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Modeling Techniques

(C) 2012 - Professor Joseph Finocchiaro
Introduction
rocess involved a pliable material such as wax
or clay.
orms are three dimensional and involve partial
or complete construction of a feature

(C) 2012 - Professor Joseph Finocchiaro
Feature, Location, Size, Form
ize and form must be accurate as well as location for
an realistic restoration
ize involves length, width, projection

– Length is the vertical measurement
– Width is horizontal measurement
– Projection is the amount it extends from the surrounding
area

hen beginning to model a feature, always measure
desired width and length and mark them on
modeling material or work surface
ize can easily become distorted as you become
engrossed in task
(C) 2012 - Professor Joseph Finocchiaro

eproduction may be perfect, but if size is wrong the
Measurements
t is imperative that correct measurements be
obtained.
t is imperative that once correct measurements
are derived that they are maintained.
easure frequently to ensure compliance.

(C) 2012 - Professor Joseph Finocchiaro
Influence of Profile
rojection is typically hardest feature to reproduce.
hape of profile is noted by observing carefully
areful attention to profile will provide important
information
rior to recreating profile, note the width.
ppropriate thickness of wax can be selected for
restoration
(C) 2012 - Professor Joseph Finocchiaro
Varied and Distance Viewing
eview recreation from different angles
throughout restoration.
orking from one view will easily result in
distortion of feature or entire restoration
orking only in close proximity will result in
distortion

(C) 2012 - Professor Joseph Finocchiaro
Roughness of Formative Work
arly on, do not be concerned with smoothing all
the surfaces
irst, achieve accurate dimensions
moothing early on wastes time (and stamina!)
moothing is easily accomplished with brush and
proper solvent.

(C) 2012 - Professor Joseph Finocchiaro
Surface Detail and Contour
urface Detail and Contour make a feature more
realistic
reatest fault to restoration is flatness.
– Pores, wrinkles, furrows will reduce the flat
appearance

(C) 2012 - Professor Joseph Finocchiaro
Wrinkles/Furrows
se a blunt edged instrument or ligature
over area with plastic wrap
ress into plastic wrap
lastic is carefully peeled away
oftening can be accomplished with brush and
solvent
(C) 2012 - Professor Joseph Finocchiaro
Pores
tipple Brush, Citrus Peel, Dampened Paper
Towel or Gauze

(C) 2012 - Professor Joseph Finocchiaro
Rest Periods
ake breaks, this keeps you sharp and makes for
a more accurate restoration.

(C) 2012 - Professor Joseph Finocchiaro
Isolated Reproductions
lease review the Klicker Text from p.67-p.76 for
detailed photographs of restorations.
here is also a video produced by Professor Gary
Sokoll that shows you step by step how to do
wax reproductions.

(C) 2012 - Professor Joseph Finocchiaro

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Fse2120 -RESTORATIVE ARTS CH 8

  • 1. Modeling Techniques (C) 2012 - Professor Joseph Finocchiaro
  • 2. Introduction rocess involved a pliable material such as wax or clay. orms are three dimensional and involve partial or complete construction of a feature (C) 2012 - Professor Joseph Finocchiaro
  • 3. Feature, Location, Size, Form ize and form must be accurate as well as location for an realistic restoration ize involves length, width, projection – Length is the vertical measurement – Width is horizontal measurement – Projection is the amount it extends from the surrounding area hen beginning to model a feature, always measure desired width and length and mark them on modeling material or work surface ize can easily become distorted as you become engrossed in task (C) 2012 - Professor Joseph Finocchiaro eproduction may be perfect, but if size is wrong the
  • 4. Measurements t is imperative that correct measurements be obtained. t is imperative that once correct measurements are derived that they are maintained. easure frequently to ensure compliance. (C) 2012 - Professor Joseph Finocchiaro
  • 5. Influence of Profile rojection is typically hardest feature to reproduce. hape of profile is noted by observing carefully areful attention to profile will provide important information rior to recreating profile, note the width. ppropriate thickness of wax can be selected for restoration (C) 2012 - Professor Joseph Finocchiaro
  • 6. Varied and Distance Viewing eview recreation from different angles throughout restoration. orking from one view will easily result in distortion of feature or entire restoration orking only in close proximity will result in distortion (C) 2012 - Professor Joseph Finocchiaro
  • 7. Roughness of Formative Work arly on, do not be concerned with smoothing all the surfaces irst, achieve accurate dimensions moothing early on wastes time (and stamina!) moothing is easily accomplished with brush and proper solvent. (C) 2012 - Professor Joseph Finocchiaro
  • 8. Surface Detail and Contour urface Detail and Contour make a feature more realistic reatest fault to restoration is flatness. – Pores, wrinkles, furrows will reduce the flat appearance (C) 2012 - Professor Joseph Finocchiaro
  • 9. Wrinkles/Furrows se a blunt edged instrument or ligature over area with plastic wrap ress into plastic wrap lastic is carefully peeled away oftening can be accomplished with brush and solvent (C) 2012 - Professor Joseph Finocchiaro
  • 10. Pores tipple Brush, Citrus Peel, Dampened Paper Towel or Gauze (C) 2012 - Professor Joseph Finocchiaro
  • 11. Rest Periods ake breaks, this keeps you sharp and makes for a more accurate restoration. (C) 2012 - Professor Joseph Finocchiaro
  • 12. Isolated Reproductions lease review the Klicker Text from p.67-p.76 for detailed photographs of restorations. here is also a video produced by Professor Gary Sokoll that shows you step by step how to do wax reproductions. (C) 2012 - Professor Joseph Finocchiaro