SlideShare a Scribd company logo
1 of 20
Codal Analysis 
By George Ring
Codal Analysis 
For the following Codal Analysis, I will be taking three film 
openings from my chosen genre – horror, and looking at the 
different codes and conventions for the topics.. 
• Visual 
• Audio 
• Technical 
• Narrative 
• Enigma 
The three I have chosen are, 
The Woman in Black
THE WOMAN IN BLACK
Visual Codes 
• At the beginning of the film opening. They portray some clips of a childs 
tea party. We know it is a tea party through the different shots on the 
porcelain tea sets and props such as the childrens toys. The teddy bears 
also conform to this child like play, however it is the next shots which 
subvert this. The audience is then shown the children walking over and 
breaking the cups. This subverts the previous scene and expectations as it 
is a complete change in character. 
• The location is set in a victorian styled house which makes it out to be old, 
and sets the era of the film. We see this by the old furniture and the high 
ceilings. 
• The costumes of the characters and the dark lighting also appear to the 
audience as being very bland and dull.
Audio Codes 
• Throughout the film opening. We are played mostly non-diegetic 
music behind the clips. It is a quite sinister, creepy 
tune and is played continuously. This adds to the creepy 
effect on the audience and also conforms to the horror 
genre. 
• The only piece of dialogue we hear stands out and is 
extremely effective. The loud scream at the end of the clip 
shows emotion while is effective because it is the only 
dialogue used. Its emotions conform to the genre and links 
to the silent clips the audience see. 
• There are also sound effects which are added in, to 
enhance the effect of certain scenes of the clip. For 
example, the smashing of the porcelain.
Technical Codes 
• The use of the different close ups add to the sinister feeling the 
scene gives off, which emphasise that it is a children's party. This is 
through the use of props, they are feeding it to the toys and there is 
no water in the mugs. After this, we see we see a tracking shot of 
the children getting up and walking towards the window. While 
they are doing see, we see a range of tilt and tracking shots. The 
tracking shot follows them walking to the windows, while the tilt 
follow the items they are dropping on the floor. 
• At the end of the clip there is a final shot which zooms out from the 
window to show the room getting bigger, and a final shot showing 
there is no longer anybody there. This makes it seem as though the 
girls are drifting away from the audience as they have died. 
• There are also high angle shots used in the room to make the girls 
appear vulnerable and susceptible to danger.
Narrative Code 
• In this film opening, the narrative is not shown 
clearly. Although the emotions that come off 
from the scenes display a general idea of horror. 
At the beginning of the clip, there appears to be 
nothing wrong as the girls are playing with their 
dolls. Then, the atmosphere changes as the music 
follows when the girls look directly at a subject 
we cannot see. It appears that something has 
possessed them into doing so as they break their 
toys and simultaneously walk towards the 
window and jump it.
Enigma Code 
• There are a few strong enigma codes in the opening 
scene of the film that lead the audience to questioning 
what is going on. Firstly, we see the girls playing with 
the dolls without talking to one another. Why are they 
doing so? The lack of communication in the opening 
scene appear sinister. 
• Then, towards the middle of the clip. We see the three 
girls look towards the corner of the room, however the 
subject is not shown in the frame. This leads the 
audience questioning who it was they looked at? Why 
did it change their mood so rapidly and cause them to 
jump out of the window?
SCREAM
Visual Codes 
• The use of the telephone prop is iconic in this film 
opening as it takes something that everyone owns and 
transforms it into something creepy, conforming the 
horror genre. 
• The setting is in a large, American styled home which is 
open plan. This makes it scary as there are no separate 
rooms that are closed off by doors and therefore there 
are no places to hide. 
• She is running around, which amounts to the fear 
among the audience. She is clearly disturbed by the 
man behind the phone as he knows who she is and 
information about her boyfriend.
Audio Codes 
• Suspense is built in the film opening mainly by the diegetic 
dialogue the man says on the phone. His word choice such as ‘I 
want to know who I’m looking at’ builds tension as it shows he’s 
around her. 
• When the tension builds and the man hints at the prospect he 
could be outside, there are noises such as a dog barking which 
usually happens when they are disturbed. 
• The crickets symbolise isolation as they show she is alone. 
• The door bell adds tension as it makes the audience question. 
• When the female then gets scared, tension and fear is built by the 
tone in her voice and her increasing anger. At the beginning of the 
film opening, the mood is relaxed as the girl is doing her day to day 
jobs… however, when the phone continues to ring, her mood is 
enhanced through the anger and build up of the non-diegetic 
horror sound in the background.
Technical Codes 
• There are a range of different close ups in the film 
opening. Such as at the beginning, when the girl 
is doing normal things, such as the popcorn. We 
also see close ups of the girl picking up the phone 
which is symbolic in the film opening as it is the 
crisis. It subverts what we would expect of the 
norm of answering a phone. 
• We also see reaction shots of the girls face as her 
tension builds and she becomes more panicked. 
• There are tracking shots showing her tension as 
she runs across the house in a place to escape.
Narrative Codes 
• In this film opening, the narrative is shown clearly 
as we are shown a crisis and given details into the 
characters. It is also clear what is going on as the 
character is in fear of being stalked. There is just a 
linear narrative as there is one storyline, although 
it pans out to include her boyfriend and brings 
other characters into her crisis. The atmosphere 
is calm at the beginning of the opening, then at 
the end it is rapid as the fear of the character is at 
its peak.
Enigma Codes 
• In the film opening, there are many enigma codes 
present which lead the audience asking questions and 
entices them to continue watching. These include… 
• Who is the man behind the phone? 
• Why does he want to harass her? 
• Who is her boyfriend? 
• How does he know who she is? 
• What happens next? 
• These questions leave unanswered strings as the 
audience can relate to the protagonist, they want to 
watch on and find out what happens.
FINAL DESTINATION
Visual Codes 
• Throughout the opening, the whole of it is filmed 
on the plane which makes it the setting. There is 
a lot of iconography that follows with this which 
is highlighted through certain camera shots, such 
as, the windows and the air hostess outfits. 
• The costumes and makeup are all normal day to 
day clothing, until the plane crash happens and 
they all have blood on their face. This makeup 
subverts what we saw at the beginning and 
conforms to the horror genre.
Audio Codes 
• When the plane is about to take off. We hear the 
diegetic sounds of the plane and what we would 
normally hear. There is no non-diegetic music 
playing in the background, however there is 
dialogue of people talking on the plane. 
• Next, as soon as the plane is malfunctioning, the 
fear and atmosphere is enhanced through a 
range of different sounds such as the beeping 
which suggest something is wrong. After this, 
music is built up which creates fear.
Technical Codes 
• Throughout this film opening, most of the shot 
types are medium close ups as all of the 
passengers are sat down. At the beginning, we 
can an over the shoulder shot of the man looking 
out of the window. We also get a extreme long 
shot of the plane on the run way. 
• All of the shots are placed at a high angle to look 
down at the characters and show how vulnerable 
they are. 
• At the end we get a reaction shot to show the 
fear and emotions of the protagonist, we know it 
is him as he gets the most airtime.
Narrative Code 
• The main narrative code in this film opening is 
shown when the disruption of the equilibrium 
occurs. When the plane takes off, all is fine, 
until after when they start rapidly descending. 
Then when this happens we see the plane is 
going to crash. Then at the end, we see him 
blink as it was only a premonition of what was 
about to follow.
Enigma Codes 
• Throughout this film opening, the main 
enigma code that arises is about the ending 
when it was all just a vision. Therefore the 
main question for the audience is what is this 
premonition? 
• Why does he get them and was able to see 
into the future? 
• Also, another of the main questions is why 
was the plane about to crash?

