beginners Guitar for New Beginners
Guitar for New Beginners
 
p20_pianist79
p20_pianist79p20_pianist79
p20_pianist79
 
Metodo de ukulele
Metodo de ukuleleMetodo de ukulele
Metodo de ukulele
 
Basic guitar chords_000
Basic guitar chords_000Basic guitar chords_000
Basic guitar chords_000
 
Basic guitar chords
Basic guitar chordsBasic guitar chords
Basic guitar chords
 
Basic guitar chords_000
Basic guitar chords_000Basic guitar chords_000
Basic guitar chords_000
 
Worship Guitar Seminar: Strumming Patterns
Worship Guitar Seminar: Strumming PatternsWorship Guitar Seminar: Strumming Patterns
Worship Guitar Seminar: Strumming Patterns
 
Acoustic Guitar Masterclass: Strumming patterns, capo placements, and transpo...
Acoustic Guitar Masterclass: Strumming patterns, capo placements, and transpo...Acoustic Guitar Masterclass: Strumming patterns, capo placements, and transpo...
Acoustic Guitar Masterclass: Strumming patterns, capo placements, and transpo...
 
Violin star 3
Violin star 3Violin star 3
Violin star 3
 
Ideal of Hope IOS Task
Ideal of Hope IOS TaskIdeal of Hope IOS Task
Ideal of Hope IOS Task
 
aas0117(0)-Jazz Improvisation Tips.pdf
aas0117(0)-Jazz Improvisation Tips.pdfaas0117(0)-Jazz Improvisation Tips.pdf
aas0117(0)-Jazz Improvisation Tips.pdf
 
IT Presentation
IT PresentationIT Presentation
IT Presentation
 
50 simple tunes for the tin whistle (book)
50 simple tunes for the tin whistle (book)50 simple tunes for the tin whistle (book)
50 simple tunes for the tin whistle (book)
 
Real blues keyboard
Real blues keyboardReal blues keyboard
Real blues keyboard
 
Music anthology all scores ch
Music anthology all scores chMusic anthology all scores ch
Music anthology all scores ch
 
Acoustic Guitar Masterclass: tuning, substitute chords, capo tips and tricks,...
Acoustic Guitar Masterclass: tuning, substitute chords, capo tips and tricks,...Acoustic Guitar Masterclass: tuning, substitute chords, capo tips and tricks,...
Acoustic Guitar Masterclass: tuning, substitute chords, capo tips and tricks,...
 
Violino método - infantil
Violino   método - infantilViolino   método - infantil
Violino método - infantil
 

Recently uploaded

SOCIAL AND HISTORICAL CONTEXT - LFTVD.pptx
SOCIAL AND HISTORICAL CONTEXT - LFTVD.pptxSOCIAL AND HISTORICAL CONTEXT - LFTVD.pptx
SOCIAL AND HISTORICAL CONTEXT - LFTVD.pptxiammrhaywood
 
microwave assisted reaction. General introduction
microwave assisted reaction. General introductionmicrowave assisted reaction. General introduction
microwave assisted reaction. General introductionMaksud Ahmed
 
Sanyam Choudhary Chemistry practical.pdf
Sanyam Choudhary Chemistry practical.pdfSanyam Choudhary Chemistry practical.pdf
Sanyam Choudhary Chemistry practical.pdfsanyamsingh5019
 
Introduction to ArtificiaI Intelligence in Higher Education
Introduction to ArtificiaI Intelligence in Higher EducationIntroduction to ArtificiaI Intelligence in Higher Education
Introduction to ArtificiaI Intelligence in Higher Educationpboyjonauth
 
URLs and Routing in the Odoo 17 Website App
URLs and Routing in the Odoo 17 Website AppURLs and Routing in the Odoo 17 Website App
URLs and Routing in the Odoo 17 Website AppCeline George
 
POINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptx
POINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptxPOINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptx
POINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptxSayali Powar
 
Mastering the Unannounced Regulatory Inspection
Mastering the Unannounced Regulatory InspectionMastering the Unannounced Regulatory Inspection
Mastering the Unannounced Regulatory InspectionSafetyChain Software
 
ECONOMIC CONTEXT - LONG FORM TV DRAMA - PPT
ECONOMIC CONTEXT - LONG FORM TV DRAMA - PPTECONOMIC CONTEXT - LONG FORM TV DRAMA - PPT
ECONOMIC CONTEXT - LONG FORM TV DRAMA - PPTiammrhaywood
 
The Most Excellent Way | 1 Corinthians 13
The Most Excellent Way | 1 Corinthians 13The Most Excellent Way | 1 Corinthians 13
The Most Excellent Way | 1 Corinthians 13Steve Thomason
 
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...EduSkills OECD
 
CARE OF CHILD IN INCUBATOR..........pptx
CARE OF CHILD IN INCUBATOR..........pptxCARE OF CHILD IN INCUBATOR..........pptx
CARE OF CHILD IN INCUBATOR..........pptxGaneshChakor2
 
Class 11 Legal Studies Ch-1 Concept of State .pdf
Class 11 Legal Studies Ch-1 Concept of State .pdfClass 11 Legal Studies Ch-1 Concept of State .pdf
Class 11 Legal Studies Ch-1 Concept of State .pdfakmcokerachita
 
How to Make a Pirate ship Primary Education.pptx
How to Make a Pirate ship Primary Education.pptxHow to Make a Pirate ship Primary Education.pptx
How to Make a Pirate ship Primary Education.pptxmanuelaromero2013
 
Organic Name Reactions for the students and aspirants of Chemistry12th.pptx
Organic Name Reactions  for the students and aspirants of Chemistry12th.pptxOrganic Name Reactions  for the students and aspirants of Chemistry12th.pptx
Organic Name Reactions for the students and aspirants of Chemistry12th.pptxVS Mahajan Coaching Centre
 
