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MACBETH 2.4 Act V
William Shakespeare
appat2@gmail.com
appat2@gmail.com
MACBETH 2.4
The witches’ prophecies allow
Macbeth, whose sense of doom is
mounting, to tell himself that
everything may yet be well.appat2@gmail.com
MACBETH 2.4
For the audience, which lacks
Macbeth’s misguided confidence,
the strange apparitions act as
symbols that foreshadow the way
the prophecies will be fulfilledappat2@gmail.com
MACBETH 2.4
The armored head suggests war or
rebellion, a telling image when
connected to the apparition’s warning
about Macduff.
appat2@gmail.com
MACBETH 2.4
The bloody child obliquely refers to
Macduff’s birth by cesarean
section—he is not “of woman
born”—attaching a clear irony to a
comment that Macbeth takes at
face value appat2@gmail.com
MACBETH 2.4
The crowned child is Malcolm. He
carries a tree, just as his soldiers
will later carry tree branches from
Birnam Wood to Dunsinaneappat2@gmail.com
MACBETH 2.4
Finally, the procession of kings
reveals the future line of kings,
all descended from Banquo.
appat2@gmail.com
MACBETH 2.4
Some of those kings carry two balls and
three scepters, the royal insignia of Great
Britain—alluding to the fact that James I,
Shakespeare’s patron, claimed descent
from the historical Banquo.appat2@gmail.com
MACBETH 2.4
The mirror carried by the last figure
may have been meant to reflect
King James, sitting in the audience,
to himself. appat2@gmail.com
MACBETH 2.4
The murder of Lady Macduff and her young
son in Act 4, scene 2, marks the moment in
which Macbeth descends into utter
madness, killing neither for political gain
nor to silence an enemy, but simply out of
a furious desire to do harm
appat2@gmail.com
MACBETH 2.4
As Malcolm and Macduff reason in
Act 4, scene 3, Macbeth’s is the
worst possible method of kingship.
appat2@gmail.com
MACBETH 2.4
It is a political approach without
moral legitimacy because it is not
founded on loyalty to the state.
appat2@gmail.com
MACBETH 2.4
Their conversation reflects an
important theme in the play—the
nature of true kingship, which is
embodied by Duncan and King
Edward, as opposed to the tyranny
of Macbeth. appat2@gmail.com
MACBETH 2.4
In the end, a true king seems to
be one motivated by love of his
kingdom more than by pure
self-interest appat2@gmail.com
MACBETH 2.4
In a sense, both Malcolm and Macduff
share this virtue—the love they hold
for Scotland unites them in opposition
to Macbeth, and grants their attempt
to seize power a moral legitimacy that
Macbeth’s lacked appat2@gmail.com
MACBETH 2.4
Macduff and Malcolm are allies, but
Macduff also serves as a teacher to
Malcolm
appat2@gmail.com
MACBETH 2.4
Malcolm believes himself to be
crafty and intuitive, as his test
of Macduff shows.appat2@gmail.com
MACBETH 2.4
Yet, he has a perverted idea of
manhood that is in line with Macbeth’s
appat2@gmail.com
MACBETH 2.4
When Ross brings word of Lady
Macduff’s murder, Malcolm tells
Macduff: “Dispute it like a man”
(4.3.221). Macduff answers, “I shall do
so, / But I must also feel it as a man”
(4.3.222–223) appat2@gmail.com
MACBETH 2.4
Macduff shows that manhood
comprises more than aggression and
murder; allowing oneself to be
sensitive and to feel grief is also
necessary appat2@gmail.com
MACBETH 2.4
This is an important lesson for Malcolm to learn
if he is to be a judicious, honest, and
compassionate king. When, in Act 5, scene II,
Malcolm voices his sorrow for Siward’s son, he
demonstrates that he has taken Macduff’s
instruction to heart appat2@gmail.com
MACBETH 2.4
appat2@gmail.com
MACBETH 2.4
T H A N K Y O U
appat2@gmail.com
MACBETH 2.3
Babu Appat

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Macbeth 2.4 act V