More Related Content

What's hot

Insidious opening sequence analysis
Insidious opening sequence analysisInsidious opening sequence analysis
Insidious opening sequence analysisCharlotte Dyer
 
Sinister Film Trailer Analysis
Sinister Film Trailer AnalysisSinister Film Trailer Analysis
Sinister Film Trailer AnalysisAlysLeMoignan
 
Short film 'The Set-Up' Treatment
Short film 'The Set-Up' TreatmentShort film 'The Set-Up' Treatment
Short film 'The Set-Up' Treatmentdigalogabob1
 
Short Film Treatment (The Set-Up)
Short Film Treatment (The Set-Up)Short Film Treatment (The Set-Up)
Short Film Treatment (The Set-Up)digalogabob1
 
Silent house
Silent houseSilent house
Silent housegjprice8
 
Ms2 redo
Ms2 redoMs2 redo
Ms2 redoUC2123
 
Textual analysis - A2
Textual analysis - A2Textual analysis - A2
Textual analysis - A2Taylor Sabga
 
Trailer research; Urban drama, Horror & drama.
Trailer research; Urban drama, Horror & drama.Trailer research; Urban drama, Horror & drama.
Trailer research; Urban drama, Horror & drama.Liyahh
 
New Pitch Unit 21
New Pitch Unit 21New Pitch Unit 21
New Pitch Unit 21Awoodhall
 
Unit 21 Pitch
Unit 21 PitchUnit 21 Pitch
Unit 21 PitchAwoodhall
 
Pitch for when a phone rings 2
Pitch for when a phone rings 2Pitch for when a phone rings 2
Pitch for when a phone rings 2Awoodhall
 
Media horror presentation
Media horror presentationMedia horror presentation
Media horror presentationMikey Masher
 

What's hot (18)

Insidious opening sequence analysis
Insidious opening sequence analysisInsidious opening sequence analysis
Insidious opening sequence analysis
 
Sinister Film Trailer Analysis
Sinister Film Trailer AnalysisSinister Film Trailer Analysis
Sinister Film Trailer Analysis
 
Short film 'The Set-Up' Treatment
Short film 'The Set-Up' TreatmentShort film 'The Set-Up' Treatment
Short film 'The Set-Up' Treatment
 
Short Film Treatment (The Set-Up)
Short Film Treatment (The Set-Up)Short Film Treatment (The Set-Up)
Short Film Treatment (The Set-Up)
 
Recce
RecceRecce
Recce
 
Silent house
Silent houseSilent house
Silent house
 
Ms2 redo
Ms2 redoMs2 redo
Ms2 redo
 
Recce
RecceRecce
Recce
 
Film trailer analysis
Film trailer analysisFilm trailer analysis
Film trailer analysis
 
Textual analysis - A2
Textual analysis - A2Textual analysis - A2
Textual analysis - A2
 
Trailer research; Urban drama, Horror & drama.
Trailer research; Urban drama, Horror & drama.Trailer research; Urban drama, Horror & drama.
Trailer research; Urban drama, Horror & drama.
 
