my triennal thesis

2. Structure
Joints
Connections
Decoration
DESCRIPTION
Front
THE PIER-GLASS OF THE COUNTESS VILLAMARINA'S APARTMENT IN VALCASOTTO,
ARTISTIC-HISTORICAL REPORT AND INTERVENTION PROJECT

3. DESCRIPTION
Back
Signs of processing
Engravings
THE PIER-GLASS OF THE COUNTESS VILLAMARINA'S APARTMENT IN VALCASOTTO,
ARTISTIC-HISTORICAL REPORT AND INTERVENTION PROJECT

4. The gilding
Oil gilding
Water gilding
THE PIER-GLASS OF THE COUNTESS VILLAMARINA'S APARTMENT IN VALCASOTTO,
ARTISTIC-HISTORICAL REPORT AND INTERVENTION PROJECT
DESCRIPTION

5. Plaster decoration
Serial decoration
Le parti decorate a missione sono caratterizzate
da una stesura piuttosto spessa che si suppone
essere di gommalacca o altra resina di origine
naturale.
Tale resina, da un'osservazione al microscopio,
sembra aver inglobato, in parte, al suo interno
la foglia d'oro. Questo potrebbe essere dovuto
ad una stesura prematura della foglia stessa.
Metallic structure
THE PIER-GLASS OF THE COUNTESS VILLAMARINA'S APARTMENT IN VALCASOTTO,
ARTISTIC-HISTORICAL REPORT AND INTERVENTION PROJECT
DESCRIPTION

6. Val Casotto
The Charterhouse of Casotto
Foundation
Acquisition and destination of use
THE PIER-GLASS OF THE COUNTESS VILLAMARINA'S APARTMENT IN VALCASOTTO,
ARTISTIC-HISTORICAL REPORT AND INTERVENTION PROJECT
ORIGIN

7. The Universal Expositions
Social phenomenon
the bourgeoisie
the artists
Factories
THE PIER-GLASS OF THE COUNTESS VILLAMARINA'S APARTMENT IN VALCASOTTO,
ARTISTIC-HISTORICAL REPORT AND INTERVENTION PROJECT HISTORICAL
BACKGROUND

8. Savoy ecleticism
Decorative patterns at the court of King
Vittorio Emanuele II
The living room of the Queen of the Castle of
Moncalieri
Domenico Ferri, Regio decorator
THE PIER-GLASS OF THE COUNTESS VILLAMARINA'S APARTMENT IN VALCASOTTO,
ARTISTIC-HISTORICAL REPORT AND INTERVENTION PROJECT STYLISTIC
CLASSIFICATION

9. Comparisons
Neorococò
Eclecticism
THE PIER-GLASS OF THE COUNTESS VILLAMARINA'S APARTMENT IN VALCASOTTO,
ARTISTIC-HISTORICAL REPORT AND INTERVENTION PROJECT STYLISTIC
CLASSIFICATION

10. Gilding:
Xilofagi Attack
Delamination of the gold leaf
from the support
from the preparation layer
Lacunae of the plaster decoration
THE PIER-GLASS OF THE COUNTESS VILLAMARINA'S APARTMENT IN VALCASOTTO,
ARTISTIC-HISTORICAL REPORT AND INTERVENTION PROJECT CONSERVATION
STATE

11. Corrosion of the metal structure
Rebuildable lacunae
Unrebuildable lacunae
THE PIER-GLASS OF THE COUNTESS VILLAMARINA'S APARTMENT IN VALCASOTTO,
ARTISTIC-HISTORICAL REPORT AND INTERVENTION PROJECT CONSERVATION
STATUS

12. Integrative choice
Reproduction through the
original calque
THE PIER-GLASS OF THE COUNTESS VILLAMARINA'S APARTMENT IN VALCASOTTO,
ARTISTIC-HISTORICAL REPORT AND INTERVENTION PROJECT HYPOTHETICAL
RECONSTRUCTION

