1. RESUME
Jeremy Barton
Sound Engineer / Sound Designer / Sound Educator
Street Address: 38 Advance Street, Schofields N.S.W 2762
Home Ph: 8678271
Mobile Ph: 0400795806
WWC No: WWC0519610E
E-Mail: jeremy@d-ville.us
Career Objective:
• To advance my knowledge/skills and acquire a high resolution of understanding in
all aspects of sound.
• To be a valuable resource to any situation I am a part of.
• To provide exceptional service.

2. TABLE OF CONTENTS
YEARS
2015
2014
2013
2012
2011
2010
2005-2007
2006
Demonstrated Skills
Experience – Computer Applications
Education
Personal Interest
Referees
2015
On the 16th September, I provided sound education at a preschool called 'Playdays' located
in Rouse Hill. http://www.playdayspreschool.com.au
This was my first gig of this kind.
I introduced many of the kids to the concept of sound.
I then recorded their voices, and transformed the voices into a swarm of bees, robots,
trapped in a bubble, and various other things.
Key Roles
• Educator
• Lesson Designer
• Sound Designer
• Performance Designer
• Audio Systems Designer
Key Achievements
• By means of my sound design, I had some kids rolling on the floor with laughter
• In most cases, I made the kids aware of sound, what it is, and what we listen with
(i.e ears)
• I gained much insight into how children operate in relation to preference, attention,
and stimulus that triggers a reaction.

3. 2015
From the 17-30/07/2015
I was involved in a project with the sound production company 'Sounds and Motion'.
The project was for News Corp in relation to their Come Together event held at stage 7, Fox
Studios.
This event was organised by the event company Rizer.
Key Roles
• Assembler of the immersive sound system in the content creation studio.
• Source and purchase furniture for the content creation space.
• Creating a network for synchronising audio and video.
• The Interface between Artists in Motion (animation company) and Sounds and
Motion, ensuring we are working with the up-to-date and approved versions of
content.
• QLab programmer
• Immersive sound system operator at the the event.
Key Achievements
• This was my first event experience, Trial by Fire!!
• The Boss (Des O'Neill) was asking me to do things that I have never done before
which was a huge challenge, yet I forged ahead not only learning more skills but also
executing the tasks.
• I spent 4 days working on Video triggering / sync configurations and because of that
time spent, I learnt the cue scheduling program 'QLab 3' out of necessity.
This enabled me to be a big asset during prep and rehearsals at the venue.
• I was able to assist my boss with some issues (program functions, key commands)
when he was searching for answers.
e.g
The Boss wanted to increase the performance of the computer, so I recalled my
knowledge of Virtual Memory and did some research on how to do it in Windows 7
and made it happen.
It worked!!
• As soon as I arrived at the venue I immediately introduced my self to everyone.
I remembered 11 names and their corresponding job descriptions.

4. This helped me become more comfortable with the process, hence I enjoyed the
experience.
• I used my 21 systems principles to decode these new environments,
information interchange, and my position.
• Live events are like tight rope walking, but the gig was a success.
• Observing Des create technical solutions was inspirational.
This motivated me to create units for system configurations (topologies)
which can be snapped together to make very complex systems.
See http://www.iosono-sound.com/news/detailansicht/3d-event-sound-for-news-corp/
for the IOSONO news report of the event.
2015
My Sister and I organised my Mum and Dad's 40th
wedding anniversary.
The event took place at Richmond Club and was for 82 people.
Key Role
Audio / Visual Production
Key Achievements
I used a systems principles model that I devised and applied it to the destination system
stage and the creation system stage.
This was a complete success!
All expectations my Sister and I had were exceeded and the attendees were moved by the
results.I learned a lot about digital image parameters, image processing, image metering,
and Final Cut Pro.
Before organising photos into FCP I wrote a broad event sequence.
This directly influenced my storage structures in FCP and the result was a low stress,
enjoyable process.
I became very good at making Scenes, Colour / Texture Convolutions and Story-lines.
I also was able to utilise my music composition, sound design, and sound editing skills.
See video at:
https://vimeo.com/123274489
Press to return to TABLE of CONTENTS

