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Music Industry
      The Record Producer



              Chris Baker
www.musicstudentinfo.com
Record Producer
 Introduction

 A music record producer’ role is to organise the
 several elements that need to be combined in order
 to bring a music recording session to a successful
 conclusion
Essential requirements

Substantial finance
A song or piece of music
Copyright clearance
Performance
Recording equipment
Technical assistance
A recording venue, studio or hall
Personal qualities

The aim of a producer is to produce a recording that will appeal
to many thousands of paying customers.

They require:

Good judgement
An understanding of the type of music
Awareness of current trends in the industry
Cognizance of the market
Personal qualities cont.

A good ‘ear’ for a tune
Able to combine the ingredients so that the recording stands out
from similar current recordings
Knowledge of recording equipment
Understanding of legal matters
A good organiser
Ideas for fresh sounds & Interesting arrangements
Technology

With today's technology a music can try out ideas inexpensively
with a home midi studio.
Production is about enabling people to give their best

A producer therefore needs:

Good interpersonal skills
A good deal of patience
Enthusiasm
Production
• When working with an established band, a producer works
  closely with the performers, ideally working as another
  creative member of the band.
• If an experienced ‘act’ has been assigned by the record
  company to the producer, the producer should play an
  active role in advising and developing the performers.
Production cont’d
• Meeting performers before a recording before a recording
  session will enable the producer to:
• Judge the musical abilities of band members
• Assess their temperaments
• Determine hoe strongly they feel about musical issues
Producer etiquette


Band ideas should be tried and discussed but sometimes the
producer will have to tactfully insist on a course of action.

During the mix a producer will also work closely with a sound
engineer and should be aware of their objectives
Working practice
They will:

Use the expertise of the engineer
Incorporate most suggestions from the source
Not interfere with the operations of that source
Only overrule the engineer if necessary
Budgeting Questions
Before making a commitment the producer will need to evaluate several factors, for
example:

1.Can the ‘writers’ consent to a commercial recording?
2.How much studio time will be required?
3.Will there be a mixdown session?
4.How long will it take?
5.Will session musicians be needed?
6.Will backing vocalists be needed?
7.Will the studio facilities be adequate?
Budgeting cont’d
• Will specialist equipment have to be hired?
• Who will do the mixing?
• Should an arranger be engaged?
Okay Go!
Lets record…………

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The Essential Role of the Record Producer

  • 1. Music Industry The Record Producer Chris Baker www.musicstudentinfo.com
  • 2. Record Producer Introduction A music record producer’ role is to organise the several elements that need to be combined in order to bring a music recording session to a successful conclusion
  • 3. Essential requirements Substantial finance A song or piece of music Copyright clearance Performance Recording equipment Technical assistance A recording venue, studio or hall
  • 4. Personal qualities The aim of a producer is to produce a recording that will appeal to many thousands of paying customers. They require: Good judgement An understanding of the type of music Awareness of current trends in the industry Cognizance of the market
  • 5. Personal qualities cont. A good ‘ear’ for a tune Able to combine the ingredients so that the recording stands out from similar current recordings Knowledge of recording equipment Understanding of legal matters A good organiser Ideas for fresh sounds & Interesting arrangements
  • 6. Technology With today's technology a music can try out ideas inexpensively with a home midi studio. Production is about enabling people to give their best A producer therefore needs: Good interpersonal skills A good deal of patience Enthusiasm
  • 7. Production • When working with an established band, a producer works closely with the performers, ideally working as another creative member of the band. • If an experienced ‘act’ has been assigned by the record company to the producer, the producer should play an active role in advising and developing the performers.
  • 8. Production cont’d • Meeting performers before a recording before a recording session will enable the producer to: • Judge the musical abilities of band members • Assess their temperaments • Determine hoe strongly they feel about musical issues
  • 9. Producer etiquette Band ideas should be tried and discussed but sometimes the producer will have to tactfully insist on a course of action. During the mix a producer will also work closely with a sound engineer and should be aware of their objectives
  • 10. Working practice They will: Use the expertise of the engineer Incorporate most suggestions from the source Not interfere with the operations of that source Only overrule the engineer if necessary
  • 11. Budgeting Questions Before making a commitment the producer will need to evaluate several factors, for example: 1.Can the ‘writers’ consent to a commercial recording? 2.How much studio time will be required? 3.Will there be a mixdown session? 4.How long will it take? 5.Will session musicians be needed? 6.Will backing vocalists be needed? 7.Will the studio facilities be adequate?
  • 12. Budgeting cont’d • Will specialist equipment have to be hired? • Who will do the mixing? • Should an arranger be engaged?