Gemini trailer
Gemini trailerGemini trailer
Gemini trailer
 
New Pitch Unit 21
New Pitch Unit 21New Pitch Unit 21
New Pitch Unit 21
 
Unit 21 Pitch
Unit 21 PitchUnit 21 Pitch
Unit 21 Pitch
 
scream
screamscream
scream
 
E1
E1E1
E1
 
Pitch for when a phone rings 2
Pitch for when a phone rings 2Pitch for when a phone rings 2
Pitch for when a phone rings 2
 
Media horror presentation
Media horror presentationMedia horror presentation
Media horror presentation
 

Viewers also liked

Earthquake prediction by using evidential reasoning approach
Earthquake prediction by using evidential reasoning approachEarthquake prediction by using evidential reasoning approach
Earthquake prediction by using evidential reasoning approacheSAT Journals
 
How much does management matter?, Nicholas Bloom
How much does management matter?, Nicholas BloomHow much does management matter?, Nicholas Bloom
How much does management matter?, Nicholas BloomStructuralpolicyanalysis
 
What, where, when,
What, where, when,What, where, when,
What, where, when,iloveyou06
 
Detailed Research
Detailed ResearchDetailed Research
Detailed Researchgeorgering
 
Horror Genre Conventions
Horror Genre ConventionsHorror Genre Conventions
Horror Genre Conventionsgeorgering
 
Step outline for film opening of the purge
Step outline for film opening of the purgeStep outline for film opening of the purge
Step outline for film opening of the purgedaisysadeh
 
Shotlist- classroom location
Shotlist- classroom locationShotlist- classroom location
Shotlist- classroom locationdaisysadeh
 
Media Conventions
Media ConventionsMedia Conventions
Media Conventionsgeorgering
 
Survey results analysis
Survey results analysis Survey results analysis
Survey results analysis daisysadeh
 
Branston Adams 17th October 2014
Branston Adams 17th October 2014Branston Adams 17th October 2014
Branston Adams 17th October 2014The Farnham Hub
 
Horror Conventions
Horror ConventionsHorror Conventions
Horror Conventionsgeorgering
 
Progress for equity report june 2015 unicef
Progress for equity report june 2015 unicefProgress for equity report june 2015 unicef
Progress for equity report june 2015 unicefUNICEF Data & Analytics
 
Online Portfolio
Online Portfolio Online Portfolio
Online Portfolio georgering
 

Viewers also liked (20)

Earthquake prediction by using evidential reasoning approach
Earthquake prediction by using evidential reasoning approachEarthquake prediction by using evidential reasoning approach
Earthquake prediction by using evidential reasoning approach
 
How much does management matter?, Nicholas Bloom
How much does management matter?, Nicholas BloomHow much does management matter?, Nicholas Bloom
How much does management matter?, Nicholas Bloom
 
Final Piece
Final PieceFinal Piece
Final Piece
 
What, where, when,
What, where, when,What, where, when,
What, where, when,
 
Detailed Research
Detailed ResearchDetailed Research
Detailed Research
 
Horror Genre Conventions
Horror Genre ConventionsHorror Genre Conventions
Horror Genre Conventions
 
Step outline for film opening of the purge
Step outline for film opening of the purgeStep outline for film opening of the purge
Step outline for film opening of the purge
 
Question 6
Question 6 Question 6
Question 6
 
Shotlist- classroom location
Shotlist- classroom locationShotlist- classroom location
Shotlist- classroom location
 
Media Conventions
Media ConventionsMedia Conventions
Media Conventions
 
Survey results analysis
Survey results analysis Survey results analysis
Survey results analysis
 
Question 4
Question 4Question 4
Question 4
 
La tecnologia
La tecnologiaLa tecnologia
La tecnologia
 
Branston Adams 17th October 2014
Branston Adams 17th October 2014Branston Adams 17th October 2014
Branston Adams 17th October 2014
 
Horror Conventions
Horror ConventionsHorror Conventions
Horror Conventions
 
Prakash CV
Prakash CVPrakash CV
Prakash CV
 
Progress for equity report june 2015 unicef
Progress for equity report june 2015 unicefProgress for equity report june 2015 unicef
Progress for equity report june 2015 unicef
 
MotioMera
MotioMeraMotioMera
MotioMera
 
Quick review
Quick reviewQuick review
Quick review
 
Online Portfolio
Online Portfolio Online Portfolio
Online Portfolio
 

Similar to Codal Analysis

Vertigo - Film Opening Analysis
Vertigo - Film Opening AnalysisVertigo - Film Opening Analysis
Vertigo - Film Opening AnalysisSam Benzie
 
Codal analysis of horror film opening
Codal analysis of horror film openingCodal analysis of horror film opening
Codal analysis of horror film openingscarlettchristou
 
Analysis of 5 similar films
Analysis of 5 similar filmsAnalysis of 5 similar films
Analysis of 5 similar filmskayleighlouise
 
Conventions of a thriller opening
Conventions of a thriller openingConventions of a thriller opening
Conventions of a thriller openingfisher07r
 
Codal analysis of horror openings
Codal analysis of horror openingsCodal analysis of horror openings
Codal analysis of horror openingsbethbouchareb
 
Film Trailer- Past Student Work
Film Trailer- Past Student WorkFilm Trailer- Past Student Work
Film Trailer- Past Student Workemzy_95
 
Film Trailer- Past Student Work
Film Trailer- Past Student WorkFilm Trailer- Past Student Work
Film Trailer- Past Student Workemzy_95
 