18-04-UA_REPORT_MEDIALITERAСY_INDEX-DM_23-1-final-eng.pdf
18-04-UA_REPORT_MEDIALITERAСY_INDEX-DM_23-1-final-eng.pdf18-04-UA_REPORT_MEDIALITERAСY_INDEX-DM_23-1-final-eng.pdf
18-04-UA_REPORT_MEDIALITERAСY_INDEX-DM_23-1-final-eng.pdfssuser54595a
 
Crayon Activity Handout For the Crayon A
Crayon Activity Handout For the Crayon ACrayon Activity Handout For the Crayon A
Crayon Activity Handout For the Crayon AUnboundStockton
 
mini mental status format.docx
mini    mental       status     format.docxmini    mental       status     format.docx
mini mental status format.docxPoojaSen20
 
A Critique of the Proposed National Education Policy Reform
A Critique of the Proposed National Education Policy ReformA Critique of the Proposed National Education Policy Reform
A Critique of the Proposed National Education Policy ReformChameera Dedduwage
 

Recently uploaded (20)

SOCIAL AND HISTORICAL CONTEXT - LFTVD.pptx
SOCIAL AND HISTORICAL CONTEXT - LFTVD.pptxSOCIAL AND HISTORICAL CONTEXT - LFTVD.pptx
SOCIAL AND HISTORICAL CONTEXT - LFTVD.pptx
 
microwave assisted reaction. General introduction
microwave assisted reaction. General introductionmicrowave assisted reaction. General introduction
microwave assisted reaction. General introduction
 
Sanyam Choudhary Chemistry practical.pdf
Sanyam Choudhary Chemistry practical.pdfSanyam Choudhary Chemistry practical.pdf
Sanyam Choudhary Chemistry practical.pdf
 
Introduction to ArtificiaI Intelligence in Higher Education
Introduction to ArtificiaI Intelligence in Higher EducationIntroduction to ArtificiaI Intelligence in Higher Education
Introduction to ArtificiaI Intelligence in Higher Education
 
URLs and Routing in the Odoo 17 Website App
URLs and Routing in the Odoo 17 Website AppURLs and Routing in the Odoo 17 Website App
URLs and Routing in the Odoo 17 Website App
 
POINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptx
POINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptxPOINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptx
POINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptx
 
Código Creativo y Arte de Software | Unidad 1
Código Creativo y Arte de Software | Unidad 1Código Creativo y Arte de Software | Unidad 1
Código Creativo y Arte de Software | Unidad 1
 
Mastering the Unannounced Regulatory Inspection
Mastering the Unannounced Regulatory InspectionMastering the Unannounced Regulatory Inspection
Mastering the Unannounced Regulatory Inspection
 
ECONOMIC CONTEXT - LONG FORM TV DRAMA - PPT
ECONOMIC CONTEXT - LONG FORM TV DRAMA - PPTECONOMIC CONTEXT - LONG FORM TV DRAMA - PPT
ECONOMIC CONTEXT - LONG FORM TV DRAMA - PPT
 
The Most Excellent Way | 1 Corinthians 13
The Most Excellent Way | 1 Corinthians 13The Most Excellent Way | 1 Corinthians 13
The Most Excellent Way | 1 Corinthians 13
 
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...
 
CARE OF CHILD IN INCUBATOR..........pptx
CARE OF CHILD IN INCUBATOR..........pptxCARE OF CHILD IN INCUBATOR..........pptx
CARE OF CHILD IN INCUBATOR..........pptx
 
TataKelola dan KamSiber Kecerdasan Buatan v022.pdf
TataKelola dan KamSiber Kecerdasan Buatan v022.pdfTataKelola dan KamSiber Kecerdasan Buatan v022.pdf
TataKelola dan KamSiber Kecerdasan Buatan v022.pdf
 
Class 11 Legal Studies Ch-1 Concept of State .pdf
Class 11 Legal Studies Ch-1 Concept of State .pdfClass 11 Legal Studies Ch-1 Concept of State .pdf
Class 11 Legal Studies Ch-1 Concept of State .pdf
 
How to Make a Pirate ship Primary Education.pptx
How to Make a Pirate ship Primary Education.pptxHow to Make a Pirate ship Primary Education.pptx
How to Make a Pirate ship Primary Education.pptx
 
Organic Name Reactions for the students and aspirants of Chemistry12th.pptx
Organic Name Reactions  for the students and aspirants of Chemistry12th.pptxOrganic Name Reactions  for the students and aspirants of Chemistry12th.pptx
Organic Name Reactions for the students and aspirants of Chemistry12th.pptx
 
18-04-UA_REPORT_MEDIALITERAСY_INDEX-DM_23-1-final-eng.pdf
18-04-UA_REPORT_MEDIALITERAСY_INDEX-DM_23-1-final-eng.pdf18-04-UA_REPORT_MEDIALITERAСY_INDEX-DM_23-1-final-eng.pdf
18-04-UA_REPORT_MEDIALITERAСY_INDEX-DM_23-1-final-eng.pdf
 
Crayon Activity Handout For the Crayon A
Crayon Activity Handout For the Crayon ACrayon Activity Handout For the Crayon A
Crayon Activity Handout For the Crayon A
 
mini mental status format.docx
mini    mental       status     format.docxmini    mental       status     format.docx
mini mental status format.docx
 
A Critique of the Proposed National Education Policy Reform
A Critique of the Proposed National Education Policy ReformA Critique of the Proposed National Education Policy Reform
A Critique of the Proposed National Education Policy Reform
 

