Slides of Belgium's 2020 Public Domain Day celebration. Presentations include Creative Commons, Royal Library of Belgium, meemoo, Collections of Ghent, KOERS museum, MoMu Antwerp Fashion Museum,

1. Public Domain Day
Belgium 2022
Nisha Alberti
(Edinburgh,
Scotland)
Source material:
A gynaecologist
strokes his long
red beard. C.
Josef, c. 1930 |
Wellcome
Collection via
Europeana

2. Housekeeping
This session will be recorded
Please turn off your camera and microphone
Questions in the chat
Feel free to post on social media using the
hashtags in the top right corner
#PublicDomainDay
#openGLAM
#Ugent
#meemoo
#kbrbe
#Wikimedia_BE
#coghent

3. Program
14.00-14.15: Introduction - Sam Donvil (meemoo)
14.15-14.20: Good practices using Creative Commons tools - Camille Françoise (Creative Commons)
14.20-15.00: OpenGLAM showcase:
● MSK Ghent upload - Sam Donvil (meemoo)
● KBR upload - Piet Janssens & Sébastien Hermans (Royal Library of Belgium
● Reviewing the rights labels on AIF - Ellen Van Keer (meemoo)
● The Public Domain Tool: one year on - Bart Magnus (meemoo)
15.00-15.45: Panel: How to actively facilitate (creative) reuse?
Speakers:
● Dieter Suls (MoMu)
● Diethard Vlaeminck (KOERS)
● Olivier Van D'huynslager (Designmuseum Ghent)
● Sofie Teugels (Collections of Ghent)
15.40-15.50: Wiki Loves Heritage 2021 prize ceremony & launch Wikimedian in Residence-project
15.50-16.00: Wrap-up

4. The public domain is...
...all the creative works to which no
exclusive intellectual property rights apply.
Those rights may have:
• expired
• been forfeited
• expressly waived
• be inapplicable.

5. The public domain is...
Logos: PD mark ≠ license! CC0 ≠ license
Other rights may apply:
• neighbouring rights
• privacy rights
• etc.
OpenGLAM community promotes showing this information clearly and
correctly through rights statements, and move away from limiting access or
reuse by claiming copyright

6. Copyright is not uniform

7. Countries with 70 years copyright
protection
Ludwig Wittgenstein Arnold Schoenberg Oscar Devereaux
Micheaux

8. USA
• complex
• sometimes also from date
of publication instead of
date of death author
• 2022: copyrighted works
from 1926 -> PD
• A.A.. Milne’s
Winnie-the-Pooh
• Felix Salten’s Bambi
• Ernest Hemingway’s The
Sun Also Rises
• Langston Hughes’ The
Weary Blues
• silent films starring Burster
Keaton & Greta Garbo
• …

9. Public Domain Day Why?
Society at large society
• Copyright law gives authors important rights that encourage creativity
and distribution and, in case of early death of the authors, a guaranteed
income for their family.
• But it also ensures that those rights last for a “limited time,” so that when
they expire, works can go into the public domain, where future authors
can legally build upon their inspirations.
• The Public Domain is the rule, copyright protection is the exception.
• However, the fact that works are legally available, does not mean they
are actually available.

10. Public Domain Day Why?
Society at large society
Ten Oorlog (Tom Lanoye (naar de koningsdrama's van W.
Shakespeare)), deSingel, CC BY-SA 4.0

11. Public Domain Day Why?
Heritage sector
• easiest place to start opening up collections
• advocate against bad practices of claiming rights
on public domain material
• 2D reproductions of Public Domain works
• metadata associated with those works

12. Public Domain Day in
Belgium
• Previous editions
• 2016: Public domain day, focus Anne Frank (Constant
vzw, KBR, Wikimedia BE, CRIDS, Cinema Nova) +
celebration in the European Parliament (Communia)
• 2017: Public domain day, focus Leon Spilliaert (Constant
vzw, KBR, Wikimedia BE, CRIDS, Cinema Nova, FUNDP
Namur)
• 2018: Public domain day, focus Victor Horta (Constant
vzw, KBR, CRIDS, Cinema Nova, PTTL, Muntpunt,
Mundaneum, Rosa vzw, PACKED vzw)
• 2019: Public domain day: (Constant vzw, KBR, CRIDS,
Cinema Nova, PTTL, Muntpunt, Mundaneum, Rosa vzw,
PACKED vzw)
• 2020: Public domain day, focussed event for heritage
professionals (KBR, Wikimedia Belgium)
• 2021: Public Domain Day(KBR, Wikimedia Belgium,
meemoo)
• 2022: Public Domain Day (KBR, Wikimedia Belgium,
meemoo, University Library Ghent, Collections of Ghent)
Public Domain Day Celebration at the European Parliament,
Sebastiaan ter Burg, CC0
Public domain day 2020 Belgium - Flemish art collection, Geertivp,
cc by-sa 4.0

13. openGLAM around the world
● institutions share stories
about how they’re
doing #OpenGLAM
around the world!