5. 2014-present
I am currently a casual at Sounds and Motion and I assist with setting up and
operating the IOSONO immersive sound system (3D Audio) for demonstrations to
potential clients.
2014-Present
I am currently working with the A&R director of LMFMusic and I recently provided EDM
Sound Design for a 1st release pop song that was released in early November of 2014.
LMF Music work with Sony Music Producers and I liaise with Sony Music Australia in relation
to criteria. I attend the artist sessions at Sony Music Recording Studios with LMFMusic
artists to assist with the sound process when needed.
The song positioned at #20 on the iTunes Charts.
http://lmfmusic.com/
Key Roles:
• Sound Designer
Key Achievements:
• I refined my procedures (Communications and Sound Design).
• I refined my creative skills.
• I refined my time management skills
• I extended my career network
2014
On the 23-27/09/2014 Sounds & Motion hired me for the Matrix Live events at the Sydney
Opera House.
Key Role
To setup, test and manage the IOSONO IPC100 Spatial Audio Processor.
Key Achievements
I learnt so much that week, some of the more finer details of the IOSONO system
(i.e UpMix Module), theatre terminology, and witnessed first hand a fantastic crew and their
procedures and I extended my career network.
It was a privileged to be a part of this event.

6. 2014
I did work experience at Sounds and Motion under the direction of
Des O'Neill , being exposed to and educated in 3D audio operations.
http://www.soundsandmotion.com.au/
http://www.iosono-sound.com/home/
Key roles:
• Assemble/disassemble speaker configurations.
• Assist in the creation of Loudspeaker files.
• IOSONO IPC Operator.
Key Achievements:
• Exposure to and the comprehension of the basic concepts of 3D audio
• Understanding aspects of the systems that enable 3D audio sound emission
• Operating IOSONO spatial audio processor IPC100
• Operating Spatial Audio Workstation 2
Press to return to TABLE of CONTENTS
2013
I provided a service for an AIM student's final music recital (i.e Reece Davis).
The theme was a hybrid of iconic video game pieces and heavy metal.
The pieces included were Mario Bros, Zelda, Tetris plus another set containing iconic
film/series pieces including Doctor Who, Pirates of the Caribbean.
Key Roles:
• Sound Designer
• Synthesiser programmer for the live event
• Mainstage programming
Key Achievements:
Having the opportunity to analyse/create famous video game sounds was a challenging yet
exciting task.

7. I delved further into FM synthesis and developed various re-synthesis techniques.
I also learnt about Mainstage's many quirks.
I became very good at arranging these kinds of multi-bank sessions.
In the entire mainstage session there were close to 100 software channels, and a keytar, so
creating a stable system was nothing short of a nightmare, but the show rolled on without a
a glitch.
2013 – Present
I am a Jehovah's Witness, and an aspect of my total activity is being a part of a school for
public speaking.
The school's purpose is to develop effective communication skills.
I have verbally delivered material to a crowd of up to 140 people.
2012
I have worked as Technical Advisor and Musical Director for performances by an artist that I
was co-developing named Brendan Jacquet.
https://www.youtube.com/watch?v=XBIBAYIHo70
Key Roles:
• Pre-production
• Organising rehearsal sessions
• Selection of backing musicians / performers
• Hire of equipment and venues
• Oversight of production operations
Key Achievements:
Working in this role, I continued to increase my understanding of what is needed and the
skills required when dealing with production and people.
The largest technical challenge was creating solutions for synthesizer configurations
in turn I acquired a cohesive understanding of MIDI.
Press to return to TABLE of CONTENTS