Yamaha advantage recorder

  • 1. YRS1 65 Bleecker Street, New York, NY 10012 Copyright © 2003 by PlayinTime ProductionsTM, Inc. International Copyright Secured. All rights reserved including performing rights. WARNING! this publication is protected by Copyright law. To photocopy or reproduce by any method is an infringement of the Copyright law. Anyone who reproduces copyrighted matter is subject to substantial penalties and assessments for each infringement. Printed in the U.S.A. ISBN 0-8258-xxxx-x ® Is a registered trademark of Yamaha Corporation of America Layout & Engraving: Mark Ralston & Musical/Arts Consultants Inc Date Teacher · Assignments/Goals Student · Notes/Questions Mon. Tues. Wed. Thurs. Fri. Sat. Sun. Approval Advantage · Practice Musicianship from Day One by Sandy Feldstein and Larry Clark theYamaha AdvantageTM TM Recorder Plus Welcome to The Yamaha AdvantageTM Recorder Plus This method will teach you to play the recorder by having fun singing and playing your favorite songs. After learning to play the recorder, you may wish to learn to play a band or orchestral instrument. To help you make your choice, The Yamaha AdvantageTM Recorder Plus Method includes information about many instruments. The optional CD accompaniment for this book is recorded by a great band. The CD will also give you an example of how your instrument should sound, as well as the other instruments you might like to play. It will also provide hours of enjoyable play-along experiences. (CD available separately.) Have a great time making music. The instruments of today’s band and orchestra are divided into four INSTRUMENT FAMILIES. The WOODWIND FAMILY (not all are made of wood), the BRASS FAMILY, the PERCUSSION FAMILY and the STRING FAMILY. Throughout this book we will take a closer look at some instruments from each of the families.
  • 2. STAFF Music is written on a five line staff. Between each line there is a space. At the beginning of each staff there is a clef. The treble clef encircles the second line which is the note G and is sometimes called the G clef. 2 YRS1 Advantage · Recorder Plus Introduction to Music Theory space 4 space 3 space 2 space 1 line 5 line 4 line 3 line 2 line 1 G MEASURE AND BAR LINES Music is divided into measures by bar lines. Double bar lines end a piece of music. TIME SIGNATURE At the beginning of a piece of music there is a time signature. It tells you how many beats are in each measure and what note gets one beat. a half note or rest gets two beats a whole note or rest gets four beats measure double barbar lines 4 4= four beats in each measure = a quarter note gets one beat TheoryTheoryTheoryTheory
  • 3. Getting Started 3Advantage · Recorder Plus YRS1 Play Rest Play Rest & 4 4 1 2 3 4 1 2 3 4 ∑ 1 2 3 4 1 2 3 4 ∑ air air B BB Your First Note Play Rest Play Rest & 4 4 1 2 3 4 1 2 3 4 ∑ 1 2 3 4 1 2 3 4 ∑ air air BB BB Half the Time Play Rest Play Rest & 4 4 1 2 3 4 1 2 3 4 ∑ 1 2 3 4 1 2 3 4 ∑ air air B B B B B BB BB B BB BB The First Quarter 1 2 3 & B Front ViewPlayingSide ViewLeft HandSide ViewRight Hand AAAAAB AAAAAB Hold the bottom or bell of the recorder with your right hand. Cover the top hole in the back with your thumb and the first (top) hole on the front with your first finger. You are now playing your first note: Put the tip of the mouthpiece in your mouth and lightly blow. To start each note say “Tu”. NotesNotesNotesNotes
  • 4. 4 YRS1 Advantage · Recorder Plus Play Rest Play Rest A & 4 4 ∑ ∑ 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4 air air AA Your Second Note Play Rest Play Rest & 4 4 ∑ ∑ 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4 air air AA AA The Second Half Play Rest Play Rest & 44 ∑ ∑ 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4 air air A A A A A AA AA A AA AA The Second Quarter 4 5 6 & A Front ViewFront ViewSide ViewSide View A A To play A, keep your thumb and first finger down. Cover the second hole in the front with your second finger. NotesNotesNotesNotes
  • 5. YRS1 Play Rest Play Rest G & 4 4 ∑ ∑ 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4 air air GG Your Third Note Repeat sign Play Rest Play Rest & 44 ∑ ∑ 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4 air air GG GG The Third Half Play Rest Play Rest & 4 4 ∑ ∑ 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4 air air G G G G G GG GG G GG GG The Third Quarter Front View TheoryTheoryTheoryTheory & .. Repeat Sign Go back to the beginning and play again. 7 8 9 & G Front ViewFront ViewSide ViewSide View G G To play G, keep your thumb and first two fingers down. Cover the third hole in the front with your third finger. NotesNotesNotesNotes Advantage · Recorder Plus 5