15. Initiatives stimulating creative reuse:
Hack4openGLAM

16. Initiatives stimulating
creative reuse: GIF-it-up
• initiative of Europeana
• GIF-making contest based on Public
Domain material
Nisha Alberti
(Edinburgh,
Scotland)
Source material: A
gynaecologist
strokes his long red
beard. C. Josef, c.
1930 | Wellcome
Collection via
Europeana

17. openGLAM around the world
Instances of open access, December 2021. Source: Wikidata SPARQL query
https://w.wiki/Grc
Source: Douglas
McCarthy, What’s the
latest picture of Open
GLAM?

18. openGLAM around the world
Source: Douglas
McCarthy, What’s the
latest picture of Open
GLAM?

19. openGLAM around the world
Source: Douglas
McCarthy, What’s the
latest picture of Open
GLAM?

20. openGLAM around the world
Should your institution be on
this list?
Get in touch with Dr. Andrea
Wallace (@Andeewallace)
and Douglas McCarthy
(@CultureDoug)

21. • Public Domain Dedication - CC0
• Public Domain Mark - PDM
Good practices using Creative Commons
tools (Camille Françoise, Creative
Commons)
Veld van zestien tegels met vogels, anoniem, ca. 1640 - ca. 1660, Rijksmuseum, Public
Domain,
https://www.rijksmuseum.nl/nl/mijn/verzamelingen/135718--barbara-van-druten/etiketten/objec

22. Public Domain Dedication CC0
• CC0 means that no rights are
reserved.
• Creators waive all their rights and
place their work directly and
immediately in the public
domain.

23. Public Domain Mark
• The public domain mark is used to
communicate the public domain
status of works.
• It does not have the same legal value
as other CC licenses because it is not
accompanied by a legal code.
• It is a label or tag used on a work that
is already free of copyright restrictions
worldwide.
Wattle flowering stem with a blue locust and a faggot
caterpillar emerging from its next. Coloured aquatint by
W. Hooker after J. Forbes, 1779, Wellcome Collection,
Public Domain Mark,
https://wellcomecollection.org/works/rrjun4wq/images?id
=jnfb64yf

24. CC’s survey on Public Domain Tools in
GLAMs
• Focus on Public Domain tools in Galleries, Libraries, Archives and
Museums
• Available in 3 languages (English, French and Spanish)
• Deadline February 15, 2022
• Contact us: camille@creativecommons.org

25. OpenGLAM showcase
Annual platform for heritage institutions to
share progress in making public domain
collections accessible, reusable and reused:
● concrete actions (ie. uploads,
determining rights status of collections)
● policy changes
● sharing best practices

26. Wiki upload MSK Ghent (Sam Donvil,
meemoo)
• metadata entire collection
uploaded to Wikidata
since 2016
• subsequent image uploads
(453 images)
• 2022: additional +-1000
images, working towards
upload of full collection on
Wikimedia platforms
• opportunity: internship

27. Wiki upload MSK Ghent
• opportunity at meemoo: internship
• 1000+ images and metadata
prepared
• issues with Pattypan (Wikimedia
Commons upload tool) until 2 days
ago and unable to install new
version
• upload coming weeks
Avontuur, Frits Van den Berghe, 1924, Koninklijk Museum voor
Schone Kunsten Gent, 1959-C, public domain

28. Wikimedia tooling update: New pattypan
release
The Wikimedia Commons upload
tool Pattypan had been down for
the latter half of 2021
New release accessible at:
https://github.com/yarl/pattypan/r
eleases

29. Wikimedia tooling update: Wikimedia
Commons query service
Structured Data on Commons
(SDC) provides structured
metadata (basically a version
of Wikidata attached to the
image)
● much increased
searchability in visual
search environment
● SPARQL querying
● Search images based on
structured attributes
registered in a database

