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Vastu for House Design
Vastu shastra (vāstu śāstra - literally "science of architecture") is a traditional Indian system
of architecture originating in India. Texts from the Indian subcontinent describe principles
of design, layout, measurements, ground preparation, space arrangement, and spatial
geometry.
Vastu Shastras incorporate traditional Hindu and (in some cases) Buddhist beliefs.
The designs aim to integrate architecture with nature, the relative functions of various
parts of the structure, and ancient beliefs utilizing geometric patterns (yantra), symmetry,
and directional alignments.
Vastu Shastra are the textual part of Vastu Vidya - the broader knowledge about
architecture and design theories from ancient India.
Vastu Vidya knowledge is a collection of ideas and concepts, with or without the support
of layout diagrams, that are not rigid. Rather, these ideas and concepts are models for the
organization of space and form within a building or collection of buildings, based on their
functions in relation to each other, their usage and the overall fabric of the Vastu.
Ancient Vastu Shastra principles include those for the design of Mandir (Hindu temples),
and the principles for the design and layout of houses, towns, cities, gardens, roads, water
works, shops and other public areas.
The foundation of Vastu is traditionally ascribed to the mythical sage "Mamuni Mayan"
who is believed to be first author and the creator of Vasthu Shastra and expert in Vastu
constructions of ancient times. According to Dr. Jessie Mercay (PhD, PhDmst), Chancellor
and Professor (Volunteer) at American University of Mayonic Science and Technology,
Authentic Vaastu science is based upon ancient principles discovered thousands of years
ago by a Rishi Scientist/Carpenter named "Mamuni Mayan".
Mayan is the one of the five sons of Vishwakarma. Mayan is mentioned throughout Indian
literature. Most notably, he built the city of Dwarka for Lord Krishna. Theories tracing links
of the principles of composition in Vastu Shastra and the Indus Valley Civilization have been
made, but scholar Kapila Vatsyayan is reluctant to speculate on such links given the Indus
Valley script remains undeciphered.
According to Chakrabarti, Vastu Vidya is as old the Vedic period and linked to the ritual
architecture. According to Michael W. Meister, the Atharvaveda contains verses with mystic
cosmogony which provide a paradigm for cosmic planning, but they did not represent
architecture nor a developed practice.
Varahamihira's Brihat Samhita dated to the sixth century CE, states Meister, is the first
known Indian text that describes "something like a vastupurusamandala to plan cities and
buildings". The emergence of Vastu vidya as a specialised field of science is speculated to
have occurred significantly before the 1st-century CE.
There exist many Vāstu-Śastras on the art of building houses, temples, towns and cities.
One such Vāstu Śastra is by Thakkura Pheru, describing where and how temples should be
built.
By 6th century AD, Sanskrit manuals for constructing palatial temples were in circulation
in India. Vāstu-Śastra manuals included chapters on home construction, town planning,
and how efficient villages, towns and kingdoms integrated temples, water bodies and
gardens within them to achieve harmony with nature.
While it is unclear, states Barnett, as to whether these temple and town planning texts
were theoretical studies and if or when they were properly implemented in practice, the
manuals suggest that town planning and Hindu temples were conceived as ideals of art
and integral part of Hindu social and spiritual life.
The Silpa Prakasa of Odisha, authored by Ramachandra Bhattaraka Kaulachara sometime
in ninth or tenth century CE, is another Vāstu Śastra.
Silpa Prakasa describes the geometric principles in every aspect of the temple and
symbolism such as 16 emotions of human beings carved as 16 types of female figures.
These styles were perfected in Hindu temples prevalent in eastern states of India.
Other ancient texts found expand these architectural principles, suggesting that different
parts of India developed, invented and added their own interpretations.
Ancient Sanskrit manuals for temple construction discovered in Rajasthan, in
northwestern region of India, include Sutradhara Mandana's Prasadamandana (literally,
manual for planning and building a temple) with chapters on town building.
Manasara shilpa and Mayamata, texts of South Indian origin, estimated to be in
circulation by 5th to 7th century AD, is a guidebook on South Indian Vastu design and
construction. Isanasivagurudeva paddhati is another Sanskrit text from the 9th century
describing the art of building in India in south and central India.
In north India, Brihat-samhita by Varāhamihira is the widely cited ancient Sanskrit
manual from 6th century describing the design and construction of Nagara style of
Hindu temples.
These ancient Vāstu Śastras, often discuss and describe the principles of Hindu temple
design, but do not limit themselves to the design of a Hindu temple. They describe the
temple as a holistic part of its community, and lay out various principles and a diversity
of alternate designs for home, village and city layout along with the temple, gardens,
water bodies and nature.