  • 6. 6 YRS1 Advantage · Recorder Plus & 4 4 .. Play Rest Ó Play Rest Ó Play Rest ∑ 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4 AB G Moving Down air air air & 44 .. Play Rest Ó Play Rest Ó Play Rest ∑ 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4 AG B Stepping Back Up air air air & 4 4 .. Play 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4 BB A AGGG G Down and Up air air air air Side Front All Three Notes GSide FrontASide FrontAAAAAB When moving from B to A to G, your second finger covers the second hole and then your third finger covers the third hole. Listen to the sound. When you put your fingers down, the sound goes down or gets lower. When moving from G to A to B, your third finger comes up and opens the third hole and then your second finger comes up and opens the second hole. Listen to the sound. When you lift your fingers up, the sound goes up or gets higher. 10 11 12
  • 7. Shape Note Music Note Note Name = = = = whole note = half note = quarter note 1 2 3 41 2 3 4 7Advantage · Recorder Plus YRS1 & & 44 4 4 Hot Cross ˙ Hot Cross Buns. Buns. Hot Cross ˙ Hot Cross Buns. Buns. B A G B A BB G G Hot Cross Buns 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4Count: & & 4 4 44 Mer - ri - ly we œ œ œ œ Mer - ri - ly we roll a - long, œ œ roll a - long, roll a - long, œ œ ˙ roll a - long, roll a - long. œ œ roll a - long. B A G B B B B B A A A B B B A A AA B B BB A B A G A Merrily We Roll Along 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4Count: Play the beginning of these familiar songs written with shape notes followed by music notation. 13 14 www.yamahaadvantage.com RhythmRhythmRhythmRhythm
  • 8. 8 YRS1 Advantage · Recorder Plus Hot Cross Buns. Hot Cross Buns. One a pen - ny two a pen - ny Hot Cross Buns. ditionalTra &4 4 & Hot Cross Buns G G G G A A A A G G B B A A B B A A G BB AA Mer - ri - ly we roll a - long, roll a - long, roll a - long. Mer - ri - ly we roll a - long, o’er the deep blue sea. ditional &4 4 & Merrily We Roll Along raT B B B A G A A A G B B B A B B B BA B A G A A AB B B B A Sing this lit - tle French song, “Bon - jour” means hel - lo. Sing this lit - tle French song, “Bon - sóir” means good - bye. lk Song &44 & Au Clair De La Lune French Fo G G B B G G G G G A G G G A A A A AB B A AB B A A 15 16 17 Performance AdvantageAdvantageAdvantageAdvantage
  • 9. 9Advantage · Recorder Plus YRS1 & w ______ & w ______ & w ______ Draw a line to connect the musical example to its name. Music is divided into these. This tells you there are four beats in each measure and a quarter note gets one beat. This shows the end of the music. Draw a line to connect the symbol with its name. More Matching Theory AdvantageAdvantageAdvantageAdvantage Fingering Name the note and color the holes that are covered to play the notes indicated. Matching Game Double bar line Measures Time Signature Whole Note Quarter Note Half Note & & 4 4 & w ˙ œ
  • 10. 10 YRS1 Advantage · Recorder Plus Front View & C Front ViewFront ViewSide ViewSide View AAAAAAAAAAAAAAC To play C, keep your thumb on the hole in the back and cover the second hole on the front with your second finger. NotesNotesNotesNotes & 44 ˙ ˙ Do Ti ˙ ˙ La Sol, œ œ œ œ Down the scale and œ œ ˙ back a - gain. Scale Song 18 & 44 ˙ œ œ Down by the ˙ ˙ sta - tion œ œ œ œ ear - ly in the ˙ ˙ mor - ning. & ..œ œ œ œ See the sta - tion ˙ ˙ mas - ter œ œ œ œ toot toot off we w go. Down by the Station Traditional 19 & 44 œ œ œ œ Hel - lo ____ - ____, œ œ œ œ hel - lo ____ - ____, ˙ ˙ I’m your friend. & œ œ œ œ Friend - ship, friend - ship œ œ œ œ our great friend - ship ˙ ˙ will not end. Friendship Song By ____________________ 20 AAAAAAAAAAAAAAC Composing Fun Finish this song by adding a friend’s name in measures one and two. To complete the melody, add one note that you have learned in measures four and eight. Add your name as the composer. ComposingAdvantageAdvantageAdvantageAdvantage
  • 11. & 4 4 ..œ œ ˙ C D A œ œ ˙ C D B œ œ œ œ move your thumb to w play. A Minor Mood 11Advantage · Recorder Plus YRS1 Front View & D Front ViewFront ViewSide ViewSide View AAAAAAAAAAAAAAAAAAAD To play D, lift your thumb off the hole in the back and cover the second hole on the front with your second finger. NotesNotesNotesNotes 21 & 44 œ œ œ œ Oats and beans and œ œ ˙ bar - ley grow, œ œ œ œ Oats and beans and œ œ ˙ bar - ley grow, & œ œ œ œ You nor I nor œ œ œ œ an - y - one know œ œ œ œ how oats, beans and œ œ ˙ bar - ley grow. Oats and Beans and Barley Grow American Folk Song 22 / 4 4 Everyone: œ œ œ œ Mu - sic is such œ œ ˙ fun to play, œ œ œ œ with re - cord - ers œ œ ˙ ev - ’ry day. / Girls: œ œ ˙ I play high. Boys: œ œ ˙ I play low. Girls: œ œ œ œ I play fast, and Boys: œ œ ˙ I play slow. 23 AAAAAAAAAAAAAAAAAAAD Rap ’n’ Rhythm Add the bar lines, clap the rhythm then sing the rap. RhythmAdvantageAdvantageAdvantageAdvantage