  • 1. MACBETH 2.4 Act V William Shakespeare appat2@gmail.com
  • 3. The witches’ prophecies allow Macbeth, whose sense of doom is mounting, to tell himself that everything may yet be well.appat2@gmail.com MACBETH 2.4
  • 4. For the audience, which lacks Macbeth’s misguided confidence, the strange apparitions act as symbols that foreshadow the way the prophecies will be fulfilledappat2@gmail.com MACBETH 2.4
  • 5. The armored head suggests war or rebellion, a telling image when connected to the apparition’s warning about Macduff. appat2@gmail.com MACBETH 2.4
  • 6. The bloody child obliquely refers to Macduff’s birth by cesarean section—he is not “of woman born”—attaching a clear irony to a comment that Macbeth takes at face value appat2@gmail.com MACBETH 2.4
  • 7. The crowned child is Malcolm. He carries a tree, just as his soldiers will later carry tree branches from Birnam Wood to Dunsinaneappat2@gmail.com MACBETH 2.4
  • 8. Finally, the procession of kings reveals the future line of kings, all descended from Banquo. appat2@gmail.com MACBETH 2.4
  • 9. Some of those kings carry two balls and three scepters, the royal insignia of Great Britain—alluding to the fact that James I, Shakespeare’s patron, claimed descent from the historical Banquo.appat2@gmail.com MACBETH 2.4
  • 10. The mirror carried by the last figure may have been meant to reflect King James, sitting in the audience, to himself. appat2@gmail.com MACBETH 2.4
  • 11. The murder of Lady Macduff and her young son in Act 4, scene 2, marks the moment in which Macbeth descends into utter madness, killing neither for political gain nor to silence an enemy, but simply out of a furious desire to do harm appat2@gmail.com MACBETH 2.4
  • 12. As Malcolm and Macduff reason in Act 4, scene 3, Macbeth’s is the worst possible method of kingship. appat2@gmail.com MACBETH 2.4
  • 13. It is a political approach without moral legitimacy because it is not founded on loyalty to the state. appat2@gmail.com MACBETH 2.4
  • 14. Their conversation reflects an important theme in the play—the nature of true kingship, which is embodied by Duncan and King Edward, as opposed to the tyranny of Macbeth. appat2@gmail.com MACBETH 2.4
  • 15. In the end, a true king seems to be one motivated by love of his kingdom more than by pure self-interest appat2@gmail.com MACBETH 2.4
  • 16. In a sense, both Malcolm and Macduff share this virtue—the love they hold for Scotland unites them in opposition to Macbeth, and grants their attempt to seize power a moral legitimacy that Macbeth’s lacked appat2@gmail.com MACBETH 2.4
  • 17. Macduff and Malcolm are allies, but Macduff also serves as a teacher to Malcolm appat2@gmail.com MACBETH 2.4
  • 18. Malcolm believes himself to be crafty and intuitive, as his test of Macduff shows.appat2@gmail.com MACBETH 2.4
  • 19. Yet, he has a perverted idea of manhood that is in line with Macbeth’s appat2@gmail.com MACBETH 2.4
  • 20. When Ross brings word of Lady Macduff’s murder, Malcolm tells Macduff: “Dispute it like a man” (4.3.221). Macduff answers, “I shall do so, / But I must also feel it as a man” (4.3.222–223) appat2@gmail.com MACBETH 2.4
  • 21. Macduff shows that manhood comprises more than aggression and murder; allowing oneself to be sensitive and to feel grief is also necessary appat2@gmail.com MACBETH 2.4
  • 22. This is an important lesson for Malcolm to learn if he is to be a judicious, honest, and compassionate king. When, in Act 5, scene II, Malcolm voices his sorrow for Siward’s son, he demonstrates that he has taken Macduff’s instruction to heart appat2@gmail.com MACBETH 2.4
  • 24. T H A N K Y O U appat2@gmail.com MACBETH 2.3 Babu Appat