Codes & Conventions of Horror Film Trailers
Codes & Conventions of Horror Film TrailersCodes & Conventions of Horror Film Trailers
Codes & Conventions of Horror Film Trailersmootje2009
 

Similar to Codal Analysis (20)

Vertigo - Film Opening Analysis
Vertigo - Film Opening AnalysisVertigo - Film Opening Analysis
Vertigo - Film Opening Analysis
 
Codal Analysis
Codal AnalysisCodal Analysis
Codal Analysis
 
Codal analysis of horror film opening
Codal analysis of horror film openingCodal analysis of horror film opening
Codal analysis of horror film opening
 
Analysis of 5 similar films
Analysis of 5 similar filmsAnalysis of 5 similar films
Analysis of 5 similar films
 
Conventions of a thriller opening
Conventions of a thriller openingConventions of a thriller opening
Conventions of a thriller opening
 
Codal analysis
Codal analysisCodal analysis
Codal analysis
 
Codal analysis of horror openings
Codal analysis of horror openingsCodal analysis of horror openings
Codal analysis of horror openings
 
Codal analysis
Codal analysisCodal analysis
Codal analysis
 
Codal analysis
Codal analysisCodal analysis
Codal analysis
 
Codal analysis
Codal analysisCodal analysis
Codal analysis
 
Codal analysis
Codal analysisCodal analysis
Codal analysis
 
Film Trailer- Past Student Work
Film Trailer- Past Student WorkFilm Trailer- Past Student Work
Film Trailer- Past Student Work
 
Film Trailer- Past Student Work
Film Trailer- Past Student WorkFilm Trailer- Past Student Work
Film Trailer- Past Student Work
 
Ouija
OuijaOuija
Ouija
 
Detailed analysis
Detailed analysisDetailed analysis
Detailed analysis
 
Codal Analysis
Codal AnalysisCodal Analysis
Codal Analysis
 
Horror[1]
Horror[1]Horror[1]
Horror[1]
 
Horror[1][1]
Horror[1][1]Horror[1][1]
Horror[1][1]
 
Research
ResearchResearch
Research
 
Codes & Conventions of Horror Film Trailers
Codes & Conventions of Horror Film TrailersCodes & Conventions of Horror Film Trailers
Codes & Conventions of Horror Film Trailers
 

More from georgering

Top 40 Final Images
Top 40 Final ImagesTop 40 Final Images
Top 40 Final Imagesgeorgering
 
Research for Shoots - Video
Research for Shoots - VideoResearch for Shoots - Video
Research for Shoots - Videogeorgering
 
Recovered file 1
Recovered file 1Recovered file 1
Recovered file 1georgering
 
Codal Analysis
Codal AnalysisCodal Analysis
Codal Analysisgeorgering
 
Electronic Portfolio
Electronic PortfolioElectronic Portfolio
Electronic Portfoliogeorgering
 
Final 20 Images with 40
Final 20 Images with 40 Final 20 Images with 40
Final 20 Images with 40 georgering
 
40 Best Photographs
40 Best Photographs40 Best Photographs
40 Best Photographsgeorgering
 
Media coursework
Media courseworkMedia coursework
Media courseworkgeorgering
 
Film Companies
Film CompaniesFilm Companies
Film Companiesgeorgering
 
20 Best Photographs
20 Best Photographs20 Best Photographs
20 Best Photographsgeorgering
 
A Timeline of Movies - Horror
A Timeline of Movies - HorrorA Timeline of Movies - Horror
A Timeline of Movies - Horrorgeorgering
 

More from georgering (11)

Top 40 Final Images
Top 40 Final ImagesTop 40 Final Images
Top 40 Final Images
 
Research for Shoots - Video
Research for Shoots - VideoResearch for Shoots - Video
Research for Shoots - Video
 
Recovered file 1
Recovered file 1Recovered file 1
Recovered file 1
 
Codal Analysis
Codal AnalysisCodal Analysis
Codal Analysis
 
Electronic Portfolio
Electronic PortfolioElectronic Portfolio
Electronic Portfolio
 
Final 20 Images with 40
Final 20 Images with 40 Final 20 Images with 40
Final 20 Images with 40
 
40 Best Photographs
40 Best Photographs40 Best Photographs
40 Best Photographs
 
Media coursework
Media courseworkMedia coursework
Media coursework
 
Film Companies
Film CompaniesFilm Companies
Film Companies
 
20 Best Photographs
20 Best Photographs20 Best Photographs
20 Best Photographs
 
A Timeline of Movies - Horror
A Timeline of Movies - HorrorA Timeline of Movies - Horror
A Timeline of Movies - Horror
 

Recently uploaded

Housewife Call Girls Sonagachi - 8250192130 Booking and charges genuine rate ...
Housewife Call Girls Sonagachi - 8250192130 Booking and charges genuine rate ...Housewife Call Girls Sonagachi - 8250192130 Booking and charges genuine rate ...
Housewife Call Girls Sonagachi - 8250192130 Booking and charges genuine rate ...Riya Pathan
 
VIP Call Girls in Gulbarga Aarohi 8250192130 Independent Escort Service Gulbarga
VIP Call Girls in Gulbarga Aarohi 8250192130 Independent Escort Service GulbargaVIP Call Girls in Gulbarga Aarohi 8250192130 Independent Escort Service Gulbarga
VIP Call Girls in Gulbarga Aarohi 8250192130 Independent Escort Service GulbargaRiya Pathan
 