  • 12. 12 YRS1 Advantage · Recorder Plus & 4 4 ˙ œ œ Go tell Aunt ˙ ˙ Rho - dy. ˙ œ œ Go tell Aunt œ œ ˙ Rho - dy. & ..˙ œ œ Go tell Aunt ˙ œ œ Rho - dy, the œ œ œ œ old gray goose is w dead. Go Tell Aunt Rhody Traditional & 44 œ œ œ œ Good King Wen - ces - œ œ ˙ las looked out, œ œ œ œ On the Feast of ˙ ˙ Steph - en, & ..œ œ œ œ When the snow lay œ œ ˙ round a - bout, œ œ œ œ Deep and crisp and ˙ ˙ e - ven. Good King Wenceslas Traditional Carol & 44 œ œ œ œ When we sing this œ œ œ œ mel - o - dy, our œ œ œ œ hearts are filled with œ œ ˙ joy - ful - ness. & œ œ œ œ Sing it loud and œ œ œ œ sing it strong, this œ œ œ œ mel - o - dy by œ œ ˙ Bee - tho - ven. Ode to Joy Ludwig van Beethoven 24 25 26
  • 13. 13Advantage · Recorder Plus YRS1 The FLUTE, which is made of metal, is a member of the woodwind family and plays the high notes in band and orchestra music. The flute is played by blowing across the open hole in the mouthpiece, much like you might blow across the top of a bottle to make a sound. The air that goes into the instrument vibrates to produce the flute sound. To play sounds (notes) that are higher or lower, you release or depress the keys. & 44 œ œ ˙ Light - ly row, œ œ ˙ light - ly row, œ œ œ œ o’er the shin - ing œ œ ˙ waves we go; & œ œ ˙ Smooth - ly glide. œ œ ˙ smooth - ly glide, œ œ œ œ on the si - lent w tide. & œ œ œ œ Let the wind and œ œ ˙ wa - ters be œ œ œ œ min - gled with our œ œ ˙ mel - o - dy, & œ œ ˙ Sing and float, œ œ ˙ sing and float, œ œ œ œ in our lit - tle w boat. Lightly Row German Folk Song 27 28 www.yamahaadvantage.com Meet The InstrumentsAdvantageAdvantageAdvantageAdvantage
  • 14. 14 YRS1 Advantage · Recorder Plus & 44 œ œ œ œ As a black - bird œ œ ˙ in the Spring, œ œ œ œ ’Neath the wil - low w tree. & œ œ œ œ Joy - ous - ly I œ œ ˙ heard him sing, œ œ œ œ of his Au - ra w Lee. Aura Lee Folk Song & 4 4 œ œ ˙ Jin - gle bells, œ œ ˙ Jin - gle bells, œ œ œ œ Jin - gle all the w way! & œ œ œ œ Oh what fun it œ œ œ œ is to ride a œ œ œ œ one horse o - pen ˙ ˙ sleigh! Hey! & œ œ ˙ Jin - gle bells, œ œ ˙ Jin - gle bells, œ œ œ œ Jin - gle all the w way! & œ œ œ œ Oh what fun it œ œ œ œ is to ride a œ œ œ œ one horse o - pen w sleigh! Jingle Bells James Pierpont 29 30 / 4 4 œ œ œ œ œ œ œ œ 1 & 2 & 3 & 4 & œ œ œ œ œ œ 1 & 2 & 3 4 œ œ œ œ œ œ 1 & 2 3 & 4 œ œ œ œ œ Œ 1 & 2 & 3 4 Quarter Rest 31 Count the beats and clap the rhythm, then sing the rhythm RhythmRhythmRhythmRhythm œ œœ œ œ œ 1 1 1 & & 2 2 & & Eighth Notes Œ quarter rest
  • 15. 15Advantage · Recorder Plus YRS1 & 44 Slow œ œ œ œ œ œ Jin - gle bells, Jin - gle bells, œ œ œ œ ˙ Jin - gle all the way! œ œ œ œ œ œ œ œ Oh what fun it is to ride a œ œ œ œ œ œ one horse o - pen sleigh! Hey! & œ œ œ œ œ œ Jin - glebells, Jin - gle bells, œ œ œ œ ˙ Jin - gle all the way! œ œ œ œ œ œ œ œ Oh what fun it is to ride a œ œ œ œ œ Œ one horse o - pen sleigh! Jingle In Eighths James Pierpont & 44 Moderately 1 2 3 O - & ver 4 my Ó œ œ œ w head, Œ œ œ œ œ œ œ I hear mu - sic in the w air. & Œ œ œ œ œ Yes o - ver my w head, Œ œ œ œ œ œ œ I hear mu - sic in the w air. & Ó œ œ œ O - ver my w head, Œ œ œ œ œ œ œ I hear mu - sic in the w air. & Ó Œ œ There œ Œ œ œ must be a œ œ ˙ heav - en some - w where. œ Œ Ó Yeah! Over My Head African-American SpiritualHalf Rest 32 33 Compare this version of Jingle Bells to the one on pg. 14. Ó half rest Tempo: Slow, Moderately RhythmRhythmRhythmRhythm MusicianshipMusicianshipMusicianshipMusicianship
  • 16. 16 YRS1 Advantage · Recorder Plus & 4 3 Moderately ˙ œ France is ˙ œ home to œ œ œ the great com - ˙ œ pos - er œ œ œ who wrote the & ˙ œ Bar - ca - tie—hold note for six beats .˙ rolle. 1 2 3 .˙ 1 2 3 ˙ œ France is ˙ œ home to & œ œ œ the great com - ˙ œ pos - er œ œ œ Mis - ter Jacques ˙ œ Off - en - .˙ bach. .˙ Barcarolle Jacques Offenbach & 43 Moderately œ œ œ Here is a œ œ œ rid - dle, the œ œ œ an - swer’s not œ œ œ fid - dle, but ˙ œ is the & œ œ œ name of a .˙ wood - ˙ œ wind. It’s œ œ œ made out of œ œ Œ œ met - al, sounds & œ œ œ high as a ˙ œ lute. Of ˙ œ course it ˙ œ is a .˙ ______________________. œ Œ Œ The __________ Song Sandy Feldstein & Larry Clark 34 35 Solve the riddle and fill in the name of the song. RhythmRhythmRhythmRhythm 43 1 2 3 .˙ 1 2 3 .˙Tie – three beats in each measure – quarter note gets one beat œ œ œ 1 1 2 2 3 3 .˙ Dotted Half Note TheoryTheoryTheoryTheory
