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   Film noir is a cinematic term used primarily to
    describe stylish Hollywood crime dramas
    Hollywood's classical film noir period is generally
    regarded as extending from the early 1940s to
    the late 1950s.
   Film noir of this era is associated with a low-key
    black-and-white visual style that has roots in
    German Expressionist cinematography.
    Many of the prototypical stories and much of
    the attitude of classic noir derive from the
    hardboiled school of crime fiction that emerged
    in the United States during the last depression.
   The term film noir, French for ‘black film,’ first
    applied to Hollywood films by French critic
    Nino Frank in 1946.

   Before the notion was widely adopted in the
    1970s, many of the classic films noirs were
    referred to as melodramas.
   Urban cities (New York)
   Offices
   Back Alleys
   Skyscrapers
   Car parks late at night
   Lifts/ Claustrophobic spaces

   These locations provide a feeling of
    intimidation
   Redemption
   Crime
   Secrets
   Lust
   Greed
   Corruption
   Criminals
   Detectives
   Femme fatale
   Mr. Average
   Anti-Hero
   Silhouettes
   Chiaroscuro lighting
   Still shots
   Seclusion
   Low angle shots
   High contrast
   Close ups
   German Expressionism
   Wide angle lens
   Side-lighting
   Ominous facial expressions
   Characters faces covered with shadow
   Shots through mirrors/frosted glass
   Water (wet streets)
   Guns
   Cigars
   Alcohol
   Police equipment
   Trilby hats
   Smoking
   Suits
   Cars
History of Film Noir Genre

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History of Film Noir Genre

  • 1.
  • 2. Film noir is a cinematic term used primarily to describe stylish Hollywood crime dramas Hollywood's classical film noir period is generally regarded as extending from the early 1940s to the late 1950s.  Film noir of this era is associated with a low-key black-and-white visual style that has roots in German Expressionist cinematography.  Many of the prototypical stories and much of the attitude of classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the last depression.
  • 3. The term film noir, French for ‘black film,’ first applied to Hollywood films by French critic Nino Frank in 1946.  Before the notion was widely adopted in the 1970s, many of the classic films noirs were referred to as melodramas.
  • 4.
  • 5. Urban cities (New York)  Offices  Back Alleys  Skyscrapers  Car parks late at night  Lifts/ Claustrophobic spaces  These locations provide a feeling of intimidation
  • 6. Redemption  Crime  Secrets  Lust  Greed  Corruption
  • 7. Criminals  Detectives  Femme fatale  Mr. Average  Anti-Hero
  • 8. Silhouettes  Chiaroscuro lighting  Still shots  Seclusion  Low angle shots  High contrast  Close ups  German Expressionism  Wide angle lens  Side-lighting  Ominous facial expressions  Characters faces covered with shadow  Shots through mirrors/frosted glass  Water (wet streets)
  • 9. Guns  Cigars  Alcohol  Police equipment  Trilby hats  Smoking  Suits  Cars