VIP Call Girls Service Banjara Hills Hyderabad Call +91-8250192130
VIP Call Girls Service Banjara Hills Hyderabad Call +91-8250192130VIP Call Girls Service Banjara Hills Hyderabad Call +91-8250192130
VIP Call Girls Service Banjara Hills Hyderabad Call +91-8250192130Suhani Kapoor
 
Kolkata Call Girl Bara Bazar 👉 8250192130 ❣️💯 Available With Room 24×7
Kolkata Call Girl Bara Bazar 👉 8250192130 ❣️💯 Available With Room 24×7Kolkata Call Girl Bara Bazar 👉 8250192130 ❣️💯 Available With Room 24×7
Kolkata Call Girl Bara Bazar 👉 8250192130 ❣️💯 Available With Room 24×7Riya Pathan
 
LE IMPOSSIBRU QUIZ (Based on Splapp-me-do)
LE IMPOSSIBRU QUIZ (Based on Splapp-me-do)LE IMPOSSIBRU QUIZ (Based on Splapp-me-do)
LE IMPOSSIBRU QUIZ (Based on Splapp-me-do)bertfelixtorre
 
ViP Call Girls In Udaipur 9602870969 Gulab Bagh Escorts SeRvIcE
ViP Call Girls In Udaipur 9602870969 Gulab Bagh Escorts SeRvIcEViP Call Girls In Udaipur 9602870969 Gulab Bagh Escorts SeRvIcE
ViP Call Girls In Udaipur 9602870969 Gulab Bagh Escorts SeRvIcEApsara Of India
 
Private Call Girls Bally - 8250192130 | 24x7 Service Available Near Me
Private Call Girls Bally - 8250192130 | 24x7 Service Available Near MePrivate Call Girls Bally - 8250192130 | 24x7 Service Available Near Me
Private Call Girls Bally - 8250192130 | 24x7 Service Available Near MeRiya Pathan
 
Air-Hostess Call Girls Shobhabazar | 8250192130 At Low Cost Cash Payment Booking
Air-Hostess Call Girls Shobhabazar | 8250192130 At Low Cost Cash Payment BookingAir-Hostess Call Girls Shobhabazar | 8250192130 At Low Cost Cash Payment Booking
Air-Hostess Call Girls Shobhabazar | 8250192130 At Low Cost Cash Payment BookingRiya Pathan
 
Beyond Bar & Club Udaipur CaLL GiRLS 09602870969
Beyond Bar & Club Udaipur CaLL GiRLS 09602870969Beyond Bar & Club Udaipur CaLL GiRLS 09602870969
Beyond Bar & Club Udaipur CaLL GiRLS 09602870969Apsara Of India
 
(DIVYA) Dhanori Call Girls Just Call 7001035870 [ Cash on Delivery ] Pune Esc...
(DIVYA) Dhanori Call Girls Just Call 7001035870 [ Cash on Delivery ] Pune Esc...(DIVYA) Dhanori Call Girls Just Call 7001035870 [ Cash on Delivery ] Pune Esc...
(DIVYA) Dhanori Call Girls Just Call 7001035870 [ Cash on Delivery ] Pune Esc...ranjana rawat
 
VIP Russian Call Girls Nanded Chhaya 8250192130 Independent Escort Service Na...
VIP Russian Call Girls Nanded Chhaya 8250192130 Independent Escort Service Na...VIP Russian Call Girls Nanded Chhaya 8250192130 Independent Escort Service Na...
VIP Russian Call Girls Nanded Chhaya 8250192130 Independent Escort Service Na...Riya Pathan
 
Call Girl Nashik Saloni 7001305949 Independent Escort Service Nashik
Call Girl Nashik Saloni 7001305949 Independent Escort Service NashikCall Girl Nashik Saloni 7001305949 Independent Escort Service Nashik
Call Girl Nashik Saloni 7001305949 Independent Escort Service NashikCall Girls in Nagpur High Profile
 
Call Girls Nikol 7397865700 Ridhima Hire Me Full Night
Call Girls Nikol 7397865700 Ridhima Hire Me Full NightCall Girls Nikol 7397865700 Ridhima Hire Me Full Night
Call Girls Nikol 7397865700 Ridhima Hire Me Full Nightssuser7cb4ff
 
Kolkata Call Girls Service +918240919228 - Kolkatanightgirls.com
Kolkata Call Girls Service +918240919228 - Kolkatanightgirls.comKolkata Call Girls Service +918240919228 - Kolkatanightgirls.com
Kolkata Call Girls Service +918240919228 - Kolkatanightgirls.comKolkata Call Girls
 
VIP Call Girls Bara Bazar - Phone No 8250192130 For Ultimate Sexual Urges
VIP Call Girls Bara Bazar - Phone No 8250192130 For Ultimate Sexual UrgesVIP Call Girls Bara Bazar - Phone No 8250192130 For Ultimate Sexual Urges
VIP Call Girls Bara Bazar - Phone No 8250192130 For Ultimate Sexual Urgesanamikaraghav4
 
(Dipika) Call Girls in Bangur ! 8250192130 ₹2999 Only and Free Hotel Delivery...
(Dipika) Call Girls in Bangur ! 8250192130 ₹2999 Only and Free Hotel Delivery...(Dipika) Call Girls in Bangur ! 8250192130 ₹2999 Only and Free Hotel Delivery...
(Dipika) Call Girls in Bangur ! 8250192130 ₹2999 Only and Free Hotel Delivery...Riya Pathan
 