  • 17. 17Advantage · Recorder Plus YRS1 The CLARINET, which is made of wood, is a member of the woodwind family. The clarinet is played by blowing across a reed made of wood (cane), which is attached to the mouthpiece. The reed vibrates and sends the vibrations through the instrument to produce the clarinet sound. To play sounds (notes) that are higher or lower, you release or depress the keys. 36 & 44 Moderately œ œ œ œ Love some - bod - y! œ œ ˙ ’Deed I do! œ œ œ œ Love some - bod - y! œ œ ˙ Now guess who? & œ œ œ œ Love some - bod - y! œ œ ˙ Have you guessed? œ œ œ œ You’re the one that œ œ ˙ I love best! Love Somebody Traditional 37 38 & 4 3 Moderately ˙ œ Mon - day, ˙ œ Tues - day, ˙ œ Wednes - day, ˙ œ Thurs - day, ˙ œ Fri - day, œ œ ˙ Sat - ur - day, Sun - day. & ˙ œ All the ˙ œ days are .˙ fun, ˙ œ but ˙ œ I like _______________ .˙ best. .˙ The Days of the Week By __________________ www.yamahaadvantage.com Meet The InstrumentsAdvantageAdvantageAdvantageAdvantage Fill in the name of your favorite day of the week. Write your name as the composer.
  • 18. 18 YRS1 Advantage · Recorder Plus & F Front ViewFront ViewSide ViewSide View AAAAAF To play F, you add the right hand. There are two fingerings for F. Just adding the first finger of the right hand is okay; but if you also add your third and fourth fingers, the note will sound more in tune. NotesNotesNotesNotes & 44 ..œ œ œ œ œ œ ˙ œ œ Œ œ œ œ Œ œ œ œ œ œ w39 & 43 Slow Œ Œ œ Good - ˙ œ bye, Old ˙ œ Paint, I’m œ œ œ leav - in’ Chey - ˙ œ enne. Good - & ˙ œ bye, Old ˙ œ Paint, I’m œ œ œ leav - in’ Chey - ˙ œ enne. I’m œ œ œ leav - in’ Chey - ˙ œ enne. I’m & œ œ œ off to Mon - ˙ œ tan! Good - ˙ œ bye, Old ˙ œ Paint, I’m œ œ œ leav - in’ Chey - .˙ enne. Goodbye, Old Paint American Folk Song 40 Skipping to and from F requires movement of fingers in both hands. Practice this exercise slowly before playing Goodbye, Old Paint. AAAAAF
  • 19. YRS1 & 4 4 ..œ œ œ œ ˙ œ œ œ œ ˙ œ œ œ œ œ œ œ œ œ œ œ ˙ E 41 Be sure your fingers completely cover the holes. & 44 Moderately œ œ œ œ I’m a wood - en œ œ Œ œ wood - wind who œ œ œ œ makes sound with a w reed. & œ œ œ œ I’m in ev - ’ry œ œ œ œ œ Dix - ie - land set, my œ œ œ œ name’s the _____________________. ˙ Ó The Dixieland ______________ 42 Solve the riddle and fill in the name of the song. & & 4 4 44 .. .. Moderately œ œ œ œ œ Prac - tice this song both œ œ œ œ œ Rock - in’ Re - cord - er, œ œ œ œ ˙ in and out of school. œ œ œ œ œ œ rock - in’ the blues. You know œ œ œ œ œ Rock - in’ Re - cord - er œ œ œ œ œ œ Rock-in’ the Re - cord - er œ œ ˙ is real cool! œ œ ˙ is real cool! Rockin’ Recorder (Duet) Sandy Feldstein & Larry Clark 43 & E Front ViewFront ViewSide ViewSide View AAAAAAAAAAAAAAE AAAAAAAAAAAAAAE To play E, keep your left hand down and add fingers one and two of your right hand. NotesNotesNotesNotes Advantage · Recorder Plus 19 Play each line separately, then play as a duet.
  • 20. 20 YRS1 Advantage · Recorder Plus & 4 4 Moderately œ œ œ œ 1. Jol - 2. Christ - ly mas old Eve Saint is œ œ ˙ Ni - com - cho - ing las, soon; œ œ œ œ lean Now, your you ear dear this old w way! man, & ..œ œ œ œ Don’t whis - you per tell what a you’ll œ œ ˙ sin - bring gle to soul me, œ œ œ œ what tell I’m me going if to you 1. w say. 2. w can. Jolly Old Saint Nicholas Traditional Carol 2nd time AAAAAAAAAAAAAAAAAAAD 44 / 43 œ œœœ œœœ œ Œ œ œ œ œ ˙ œ œ œ œ Œ Œ45 46 & D Front ViewFront ViewSide ViewSide View AAAAAAAAAAAAAAAAAAAD To play D, add the third finger of your right hand. NotesNotesNotesNotes TheoryTheoryTheoryTheory .. 1. 2. 1st and 2nd Ending 2nd time RhythmAdvantageAdvantageAdvantageAdvantage Add the bar lines, write in the counts, clap, sing and play. The SAXOPHONE, which is made of brass, is a member of the woodwind family. Like the clarinet, the saxophone is played by blowing across a reed made of wood (cane), which is attached to the mouthpiece. The reed vibrates and sends the vibrations down through the instrument to produce the saxophone sound. To play sounds (notes) that are higher or lower, you release or depress the keys. Meet The InstrumentsAdvantageAdvantageAdvantageAdvantage
  • 21. 21Advantage · Recorder Plus YRS1 & 4 4 Slow ˙ œ œ Sleep ba - by w sleep, ˙ œ œ sleep ba - by .˙ œ sleep. Your & ..œ œ œ œ œ œ œ œ moth - er holds you ver - y tight, she œ œ œ œ œ œ œ sings this lul - la - by to-night, ˙ œ œ Sleep ba - by w sleep. Lullaby Traditional / 44 Fast œ œ œ œ I’m a wood - wind œ œ œ œ œ made out of brass who’s œ œ œ œ œ œ œ pop - u - lar in all styles of œ œ Œ Œ œ œ mu - sic. I be - / œ œ œ œ œ œ lieve it’s be-cause I pro - œ œ œ œ œ œ duce a great tone. I’m the œ œ œ œ one and on - ly œ œ œ œ Œ ______ - ____ - ________. The _____________ Rap Sandy Feldstein & Larry Clark & 44 A. Moderately œ œ œ œ Hip hop hip hop œ œ ˙ hip hop hop. B. œ œ œ œ Hip hop hip hop œ œ ˙ hip hop hop. & ..œ Œ œ Œ Ribit Ribit œ Œ œ Œ Ribit Ribit œ œ œ œ Sing the frog song œ œ ˙ in a round. Frog Song (Round) Japanese Folk Song 47 48 49 MusicianshipMusicianshipMusicianshipMusicianship Tempo: Fast Solve the riddle and fill in the name of the song. Speak the Rap.
