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Sarah R. Jacquez
Audio Technician
EXPERIENCE
Assistant to the Designer American Conservatory Theatre January 2015
Assisted Sound Designer Dan Moses Schreier with audio needs in the remount of Indian Ink. Contributed to updates in the QLab
file, creating & editing documentation of cues, & taking notes when needed.
Live Mixer Linda Bulgo’s Musical Productions January 2015
3 day contract for children’s production of Peter Pan in the San Francisco Scottish Rite Center using 12 lavalier microphones.
Audio Over Hire Berkeley Repertory Theatre On Call Since July 2014

A2 for Party People.

Cared for, monitored, & placed the productions 16 microphones. 12 plus one spare lavalier & 2 plus one spare hand held.
Board Operator for Monsieur Chopin
QLab plus one lavalier microphone mixed over a Grand Piano.
Sound Fellow Berkeley Repertory Theatre August 2013 – June 2014
Shadowed & assisted the Sound Supervisor, Audio Engineers, & Production Designers with system set up & maintenance,
performance & event audio operation, live mixing, patching, programming, and maintaining documentation. Mentored two high
school students on the sound design process & use of audio equipment & programs, for the annual Teen One Acts Festival.

Sound Technician & Mixer for The Ground Floor
Met the audio needs of musicians involved in the summer residency. Mixer during rehearsals & staged reading of a new musical.
Audio Technician California Shakespeare Theatre July 2014 - August 2014
Ran audio for The Comedy of Errors. Assisted in changeover to the next production & was an extra audio presence during tech.
Audio Technician Scottsdale Christian Academy November 2012 - April 2013

Designed, engineered, ran QLab, & live mixed for the 2012-13 season. A Tales of Two Cities & Seussical.
Technical Assistant Orange Theatre Company May 2013

Assisted in the company’s set up in their new space. Ran the light board for the first production in that space.
SOUND DESIGN CREDITS

Dragon Play Impact Theatre 2014
The Face of Emmett Till ASU 2012

Edith Can Shoot Things & Hit Them ASU 2012
Untold Stories/Unsung Heroes ASU 2012
Oppressed Phoenix Fringe Festival 2011
Across ASU 2011
A Hatful of Rain ASU 2009



SKILLS

• Strong in QLab, SFX, Audacity. Basic knowledge of
LogicPro, Protools, LCS CueStation.
• Analog mixing boards: Behringer, Mackie, Yamaha.
• Fundamental experience in operating digital mixing
boards: Yamaha CL5, DM1000, SoundCraft Si
Expression
• Audio recording: Voice over & live performance.
• Live mixing: Theatrical & band performance.
• Lavalier & wireless microphone preparation
• Soldering: audio cable building & repair
• Clear Com set up & operation
EDUCATION
Bachelors in Theatre; Arizona State University; May 2012
Sound Rep. Board Member Binary Theatre Company September 2011 – May 2012
Original Sound Representative for the student run theatre company at ASU. The focus was on giving students the opportunity to
direct, perform, design, write, & produce. Liaison between all production sound designers & the other board members.
Other Credits

The Skriker Assistant Sound Designer Big Love Assistant Sound Designer
The Survivors Way Audio Technician These Shinning Lives Board Operator
Love & Human Remains Assistant Stage Manager Screens/No Exit Board Operator
References
James Ballen Angela Don Brian Foley
BRT Audio Supervisor BRT Audio Engineer ASU Grad Student/Director
510 647 2945 jballen@berkeleyrep.org 510 717 9256 adon@berkeleyrep.org 917 446 5884 bdfoley@asu.edu

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S Jacquez Resume No number

  • 1. Sarah R. Jacquez Audio Technician EXPERIENCE Assistant to the Designer American Conservatory Theatre January 2015 Assisted Sound Designer Dan Moses Schreier with audio needs in the remount of Indian Ink. Contributed to updates in the QLab file, creating & editing documentation of cues, & taking notes when needed. Live Mixer Linda Bulgo’s Musical Productions January 2015 3 day contract for children’s production of Peter Pan in the San Francisco Scottish Rite Center using 12 lavalier microphones. Audio Over Hire Berkeley Repertory Theatre On Call Since July 2014
 A2 for Party People.
 Cared for, monitored, & placed the productions 16 microphones. 12 plus one spare lavalier & 2 plus one spare hand held. Board Operator for Monsieur Chopin QLab plus one lavalier microphone mixed over a Grand Piano. Sound Fellow Berkeley Repertory Theatre August 2013 – June 2014 Shadowed & assisted the Sound Supervisor, Audio Engineers, & Production Designers with system set up & maintenance, performance & event audio operation, live mixing, patching, programming, and maintaining documentation. Mentored two high school students on the sound design process & use of audio equipment & programs, for the annual Teen One Acts Festival.
 Sound Technician & Mixer for The Ground Floor Met the audio needs of musicians involved in the summer residency. Mixer during rehearsals & staged reading of a new musical. Audio Technician California Shakespeare Theatre July 2014 - August 2014 Ran audio for The Comedy of Errors. Assisted in changeover to the next production & was an extra audio presence during tech. Audio Technician Scottsdale Christian Academy November 2012 - April 2013
 Designed, engineered, ran QLab, & live mixed for the 2012-13 season. A Tales of Two Cities & Seussical. Technical Assistant Orange Theatre Company May 2013
 Assisted in the company’s set up in their new space. Ran the light board for the first production in that space. SOUND DESIGN CREDITS
 Dragon Play Impact Theatre 2014 The Face of Emmett Till ASU 2012
 Edith Can Shoot Things & Hit Them ASU 2012 Untold Stories/Unsung Heroes ASU 2012 Oppressed Phoenix Fringe Festival 2011 Across ASU 2011 A Hatful of Rain ASU 2009
 
 SKILLS
 • Strong in QLab, SFX, Audacity. Basic knowledge of LogicPro, Protools, LCS CueStation. • Analog mixing boards: Behringer, Mackie, Yamaha. • Fundamental experience in operating digital mixing boards: Yamaha CL5, DM1000, SoundCraft Si Expression • Audio recording: Voice over & live performance. • Live mixing: Theatrical & band performance. • Lavalier & wireless microphone preparation • Soldering: audio cable building & repair • Clear Com set up & operation EDUCATION Bachelors in Theatre; Arizona State University; May 2012 Sound Rep. Board Member Binary Theatre Company September 2011 – May 2012 Original Sound Representative for the student run theatre company at ASU. The focus was on giving students the opportunity to direct, perform, design, write, & produce. Liaison between all production sound designers & the other board members. Other Credits
 The Skriker Assistant Sound Designer Big Love Assistant Sound Designer The Survivors Way Audio Technician These Shinning Lives Board Operator Love & Human Remains Assistant Stage Manager Screens/No Exit Board Operator References James Ballen Angela Don Brian Foley BRT Audio Supervisor BRT Audio Engineer ASU Grad Student/Director 510 647 2945 jballen@berkeleyrep.org 510 717 9256 adon@berkeleyrep.org 917 446 5884 bdfoley@asu.edu