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Martin Arnold


                 VISA 311
                Miae Jeong
Martin Arnold (1959)
• Born in Austria.
• Experimental filmmaker
• Well known for his obsessive reworking of found
  footage from old Hollywood films.
• Repetition, slowing down, stretched, flip back and
  forth, reversed.
• Manipulates it by means of a home-made optical
  printer, frame by frame, using no digital means.
• Undertones—of gender, family or sexuality—that were
  previously invisible, but suddenly rush to the surface,
  often with horrific humor.
Piece Touchée (Martin Arnold, 1989)
                  •http://www.youtube.com/watch?v=8K1p
                  QVs96m8 (2:00)
                  • 16mm Film, b&w, 16 min, stereo
                  •based on a single 18-second shot from
                  The Human Jungle by Dir. Joseph M.
                  Newman, 1954).
                  •Orig - Woman sitting in a chair. Man
                  enters the room. Man and woman kiss.
                  Exit man.
                  • replaying the same action over and over,
                  slow it down or play it back and forth.
                  • Gender issue: Man – dominant, Wife -
                  subservient
Passage À L’Acte (1993)
           •http://www.youtube.com/watch?v=EXxjtcd4-
           kw
           • a short scene from To Kill A Mockingbird
           •The boy gets up to leave and Peck orders him
           to sit back down and finish his breakfast.
           • Arnold chooses specific sections (consisting
           of one or more frames) and repeats them,
           making them stutter.
           •When Peck jabs his long forefinger at his son’s
           breakfast plate, we see it not just once as in
           the original, but dozens of times. (3:15)
           •When the boy leaves and the screen door
           shuts, it reverberates like a machine gun
           repeating deafeningly, endlessly. (9:42)
           • a family kitchen but a conflict-charged
           battlefield.
Alone. Life Wastes Andy Hardy (1998)
                  •http://www.youtube.com/watch?v=LgqH3PK6
                  -3Q
                  • Slowing it down, playing it
                  frame by frame, rocking it
                  back and forth.
                  • looks like a positively
                  scandalous, erotic, moment.
Visa 311 - Martin Arnold
Visa 311 - Martin Arnold

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Visa 311 - Martin Arnold

  • 1. Martin Arnold VISA 311 Miae Jeong
  • 2. Martin Arnold (1959) • Born in Austria. • Experimental filmmaker • Well known for his obsessive reworking of found footage from old Hollywood films. • Repetition, slowing down, stretched, flip back and forth, reversed. • Manipulates it by means of a home-made optical printer, frame by frame, using no digital means. • Undertones—of gender, family or sexuality—that were previously invisible, but suddenly rush to the surface, often with horrific humor.
  • 3. Piece Touchée (Martin Arnold, 1989) •http://www.youtube.com/watch?v=8K1p QVs96m8 (2:00) • 16mm Film, b&w, 16 min, stereo •based on a single 18-second shot from The Human Jungle by Dir. Joseph M. Newman, 1954). •Orig - Woman sitting in a chair. Man enters the room. Man and woman kiss. Exit man. • replaying the same action over and over, slow it down or play it back and forth. • Gender issue: Man – dominant, Wife - subservient
  • 4. Passage À L’Acte (1993) •http://www.youtube.com/watch?v=EXxjtcd4- kw • a short scene from To Kill A Mockingbird •The boy gets up to leave and Peck orders him to sit back down and finish his breakfast. • Arnold chooses specific sections (consisting of one or more frames) and repeats them, making them stutter. •When Peck jabs his long forefinger at his son’s breakfast plate, we see it not just once as in the original, but dozens of times. (3:15) •When the boy leaves and the screen door shuts, it reverberates like a machine gun repeating deafeningly, endlessly. (9:42) • a family kitchen but a conflict-charged battlefield.
  • 5. Alone. Life Wastes Andy Hardy (1998) •http://www.youtube.com/watch?v=LgqH3PK6 -3Q • Slowing it down, playing it frame by frame, rocking it back and forth. • looks like a positively scandalous, erotic, moment.