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Kd fitc2018 main_final
This document discusses the planning and considerations for a live performance and projection mapping project about World War 1. It addresses integrating archive imagery and film clips to support the live performance in a sensitive way that is respectful, thoughtful, and connected to the history while also being engaging. It also mentions collaborating with various creative roles to achieve the goals of making the projections realistic but not theatrical, capturing both the highs and lows of the war, and leaving the audience with a memorable experience.
Kd fitc2018 main_final
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- 9. World War 1Fast & Furious Live to
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- 45. Find a waythat’s achievable for you
- 51. Why am Ihere ?
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- 70. The constant connectionbetween the live performance and projection Break away from normal building projection style and attitude Be sympathetic and engaging to both the audience at the event and those watching the live broadcast Realism of the history, not theatre Highs and lows, large and small Project considerations Project considerations
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- 72. Projection mapping Should be Sensitive Touching Surprising Beautiful Respectful Thought-provoking Appropriate Connected Memorable Should notbe Gimmicky Inappropriate Throw-away Meaningless
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- 116. Integration of filmclips, moving from real world to the FF Live world Realistic or style of the set pieces Lighting of objects The Fast and Furious brand Speed, strength and style Pulse-pounding and jaw-dropping Global Project considerations Project considerations
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- 152. Script Writer Choreographer Costume Designers Actors/ Artists Creative Director Hair and Makeup Show Producer Animation Team AV Suppliers Content Designer/Director Sound Designer Lighting Director Prop Designer Artistic Director Set Designer Stage Managers AV Programmers
- 153. Script Writer Choreographer Costume Designers Actors/ Artists Creative Director Hair and Makeup Content Producer Show Producer Animation Team AV Suppliers Content Designer/Director Technical Director Sound Designer Lighting Director Prop Designer Artistic Director Set Designer Stage Managers Show Caller AV Programmers
- 154. Script Writer Choreographer Costume Designers Actors/ Artists Creative Director Hair and Makeup Content Producer Show Producer Animation Team AV Suppliers Content Designer/Director Technical Director Sound Designer Lighting Director Prop Designer Artistic Director Set Designer Stage Managers Show Caller AV Programmers
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- 158. Kate Dawkins Studio Talented individualsdandelion+ burdock Technology companies
- 159. Kate Dawkins Studio Talented individualsdandelion+ burdock Technology companies Agencies/clients
- 160. The greatest dangerfor most of us is not that our aim is too high and we miss it. But that it’s too low and we reach it.
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