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By: Prof. M. L. D.
THE SONG OF ROLAND
• One of the earliest examples of the
OLD French “songs of deeds.”
• The earliest extant poem of
substantial length best known as
CHANSON DE GESTE
• It is considered as the national epic
of France
• It is said to be based on a historical
event during the time of
CHARLEMAGNE, the King of the
Franks from A.D. 768 – 814.
The epic shows the
SOCIAL ORDER in
France during the
middle ages and
that is to fight for
• GOD,
• KING, and
• COUNTRY.
CHANSON DE GESTE
[shahn-sawn duh zhest]
A French type of medieval narrative poem,
intended to be sung or chanted and purporting
to have some basis in French history
The Song of Roland
(La Chanson de Roland)
describes a series of
fabulous exploits,
usually involving
Charlemagne and his
Paladins, the Twelve
Peers
PALADIN(s)
are palace
officials or
protagonists
of a cause
ROLAND
• epic hero, a model of knighthood for the
new era of the Crusades;
• the king’s nephew and right-hand man;
• hot-tempered and bold
• his death scene is one of the most
powerful and memorable scenes in French
literature
• his soul is escorted to heaven by saints
and angels
OLIFANT
• ivory hunting horns made
from elephants' tusks;
• its distinctive blast can be
heard and be recognized
30 leagues away
Roland has a sword
named DURENDAL
and ANGEL GABRIEL
appears before him
at critical moment to
warn and to advise.
CHARLEMAGNE
the king of France and
the leader of crusades
who favored Roland;
in French history, he
was known as Charles
the Great.
OLIVER
Roland’s best friend;
brave but unlike
Roland,
he was prudent but
blunt in his manner
and action
GANELON
Roland’s stepfather who
was the cause of
destruction of Roland’s
army; conspires with the
King Marsilla to destroy
Roland
MARSILLA
The king who did
the conspiracy
with Ganelon
The epic was divided into
three parts:
•The TREACHERY
OF GANELON
•RONCESVALLES
[ron-suh-valz]
•The REPRISALS
SUBJECT MATTER:
•CUSTOMS,
MANNERS, and
ATTITUDE of
FRENCH
•FEUDAL
relationships and
loyalties
SUBJECT MATTER:
•The CRUSADES
•Warrior virtue of
VALOR
•FEUDAL VIRTUE
of LOYALTY
SUBJECT MATTER:
•CHRISTIAN
virtue of
HUMILITY
•The CROSS vs.
the CRESCENT
CONFLICTS:
•Between
CHRISTIAN truth
and heathen
error
•GANELON vs.
ROLAND
SYMBOLISMS
CHARLEMAGNE
Symbolizes
his country
and the
feudal system
GANELON
Symbolizes
treachery and
betrayal, envy
and jealousy
ROLAND
Symbolizes private
revenge and public
good which
treachery endangers;
also a symbol of
divine justice and
bravery
OLIVER
Symbolizes
wisdom
and
prudence
The CROSS
symbolizes
CHRISTIANITY
while the
CRESCENT
symbolizes
MUSLIM faith
Roland
suffered his
own
“hamartia”.
•Roland’s pursuit of glory
gave tragic results of his
recklessness.
•Roland’s desire for future
military fame induced him to
disregard the immediate
crisis.
•Roland’s choice to risk
destruction rather than the
possibility of being called a
coward.
THEMES:
• RIGHT AND TRUTH
TRIUMPH OVER THE
EVIL AND SIN.
• GOD’S WILL WILL
MAIFEST ITSELF
THROUGH COMBAT
OR DUET.

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The Song of Roland