  • 22. 22 YRS1 Advantage · Recorder Plus Theory AdvantageAdvantageAdvantageAdvantage Name the Notes and Draw the Fingerings & w ______ & w ______ & w ______ & w ______ & w ______ & w ______ & w ______ & w ______ & 4 4 ..œ œ ˙ œ Œ œ Œ ˙ œ œ œ œ ˙ & 43 ..œ œ œ œœ˙ œ Œ œ ˙ œ œ œ œ œœ˙ .˙ ˙ Œ Adding Bar Lines Add the bar lines, write in the counts, clap, sing and play. 50 The TRUMPET, which is made of brass, is a member of the brass family. It is played by buzzing the lips in the mouthpiece. The vibration of the lips sends vibrations into the instrument to produce the trumpet sound. To play sounds (notes) that are higher or lower, you release or depress the valves. 51 Meet The InstrumentsAdvantageAdvantageAdvantageAdvantage
  • 23. 23Advantage · Recorder Plus YRS1 & 43 f Moderately œ œ œ 1. Beau - 2. where ti - are ful those œ œ œ beau - beau - ti - ti - ful ful œ ˙ brown brown eyes, eyes, 1. .˙ œ œ œ smi - ling right œ œ œ in - to my & ...˙ heart. ˙ œ But now 2. ˙ œ why œ œ œ must we be œ œ œ so far a - .˙ part. œ Œ Œ Beautiful Brown Eyes American Folk Song 52 & 44 .. Fast p œ œ œ œ œ ˙53 & 4 4 .. A. Moderately p œ œ œœ œ I have a don-key œ œœ œ ˙ Hap - py is his name. B. œ œ œœ œ I have a don-key œ œœœ ˙ Hap-py is his name. C. ˙ ˙ He is œ œ œ Œ my best friend. Happy Little Donkey (Round) American Folk Song 55 & 44 f Moderately œ œ œ œ œ Play - ing the trum - pet œ œ œ Œ œ is real hip, to œ œ œ Œ make it sound œ œ œ Œ _____ your lip. & œ œ œ œ Push the valves down. œ œ œ œ Push the valves down. œ œ œ œ Œ Play the Trum- pet ˙ œ Œ Tune, yeah! Trumpet Tune Sandy Feldstein & Larry Clark 54 Dynamics: - forte loud - piano soft TheoryTheoryTheoryTheory Play by Ear · Good King WenceslasAdvantageAdvantageAdvantageAdvantage f p 1st and 2nd endings can be more than one measure long. Fill in the missing word. MusicianshipMusicianshipMusicianshipMusicianship
  • 24. 24 YRS1 Advantage · Recorder Plus Pick-up Notes & 4 4 Moderately f œ œ From 3 this 4 ˙ œ œ 1 val - ley they ˙ œ œ say you are œ .˙ go - ing; œ Œ œ œ I will ˙ œ œ miss your bright & ˙ œ œ eyes and sweet w smile; œ Œ œ œ for they ˙ œ œ say you are ˙ œ œ tak - ing the & ˙ ˙ sun - shine œ Œ ˙ that ˙ œ œ bright - ens our ˙ œ œ path - way a - w while. ˙ 1 2 Red River Valley American Folk Song 56 & 44 Moderately p ˙ œ œ œ œ Jo - hann Se - bas-tian ˙ œ œ œ œ Jo - hann Se - bas-tian œ œ œ œ œ Jo - hann Se - bas - tian œ œ œ œ Bach, we love him. & ..˙ œ œ œ œ Born 1 - 6 - 8 - 5 ˙ œ œ œ œ died 1 - 7 - 5 - 0. œ œ œ œ œ He wrote the great B œ œ ˙ Mi - nor Mass. Musette Johann Sebastion Bach 57 The SNARE DRUM is made of wood or metal. It has a drum head on both the top and bottom. It also has wire snares which lightly touch the bottom drum head. It is played by striking the top head of the drum with a stick. The head vibrates and sends the vibrations through the drum to the bottom head which also vibrates, causing the snares to vibrate which produces the snare drum sound. 58 Meet The InstrumentsAdvantageAdvantageAdvantageAdvantage TheoryTheoryTheoryTheory
  • 25. 25Advantage · Recorder Plus YRS1 .. .. Repeat within piece & 44 .. p Moderately œ It’s ˙ œ œ rain - ing, it’s ˙ œ œ pour - ing, the ˙ œ œ old man is ˙ œ œ snore - ing. He & ..œ œ œ œ went to bed and œ œ œ œ bumped his head and œ œ œ œ didn’t get up till 1. ˙ œ œ morn - ing. It’s 2. ˙ œ morn - ing. It’s Raining, It’s Pouring Traditional & 44 f Moderately œ œ œ Oh, when the w Saints œ œ œ œ go march - ing w in, œ œ œ œ Oh, when the & ˙ ˙ Saints go ˙ ˙ march - ing w in, ˙ œ œ Yes, we’ll .˙ œ all get ˙ ˙ up and & œ .˙ join ’em, ˙ œ œ When the ˙ ˙ Saints go ˙ ˙ march - ing w in. œ When the Saints Go Marching In Traditional & 4 4 f Fast œ œ œ œ When I play the œ œ ˙ sold - iers come. œ œ œ œ œ You know me, I’m the œ œ ˙ great snare ________. Play Percussion Sandy Feldstein & Larry Clark 59 60 61 TheoryTheoryTheoryTheory Fill in the missing word.
