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Post Graduate Diploma in Professional Media Practice   An introduction to PRACTICAL CONTENT  PRODUCTION By David Crossman DGGB LRPS AHEA
Post Graduate Diploma in Professional Media Practice
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Post Graduate Diploma in Professional Media Practice
Post Graduate Diploma in Professional Media Practice   ,[object Object]
Post Graduate Diploma in Professional Media Practice   ,[object Object],[object Object]
Post Graduate Diploma in Professional Media Practice   ,[object Object],[object Object],[object Object]
Post Graduate Diploma in Professional Media Practice   ,[object Object],[object Object],[object Object],[object Object]
Post Graduate Diploma in Professional Media Practice   ,[object Object],[object Object],[object Object],[object Object],[object Object]
Post Graduate Diploma in Professional Media Practice
Post Graduate Diploma in Professional Media Practice   2. The programme stream in reverse – from TV display to original capture
Post Graduate Diploma in Professional Media Practice   2. The programme stream in reverse – from TV display to original capture
Post Graduate Diploma in Professional Media Practice   2. The programme stream in reverse – from TV display to original capture
Post Graduate Diploma in Professional Media Practice   2. The programme stream in reverse – from TV display to original capture
Post Graduate Diploma in Professional Media Practice   2. The programme stream in reverse – from TV display to original capture
Post Graduate Diploma in Professional Media Practice   Single Camera Technique
Post Graduate Diploma in Professional Media Practice   3.  Single-camera Production – the economics and benefits in flexibility  Suitable for scripted documentary programmes Uses a portable camera, small sound mixer – all battery-operated – and a small crew plus talent Basic crew of cameraman, sound mixer, boom operator plus Producer/ Director, researcher/location fixer, etc. Post Production - editing - is complex in integrating titles, graphics, music, narrator’s voice-over, picture “grading”, final sound mixing - and a large degree of creative flexibility is possible after shooting Per day cost of equipment hire and crew is greatly less than multi-camera production
Post Graduate Diploma in Professional Media Practice
Post Graduate Diploma in Professional Media Practice   Multi-Camera Technique
Post Graduate Diploma in Professional Media Practice   Multi-Camera Technique
Post Graduate Diploma in Professional Media Practice   Multi-Camera Technique
Post Graduate Diploma in Professional Media Practice   Multi-Camera Technique
Post Graduate Diploma in Professional Media Practice   Multi-Camera Technique
Post Graduate Diploma in Professional Media Practice   Multi-Camera Technique
Post Graduate Diploma in Professional Media Practice   David Crossman DGGB AHEA LRPS [email_address] 07973 664189

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Presentation for Newbys to Production

  • 1. Post Graduate Diploma in Professional Media Practice An introduction to PRACTICAL CONTENT PRODUCTION By David Crossman DGGB LRPS AHEA
  • 2. Post Graduate Diploma in Professional Media Practice
  • 3.
  • 4.
  • 5.
  • 6.
  • 7.
  • 8. Post Graduate Diploma in Professional Media Practice
  • 9.
  • 10.
  • 11.
  • 12.
  • 13.
  • 14. Post Graduate Diploma in Professional Media Practice
  • 15. Post Graduate Diploma in Professional Media Practice 2. The programme stream in reverse – from TV display to original capture
  • 16. Post Graduate Diploma in Professional Media Practice 2. The programme stream in reverse – from TV display to original capture
  • 17. Post Graduate Diploma in Professional Media Practice 2. The programme stream in reverse – from TV display to original capture
  • 18. Post Graduate Diploma in Professional Media Practice 2. The programme stream in reverse – from TV display to original capture
  • 19. Post Graduate Diploma in Professional Media Practice 2. The programme stream in reverse – from TV display to original capture
  • 20. Post Graduate Diploma in Professional Media Practice Single Camera Technique
  • 21. Post Graduate Diploma in Professional Media Practice 3. Single-camera Production – the economics and benefits in flexibility Suitable for scripted documentary programmes Uses a portable camera, small sound mixer – all battery-operated – and a small crew plus talent Basic crew of cameraman, sound mixer, boom operator plus Producer/ Director, researcher/location fixer, etc. Post Production - editing - is complex in integrating titles, graphics, music, narrator’s voice-over, picture “grading”, final sound mixing - and a large degree of creative flexibility is possible after shooting Per day cost of equipment hire and crew is greatly less than multi-camera production
  • 22. Post Graduate Diploma in Professional Media Practice
  • 23. Post Graduate Diploma in Professional Media Practice Multi-Camera Technique
  • 24. Post Graduate Diploma in Professional Media Practice Multi-Camera Technique
  • 25. Post Graduate Diploma in Professional Media Practice Multi-Camera Technique
  • 26. Post Graduate Diploma in Professional Media Practice Multi-Camera Technique
  • 27. Post Graduate Diploma in Professional Media Practice Multi-Camera Technique
  • 28. Post Graduate Diploma in Professional Media Practice Multi-Camera Technique
  • 29. Post Graduate Diploma in Professional Media Practice David Crossman DGGB AHEA LRPS [email_address] 07973 664189