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THE GREAT WAR 
1914-1918 
THE YOUTH THAT NEVER WAS 
THE WAR THAT SHOULD NOT HAVE BEEN
If I should die, think only this of me. 
That there’s some corner of a foreign field 
That is forever England. There shall be 
In that rich earth a richer dust concealed: 
A dust whom England bore, shaped, made aware; 
Gave, once, her flowers to love, her ways to roam, 
A body of England’s breathing English air, 
Washed by the rivers, blest by suns of home. 
And think, this heart, all evil shed away, 
A pulse in the eternal mind, no less 
Gives somewhere back the thoughts by England given; 
Her sights and sounds; dreams happy as her day; 
And laughter, learnt of friends; and gentleness, 
In hearts at peace, under an English heaven. 
Rupert Brooke, 1887-1915
NO 
MAN’S 
LAND 
Beginning of the trenches
Trenches 
From air
No Man’s land
View of the front
In Flanders fields the poppies blow 
Between the crosses, row on row, 
That mark our place; and in the sky 
The larks, still bravely singing, fly 
Scarce heard amid the guns below. 
We are the Dead. Short days ago 
We lived, felt dawn, saw sunset glow, 
Loved and were loved, and now we lie 
In Flanders fields. 
Take up our quarrel with the foe; 
To you from failing hand we throw 
The torch; be yours to hold it high. 
If ye break faith with us who die 
We shall not sleep, though poppies grow 
In Flanders fields. 
John McCrae (1872-1918)
What is the mood and tone of the poem – 
how does it change as the poem progresses? 
Why are we moved by the declarative 
“We are the Dead” in the second 
stanza? 
What do the dead ask of the living? 
What is the primary duty that the living owe to 
honor the soldiers? 
FFOOOODD FFOORR TTHHOOUUGGHHTT :: 
HHooww lloonngg ccaann——aanndd sshhoouulldd——wwee bbee oorr ffeeeell aaccccoouunnttaabbllee ttoo ““kkeeeepp 
ffaaiitthh”” wwiitthh tthhee ccaauussee ffoorr wwhhiicchh oouurr ssoollddiieerrss ddiieedd –– lliibbeerrttyy ……
The death bed (1916) 
Siegfried Sassoon 
He drowsed and was aware of silence heaped 
Round him, unshaken as the steadfast walls; 
Aqueous like floating rays of amber light, 
Soaring and quivering in the wings of sleep. 
Silence and safety; and his mortal shore 
Lipped by the inward, moonless waves of death. 
Someone was holding water to his mouth. 
He swallowed, unresisting; moaned and dropped 
Through crimson gloom to darkness…. 
… Rain-he could hear it rustling through the dark; 
…. Gently and slowly washing life away. 
He stirred, shifting his body; then the pain 
Leapt like a prowling beast, and gripped and tore 
His groping dreams with grinding claws and fangs… 
And death, who’d stepped toward him, paused and stared…
The death bed (1916) - Siegfried Sassoon 
Light many lamps and gather round his bed. 
Lend him your eyes, warm blood, and will to live. 
Speak to him; rouse him; you may save him yet. 
He’s young; he hated War; how should he die 
When cruel old campaigners win safe through? 
But death replied: ‘I choose him.’ So he went, 
And there was silence in the summer night; 
Silence and safety; and the veils of sleep. 
Then, far away, the thudding of the guns.
. .. The men who were not getting in a bit of extra sleep sat 
about talking and smoking, writing letters home, cleaning 
their rifles, running their thumb-nails up the seams of their 
shirts to kill the lice, gambling. Lice were a standing joke. 
Young Bumford handed me one like this. 'We was just having 
an argument as to whether it was best to kill the old ones or 
the young ones, sir. Morgan here says that if you kill the old 
ones, the young ones will die of grief, but Parry here, sir, he 
says that the young ones are easier to kill and you can catch 
the old ones when they come to the funeral.‘ 
Robert Graves Goodbye to all That 
LLiinnkk
New weapons of war – Trench warfare 
Tanks 
Guns, Rifles, and Grenades 
Air Warfare – 
The sky became another battlefield 
Naval Warfare – naval technology & 
sophisticated submarines 
Poison Gas: Chemical warfare 
development of arms, ammunition 
& growth of telecommunications 
*bloodiest battles of World War I took place in the areas 
of northern France and southwest Belgium known as 
Flanders and Picardy
Bent double like old beggars under sacks, 
Knock-kneed, coughing like hags, we cursed through sludge, 
Till on the haunting flares we turned our backs 
And towards our distant rest began to trudge. 
Men marched asleep. Many had lost their boots 
But limped on, blood-shod. All went lame: all blind: 
…. 
Gas!Gas! Quick, boys! An ecstasy of fumbling, 
Fitting the clumsy helmets just in time: 
But some still was yelling out and stumbling 
And floud’ring like a man in fire or lime… 
Dim, through the misty panes and thick green light, 
As under a green sea, I saw him drowning.
In all my dreams, before my helpless sight, 
He plunges at me, guttering, choking, drowning. 
If … you too could pace 
….watch the white eyes writhing … , 
His hanging face, like a devil’s sick of sin; 
If you could hear, at every jolt, the blood 
Come gargling from the froth-corrupted lungs, 
Obscene as cancer, 
…M 
y friend, you would not tell with such high zest 
To children ardent for some desperate glory, 
The old Lie: Dulce et decorum est 
Pro patria mori. 
