1. Castanets, Maracas and Flamenco - Faculty Tunes Tours to
Spain
There have been, and proceed to be, many contributors from other areas and other nations
around the world. Most notably Latin America and Cuba.
Formerly, Flamenco was the music of the Andalucian gypsies. And, understandably, people
who grew up all over them had been called "Flamencos."
Just as this style of Spanish new music was outcome of generations of affect and "cross
pollination" by and from Byzantine and Moorish influences, the same is accurate for the
evolution of the Spanish Guitar.
Cross Pollination
Immediately after the Islamic invasion of Spain in 711, the area of what we currently know as
Cordoba, turned a center for Islamic musicians. Who have been naturally affected by the
community new music. The 1st period of the guitars' evolution was the addition of a fifth
string to the Islamic Oud. The resulting instrument was the Andalucian "Nuba." A lot more
normally referred to as the "Moorish Guitar."
Ages later on, elements of this instrument mixed with the European Lute and the Guitar
Latina produced the Vihuela. This became the basis for the Baroque guitar, which, in turn,
morphed into the Traditional guitar. Finally, the Flamenco guitar was born. A variation of it
really is Traditional "cousin."
A Quantum Leap
While it's usually challenging to say precisely when a distinct model or from of new music
"began" - it is safe to say that that the arrival of Carlos Montoya was a substantial milestone.
Montoya, a gypsy, who couldn't examine or write songs, started doing in cafes when he was
only 14 many years old. At that time, the guitar was regarded only as an accompanying
instrument. It was Montoya's talent, both equally as a artist and a composer that would
elevate the guitar, and it's new music to foreground status.
Durng the 20's and 30's Montoya toured the World, often accompanying popular dancers,
such as La Argentina. Following the Second Planet War, now based mostly in New York,
Montoya continuing to fill concert halls(which include the Houston Astrodome!) increasing his
repertoire(and that of new Spanish Flamenco audio) to include things like jazz, folk and
blues.
Passing the Torch

2. Montoya's accomplishments paved the way for all potential Flamenco guitarists. The most
celebrated modern-day one particular staying, of program, Paco de Lucia. Like, Montoya,
Paco also began his qualified job at an early age, and also by accompanying dancers and
singers. His 1st important specialist accomplishment was accompanying the Legendary
Flamenco singer Carmen De La Istra for 8 a long time. Paco carries on to lead to the
evolution of Spanish audio with his performances and compositions which, like Montoya,
freely include jazz, pop, rock, folk, blues and classical influences.
The Modern day Scene
Today, it is Paco, the inheritor of Montoya's tradition, who is the inspiration and reference for
the present era of Spanish Flamenco guitarists. Jesse Cook dinner, the energetic Canadian.
Oscar Lopez. Lawson Rollins. Miguel de La Bastide. Jose Encinas. And, of study course,
Santiago Cortez. Like Paco, Santiago seamlessly blends the tunes of many cultures and
traditions, in a way that is usually familiar, but under no circumstances by-product. His two
fantastic strengths are the excellent of his compositions, and his extraordinary present for
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