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A Rich Stereoscopic 3d High Dynamic Range Image &
Video Database Of Natural Scenes
Aditya Wadaskar, Mansi Sharma, Rohan Lal
Department of Electrical Engineering
Indian Institute of Technology Madras, India
Wednesday, 11 December 2019
3D HDR Image and Video database
Wednesday, 11 December 2019
Need for such a database
• Scarcity of publicly available 3D HDR image & video datasets [1].
• Absence of 3D HDR datasets featuring natural scenes [2].
• Facilitate & expedite R&D in HDR computational photography, HDR video
compression, HDR quality assessment, etc.
• Extend applications for 3D Displays & VR/AR HMDs
Wednesday, 11 December 2019
• Synchronized dual sensors for capturing left and right views.
• 4M pixels resolution (2µ pixels)
• Horizontal separation between the sensors : 12 cm
• Depth range of camera : 0.5m to 20m.
.
Wednesday, 11 December 2019
ZED Stereoscopic Camera
ZED Stereoscopic Camera
• ZED SDK support environment stitches left and right views into one contiguous
frame.
• Camera calibration done using SDK prior to capturing.
• No need for external time-synchronization.
.
Wednesday, 11 December 2019
• Each scene has been captured under 3−4 different exposure settings.
• Camera frame held fixed (perfect frame alignment).
• Left and right views combined into single contiguous image.
Wednesday, 11 December 2019
Capturing Procedure
• Natural scenes – forests & trees, sky-scapes, surface and water reflections and
low-lit/indoor scenes
• Good variation of depth profile, colour, texture, complexity and illumination
across exposures
• Fixed camera frame – perfect frame alignment
• Slight object motion – unavoidable with natural scenes
• These characteristics make our dataset unique – opens new challenges to
researchers
 More efficient tone mapping and depth estimation algorithm
 Deployment of new deep learning algorithms for 3D HDR processsing
Wednesday, 11 December 2019
Dataset Attributes
• Number of scenes – 30 (each under 3-4 different exposures)
• Resolution of each view (L & R) : 2208 x 1242 pixels (full HD)
• Scenes chosen – forests, buildings, water bodies, waterfalls, roads, sky-
scapes, indoor and low-lit scenes.
• Perfectly steady camera frame (frame aligned multi-exposure views)
• Slight object motion between successive exposure captures. (eg. swaying
of trees, flowing water, etc)
• High spatial complexity, medium-high depth bracket.
Wednesday, 11 December 2019
3D HDR Image Dataset
Wednesday, 11 December 2019
High depth profile; high spatial complexity. Sky and clouds seen at low exposures. Lotuses seen at high exposure.
High depth profile; high spatial complexity. Rich shades of green, interplay of lights and shadows, motion of branches.
Wednesday, 11 December 2019
Indoor scene: medium depth profile; medium spatial complexity. contrasting lighting settings, floor reflections.
High depth profile; high spatial complexity. The building reflects the sky, clouds visible at low exposures.
• Contain short fixed-frame captures of natural scenes
• Number of scenes - 10 (each scene captured under 3-4 exposures)
• Resolution of each view (L&R) : 1920×1080
• Frame rate : 30 fps
• Perfectly steady camera frame (perfect frame alignment)
• Multi-exposure captures done sequentially – it is difficult to reproduce same motion
of objects between exposures.
• Multi-exposure stereo videos are not identical – slight to medium, partially traceable motion of
objects at varying depth ranges.
• Opportunity for researchers to develop efficient tone mapping and depth estimation algorithms.
Wednesday, 11 December 2019
3D HDR Video Database
Classification of data based on extent of object
motion
• Static scene with partially traceable object motion –
 Objects undergo gentle, partially traceable motion. Eg. Fountain, swaying of trees
in a forest, flowing stream, etc.
 HDR video conversion using one video as reference, identifying scene objects, and
using deep learning algorithms - to learn object motion and colour variation across
exposures.
• Static scene with large object motion –
 Objects undergo large motion, and often change between different exposure captures.
Eg. moving traffic on a road, persons talking, deer feeding on grass, etc.
 More difficult problem due to changing objects – requires sophisticated learning
algorithms.
Wednesday, 11 December 2019
3D HDR Video Database
Wednesday, 11 December 2019
3D HDR Video Database
Wednesday, 11 December 2019
3D HDR Video Database
• Captured dataset requires deep-learning based algorithm to account for intricate
object motion.
• Require tone mapping operators which takes into account complex object
motion [3].
Wednesday, 11 December 2019
Post processing and potential use cases
Wednesday, 11 December 2019
• Depth maps computed using deep learning algorithms [4], [5].
Wednesday, 11 December 2019
Depth Estimation
Wednesday, 11 December 2019
Left view + depth map
Wednesday, 11 December 2019
Depth Video
• Depth-from-stereo–
 Multiple view synthesis from computed depth map.
 Extension to VR, AR, MR technologies (XR)
• Working on deep-learning based methods to meet 3D HDR challenges.
Wednesday, 11 December 2019
Potential applications & use cases
Conclusion
• Proposed database presents 3D HDR Image and Video datasets of natural
scenes.