  • 26. 26 YRS1 Advantage · Recorder Plus F# #Also F & 4 4 f Moderately œ œ œ œ Yan - kee Doo - dle œ œ œ œ went to town a œ œ œ œ rid - ing on a ˙ œ# Œ po - ny, & œ œ œ œ stuck a feath - er œ œ œ œ in his hat and œ# œ œ œ called it mac - a - ˙ œ Œ ro - ni. Yankee Doodle Folk Song 62 & 4 4 f Moderately œ œ# ˙ This old man, œ œ# ˙ he played one, œ œ œ œ# He played nick - nack œ œ# œ œ œ on my thumb, With a & ..œ œ œ œ œ nick - nack pad - dy whack, œ œ œ# œ ˙ give a dog a bone! œ œ œ œ This old man came œ# œ œ Œ roll - ing home. This Old Man Folk Song 63 & # F# Front ViewFront ViewSide ViewSide View AAAAAF# To play F≥, lift up the first finger of your right hand. Your left hand fingers and fingers two and three of your right hand remain down. NotesNotesNotesNotes TheoryTheoryTheoryTheory The TROMBONE, which is made of brass, is a member of the brass family. Like the trumpet, it is played by buzzing the lips in the mouthpiece. The vibration of the lips sends vibrations into the instrument to produce the trombone sound. To play sounds (notes) that are higher or lower, you move the slide in or out. The sharp sign (≥) affects all F’s that appear in the same measure. 64 Meet The InstrumentsAdvantageAdvantageAdvantageAdvantage
  • 27. 27Advantage · Recorder Plus YRS1 & # & # 44 Slowly p œ œ œ œ Twin-kle, twin-kle œ œ ˙ lit - tle star, œ œ œ œ How I won-der œ œ ˙ what you are, œ œ œ œ Up a - bove the œ œ ˙ world so high, & # œ œ œ œ Like a dia-mond œ œ ˙ in the sky. œ œ œ œ Twin-kle, twin - kle œ œ ˙ lit - tle star, œ œ œ œ How I won- der œ œ ˙ what you are. Twinkle, Twinkle Little Star Traditional(≥) & # 44 f Fast ˙ œ œ Hail! To the œ œ œ œ vic - tors, val - iant, ˙ œ œ Hail! To the œ œ œ œ con - qu’ring her - oes & # ˙ ˙ Hail! Hail! œ œ œ œ To our lead - ers ˙ œ œ they are the w best. & # ˙ œ œ Hail! To the œ œ œ œ vic - tors, val - iant, ˙ œ œ Hail! To the œ œ œ œ con - qu’ring her - oes & # ˙ ˙ Hail! Hail! œ œ œ œ To our lead - ers œ œ œ œ champ - ions of our ˙ œ Œ school. Yeah! The Victor’s March Traditional & 43 f Moderately œ The ˙ œ large trom - œ œ œ bone can not .˙ hide œ Œ œ to ˙ œ change its .˙ sound œ œ œ you use a .˙ ________. Trombone Time Sandy Feldstein & Larry Clark 65 66 67 Key Signature Key of G – one sharp (F≥) Play F’s as F≥ Fill in the missing word. TheoryTheoryTheoryTheory
  • 28. 28 YRS1 Advantage · Recorder Plus & # 44 Moderately f ˙ ˙ All day ˙ ˙ all night, œ œ ˙ Ma - ry Ann, w ˙ œ œ Down by the & # ˙ ˙ sea - shore œ œ ˙ sift - ing sand. w œ œ œ œ All the lit - tle ˙ œ œ chil - dren love & # œ œ ˙ Ma - ry Ann, w ˙ œ œ Down by the ˙ ˙ sea - shore œ œ ˙ sift - ing sand. w Mary Ann Caribbean Folk Song 68 & # 44 .. .. p Slowly œ This ˙ œ œ theme we all ˙ œ œ know was com - 1. œ œœ œ œ posed by Jo-han-nes .˙ œ Brahms. This 2. œ œ œ œ œ posed for the First Sym - ˙ œ phon - y. Theme from Symphony No. 1 Johannes Brahms 69 The VIOLIN is made of wood with four strings attached. It is a member of the string family and plays the high notes in the orchestra. It is played by plucking the strings with the finger (like a guitar) or by drawing a bow across them. The strings vibrate to produce the violin sound. To play sounds (notes) that are higher or lower, you depress the strings at different points. 70 Meet The InstrumentsAdvantageAdvantageAdvantageAdvantage
  • 29. 29Advantage · Recorder Plus YRS1 & # 4 3 f Moderately .˙ Dai - .˙ sy, .˙ Dai - .˙ sy, œ œ œ give me your ˙ œ an - swer & # .˙ do. .˙ .˙ I’m .˙ half .˙ cra - .˙ zy & # œ œ œ all for the ˙ œ love of .˙ you. œ Œ p œ It œ œ œ won’t be a ˙ œ styl - ish & # œ ˙ mar - riage; ˙ œ I ˙ œ can’t af - ˙ œ ford a œ ˙ car - riage. œ Œ f œ But & # ˙ œ you’ll look œ Œ œ sweet up - ˙ œ on the œ œ œ seat of a œ œ œ bi - cy - cle ˙ œ built for .˙ two. œ Œ Œ A Bicycle Built for Two Harry Daere 71 & 43 Slowly p œ My œ œ œ string sound is œ œ ˙ high not low. œ œ œ œ To make that sound, œ œ œ I use a .˙ ___________. œ Œ Violin Song Sandy Felstein & Larry Clark 72 www.yamahaadvantage.com Fill in the missing word.
  • 30. 30 YRS1 Advantage · Recorder Plus Performance AdvantageAdvantageAdvantageAdvantage & & # # 44 44 p Descant Moderately œ œ œ œ œ f Melody œ œ œ œ œ This lit - tle light of œ œ œ œ w mine, œ œ œ œ œ œ œ œ œ œ I’m gon - na let it œ œ œ œ w shine, & & # # Descant œ œ œ œ œ Melody œ œ œ œ œ This lit - tle light of œ œ œ œ w mine, œ œ œ œ œ œ œ œ œ œ I’m gon - na let it œ œ œ œ w shine, & & # # Descant œ œ œ œ œ Melody œ œ œ œ œ This lit - tle light of œ œ œ œ w mine, œ œ œ œ œ œ œ œ œ I’m gon - na let it ˙ œ œ ˙ œ œ shine, let it & & # # Descant ˙ œ œ Melody ˙ œ œ shine, let it œ œ œ œ œ ˙ œ œ shine, let it ˙ œ œ w shine. ˙ Ó ˙ Ó This Little Light of Mine (Duet) Spiritual 1a 2a 2 1 1b 2b 1c 2c 73 A DESCANT is a second melody or duet part played above the main melody.
  • 31. 31Advantage · Recorder Plus YRS1 Fingering Chart & w C & w D & w E & w F & w# F≥ & w G & w A & w B & w C & w D Left Hand Thumb in back Right Hand