30. Wikimedia tooling update: Wikimedia Commons
structured data functionality on Openrefine
Batch uploads of structured
metadata on Wikimedia
Commons through Openrefine
Batch image upload straight
from Openrefine
More information:
https://meta.wikimedia.org/wiki/
Grants:Project/CS%26S/Structure
d_Data_on_Wikimedia_Commo
ns_functionalities_in_OpenRefine

31. Wiki upload (Piet Janssens/Sébastien Hermans, KBR)
Selection by publication date of under-catalogued tourist guides by
author/publisher Maurice Cosyn deceased in 1951:
- 50 Cosyn Guides
- Cataloging and digitisation in KBR (2021-2022)
- Wikidata items Guides & 20 long distance hiking trails query
- Commons image donation (50 covers,101 maps depicting hiking trails)
- Categories / findability / reuse
•

32. Wiki upload (Piet Janssens/Sébastien Hermans, KBR)
Selection by curator of under-catalogued etching prints and drawings by
three Belgian artists (painters) deceased in 1951:
- Richard Baseleer, Constant Eugène De Busschere and Albert Van Dyck
- Cataloging and digitisation in KBR (2021)
- Wikidata items + Commons image donation (69 works)
- Categories / findability / reuse
Richard Baseleer by himself (1917) Constant Eugène De Busschere - Au galop Albert Van Dyck by himself (1929)

33. Reviewing the rights labels on Art in
Flanders (Ellen Van Keer, meemoo)

34. Issues:
1. inconsistencies
- right: ‘license = CC0’
- bottom : photo credit ©
name photographer
2. inadequacies: painting
is in the public domain
Objective: new, state of
the art rights labels
Review of the rights information on AIF

35. Guiding principles
1. as open as possible (“openness”)
• avoid surrogate IP rights over artworks in the public domain
• art. 14 DSM directive : “...when the term of protection of a work of visual
art has expired, any material resulting from an act of reproduction of that
work is not subject to copyright or related rights…” (2019)
• Europeana Public Domain Charter : “what is in the public domain stay in
the public domain” (2010)
2. as closed as necessary (“balancedness”)
• honor relevant IP rights or other applicable legal agreements
• > copyrights of the photographer of ‘original’ photos of artworks
• cf. art. 14 DSM directive: …unless the material resulting from that act of
reproduction is original in the sense that it is the author's own intellectual
creation.”
• > property rights of the owner
• can impose restrictions on access and reproduction of artworks in his
collections

36. current label = CC0
> copyright has been waived
However:
• artwork = 16th century painting
> in the public domain : no
copyright applies
• photo = technical reproduction
> Belgian case law : no copyright
applies (lack of originality)
proposed new label = PDM
(1) photos of two-dimensional artworks in the
public domain

37. current label = CC-BY-NC-ND
> “translation”of a set of restrictions
imposed by owner into a copyright
licence
• artwork = 18th century painting
> no copyright applies
• photo = technical reproduction
> no copyright applies
proposed new label = “no copyright
- contractual restrictions”
(2) photos of 2D artworks in the PD with
restrictions imposed by the collection owner

38. • artwork = public domain
> 19th century sculpture
• photo = in copyright
> Belgian case law : photographers
can make personal, free choices in
lighting, point of view…
current best option = CC-BY
> attribution is typically required in
photography contracts with AIF
preferred label = CC0
> copyright waived : remains ‘PD’
> attribution as best practice
(3) photos of three-dimensional artworks in the
public domain

39. Next : from theory to practice
• legal formalities
• positive legal advice on the proposed new labels
• a revision of IP clauses in photography contracts
• permission of concerned photographers
• ‘internal’ vs. ‘external’ photography
• technical choices
• back-office implementation : 2D vs. 3D...
• front-office implementation : preferred citation…
• ‘user’ involvement
• create a support base with content providers to adopt the new labeling policy
• promote (re)use of the data with end-users

40. To be
continued
…

41. The public domain tool: one year on (Bart
Magnus, meemoo)
• Public Domain Tool context on meemoo’s website: https://bit.ly/3spDnbF
• article on Europeana Pro: https://bit.ly/3JgM7Yr
• www.publiekdomeintool.be

