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Jemima Foxtrot is a poet, musician, theatre-maker and performer
from Hebden Bridge, currently living in London.
She performs extensively and has had work commissioned by the
BBC, the Tate Britain and Latitude Festival. Jemima was
shortlisted for the Arts Foundation Spoken Word Fellowship in
2015 and her debut poetry play Melody was well reviewed at the
2015 Edinburgh Fringe Festival. She has performed in the Barbican
Main Hall alongside Beck, Thurston Moore and some of the UK’s
leading poets including Simon Armitage and Don Paterson.
All Damn Day is Jemima’s first collection of poetry.
All Damn Day
Jemima Foxtrot
Burning Eye
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Text in italics is sung (excluding dedications and emphases). Some
song fragments are composed by the poet whilst some are quoted
from pre-existing traditional music.
That volatile, shape-shifting time between
the cold nights and syrupy mornings
7
for Miklos Szilard
To catch our outrageous train to Birmingham I am
out in the morning before, even, the schoolchildren trickle in.
Most days I catch them tittering through the glass
at their Bunsen burners, early learners. Early men and women
fiddling with gas taps, daydreaming of nipples.
Overbalanced from imagining a grown-up future.
Today, I’m so early I clock banker boys through the fog
on the overpass.
I give a small, internal nod.
They are tieless, attractive,
boast strong, shaved throats, scraped teeth.
One bounces an apple on the inside of his elbow,
catches it, grinning like the moon at his lot.
This boy never takes a day off from himself.
*
17
for Lucy Allan
The sailors touch down slap-bang
in the centre of this autumn morning.
And spread across the city as a drop
of oil in water in old washing-up.
They swear like anybody’s business
but it is carefully structured swearing
and it is almost, almost, an art.
They are exceptionally dressed
like scruffy balls of otherworldliness.
Our dungareed men begin to blush.
They’ve cruised from Peru
and China, making money
selling bits of broken crockery,
pickled fingers, shrunken heads,
light machines, poppy seeds and lipstick.
We start to shrug them off our fantasies
like cake crumbs, but our zips and buttons
wilt atop the creaking, woodwormed deck.
The sailors have landed, my darling.
This is the best October yet.
*
22
for Emily Cooper
I saw myself in her to-do list
that ranged from the trivial
(bathe, put clothes away, text Heather),
the type that can be crossed out, satisfyingly
ticked off, in a handful of pottering minutes,
to epic impossibilities like learn French,
read Ulysses, lock up Dionysus.
I saw myself in her crisis of asterisks
and hard underlinings
and in the overarching rules for life
she’d crammed down the narrowing margins,
‘Smile’ ‘Sort my fucking life out’,
never too old to need reminding.
I saw myself in the note to self she wrote
(like I write sometimes)
that rested nestled in receipts and sweet wrappers
for when the day’s behaving apathetically,
‘Dear Emily, please get up and make something
of yourself. Love from some other Emily’
I saw myself in her to-do list and headscarves
and postcards and in the half-bottle of Shiraz
that had rolled beneath her bed.
I saw myself waving from the things that she said,
almost too bold and unapologetic,
in the dim Chinese restaurant on the quiet night before.
I saw myself in the shoals of discarded knickers
that littered her bedroom floor.
26
I saw myself in her to-do list
and I think that I liked what I saw.
*
27
for Emma Williams
On Sunday night we howl
I just wanna make love to you
into mop and broom handles.
And, whirling around our cluttered
kitchen, we stamp bare feet on
discarded shards of potato peelings.
We marvel at the scandals
that have slipped in through the bricks.
We unpick each other’s prettiness
and set the straight things crooked.
Now a soft knock is planted on the distant front door.
It’s the two little boys who live over the road.
They’re maybe six, or seven, maybe eight years old.
They present us with a rose each,
pungent and illicitly plucked
from a nicer, brighter street.
We look at each other and blush,
as pink as the flowers;
we are suddenly and stupidly touched.
*
59
after Tracey Emin
Bed as psyche. Bed as mother. Bed as everything.
Messy. Stained. Paraphernalia, all rubbish
pretty much, tell stories like smells do.
The way you make my sheets smell.
Sheets as neuroses so their coming unstuck
from the mattress is a good thing.
I am the goddess of the kingdom of my filth.
You are so lucky to see my slippers.
You would be lucky to touch my feet.
Pregnancy test as peephole, negative test as gaping blue sky
Condom as contradiction. Nail scissors used to trim pubes
as redemption.
Tidiness as long-held promise.
Room as ever-expanding universe.
Loose change as photographs, Polaroids as currency.
I have let you look inside my bedroom. Now I’m a celebrity.
Barbecue sauce from McDonald’s as distant, drunken memory.
Vodka as clothing, tealight as family.
*
79

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