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C H R I S T I A N M E T Z .
GENRE THEORY.
WHO WAS HE?
• A French film theorist.
• Around from December 12th 1931 to September 7th
1993.
• Of the belief genres go through a cycle of changes
during their lifetime:
1. Experimental stage.
2. Classic stage.
3. Parody stage.
4. Deconstruction stage.
EXPERIMENTAL STAGE.
• This is the beginning phases of the genre.
• Here the foundations are built, so the generic codes
and conventions are set.
CLASSIC STAGE.
• This is where the codes and conventions of a genre
become seen as iconic and idealised as the
guidelines for the genre.
PARODY STAGE.
• Now these codes and conventions are established,
widely recognised and accepted they can be
parody – people can use and mock them.
• This is based on the fact the audience have
understood the codes and conventions from the
classic stage.
DECONSTRUCTION STAGE.
• Now the genre can begin to evolve and merge
with others.
• Genres become less clear cut and the rules can be
broken.

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Christian metz

  • 1. C H R I S T I A N M E T Z . GENRE THEORY.
  • 2. WHO WAS HE? • A French film theorist. • Around from December 12th 1931 to September 7th 1993. • Of the belief genres go through a cycle of changes during their lifetime: 1. Experimental stage. 2. Classic stage. 3. Parody stage. 4. Deconstruction stage.
  • 3. EXPERIMENTAL STAGE. • This is the beginning phases of the genre. • Here the foundations are built, so the generic codes and conventions are set.
  • 4. CLASSIC STAGE. • This is where the codes and conventions of a genre become seen as iconic and idealised as the guidelines for the genre.
  • 5. PARODY STAGE. • Now these codes and conventions are established, widely recognised and accepted they can be parody – people can use and mock them. • This is based on the fact the audience have understood the codes and conventions from the classic stage.
  • 6. DECONSTRUCTION STAGE. • Now the genre can begin to evolve and merge with others. • Genres become less clear cut and the rules can be broken.