42. The public domain tool: how does it work?
• automate the identification of public domain content in your collection
• based on
• your own metadata (type of work, names, birth and death dates of creators, date of
creation)
• Wikidata
• Start from a csv export with collection data
• validate the proposed matches to creators on Wikidata
• output:
• enriched csv (birth and death dates from Wikidata added, public domain works
identified, external identifiers added)
• collection data added to Wikidata -> help for other heritage organisations
• basic knowledge of Dutch recommended

48. The public domain tool: one year on
• Public Domain Tool context on meemoo’s website: https://bit.ly/3spDnbF
• article on Europeana Pro: https://bit.ly/3JgM7Yr
• www.publiekdomeintool.be
=> bart.magnus@meemoo.be

49. Digital collection data registration catch up
projects
Bundesarchiv, Bild 183-84837-0002 / CC BY-SA 3.0
DE

50. ● 4th call
● 16 approved projects
○ start: January 2022
○ end: December 2023
● 1.754.500 euro
● meemoo: tailored advice and coaching for each project
Digital collection data
registration catch up projects

51. Collections 1/2 call 2021
● Eperon d’Or: Belgische schoenfabrieken als LOD en ontsluiting via Wikiplatformen (deelcollectie
‘modieuze schoenen’)
● MMP 1917: inhaalbeweging personalia MMP1917 (1624 documenten en 579 3D-objecten)
● KADOC - KU Leuven: digitale ontsluiting van periodieken van Wikimedia platformen en
voorbereiding van toekomstige digitalisering (12.000 fysieke titels en 3000 digital born)
● STAM: naar een volledige collectie-ontsluiting van het STAM, diverse deelcollecties
(numismatiek, knopen, insignes en kentekens, wapens, klein metaal en keramiek, Collectie van
Bost en penningen)
● Red Star Line Museum: opstellen van beleid, protocol en juridisch kader mbt privacy, GDPR en
ethiek bij ontsluiting en verwerving van biografisch erfgoed
● Vlaamse Erfgoedbibliotheken: Vlaamse incunabelen
● Middelheimmuseum: publicaties over/met/door kunstenaars in de bibliotheek van
Middelheimmuseum (documentatiemappen, kunstenaarsmonografieën en preciosa)
● Musea Brugge: 850 tal figuurtekeningen en 7 notitieboekjes Jan Anton Garemijn

52. Collections 2/2 call 2021
● Mu.ZEE: deelcollectie ‘werken op papier’ (19e en 20e eeuw)
● Huis van Alijn: poppencollectie en het poppenspel (immaterieel erfgoed)
● ADVN: collectie IJzertorenmuseum (documenten, tekeningen, schilderijen, foto’s, affiches,
beeldhouwwerken, vlaggen en voorwerpen (medailles, wapens en uniformen)
● Zuidwest: 6 museale collecties van historische archeologische sleutelsites uit
West-Vlaanderen (opgegraven tussen 1950-90)
● KOERS: 4 verzamelingen wielerfotografische afdrukken (Charles Aerts, Wim van Eyle, Jules
Vanmaele en Hubert Lahousse)
● CAG: 470 afleveringen van BRT-programma Boer en Tuinder
● CAVA: 120.000 pagina’s uit tijdschriftenreeksen van regionale en lokale humanistische
verenigingen & 200.000 gedigitaliseerde pagina’s uit nationale humanistische tijdschriften
● M HKA: schenkingen (30% van de volledige collectie, schilderijen, werken op papier, foto’s,
sculpturen, installaties en video’s)

53. Cultural heritage institutions
commit to make public domain
content digitally available
without restrictions.

54. Publishing public domain content
● Wikimedia platforms
○ Wikidata
○ Wikimedia Commons
○ Wikipedia
● Own platforms and municipal level platforms
○ Websites and databases of institutions
○ Datahub City of Antwerp
○ Open Data Portal City of Gent
○ Collections of Ghent platforms

55. Astrid Vergauwe
astrid.vergauwe@meemoo.be
Lise Ruts
lise.ruts@meemoo.be
© meemoo
© meemoo

56. Panel conversation: How
to actively facilitate
(creative) reuse?
● Dieter Suls - Antwerp Fashion Museum
● Diethard Vlaeminck - KOERS
● Olivier Van D'huynslager - Design
Museum Gent
● Sofie Teugels - Collections of Ghent
Gihak (Ethan) Kim (Istanbul, Turkey),
Source material: One Hundred
Aspects of the Moon, Tsukioka
Yoshitoshi |
National Library of Romania via

