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Ways cinematography can translate certain themes and ideas.
1.
2. What: In our movie focus pulls are used to
draw attention to and aspect of a scene that
previously was ignored or had no affect on the
scene as a whole.
Where: We use the technique in the scene
where she is waking up as well as when she
is drawing the picture
Why: We use this shot to allow the viewer to
experience the world and its contents in the
same way as the main character meaning that
we experience things along with the character
e.g. the alarm on the nightstand when it goes
of to wake her up.
3. What: They are shots that instead of having little to no
movement instead they actually have a lot of precise
movements from shot to shot.
Where: The scene when Sam in coming downstairs, her
moving her hand upon the bed.
Why: The first shot is used with a lot of movement to
allow a more fluid transition from Foster dad walking
through the door to Sam walking downstairs and taking
his place which translates the events of the scene a lot
better than a multitude of different shot splice together
4. What: This there is a shot with no movement that focus on
a subject with no diversion.
Where: There is the scene where she wakes up as well as
a long period of time after she has got dressed where she
visits her biological father and drives back in
disappointment.
Why: This designed to juxtapose the scenes prior with lots
of creative with lots of movement in them, the juxtaposition
is used to illustrate the emotional state of the character as
when they are excited for meeting their world becomes
wild and more alive as illustrated in the moving shots but
then when she is disappointed her outlook of the world is
that of boredom and awkwardness which we illustrate with
lingering static shots of characters during this time.