Successfully reported this slideshow.
We use your LinkedIn profile and activity data to personalize ads and to show you more relevant ads. You can change your ad preferences anytime.

Kd fitc2018 main_final

126 views

Published on

Kate Dawkins
Kate Dawkins Studio

Overview

Currently spending several weeks on-site rehearsing our latest project, Kate will be sharing stories literally from the front line. From the daily challenges of managing expectations, to the highs and lows of seeing the project come to life.

Published in: Design
  • Be the first to comment

  • Be the first to like this

Kd fitc2018 main_final

  1. 1. Hello Hallo Hi!
  2. 2. World War 1 Fast & Furious
 Live to
  3. 3. Influences
  4. 4. Find a way that’s 
 achievable for you
  5. 5. Why am I here ?
  6. 6. Passchendaele
  7. 7. Project 
 considerations Project 
 considerations
  8. 8. The constant connection between the live performance 
 and projection Break away from normal building projection style 
 and attitude Be sympathetic and engaging to both the audience at 
 the event and those watching the live broadcast Realism of the history, not theatre Highs and lows, large and small Project 
 considerations Project 
 considerations
  9. 9. Projection
 mapping
  10. 10. Projection
 mapping Should be Sensitive Touching Surprising Beautiful Respectful Thought-provoking Appropriate Connected Memorable Should not be Gimmicky Inappropriate Throw-away Meaningless
  11. 11. Perspective and scale
  12. 12. photos/letters/poetry
  13. 13. photos/letters/poetry
  14. 14. Archive imagery
  15. 15. Supporting live performance
  16. 16. Supporting live performance
  17. 17. Supporting live performance
  18. 18. Supporting live performance
  19. 19. Fast & Furious Live
  20. 20. Project 
 considerations Project 
 considerations
  21. 21. Integration of film clips, moving from real world to the 
 FF Live world Realistic or style of the set pieces
 Lighting of objects 
 The Fast and Furious brand Speed, strength and style Pulse-pounding and jaw-dropping Global Project 
 considerations Project 
 considerations
  22. 22. Our route
  23. 23. Perspective issues
  24. 24. Perspective issues
  25. 25. Collaboration
  26. 26. Content 
 Designer/Director
  27. 27. Choreographer Hair and Makeup Animation Team Content 
 Designer/Director Prop Designer
  28. 28. Script Writer Choreographer Costume 
 Designers Actors/ Artists Creative
 Director Hair and Makeup Show Producer Animation Team AV Suppliers Content 
 Designer/Director Sound 
 Designer Lighting Director Prop Designer Artistic
 Director Set 
 Designer Stage Managers AV Programmers
  29. 29. Script Writer Choreographer Costume 
 Designers Actors/ Artists Creative
 Director Hair and Makeup Content 
 Producer Show Producer Animation Team AV Suppliers Content 
 Designer/Director Technical Director Sound 
 Designer Lighting Director Prop Designer Artistic
 Director Set 
 Designer Stage Managers Show Caller AV Programmers
  30. 30. Script Writer Choreographer Costume 
 Designers Actors/ Artists Creative
 Director Hair and Makeup Content 
 Producer Show Producer Animation Team AV Suppliers Content 
 Designer/Director Technical Director Sound 
 Designer Lighting Director Prop Designer Artistic
 Director Set 
 Designer Stage Managers Show Caller AV Programmers
  31. 31. Kate Dawkins
 Studio
  32. 32. Kate Dawkins
 Studio dandelion + burdock
  33. 33. Kate Dawkins
 Studio Talented individualsdandelion + burdock
  34. 34. Kate Dawkins
 Studio Talented individualsdandelion + burdock Technology companies
  35. 35. Kate Dawkins
 Studio Talented individualsdandelion + burdock Technology companies Agencies/clients
  36. 36. The greatest danger for 
 most of us is not that our aim 
 is too high and we miss it.
 But that it’s too low and 
 we reach it.
  37. 37. Thank you

×