57. Lightning talk Collections of Ghent (Sofie
Teugels)
sofie.teugels@stad.gent
collections.gent
LINKED, STRUCTURED AND OPEN
DATA.COLLECTIE.GENT
CULTURAL DATA LAB
CO-CREATION FUND

58. Lightning talk KOERS (Diethard Vlaeminck)

59. Lightning talk KOERS (Diethard Vlaeminck)
www.serviceKOERS.be
• launch summer 2021
• main goals:
• displaying cycling collections
• ours & other collectors (Belgium)
• showcasing our research
• facilitating people to publish their own research
• stimulating (creative) reuse of the collection
• focussing on innovation
• interactive (add - like - share - embed - download)

60. Lightning talk KOERS (Diethard Vlaeminck)
• To do:
• enlarging and engaging with our audience
• crosslinks with other platforms & social media
• create more multilingual content

61. Lightning talk MoMu (Dieter Suls)

62. Lightning talk MoMu (Dieter Suls)

63. Lightning talk MoMu (Dieter Suls)
Pattern-a-thon
• Building further on the format of ‘Edit-a-thons’
• Source: Study Collection of MoMu
• Event targeting creative re-use of this collection
• In collaboration with University of Antwerp
• Supported Citizen Heritage project (KULeuven, European Fashion
Heritage Association, Erasmus University)
TODO’s
• Do - learn - repeat
• Our output has to be good input for creative (re)use
• Create guidelines to setup project to setup similar events by others
• Build a community of makers / corpus of openly licensed patterns

64. Lightning talk Design Museum Ghent
(Olivier Van D’huynslager)

68. Panel conversation
How to actively facilitate
(creative)reuse?
Gihak (Ethan) Kim (Istanbul, Turkey),
Source material: One Hundred Aspects of
the Moon, Tsukioka Yoshitoshi |
National Library of Romania via
Europeana

69. Wiki Loves Heritage prize ceremony
Geert Van Pamel
Chair, Wikimedia Belgium
https://wikimedia.be

70. What is Wiki Loves Heritage?
● Goals:
○ Started from Wiki Loves Monuments (WLM) and Wiki Loves Art (2016)
○ Build upon the Belgian Freedom of Panorama (2016)
○ Build an inventory (Wikimedia categories, Wikidata, including SDC)
○ Make images available for Wikipedia and other Wikimedia projects
● Builds upon the existing format of Wiki Loves Monuments
○ Heritage (all kinds, not only buildings)
○ Intangible cultural heritage
○ Folklore
○ Landscapes
○ Regional food
● Organised since 2018 by Wikimedia Belgium
● This year including pictures of Wiki Loves PZ (Pajottenland Zennevallei)
● Possibly be organised worldwide as of 2022 (replacement of WLM)

71. Results for 2021
● 2076 pictures
● 37 participants
○ 9 recurring participants
○ 24 participants, 132 pictures in 2nd round
○ 14 participants, 26 pictures in 3nd round
● 10 winners
○ 4 recurring winners
○ 1 international winner
● … you can see the pictures now…
https://commons.wikimedia.org/wiki/Commons:Wiki_Loves_Heritage

72. 10. Brussels, villa Empain-Piscine
Aldeko
CC BY-SA 4.0

73. 9. Brugge, Gouden-Handrei
Sally V
CC BY-SA 4.0

74. 8. Gent, de Graslei vanaf de Korenlei
Michielverbeek
CC BY-SA 4.0

75. 7. Hechtel-Eksel, Fietsen door de bomen
Paul Hermans
CC BY-SA 4.0

76. 6. Ruisbroek, Molens
ThomasVKF
CC BY-SA 4.0

77. 5. Strépy-Bracquegnies, Canal du Centre -
Ascenseur no
3
Trougnouf (Benoit Brummer)
CC BY 4.0

78. 4. Brussel, begraafplaats
Herman.vandenbroeck
CC BY-SA 4.0

79. 3. Henri-Chapelle, Amerikaanse
begraafplaats
Roosde
CC BY-SA 4.0

80. 2. Teralfene, oude ophaalbrug
KrisRF
CC BY-SA 4.0

81. 1. Walzin, Château
Nenea hartia
CC BY-SA 4.0

82. Usage on Wikipedia

83. Wikimedian in Residence project
Geert Van Pamel
Chair, Wikimedia BE
WikiLucas00 travaillant dans le centre de documentation de l'Institut
international pour la Francophonie, WiliLucas00, CC BY SA 4.0

