This PowerPoint helps students to consider the concept of infinity.
Presentation1.ppt
1. Using Multimodal Instruction to
Support ELAAcquisition in
Testing Subgroups
Maureen Kramanak
Teachers College; Columbia
University Spring 2013
2. What is Multimodality?
Multimodality is an inter-disciplinary
approach that understands communication
and representation to be more than about
language. It has been developed over the
past decade to systematically address much-
debated questions about changes in society,
for instance in relation to new media and
technologies.
3. Approaches to Multimodality
Multimodal approaches have provided
concepts, methods and a framework for the
collection and analysis of visual, aural,
embodied, and spatial aspects of interaction
and environments, and the relationships
between them.
4. Theoretical Assumption #1
It focuses on analyzing and describing the
full repertoire of meaning-making resources
that people use (visual, spoken, gestures,
written, three-dimensional, and others,
depending on the domain of representation)
in different contexts, and on developing
means that show how these are organized to
make meaning.
5. Theoretical Assumption #2
Multimodality assumes that resources are
socially shaped over time to become
meaning making resources that articulate
the (social, individual/affective) meanings
demanded by the requirements of different
communities.
6. Multimodality Assumption #3
People orchestrate meaning through their
selection and configuration of modes,
foregrounding the significance of the
interaction between modes.
8. Mode
An outcome of the cultural shaping of a
material through its use in the daily social
interaction of people.
9. Semiotic Resources
Come to display regularities through the
ways in which people use them and can be
thought of as the connection between
representational resources and what people
do with them.
10. Modal Affordance
The material and the cultural aspects of
modes: what it is possible to express and
represent easily with a mode. It is a concept
connected to both the material as well as the
cultural and social historical use of a mode.
11. What is the Focus of Multimodal
Research?
Multimodality can be used to build inventories of
the semiotic resources, organizing principles, and
cultural references that modes make available to
people in particular places and times: the actions,
materials and artifacts people communicate with.
This has included contributions to mapping the
semiotic resources of visual communication and
color, gesture and movement, gaze, voice and
music, to name a few
12. Another Focus…
Multimodal studies have also been
conducted that set out to understand how
semiotic resources are used to articulate
discourses across a variety of contexts and
media for instance school, workplaces,
online environments, textbooks and
advertisements.
13. And a Third…
Multimodal research makes a significant
contribution to research methods for the
collection and analysis of digital data and
environments within social research. It
provides novel methods for the collection
and analysis of types of visual data, video
data and innovative methods of multimodal
transcription and digital data management
14. Multimodality and Education
“Text” is no longer the single, driving force in
literacy instruction
Print, visual images, and design are also critical
components
Emergent research on literacy highlights the
imaginative, interpretive, non-linear, interactive,
dynamic, visual, and mobile features of
communication (Coiro, Knobel, Lankshear,& Leu,
2008).
15. “Real-World” Connections
As Siegel (2006) noted, “language arts
education can no longer ignore the way that
our social, cultural, and economic worlds
now require facility with texts and practices
involving the full range of representational
modes” (p. 65).
16. Instructional Dynamics
A transition from print-based education to
multimodal education indicates a profound shift in
the notion of reading as a whole.
Although possessing traditional print literacy
skills continues to be sufficient for many
communication tasks, the demands of digital
media and visual texts within a multimodal culture
require complex new ways of coding and
decoding image–text relations.
17. Ch-Ch-Changes
One significant difference in the social
context of communication today is that print
itself can take on many forms through
visual design and synergy with images
(Dresang, 1999; Hammerberg[Hassett],
2001; Hassett, 2006a; Sipe, 1998,
2001),until it is literally pushed off the page
(Kress, 1998).
18. Buh-bye Robins and Bluebirds!
Therefore, if we are to talk about reading
instruction within this new context, we need
“to realize that written language is being
displaced from its hitherto unchallenged
central position” (Kress, 1999, p. 68).
19. Pedagogogical Heresy?
Print represents only one mode of communication,
and it is not al-ways the most important focus.
When reading these books in the classroom,
students and teachers alike need to focus on all of
the various textual elements(e.g., print, images,
graphics) as well as other modes of
communication that can occur within the social
context of the classroom, such as the interactive
and playful conversations that can happen around
the text as meaning is being made.
20. In theory!
Theoretically, then,we see multimodal
literacy instruction as combining the modes
available in a text with the modes avail-able
through sociocognitive reading processes.
21. Inter-semiotic Relations
How modes are configured in particular
contexts. These four concepts provide the
starting point for multimodal analysis.
22. Multimodal Aspects of Text
Talk
Gesture
Dramatics
Drawing
Linguistic Signs
23. Multimodality and Minority
Groups
Communication skills, if understood from a
multimodal and multilingual perspective, are
highly developed
Able to switch between languages and modalities
(symbolic competence)
Through codeswitching and modeswitching, shift
frames of reference to relevant local as well as
global semiotic resources.
24. Benefits of Multimodality
Communication is more natural than in single
modality systems
Interpretation accuracy can be increased with the
help of redundant and/or complementary
modalities.
Users have different modality preferences and
different needs, and multimodal systems offer
them the freedom of choice: they can choose the
interface and modality that best suits them in a
particular situation.
Increases usability of the system as well as general
accessibility to information technology.
25. How does Glogster fit into
Multimodal Instruction
Multimodal literacy refers to the use of
numerous modes to communicate ones’
message. Text, audio, graphics, and video
are examples of digital media that can be
combined to present multimodal messages.
There are clear differences in presentation
between a traditional printed textbook and a
website on the same topic.
26. More Research
A printed textbook consists of static images
and words, whereas most websites include
interactive, multimedia textual features
(Karchmer, 2001).
27. Still More Research…
Research recommends explicit teaching of
multimodal literacy so that students
understand how various modes can be used
to develop dynamic multidimensional texts
that effectively communicate messages to
different audiences (Callow, 2008; Hassett
& Curwood, 2009; Leu et al., 2004
28. The Writing Connection
Writers can develop multimodal texts using
Glogster by embedding a range of modes to
convey a unified message. These virtual
posters can be shared with a global
audience, providing important opportunities
for students to critically examine their work.
36. Conclusions and
Recommendations
Multimodal instruction assisted students in
improving ELA skills
Students were enthusiastic about glogging
Glogs will “follow” students to middle school
Glogs can serve as an “electronic portfolio”
Research needs to continue about the effectiveness
of glogs as an instructional tool
37. References and Resources
Bezemer, J. and Mavers, D. (2011) Multimodal Trans
cription as Academic
Practice, International Journal of Social Research Methodology Vol. 14, No. 3,
May 2011, 191-206
Callow, J. (2008). Show me: Principles for assessing studentsÕ
visual literacy.
The Read
ing Teacher, 61(8), pp. 616Ğ
626
Hassett, D.D., & Cur
wood, J. (2009). Theories and practices of multimodal
educat
ion: The instructional dynamics of picture books and primary classrooms.
The Read
ing Teacher, 63(4), 270Ğ
282
Jewitt, C. (ed.) (2009) TheRoutledge Handbook of Multimodal Analysis,
London:R
outledge
Karchmer, R.A. (2001). The journey ahead: Thirteen teachers report how the
Internet influences literacy andliteracy instruction in their KĞ
12 classrooms.
Reading Research Quarterly, 36(4), 442Ğ
466
Kress, G. (
2009) Multimodality: a Social Semiotic Approach to Contemporary
Communication, London: Routledge