Alloo, Fatma. (Ed.) (2007). 10 years of ZIFF. Zanzibar: Gallery Publications, in collaboration with ...

1. NEWS BITS
Alloo, Fatma. (Ed.) (2007). 10 years of ZIFF. Zanzibar: Gallery Publications, in collaboration with
Zanzibar International Film Festival (Festival of the Dhow Countries).
Azodo, A.U. & Eke, M.N. (Eds.) (2007). Gender and sexuality in African literature and film. Trenton,
NJ: Africa World Press.
Bakari, I. & Cham, M.B. (1996). African experiences of cinema. London: BFI Publishing.
Barlet, O. (2000). African cinemas: decolonizing the gaze. (C. Turner, Trans.) London; New York:
Zed Books.
Barrot, P. (2005). Nollywood: le phnomne vido au Nigeria. Paris: Harmattan.
Barrot, P., et al. (Eds.). (2008). Nollywood: the video phenomenon in Nigeria. Oxford: James Currey;
Ibadan, Nigeria: HEBN; Bloomington, Ind.: Indiana University Press.
B'beri, B.E. (2006). Mapping alternative expressions of blackness in cinema: a horizontal labyrinth of
transgeographical practices of identity. Bayreuth [Germany]: Thielmann & Breitinger.
Bonetti, M. & Reddy, P. (Eds.). (2003). Through African eyes: dialogues with the directors. New
York, NY: African Film Festival.
Botha, M. (2007). Marginal lives & painful pasts: South African cinema after apartheid. Parklands:
Genugtig!.
Boughedir, F. (1992). African cinema from A to Z. [Le cinma africain de A Z.] (D. A. Woodford,
Trans.) Brussels, Belgium: OCIC.
Brahimi, D. (1997).Cinmas d'Afrique francophone et du Maghreb. Paris:Nathan.
Bickford-Smith, V. & Mendelsohn, R. (Eds.) (2007). Black and white in colour: African history on
screen. Oxford: James Currey; Athens: Ohio University Press; Cape Town: Double Storey.
Cameron, K.M. (1994). Africa on film: beyond black and white. New York: Continuum.
Cinmas africains d'aujourd'hui: guide des cinmatographies d'Afrique. Paris: Karthala, 2007.
Dan-Inna, C., Diop, B.B. & Vieux Savan (2005). Portraits de journalistes et de cinastes africaines.
Dakar Ponty: Institut Panos Afrique de l'Ouest.
Diawara, M. (1992). African cinema: politics and culture. Bloomington: Indiana University Press.
Diop, S. (2004). African francophone cinema. New Orleans: University Press of the South.
Enahoro, A.U. (1997). Semiotics of an African cinema: Xala as a paradigm. Lagos, Nigeria:
Cinemarts Communications Internationale.

2. See also: Kakou, A. (1980). Xala, l'analyse du film. Abidjan: CERAV.; Xala. [Curse]. New York: New
Yorker Films.; (1974, 1976). Xala. [Wake, C., Trans.]. Westport, Conn.: L. Hill & Co.
Gardies, A. (1989). Cinma d'Afrique noire francophone: l'espace-miroir. Paris: L'Harmattan.
Gugler, J. (2003). African film: re-imagining a continent. Bloomington: Indiana University Press;
Cape Town: David Philip; Oxford: James Currey.
Harrow, Kenneth W. (2007). Postcolonial African cinema: from political engagement to
postmodernism. Bloomington: Indiana University Press.
Reviewed by Lilia Santiague: Postcolonial African Cinema: From Political Engagement to
Postmodernism in Africa Today, Summer 2009: vol. 55, Issue 3. p. 125-126
Ilboudo, P.G. (1988). Le FESPACO, 1969-1989: les cinastes africains et leurs uvres. Ouagadougou:
Editions La Mante.
Imbert, Henri-Franois. (2007). Samba Flix Ndiaye, cinaste documentariste africain. Paris:
Harmattan.
Kamba, S. (1992). Production cinmatographique et parti unique: l'exemple du Congo. Paris:
L'Harmattan.
Kane, M.D. (2004). Marginalit et errance dans la littrature et le cinma africains francophones: les
carrefours mobiles. Paris: Harmattan.
Maingard, J. (2007). South African national cinema. London; New York: Routledge.
Maynard, R.A. (Ed.) (1974). Africa on film: myth and reality. Rochelle Park, N.J.: Hayden Book Co.
McCluskey, A.T. (Ed.) (2007). Frame by frame III: a filmography of the African diasporan image,
1994-2004. Bloomington: Indiana University Press.
Murphy, D. (2007). Postcolonial African cinema: ten directors. Manchester: Manchester University
Press.
Naudillon, F., Przychodzen, J. & Rao, S. (2006). L'Afrique fait son cinma: regards et perspectives sur
le cinma africain francophone. Montral, Qubec: Mmoire d'encrier.
Okome, O. & Haynes, J. (1995). Cinema and social change in West Africa. Jos, Plateau State, Nigeria:
Nigerian Film Corp.
Palmier, J.J. (2006). La femme noire dans le cinma contemporain: star ou faire-valoir? Paris:
L'Harmattan.
Rutanga, M. (Ed.) (2004). Gender, identity, and popular culture in contemporary African discourse.
Kampala, Uganda: Centre for Basic Research.
Sacchi, F. & Caputo, R. (2008). This is Nollywood. Eureka Film Productions and the Center for
Digital Imaging Arts at Boston University. A video documentary, 56 min.

3. Shaka, F. O. (2004).Modernity and the African cinema. Trenton, NJ: Africa World Press.
See Shiela Petty's review in African Studies Review April 2006, Volume 49, Number 1, p.169-170.
Sherzer, D. (Ed.) (1996). Cinema, colonialism, postcolonialism: perspectives from the French and
francophone world. Austin: University of Texas Press.
Signat, I. (1994). Med Hondo, un cinaste rebelle. Paris: Prsence Africaine.
Tcheuyap, A. (2005). De l'crit l'cran: les rcritures filmiques du roman africain francophone. Ottawa:
Presses de l'Universit d'Ottawa.
Tcheuyap, A. & Doho, G., et al. (2005). Cinema and social discourse in Cameroon. Bayreuth,
Germany: Thielmann & Breitinger.
Thackway, M. (2003). Africa shoots back: alternative perspectives in Sub-Saharan Francophone
African film. Bloomington: Indiana University Press; Oxford: James Currey; Cape Town: David Philip.
Thiers-Thiam, Valrie. (2005). A chacun son griot: le mythe du griot-narrateur dans la littrature et le
cinma d'Afrique de l'Ouest. Paris: L'Harmattan.
Ukadike, N.F. (2002). Questioning African cinema: conversations with filmmakers. Minneapolis:
University of Minnesota Press.