84. What?
• Small projects with a cultural,
educational, heritage and/or social goal
• (partially) funded by the “Friends of
Wikimedia Belgium Fund”
• Project linked to the Wikimedia platforms
• Wikimedian in Residence project:
• A person paid to educate and
guide GLAM collaborators in
using the Wikimedia platforms
and tools to document the
GLAM catalog/material
• Ultimate goal: uploading images to
Wikimedia Commons, data to
Wikidata, write articles on Wikipedia
The Wikimedian-in-Residence project at Region Sörmland is executed
by Biblioteksutveckling Sörmland and Sörmlands museum,
Tulipasylvestris, CC BY SA 4.0

85. Why?
• human resources
• human resources at heritage institutions are limited
• human resources at Wikimedia Belgium are limited
• have projects that are larger than edit-a-thons
• opportunity to do more than one-offs (6 month period)
• have more impact
• we want institutions and Wikimedia to collaborate more
• encourage heritage institutions and museums to work with Wikimedia
• share museum catalogs
• to make museum collections known to the public
• expand the Wikimedia community in Belgium and make it sustainable

86. Partners and responsibilities
• Wikimedia Belgium: initiative
• Friends of Wikimedia Belgium Fund: funding
• Koning Boudewijnstichting: administration
• Cultural institutions: execution and reporting
• Wikimedia Community: collaboration

87. Responsibilities
Wikimedia Belgium (WMBE)
● Initiator of the project
● Setup fundraising campaigns (website, banner, newsletter)
● Contacting cultural institutions
● Provide information about project requirements
● Give advice about Wikimedia platforms (conventions, documentation,
tools)
● Search for technical collaboration with third parties (meemoo, other
musea, WMNL, WMFR)
● Intermediate to the larger Wikimedia Community
https://be.wikimedia.org/wiki/Donation_with_tax_certificate

88. Responsibilities
Friends of Wikimedia Belgium Fund
● Was requested by Wikimedia Belgium (WMBE)
● Recognized by, and part of the Koning Boudewijn Stichting (KBS)
● Evaluate and choose the projects
● Determine the budgets
● Approve the projects
https://be.wikimedia.org/wiki/Fonds_Vrienden_van_Wikimedia_België
https://be.wikimedia.org/wiki/Fonds_des_Amis_de_Wikimédia_Belgique

89. Responsibilities
Koning Boudewijnstichting
● Setup the administration
● Curate the contracts amongst the parties
● Accept gifts from the public and enterprises
● Fiscal administration
○ Provide income tax certificates to donators (citizens and enterprises)
● Financial reporting
● Accepting the projects
● Validating the invoices
● Paying the project invoices
https://donate.kbs-frb.be/b?cid=84&lang=en_EN

90. Responsibilities
cultural institution
● Project conception
● Personnel administration
○ Pay the salaries, and other personnel costs
○ Social security, income taxes, etc.
○ Insurance of the WiR
● Provide workspace
● Equipment (laptop, scanner)
● Daily follow-up of the progress of the project
● Delivery of the objectives, reporting
● Invoicing (to the KBS)

91. Financial constraints
● 3 projects can be executed in 2022
● (estimated) 5500 € per project
● options:
○ hiring somebody under a standard contract
○ in Flanders BIS-internship option
○ French-speaking side FOREM-internship option
■ which should be more or less covered by the
5500 €.

92. Call for projects!
• Send application to projects@wikimedia.be
• Deadline: 30 April 2022
• Implementation: second half of 2022
• What do we expect?
Document length: no more than 6 pages (PDF preferred)
• content:
• what is the project?
• why are you proposing the project?
• what cultural, educational, social results can be expected?
• admininstration:
• who is responsible?
• where is it organised?
• who will give support?
• what resources are available?
• planning project
• budget

93. Other Public Domain Day activities
Public domain upload cycle
• 17/02/2022: Public domain rights
workshop (NL), register on meemoo
website!
• fall 2022: Public domain upload
workshop (NL)(with new Wikimedia
upload tooling
Arunesh Varade (Pune, India),
Source material: Lithographs of
Odilon Redon: 1, 2, 3, 4 | Art
Institute Chicago

94. Thank you for your attention!