Vastu_House design.pptx
Vastu_House design.pptx

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Vastu_House design.pptx

  • 2. Vastu shastra (vāstu śāstra - literally "science of architecture") is a traditional Indian system of architecture originating in India. Texts from the Indian subcontinent describe principles of design, layout, measurements, ground preparation, space arrangement, and spatial geometry. Vastu Shastras incorporate traditional Hindu and (in some cases) Buddhist beliefs. The designs aim to integrate architecture with nature, the relative functions of various parts of the structure, and ancient beliefs utilizing geometric patterns (yantra), symmetry, and directional alignments. Vastu Shastra are the textual part of Vastu Vidya - the broader knowledge about architecture and design theories from ancient India. Vastu Vidya knowledge is a collection of ideas and concepts, with or without the support of layout diagrams, that are not rigid. Rather, these ideas and concepts are models for the organization of space and form within a building or collection of buildings, based on their functions in relation to each other, their usage and the overall fabric of the Vastu. Ancient Vastu Shastra principles include those for the design of Mandir (Hindu temples), and the principles for the design and layout of houses, towns, cities, gardens, roads, water works, shops and other public areas.
  • 3. The foundation of Vastu is traditionally ascribed to the mythical sage "Mamuni Mayan" who is believed to be first author and the creator of Vasthu Shastra and expert in Vastu constructions of ancient times. According to Dr. Jessie Mercay (PhD, PhDmst), Chancellor and Professor (Volunteer) at American University of Mayonic Science and Technology, Authentic Vaastu science is based upon ancient principles discovered thousands of years ago by a Rishi Scientist/Carpenter named "Mamuni Mayan". Mayan is the one of the five sons of Vishwakarma. Mayan is mentioned throughout Indian literature. Most notably, he built the city of Dwarka for Lord Krishna. Theories tracing links of the principles of composition in Vastu Shastra and the Indus Valley Civilization have been made, but scholar Kapila Vatsyayan is reluctant to speculate on such links given the Indus Valley script remains undeciphered. According to Chakrabarti, Vastu Vidya is as old the Vedic period and linked to the ritual architecture. According to Michael W. Meister, the Atharvaveda contains verses with mystic cosmogony which provide a paradigm for cosmic planning, but they did not represent architecture nor a developed practice. Varahamihira's Brihat Samhita dated to the sixth century CE, states Meister, is the first known Indian text that describes "something like a vastupurusamandala to plan cities and buildings". The emergence of Vastu vidya as a specialised field of science is speculated to have occurred significantly before the 1st-century CE.
  • 4. There exist many Vāstu-Śastras on the art of building houses, temples, towns and cities. One such Vāstu Śastra is by Thakkura Pheru, describing where and how temples should be built. By 6th century AD, Sanskrit manuals for constructing palatial temples were in circulation in India. Vāstu-Śastra manuals included chapters on home construction, town planning, and how efficient villages, towns and kingdoms integrated temples, water bodies and gardens within them to achieve harmony with nature. While it is unclear, states Barnett, as to whether these temple and town planning texts were theoretical studies and if or when they were properly implemented in practice, the manuals suggest that town planning and Hindu temples were conceived as ideals of art and integral part of Hindu social and spiritual life. The Silpa Prakasa of Odisha, authored by Ramachandra Bhattaraka Kaulachara sometime in ninth or tenth century CE, is another Vāstu Śastra. Silpa Prakasa describes the geometric principles in every aspect of the temple and symbolism such as 16 emotions of human beings carved as 16 types of female figures. These styles were perfected in Hindu temples prevalent in eastern states of India. Other ancient texts found expand these architectural principles, suggesting that different parts of India developed, invented and added their own interpretations.
  • 5. Ancient Sanskrit manuals for temple construction discovered in Rajasthan, in northwestern region of India, include Sutradhara Mandana's Prasadamandana (literally, manual for planning and building a temple) with chapters on town building. Manasara shilpa and Mayamata, texts of South Indian origin, estimated to be in circulation by 5th to 7th century AD, is a guidebook on South Indian Vastu design and construction. Isanasivagurudeva paddhati is another Sanskrit text from the 9th century describing the art of building in India in south and central India. In north India, Brihat-samhita by Varāhamihira is the widely cited ancient Sanskrit manual from 6th century describing the design and construction of Nagara style of Hindu temples. These ancient Vāstu Śastras, often discuss and describe the principles of Hindu temple design, but do not limit themselves to the design of a Hindu temple. They describe the temple as a holistic part of its community, and lay out various principles and a diversity of alternate designs for home, village and city layout along with the temple, gardens, water bodies and nature.