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DREXEL UNIVERSITY
 Marian Stewart - Presenter/Candidate




 PART 1 - The Drexel Concert Band
  Somewhere by Bernstein/Bocook
What are outstanding musical issues that you would
fix and what techniques would you employ?



  Trumpet Solo/Accompaniment

  Ensemble Sound

  Intonation

  Balance

  Precision - particularly ends of phrases
What are outstanding musical issues that you would
fix and what techniques would you employ?



  Trumpet Solo/Accompaniment

  Ensemble Sound

  Intonation

  Balance

  Precision - particularly ends of phrases
What points of musical interpretation would you do
differently?




   Phrasing - Lead to climax of phrase

   Articulation - More connected in the brass

   Transitions

   Releases
What points of musical interpretation would you do
differently?




   Phrasing - Lead to climax of phrase

   Articulation - More connected in the brass

   Transitions

   Releases
Interpretation continued




Transitions

Releases
Interpretation continued




Transitions

Releases
Due to Drexel's co-op cycles there is actually a fairly large
turnover in spring and in essence a different band from what
you would have fall and winter terms? How do you handle
such a turnover and try to maintain musical consistency from
winter to spring?




  Focus on concepts that carry through the entire
  ensemble.

  Schedule?

  Outside help?
PART 2

         Rutgers Wind Ensemble
The Beethoven Machine by Michael Colgrass
What was your initial concept for the piece?



  General approach to score study

  Beethoven’s Sonatina in G

  Playful “Children’s Orchestra” in contrast to the
  “Adult Orchestra”

  “The Machine” as it related to the Children’s
  Orchestra

  Accessible quality music
What were the conducting challenges you faced and
how did you overcome them?




  Smooth transitions

  Sparse scoring

  Tempo from A section to B section - 2 or 4?
Having hind-sight, is there anything you would do
differently? Why?




  Focus on melody rather than the contrast

  Recording session
Are there any demonstrations or results of
  techniques in this piece that would demonstrate how
  you could improve upon the performance of
  Somewhere?

Transitions   Releases     Playing within the
                                 sound
Are there any demonstrations or results of
  techniques in this piece that would demonstrate how
  you could improve upon the performance of
  Somewhere?

Transitions   Releases     Playing within the
                                 sound

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Drexel

  • 1. DREXEL UNIVERSITY Marian Stewart - Presenter/Candidate PART 1 - The Drexel Concert Band Somewhere by Bernstein/Bocook
  • 2. What are outstanding musical issues that you would fix and what techniques would you employ? Trumpet Solo/Accompaniment Ensemble Sound Intonation Balance Precision - particularly ends of phrases
  • 3. What are outstanding musical issues that you would fix and what techniques would you employ? Trumpet Solo/Accompaniment Ensemble Sound Intonation Balance Precision - particularly ends of phrases
  • 4. What points of musical interpretation would you do differently? Phrasing - Lead to climax of phrase Articulation - More connected in the brass Transitions Releases
  • 5. What points of musical interpretation would you do differently? Phrasing - Lead to climax of phrase Articulation - More connected in the brass Transitions Releases
  • 8. Due to Drexel's co-op cycles there is actually a fairly large turnover in spring and in essence a different band from what you would have fall and winter terms? How do you handle such a turnover and try to maintain musical consistency from winter to spring? Focus on concepts that carry through the entire ensemble. Schedule? Outside help?
  • 9. PART 2 Rutgers Wind Ensemble The Beethoven Machine by Michael Colgrass
  • 10. What was your initial concept for the piece? General approach to score study Beethoven’s Sonatina in G Playful “Children’s Orchestra” in contrast to the “Adult Orchestra” “The Machine” as it related to the Children’s Orchestra Accessible quality music
  • 11. What were the conducting challenges you faced and how did you overcome them? Smooth transitions Sparse scoring Tempo from A section to B section - 2 or 4?
  • 12.
  • 13.
  • 14. Having hind-sight, is there anything you would do differently? Why? Focus on melody rather than the contrast Recording session
  • 15. Are there any demonstrations or results of techniques in this piece that would demonstrate how you could improve upon the performance of Somewhere? Transitions Releases Playing within the sound
  • 16. Are there any demonstrations or results of techniques in this piece that would demonstrate how you could improve upon the performance of Somewhere? Transitions Releases Playing within the sound