8. 2011
I co-wrote and produced an EP for Brendan Jacquet entitled, Dirty Horney Rocker
https://soundcloud.com/d-ville990
I worked with Chris Gray (Sound Engineer) on this project.
I chose Mark Needham (Chris Isaac, The Killers and Neon Trees) to mix the project.
Key Achievements:
The experience I gained from working with Chris Gray and communicating with Mark
Needham influenced my growth and knowledge of what is required in the entertainment
industry.
2010
My band and I travelled to the USA in 2010 and recorded a song entitled 'Strange'
Key Roles:
• Hire of Technicians
• Instrument hire
• Pre-Production
• Song Writing
• Musical Direction
• Oversight of budgets
Key Achievements:
During my time in the US I worked with Eddie Galan and saw firsthand how producers and
engineers operate in the US to produce a positive performance for a demanding audience.
Press to return to TABLE of CONTENTS
2006
I performed with my band Enspier on the pilot of MTV's The Lair

9. Key Roles:
• Bass Player
Key Achievements:
• I gained insights into TV production and the procedures involved in producing a TV
show, such as Cueing & Retakes.
I also gained more performance experience in a demanding environment.
2005-2007
I recorded and co-produced an album with Enspier entitled The Hall of Mirrors.
https://soundcloud.com/d-ville990
Key Achievements:
This venture exposed me to what is involved in the process of production, running sessions,
the mix stage and mastering and what not to do through hands-on experience.
In the mix stage I got to work with Anton Hagop (Silverchair, Powderfinger, Missy Higgins)
at Studios 301 Sydney.
Through direct conversation and observation he gave me insights into music arranging
and some production techniques (for eg. recording a room response post-production)
2005-2007
I was the fill-in bass player for a sydney Bon Jovi tribute band called Keep The Faith.
Key Achievements:
• I learnt how to be musically adaptable
• I became very good at learning new songs with short notice
• I developed a good reputation in those circles
Press to return to TABLE of CONTENTS
Demonstrated Skills

10. • Musicianship
• Music Composition
• Song Writing
• Audio Production
• Electronics
• Sound Design
• MIDI
Press to return to TABLE of CONTENTS
Experience – Computer Applications
• Mac Platform
• Pro Tools 9
• OpenOffice
• Logic Pro 9
• Nuendo 5
• Mainstage
• Ableton Live 9
• Melodyne 3.2
• Massive
• Absynth
• Kontakt 4
• Battery 3
• Reaktor 5
• FM8
• Trilian
• Omnishpere
• Camel Audio's Alchemy
• Kaoss Pad KP3+
• SoundHack products
• IOSONO SAW
• Best Audio's Service Engine
• Galaxy X (convolution synthesiser)
• Final Cut Pro
• Keynote
• Quicktime
• QLab

11. Waves
• Sound Designer Suite
• SSL collection
• API collection
Press to return to TABLE of CONTENTS
Education
2014
Certificate IV Training and Assessment
• TAE40110 including TAELLN401A Address adult language, literacy and numeracy
skills.
2014
Certificate IV First Aid
• Provide CPR HLTAID001
• Provide First Aid HLTAID003
2013-Present
Master of Acoustics Handbook (Book)
• Fundamentals of Sound
• Sound in a Free Field
• Perception of Sound (Psychoacoustics)
• Reflection
• Refraction
• Reverberation

12. 2013-Present
The Computer Music Tutorial (Book)
• Digital Audio Concepts
• Digital Sound Synthesis
• Sampling and Additive Synthesis
• Wavetable, Granular, Subtractive Synthesis
• Modulation Synthesis (AM, FM, Waveshaping Synthesis)
• Basic concepts of signal processing (Digital Filters, Convolution)
• Sound Spatialization and Reverberation
• Spectrum Analysis/ Sound Analysis
• Psychoacoustics in Computer Music
2012
Certificate IV Sound Production CUS40209
Press to return to TABLE of CONTENTS
Personal Interest
• the natural world
• sound design
• human physiology and the mind
Referees
Lynda Wehipeihana

13. LMF Music
0422 633 048
E-Mail: lfw@lmfmusic.com
Chris Gray
Graylabel
0404 046 410
Email : cg.gonefishing@optusnet.com.au
Costa Lambiris
Enspier Music
0416 141 512
Email : Costa@enspiermusic.com
Des O'Neill
Sounds and Motion
0416 025 127
E-Mail: des@soundsandmotion.com.au
Return to Top