13. Documentation
Preconsolidation
Disinfection
Cleaning
Consolidation
Integration
Preventive disinfestation
Finishing
Steps of action proposed
THE PIER-GLASS OF THE COUNTESS VILLAMARINA'S APARTMENT IN VALCASOTTO,
ARTISTIC-HISTORICAL REPORT AND INTERVENTION PROJECT INTERVENTION
PROJECT

14. OPTICAL MICROSCOPE
UV
Observation with an optical microscope
of the polished cross-section
THE PIER-GLASS OF THE COUNTESS VILLAMARINA'S APARTMENT IN VALCASOTTO,
ARTISTIC-HISTORICAL REPORT AND INTERVENTION PROJECT DIAGNOSTIC
INVESTIGATIONS

15. SEM -EDS
Presence of three layers
Calcium carbonate
bolus
gilding
Printed pastes
Calcium carbonate
Organic component
THE PIER-GLASS OF THE COUNTESS VILLAMARINA'S APARTMENT IN VALCASOTTO,
ARTISTIC-HISTORICAL REPORT AND INTERVENTION PROJECT DIAGNOSTIC
INVESTIGATIONS

16. XR
Metallic structure
Fractures of the stuccoes
Different levels of radiopacity
THE PIER-GLASS OF THE COUNTESS VILLAMARINA'S APARTMENT IN VALCASOTTO,
ARTISTIC-HISTORICAL REPORT AND INTERVENTION PROJECT DIAGNOSTIC
INVESTIGATIONS

17. UV
Presence of orange
fluorescent
THE PIER-GLASS OF THE COUNTESS VILLAMARINA'S APARTMENT IN VALCASOTTO,
ARTISTIC-HISTORICAL REPORT AND INTERVENTION PROJECT DIAGNOSTIC
INVESTIGATIONS

18. Nineteenth-century treaties
3.POLIORAMA PITTORESCO
Napoli, 1836
Paste stampate
5 shares of beautiful bone glue
and 1 part of gelatin,
It makes a pasta with ...
Spain's white and glue.
The examined recipes
1.BUILDERS POCKET MANUAL
London, 1837
Composition.
2 shares of the best chalk (CaCO3)
1 part glue
½ part of linseed oil
mixed together
2.ENCICLOPEDIA BRITANNICA
New York, 1833
Composition ornaments
Fine glue,
white resin and
linseed oil, boiled together with
addition of sieved gypsum.
THE PIER-GLASS OF THE COUNTESS VILLAMARINA'S APARTMENT IN VALCASOTTO,
ARTISTIC-HISTORICAL REPORT AND INTERVENTION PROJECT EXECUTIVE
TECHNIQUE

19. Reproduction of the pastes
calque from the original
silicone matrix
positive plaster
silicone matrix
positive in silicone
matrix polyester resin
THE PIER-GLASS OF THE COUNTESS VILLAMARINA'S APARTMENT IN VALCASOTTO,
ARTISTIC-HISTORICAL REPORT AND INTERVENTION PROJECT
LABORATORY TEST

20. Pastes reproduction
Mixtures
85 g of Ca carbonate
30 g of bone glue
10 g of linseed oil
5 g of colophony
60 g of Ca carbonate
30 g of bone glue
15 g of linseed oil
60 g of Ca carbonate
25 g of bone glue
5 g fish glue
THE PIER-GLASS OF THE COUNTESS VILLAMARINA'S APARTMENT IN VALCASOTTO,
ARTISTIC-HISTORICAL REPORT AND INTERVENTION PROJECT
LABORATORY TEST

21. Bismuth nitrate XR
THE PIER-GLASS OF THE COUNTESS VILLAMARINA'S APARTMENT IN VALCASOTTO,
ARTISTIC-HISTORICAL REPORT AND INTERVENTION PROJECT
LABORATORY TEST