11. An ongoing list of brilliant murals and transformed public
spaces throughout Philadelphia are the final products of
year-round Porch Light workshops, community meetings,
health forums, and paint days. A finished Porch Light
artwork shines a light on the people who helped bring the
project to life and challenges social stigmas around
mental and behavioral health, offering a fresh window of
opportunity for continued progress and community growth.
公共藝術真的對社區有科學證明下的好影響嗎? Porch Light
Program, Philadelphia
12. 藝術對於“好”的想像 – Porch Light Program 有集體藝術治療的效
果。”治療” 不一定是針對創傷，也可能是一種缺乏、不足的補足…
自信的追求/尋找
13.
14. Public Art and Public Housing
公共藝術在社會住宅中的需直接面對面處理的議題
Re-create or Create Neighborhood identity and Branding
Increase social mobility of residence
試圖為這一個社區建造
一個/一種心理依歸的經
驗(使其成為共有)
一般而言是視覺性
試圖以一種居戶的需要
鼓動他們進行公共的參
與 – 多層次/服務性
一般而言這是”軟體”
創意非常重要
建立一種認可的自信感 – 語意的認可 行動的滲透/需要的規劃
17. Their working method begins with empirical research,
finding out through interviews and observations what is
there both physically and socially. With this they
construct a narrative for the area that is led not by the
desire for commercial development but is instead a
powerful and very specific story to convince people of
the potential of the area.
Teun Castelein (Hoogvliet 地區的計畫)
18. JR (法國藝術家)
• As in all visual expressions of Wimby,
human beings are always central and
only after that, their built environment
• The pictorial portraits of Hoogvliet
inhabitants serve as the basis for the
giant billboards along roads and in
Hoogvliet parks.
19.
20. I Am Here was initiated by artists who are themselves
long-term residents of Samuel House. Through their open
windows, facing on to the canal, they often overheard
passersby speculating on reasons for the buildings
demise and its current state. The installation aims to
disturb this one-way interrogation by replacing the 67
bright orange boards with large-scale photographs of
residents on the estate: onlookers no longer stand
unchallenged, as their gaze is met and returned by a
multitude of faces consisting of current and former
residents on the estate. Thus the project literally
21. “We must recognise colour as having absolutely the same
rights as form. Don’t despise this wonderful gift of God - pure,
unbroken colour.” Bruno Taut (1918)
22. Branding – identity
Louis Bourgeois Spiders Claes Oldenburg Jonathan Borofsky
vito acconci architecture
36. Artist Seitu Jones 的公共藝術計畫
CREATE continues and
expands to tables
throughout the city with a
series of Neighborhood
Meals and deployment of
mobile Art Kitchens to
teach health food
preparation
St Paul 公共藝術基金會