Kolkata Call Girl Bagbazar 👉 8250192130 ❣️💯 Available With Room 24×7
Kolkata Call Girl Bagbazar 👉 8250192130 ❣️💯 Available With Room 24×7Kolkata Call Girl Bagbazar 👉 8250192130 ❣️💯 Available With Room 24×7
Kolkata Call Girl Bagbazar 👉 8250192130 ❣️💯 Available With Room 24×7Riya Pathan
 
Call Girls Service Bantala - Call 8250192130 Rs-3500 with A/C Room Cash on De...
Call Girls Service Bantala - Call 8250192130 Rs-3500 with A/C Room Cash on De...Call Girls Service Bantala - Call 8250192130 Rs-3500 with A/C Room Cash on De...
Call Girls Service Bantala - Call 8250192130 Rs-3500 with A/C Room Cash on De...anamikaraghav4
 
VIP Call Girls Nagpur Megha Call 7001035870 Meet With Nagpur Escorts
VIP Call Girls Nagpur Megha Call 7001035870 Meet With Nagpur EscortsVIP Call Girls Nagpur Megha Call 7001035870 Meet With Nagpur Escorts
VIP Call Girls Nagpur Megha Call 7001035870 Meet With Nagpur Escortsranjana rawat
 
Call Girl Nagpur Roshni Call 7001035870 Meet With Nagpur Escorts
Call Girl Nagpur Roshni Call 7001035870 Meet With Nagpur EscortsCall Girl Nagpur Roshni Call 7001035870 Meet With Nagpur Escorts
Call Girl Nagpur Roshni Call 7001035870 Meet With Nagpur EscortsCall Girls in Nagpur High Profile
 

Recently uploaded (20)

Housewife Call Girls Sonagachi - 8250192130 Booking and charges genuine rate ...
Housewife Call Girls Sonagachi - 8250192130 Booking and charges genuine rate ...Housewife Call Girls Sonagachi - 8250192130 Booking and charges genuine rate ...
Housewife Call Girls Sonagachi - 8250192130 Booking and charges genuine rate ...
 
VIP Call Girls in Gulbarga Aarohi 8250192130 Independent Escort Service Gulbarga
VIP Call Girls in Gulbarga Aarohi 8250192130 Independent Escort Service GulbargaVIP Call Girls in Gulbarga Aarohi 8250192130 Independent Escort Service Gulbarga
VIP Call Girls in Gulbarga Aarohi 8250192130 Independent Escort Service Gulbarga
 
VIP Call Girls Service Banjara Hills Hyderabad Call +91-8250192130
VIP Call Girls Service Banjara Hills Hyderabad Call +91-8250192130VIP Call Girls Service Banjara Hills Hyderabad Call +91-8250192130
VIP Call Girls Service Banjara Hills Hyderabad Call +91-8250192130
 
Kolkata Call Girl Bara Bazar 👉 8250192130 ❣️💯 Available With Room 24×7
Kolkata Call Girl Bara Bazar 👉 8250192130 ❣️💯 Available With Room 24×7Kolkata Call Girl Bara Bazar 👉 8250192130 ❣️💯 Available With Room 24×7
Kolkata Call Girl Bara Bazar 👉 8250192130 ❣️💯 Available With Room 24×7
 
LE IMPOSSIBRU QUIZ (Based on Splapp-me-do)
LE IMPOSSIBRU QUIZ (Based on Splapp-me-do)LE IMPOSSIBRU QUIZ (Based on Splapp-me-do)
LE IMPOSSIBRU QUIZ (Based on Splapp-me-do)
 
ViP Call Girls In Udaipur 9602870969 Gulab Bagh Escorts SeRvIcE
ViP Call Girls In Udaipur 9602870969 Gulab Bagh Escorts SeRvIcEViP Call Girls In Udaipur 9602870969 Gulab Bagh Escorts SeRvIcE
ViP Call Girls In Udaipur 9602870969 Gulab Bagh Escorts SeRvIcE
 
Private Call Girls Bally - 8250192130 | 24x7 Service Available Near Me
Private Call Girls Bally - 8250192130 | 24x7 Service Available Near MePrivate Call Girls Bally - 8250192130 | 24x7 Service Available Near Me
Private Call Girls Bally - 8250192130 | 24x7 Service Available Near Me
 
Air-Hostess Call Girls Shobhabazar | 8250192130 At Low Cost Cash Payment Booking
Air-Hostess Call Girls Shobhabazar | 8250192130 At Low Cost Cash Payment BookingAir-Hostess Call Girls Shobhabazar | 8250192130 At Low Cost Cash Payment Booking
Air-Hostess Call Girls Shobhabazar | 8250192130 At Low Cost Cash Payment Booking
 
Beyond Bar & Club Udaipur CaLL GiRLS 09602870969
Beyond Bar & Club Udaipur CaLL GiRLS 09602870969Beyond Bar & Club Udaipur CaLL GiRLS 09602870969
Beyond Bar & Club Udaipur CaLL GiRLS 09602870969
 
(DIVYA) Dhanori Call Girls Just Call 7001035870 [ Cash on Delivery ] Pune Esc...
(DIVYA) Dhanori Call Girls Just Call 7001035870 [ Cash on Delivery ] Pune Esc...(DIVYA) Dhanori Call Girls Just Call 7001035870 [ Cash on Delivery ] Pune Esc...
(DIVYA) Dhanori Call Girls Just Call 7001035870 [ Cash on Delivery ] Pune Esc...
 
