1. JOVANY GERTLER
552 Lafayette Avenue, 3B • Brooklyn, NY 11205
(619) 895-2793 • Jovanygertler@gmail.com
AUDIO ENGINEER
Accomplished, dynamic and talented Audio Engineer, with solid and diverse experience on the technicalities of
sound and music. Profound knowledge of sound engineering technology with outstanding ability to adjust the
controls of sound equipment. Good understanding of audio techniques and audio production fundamentals and
proficient in applying realistic and imaginative solutions to technical issues. Meticulous attention to detail, as well
as strong organizational skills and the ability to handle multiple projects with competing deadlines in a very short
timeframe.
Core Competencies
Organizational Leadership • Audio Engineering • Equipment Testing • Customer Service • Time Management •
Audio Equipment Operations • Problem Resolution • Analog Consoles & Outboard Gear Operation • Client
Relations Management
PROFESSIONAL EXPERIENCE
Freelance Work, New York • NY 7/2012 - Present
Audio Engineer
Identified and maintained personal cliental to work with and established multiple connections within the music
industry. Scheduled studio sessions and performed all aspects of recording and mixing process. Used software and
real instruments to produce audio tracks in conjunction with the clients' tastes. Regulated volume level and sound
quality during recording sessions, using control consoles. Conferred with clients to determine and achieve the
desired sound. Tested and adjusted recording equipment for recording sessions. Also worked on various system
installs within the theatre industry and live venues. Furthermore have mixed several live shows both in theatrical
and live musical settings
White Plains Performing Arts Center, White Plains NY 11/2015
Sound Designer/Sound Board Operator
Designed the reproduction of Little Shop of Horrors: The Musical at WPPAC. Found sound effects, created cues,
and oversaw all elements of audio during the show. Worked with 8 piece band as well as eighteen actors
maintaining audio levels for audience and monitoring levels for those on stage. Worked with electronic, amplified
and acoustic instruments capturing the sounds with various micing techniques. Set up and struck all
communication lines during tech.
White Plains Perfroming Arts Center, White Plains NY 8/2015
Sound Designer / Sound Board Operator
Designed the reproduction of Bye Bye Birdie at the WPPAC. Found sound effects, created cues, and oversaw all
elements of audio during the show. Mixed the fifteen person musical performance and worked with the stage
manager to produce on time cues and seamless transitions.
Second Stage Theatre, New York NY 1/2014- 6/2014
Sound Board Operator/Deck Audio (A2)
In charge of entire sound system including infared feeds and monitoring systems for the reproduction of Substance
of Fire. Also worked with grammy nomintated musicians maintaining instruments, monitored frequencies of
complex wireless systems, and trouble shooted during the perfomance of The Happiest Song Plays Last.

2. Rough Magic Studios, Brooklyn • NY 12/2011 - 2/2013
Assistant Engineer
Served as liaison between studio and clients. Maintained detailed documents of session activities and outboard
gear. Managed rehearsal studio and Prepared for a recording or mixing session, set up previously recorded audio
tracks in line with the recording engineer’s preferences. Tested and adjusted recording equipment for recording
sessions and live shows. Assisted in troubleshooting audio equipment, fixing faulty equipment and identifying bad
cables.
KeyHighlight:
• Demonstrated knowledge with the basic operation procedures of audio mixing console.
Premier Studios, New York • NY 9/2010 - 8/2011
Assistant Engineer/Intern
Prepared for recording sessions by performing activities such as selecting and setting up microphones. Assisted
Tech in refurbishing SSL console, installing out board gear and networking various studios together. Placed the
microphone in a position that captures the best performance sound. Positioned microphones close to performers to
isolates sounds on separate tracks. Performed all other related duties as assigned.
KeyHighlight:
• Ability to connect microphones to audio mixing console with microphone cables and test levels to ensure
there is no distortion or hiss.
EDUCATION AND CREDENTIALS
B.I.S. Business&Organizational Leadership, 2004-2009 2015-presently: Arizona State University, Tempe, AZ
Conservatory of Recording Arts and Sciences, Gilbert, Arizona Certificate of Masters Recording II Program, 2010
Broadways Sound Design Master Classes, 5/2013
20+ years Piano playing experience/ 5-time National Piano Guild Award Winner
Four year member of the Audio Engineering Society
REFERENCES
Ariana Moses, ariana@wppac.com - Producer Bye Bye Birdie- 412.526.7676
Kyle Stormes. kyle@wppac.com - Technical Director WPPAC
Steve Surry – Technical Supervisor – 570.350.0039
Robert Mahon – Technical Director Lincoln Center – 917.523.8751