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FRIEDENSREICH HUNDERTWASSER
1928-2000
AUSTRIAN - TRANSAUTOMATISM
Hundertwasser shares his thoughts:
Paintings for me are gateways, which enable me, if I have been successful, to
open them into a world which is both near and far for us, to which we have no
admission, in which we find ourselves, but which we cannot perceive, which is
against the real world
And so I have succeeded in throwing windows open
How I succeeded is difficult to explain
On no account by force, nor by calculation, nor by intelligence, nor necessarily
by intuition, but almost as though sleep-walking.
That means keeping oneself ready
That means eliminating the will, eliminating the intelligence, eliminating
"wanting to do better", eliminating ambition
I should perhaps like to be known as the magician of vegetation or something
similar. We are in need of magic
I fill a picture until it is full with magic, as one fills up a glass with water
Everything is so infinitely simple, so infinitely beautiful.
Transautomatism
Transautomatism is a modern style of painting,
founded by Friedensreich Hundertwasser. It is a kind
of surrealism, focusing on the viewer's fantasy
rather than an objective interpretation. Different
people see different things in the same picture. The
artist's intention is less pertinent to the end
experience, therefore, than how the viewer chooses
to interpret it. Transautomatism is based on the
different styles which Hundertwasser developed,
e.g. spirals and 'drops'.
Transautomatism is about Hundertwasser's theory
that straight lines are 'godless and immoral'. That as
humans we have lost our connection to the organic
geometry of nature by forcing ourselves to exist in
boxes as homes. He believed in the fluidity of line
and shape hence his architectural and painting style.
Being educated in a Montessori school his self-
directed learning came from nature and therefore
his drive to return to color and organic states.
DISTRICT HEATING PLANT
VIENNA, AUSTRIA
GRUNE ZITADELLE (GREEN CITADEL)
MAGDEBURG, GERMANY
WALDSPIRALE (FOREST SPIRAL)
DARMSTADT, GERMANY
THE I STILL DO NOT KNOW
1960
HOUSES IN RAIN OF BLOOD
1961
HOUSE AND SPIRAL IN THE RAIN
1962
SUNSET	
1966
KINGDOM OF THE TORO	
1968
A RAINY DAY WITH WALTER KAMPMANN
1969
EXODUS INTO SPACE
1971
EYE BALANCE NUMBER FIVE
1971
IRINALAND OVER THE BALKANS
1971
IT HURTS TO WAIT WITH LOVE IF LOVE IS SOMEWHERE ELSE
1971
GREEN TOWN
1978
CITY VIEW
1994
OTHER PROJECTS:
TOYS, PORCELAIN, KITES, TAPESTRY, GRAPHIC DESIGN, ECOLOGY & INVENTION

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Hundertwasser

  • 2. Hundertwasser shares his thoughts: Paintings for me are gateways, which enable me, if I have been successful, to open them into a world which is both near and far for us, to which we have no admission, in which we find ourselves, but which we cannot perceive, which is against the real world And so I have succeeded in throwing windows open How I succeeded is difficult to explain On no account by force, nor by calculation, nor by intelligence, nor necessarily by intuition, but almost as though sleep-walking. That means keeping oneself ready That means eliminating the will, eliminating the intelligence, eliminating "wanting to do better", eliminating ambition I should perhaps like to be known as the magician of vegetation or something similar. We are in need of magic I fill a picture until it is full with magic, as one fills up a glass with water Everything is so infinitely simple, so infinitely beautiful.
  • 3. Transautomatism Transautomatism is a modern style of painting, founded by Friedensreich Hundertwasser. It is a kind of surrealism, focusing on the viewer's fantasy rather than an objective interpretation. Different people see different things in the same picture. The artist's intention is less pertinent to the end experience, therefore, than how the viewer chooses to interpret it. Transautomatism is based on the different styles which Hundertwasser developed, e.g. spirals and 'drops'. Transautomatism is about Hundertwasser's theory that straight lines are 'godless and immoral'. That as humans we have lost our connection to the organic geometry of nature by forcing ourselves to exist in boxes as homes. He believed in the fluidity of line and shape hence his architectural and painting style. Being educated in a Montessori school his self- directed learning came from nature and therefore his drive to return to color and organic states.
  • 5. GRUNE ZITADELLE (GREEN CITADEL) MAGDEBURG, GERMANY
  • 7. THE I STILL DO NOT KNOW 1960
  • 8. HOUSES IN RAIN OF BLOOD 1961
  • 9. HOUSE AND SPIRAL IN THE RAIN 1962
  • 11. KINGDOM OF THE TORO 1968
  • 12. A RAINY DAY WITH WALTER KAMPMANN 1969
  • 14. EYE BALANCE NUMBER FIVE 1971
  • 15. IRINALAND OVER THE BALKANS 1971
  • 16. IT HURTS TO WAIT WITH LOVE IF LOVE IS SOMEWHERE ELSE 1971
  • 19. OTHER PROJECTS: TOYS, PORCELAIN, KITES, TAPESTRY, GRAPHIC DESIGN, ECOLOGY & INVENTION