VIP Russian Call Girls Nanded Chhaya 8250192130 Independent Escort Service Na...
VIP Russian Call Girls Nanded Chhaya 8250192130 Independent Escort Service Na...VIP Russian Call Girls Nanded Chhaya 8250192130 Independent Escort Service Na...
VIP Russian Call Girls Nanded Chhaya 8250192130 Independent Escort Service Na...
 
Call Girl Nashik Saloni 7001305949 Independent Escort Service Nashik
Call Girl Nashik Saloni 7001305949 Independent Escort Service NashikCall Girl Nashik Saloni 7001305949 Independent Escort Service Nashik
Call Girl Nashik Saloni 7001305949 Independent Escort Service Nashik
 
Call Girls Nikol 7397865700 Ridhima Hire Me Full Night
Call Girls Nikol 7397865700 Ridhima Hire Me Full NightCall Girls Nikol 7397865700 Ridhima Hire Me Full Night
Call Girls Nikol 7397865700 Ridhima Hire Me Full Night
 
Kolkata Call Girls Service +918240919228 - Kolkatanightgirls.com
Kolkata Call Girls Service +918240919228 - Kolkatanightgirls.comKolkata Call Girls Service +918240919228 - Kolkatanightgirls.com
Kolkata Call Girls Service +918240919228 - Kolkatanightgirls.com
 
VIP Call Girls Bara Bazar - Phone No 8250192130 For Ultimate Sexual Urges
VIP Call Girls Bara Bazar - Phone No 8250192130 For Ultimate Sexual UrgesVIP Call Girls Bara Bazar - Phone No 8250192130 For Ultimate Sexual Urges
VIP Call Girls Bara Bazar - Phone No 8250192130 For Ultimate Sexual Urges
 
(Dipika) Call Girls in Bangur ! 8250192130 ₹2999 Only and Free Hotel Delivery...
(Dipika) Call Girls in Bangur ! 8250192130 ₹2999 Only and Free Hotel Delivery...(Dipika) Call Girls in Bangur ! 8250192130 ₹2999 Only and Free Hotel Delivery...
(Dipika) Call Girls in Bangur ! 8250192130 ₹2999 Only and Free Hotel Delivery...
 
Kolkata Call Girl Bagbazar 👉 8250192130 ❣️💯 Available With Room 24×7
Kolkata Call Girl Bagbazar 👉 8250192130 ❣️💯 Available With Room 24×7Kolkata Call Girl Bagbazar 👉 8250192130 ❣️💯 Available With Room 24×7
Kolkata Call Girl Bagbazar 👉 8250192130 ❣️💯 Available With Room 24×7
 
Call Girls Service Bantala - Call 8250192130 Rs-3500 with A/C Room Cash on De...
Call Girls Service Bantala - Call 8250192130 Rs-3500 with A/C Room Cash on De...Call Girls Service Bantala - Call 8250192130 Rs-3500 with A/C Room Cash on De...
Call Girls Service Bantala - Call 8250192130 Rs-3500 with A/C Room Cash on De...
 
VIP Call Girls Nagpur Megha Call 7001035870 Meet With Nagpur Escorts
VIP Call Girls Nagpur Megha Call 7001035870 Meet With Nagpur EscortsVIP Call Girls Nagpur Megha Call 7001035870 Meet With Nagpur Escorts
VIP Call Girls Nagpur Megha Call 7001035870 Meet With Nagpur Escorts
 
Call Girl Nagpur Roshni Call 7001035870 Meet With Nagpur Escorts
Call Girl Nagpur Roshni Call 7001035870 Meet With Nagpur EscortsCall Girl Nagpur Roshni Call 7001035870 Meet With Nagpur Escorts
Call Girl Nagpur Roshni Call 7001035870 Meet With Nagpur Escorts
 

