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Bear in mind what you learned about Imagism as you answer
one of the following questions geared towards showcasing what
you've learned about this aspect of the Modernist movement.
NO OUTSIDE SOURCES may be used for this and other
discussion posts.
1) Pound’s definition of the image was “that which presents an
intellectual and emotional complex in an instant of time." How
does "In a Station at the Metro" fall in line with this definition?
What is the intellectual and emotional complex being presented
here?
2) If Imagist poetry deals with fleeting associations, what role
is Helen as a figure playing in this poem? What revisions are
being made to the myth in terms of how Helen is represented?
3) William Carlos Williams is famous for turning ordinary
objects into poetic subjects with meaning. How does he
accomplish this in “The Red Wheelbarrow”? What overall tone
or feeling are you left with at the end of this? How does “The
Red Wheelbarrow” work within the scope of Imagism?

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