Wilfred Owen
Otto 
Dix 
The Flare, 1917

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War

  • 1. THE GREAT WAR 1914-1918 THE YOUTH THAT NEVER WAS THE WAR THAT SHOULD NOT HAVE BEEN
  • 2. If I should die, think only this of me. That there’s some corner of a foreign field That is forever England. There shall be In that rich earth a richer dust concealed: A dust whom England bore, shaped, made aware; Gave, once, her flowers to love, her ways to roam, A body of England’s breathing English air, Washed by the rivers, blest by suns of home. And think, this heart, all evil shed away, A pulse in the eternal mind, no less Gives somewhere back the thoughts by England given; Her sights and sounds; dreams happy as her day; And laughter, learnt of friends; and gentleness, In hearts at peace, under an English heaven. Rupert Brooke, 1887-1915
  • 3.
  • 4. NO MAN’S LAND Beginning of the trenches
  • 5.
  • 6.
  • 8.
  • 10. View of the front
  • 11. In Flanders fields the poppies blow Between the crosses, row on row, That mark our place; and in the sky The larks, still bravely singing, fly Scarce heard amid the guns below. We are the Dead. Short days ago We lived, felt dawn, saw sunset glow, Loved and were loved, and now we lie In Flanders fields. Take up our quarrel with the foe; To you from failing hand we throw The torch; be yours to hold it high. If ye break faith with us who die We shall not sleep, though poppies grow In Flanders fields. John McCrae (1872-1918)
  • 12. What is the mood and tone of the poem – how does it change as the poem progresses? Why are we moved by the declarative “We are the Dead” in the second stanza? What do the dead ask of the living? What is the primary duty that the living owe to honor the soldiers? FFOOOODD FFOORR TTHHOOUUGGHHTT :: HHooww lloonngg ccaann——aanndd sshhoouulldd——wwee bbee oorr ffeeeell aaccccoouunnttaabbllee ttoo ““kkeeeepp ffaaiitthh”” wwiitthh tthhee ccaauussee ffoorr wwhhiicchh oouurr ssoollddiieerrss ddiieedd –– lliibbeerrttyy ……
  • 13.
  • 14. The death bed (1916) Siegfried Sassoon He drowsed and was aware of silence heaped Round him, unshaken as the steadfast walls; Aqueous like floating rays of amber light, Soaring and quivering in the wings of sleep. Silence and safety; and his mortal shore Lipped by the inward, moonless waves of death. Someone was holding water to his mouth. He swallowed, unresisting; moaned and dropped Through crimson gloom to darkness…. … Rain-he could hear it rustling through the dark; …. Gently and slowly washing life away. He stirred, shifting his body; then the pain Leapt like a prowling beast, and gripped and tore His groping dreams with grinding claws and fangs… And death, who’d stepped toward him, paused and stared…
  • 15. The death bed (1916) - Siegfried Sassoon Light many lamps and gather round his bed. Lend him your eyes, warm blood, and will to live. Speak to him; rouse him; you may save him yet. He’s young; he hated War; how should he die When cruel old campaigners win safe through? But death replied: ‘I choose him.’ So he went, And there was silence in the summer night; Silence and safety; and the veils of sleep. Then, far away, the thudding of the guns.
  • 16. . .. The men who were not getting in a bit of extra sleep sat about talking and smoking, writing letters home, cleaning their rifles, running their thumb-nails up the seams of their shirts to kill the lice, gambling. Lice were a standing joke. Young Bumford handed me one like this. 'We was just having an argument as to whether it was best to kill the old ones or the young ones, sir. Morgan here says that if you kill the old ones, the young ones will die of grief, but Parry here, sir, he says that the young ones are easier to kill and you can catch the old ones when they come to the funeral.‘ Robert Graves Goodbye to all That LLiinnkk
  • 17. New weapons of war – Trench warfare Tanks Guns, Rifles, and Grenades Air Warfare – The sky became another battlefield Naval Warfare – naval technology & sophisticated submarines Poison Gas: Chemical warfare development of arms, ammunition & growth of telecommunications *bloodiest battles of World War I took place in the areas of northern France and southwest Belgium known as Flanders and Picardy
  • 18. Bent double like old beggars under sacks, Knock-kneed, coughing like hags, we cursed through sludge, Till on the haunting flares we turned our backs And towards our distant rest began to trudge. Men marched asleep. Many had lost their boots But limped on, blood-shod. All went lame: all blind: …. Gas!Gas! Quick, boys! An ecstasy of fumbling, Fitting the clumsy helmets just in time: But some still was yelling out and stumbling And floud’ring like a man in fire or lime… Dim, through the misty panes and thick green light, As under a green sea, I saw him drowning.
  • 19. In all my dreams, before my helpless sight, He plunges at me, guttering, choking, drowning. If … you too could pace ….watch the white eyes writhing … , His hanging face, like a devil’s sick of sin; If you could hear, at every jolt, the blood Come gargling from the froth-corrupted lungs, Obscene as cancer, …M y friend, you would not tell with such high zest To children ardent for some desperate glory, The old Lie: Dulce et decorum est Pro patria mori. Wilfred Owen
  • 20. Otto Dix The Flare, 1917