Codal Analysis

  • 1. Codal Analysis By George Ring
  • 2. Codal Analysis For the following Codal Analysis, I will be taking three film openings from my chosen genre – horror, and looking at the different codes and conventions for the topics.. • Visual • Audio • Technical • Narrative • Enigma The three I have chosen are, The Woman in Black
  • 3. THE WOMAN IN BLACK
  • 4. Visual Codes • At the beginning of the film opening. They portray some clips of a childs tea party. We know it is a tea party through the different shots on the porcelain tea sets and props such as the childrens toys. The teddy bears also conform to this child like play, however it is the next shots which subvert this. The audience is then shown the children walking over and breaking the cups. This subverts the previous scene and expectations as it is a complete change in character. • The location is set in a victorian styled house which makes it out to be old, and sets the era of the film. We see this by the old furniture and the high ceilings. • The costumes of the characters and the dark lighting also appear to the audience as being very bland and dull.
  • 5. Audio Codes • Throughout the film opening. We are played mostly non-diegetic music behind the clips. It is a quite sinister, creepy tune and is played continuously. This adds to the creepy effect on the audience and also conforms to the horror genre. • The only piece of dialogue we hear stands out and is extremely effective. The loud scream at the end of the clip shows emotion while is effective because it is the only dialogue used. Its emotions conform to the genre and links to the silent clips the audience see. • There are also sound effects which are added in, to enhance the effect of certain scenes of the clip. For example, the smashing of the porcelain.
  • 6. Technical Codes • The use of the different close ups add to the sinister feeling the scene gives off, which emphasise that it is a children's party. This is through the use of props, they are feeding it to the toys and there is no water in the mugs. After this, we see we see a tracking shot of the children getting up and walking towards the window. While they are doing see, we see a range of tilt and tracking shots. The tracking shot follows them walking to the windows, while the tilt follow the items they are dropping on the floor. • At the end of the clip there is a final shot which zooms out from the window to show the room getting bigger, and a final shot showing there is no longer anybody there. This makes it seem as though the girls are drifting away from the audience as they have died. • There are also high angle shots used in the room to make the girls appear vulnerable and susceptible to danger.
  • 7. Narrative Code • In this film opening, the narrative is not shown clearly. Although the emotions that come off from the scenes display a general idea of horror. At the beginning of the clip, there appears to be nothing wrong as the girls are playing with their dolls. Then, the atmosphere changes as the music follows when the girls look directly at a subject we cannot see. It appears that something has possessed them into doing so as they break their toys and simultaneously walk towards the window and jump it.
  • 8. Enigma Code • There are a few strong enigma codes in the opening scene of the film that lead the audience to questioning what is going on. Firstly, we see the girls playing with the dolls without talking to one another. Why are they doing so? The lack of communication in the opening scene appear sinister. • Then, towards the middle of the clip. We see the three girls look towards the corner of the room, however the subject is not shown in the frame. This leads the audience questioning who it was they looked at? Why did it change their mood so rapidly and cause them to jump out of the window?
  • 10. Visual Codes • The use of the telephone prop is iconic in this film opening as it takes something that everyone owns and transforms it into something creepy, conforming the horror genre. • The setting is in a large, American styled home which is open plan. This makes it scary as there are no separate rooms that are closed off by doors and therefore there are no places to hide. • She is running around, which amounts to the fear among the audience. She is clearly disturbed by the man behind the phone as he knows who she is and information about her boyfriend.
  • 11. Audio Codes • Suspense is built in the film opening mainly by the diegetic dialogue the man says on the phone. His word choice such as ‘I want to know who I’m looking at’ builds tension as it shows he’s around her. • When the tension builds and the man hints at the prospect he could be outside, there are noises such as a dog barking which usually happens when they are disturbed. • The crickets symbolise isolation as they show she is alone. • The door bell adds tension as it makes the audience question. • When the female then gets scared, tension and fear is built by the tone in her voice and her increasing anger. At the beginning of the film opening, the mood is relaxed as the girl is doing her day to day jobs… however, when the phone continues to ring, her mood is enhanced through the anger and build up of the non-diegetic horror sound in the background.
  • 12. Technical Codes • There are a range of different close ups in the film opening. Such as at the beginning, when the girl is doing normal things, such as the popcorn. We also see close ups of the girl picking up the phone which is symbolic in the film opening as it is the crisis. It subverts what we would expect of the norm of answering a phone. • We also see reaction shots of the girls face as her tension builds and she becomes more panicked. • There are tracking shots showing her tension as she runs across the house in a place to escape.
  • 13. Narrative Codes • In this film opening, the narrative is shown clearly as we are shown a crisis and given details into the characters. It is also clear what is going on as the character is in fear of being stalked. There is just a linear narrative as there is one storyline, although it pans out to include her boyfriend and brings other characters into her crisis. The atmosphere is calm at the beginning of the opening, then at the end it is rapid as the fear of the character is at its peak.
  • 14. Enigma Codes • In the film opening, there are many enigma codes present which lead the audience asking questions and entices them to continue watching. These include… • Who is the man behind the phone? • Why does he want to harass her? • Who is her boyfriend? • How does he know who she is? • What happens next? • These questions leave unanswered strings as the audience can relate to the protagonist, they want to watch on and find out what happens.
  • 16. Visual Codes • Throughout the opening, the whole of it is filmed on the plane which makes it the setting. There is a lot of iconography that follows with this which is highlighted through certain camera shots, such as, the windows and the air hostess outfits. • The costumes and makeup are all normal day to day clothing, until the plane crash happens and they all have blood on their face. This makeup subverts what we saw at the beginning and conforms to the horror genre.
  • 17. Audio Codes • When the plane is about to take off. We hear the diegetic sounds of the plane and what we would normally hear. There is no non-diegetic music playing in the background, however there is dialogue of people talking on the plane. • Next, as soon as the plane is malfunctioning, the fear and atmosphere is enhanced through a range of different sounds such as the beeping which suggest something is wrong. After this, music is built up which creates fear.
  • 18. Technical Codes • Throughout this film opening, most of the shot types are medium close ups as all of the passengers are sat down. At the beginning, we can an over the shoulder shot of the man looking out of the window. We also get a extreme long shot of the plane on the run way. • All of the shots are placed at a high angle to look down at the characters and show how vulnerable they are. • At the end we get a reaction shot to show the fear and emotions of the protagonist, we know it is him as he gets the most airtime.
  • 19. Narrative Code • The main narrative code in this film opening is shown when the disruption of the equilibrium occurs. When the plane takes off, all is fine, until after when they start rapidly descending. Then when this happens we see the plane is going to crash. Then at the end, we see him blink as it was only a premonition of what was about to follow.
  • 20. Enigma Codes • Throughout this film opening, the main enigma code that arises is about the ending when it was all just a vision. Therefore the main question for the audience is what is this premonition? • Why does he get them and was able to see into the future? • Also, another of the main questions is why was the plane about to crash?