• Facilitates investigation of challenges involved with 3D HDR video depth
estimation, tone mapping, encoding, quality assessment.
• Establishes the need for developing robust deep learning and neural network
based training models.
• Opens research avenues to counteract challenges in creating a backward
compatible end to end production pipeline for 3D HDR video.
Wednesday, 11 December 2019
Database will be available for download upon request at
https://sites.google.com/view/hdr-dataset-aditya-wadaskar/home
Wednesday, 11 December 2019
Where to find the data
References
[1] C. Bist, R. Cozot, G. Madec and X. Ducloux. QoEbased brightness control for HDR
displays. QoMEX, Erfurt, 2017, pp. 1-6.
[2] A. Banitalebi-Dehkordi. Introducing a Public Stereoscopic 3D High Dynamic Range
(SHDR) Video Database. 3D Research, 2017, 8(1), pages 3.
[3] Wu, S., Xu, J., Tai, Y. W., & Tang, C. K. (2018). Deep high dynamic range
imaging with large foreground motions. In Proceedings of the European Conference
onComputer Vision (ECCV) (pp. 117-132).
[4] Ashutosh Saxena, Jamie Schulte, and Andrew NG. Depth Estimation Using
Monocular and Stereo Cues. IJCAI International Joint Conference on Artificial
Intelligence, 2197-2203, 2007.
[5] Sunghoon Im, Hae-Gon Jeon, Stephen Lin, and In So Kweon. DPSNet: end-to-end
deep plane sweep stereo. arXiv:1905.00538, 2019.
Wednesday, 11 December 2019
Thank You

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A Rich Stereoscopic 3D High Dynamic Range Image & Video Database of Natural Scenes

  • 1. A Rich Stereoscopic 3d High Dynamic Range Image & Video Database Of Natural Scenes Aditya Wadaskar, Mansi Sharma, Rohan Lal Department of Electrical Engineering Indian Institute of Technology Madras, India Wednesday, 11 December 2019
  • 2. 3D HDR Image and Video database Wednesday, 11 December 2019
  • 3. Need for such a database • Scarcity of publicly available 3D HDR image & video datasets [1]. • Absence of 3D HDR datasets featuring natural scenes [2]. • Facilitate & expedite R&D in HDR computational photography, HDR video compression, HDR quality assessment, etc. • Extend applications for 3D Displays & VR/AR HMDs Wednesday, 11 December 2019
  • 4. • Synchronized dual sensors for capturing left and right views. • 4M pixels resolution (2µ pixels) • Horizontal separation between the sensors : 12 cm • Depth range of camera : 0.5m to 20m. . Wednesday, 11 December 2019 ZED Stereoscopic Camera
  • 5. ZED Stereoscopic Camera • ZED SDK support environment stitches left and right views into one contiguous frame. • Camera calibration done using SDK prior to capturing. • No need for external time-synchronization. . Wednesday, 11 December 2019
  • 6. • Each scene has been captured under 3−4 different exposure settings. • Camera frame held fixed (perfect frame alignment). • Left and right views combined into single contiguous image. Wednesday, 11 December 2019 Capturing Procedure
  • 7. • Natural scenes – forests & trees, sky-scapes, surface and water reflections and low-lit/indoor scenes • Good variation of depth profile, colour, texture, complexity and illumination across exposures • Fixed camera frame – perfect frame alignment • Slight object motion – unavoidable with natural scenes • These characteristics make our dataset unique – opens new challenges to researchers  More efficient tone mapping and depth estimation algorithm  Deployment of new deep learning algorithms for 3D HDR processsing Wednesday, 11 December 2019 Dataset Attributes
  • 8. • Number of scenes – 30 (each under 3-4 different exposures) • Resolution of each view (L & R) : 2208 x 1242 pixels (full HD) • Scenes chosen – forests, buildings, water bodies, waterfalls, roads, sky- scapes, indoor and low-lit scenes. • Perfectly steady camera frame (frame aligned multi-exposure views) • Slight object motion between successive exposure captures. (eg. swaying of trees, flowing water, etc) • High spatial complexity, medium-high depth bracket. Wednesday, 11 December 2019 3D HDR Image Dataset
  • 9. Wednesday, 11 December 2019 High depth profile; high spatial complexity. Sky and clouds seen at low exposures. Lotuses seen at high exposure. High depth profile; high spatial complexity. Rich shades of green, interplay of lights and shadows, motion of branches.
  • 10. Wednesday, 11 December 2019 Indoor scene: medium depth profile; medium spatial complexity. contrasting lighting settings, floor reflections. High depth profile; high spatial complexity. The building reflects the sky, clouds visible at low exposures.
  • 11. • Contain short fixed-frame captures of natural scenes • Number of scenes - 10 (each scene captured under 3-4 exposures) • Resolution of each view (L&R) : 1920×1080 • Frame rate : 30 fps • Perfectly steady camera frame (perfect frame alignment) • Multi-exposure captures done sequentially – it is difficult to reproduce same motion of objects between exposures. • Multi-exposure stereo videos are not identical – slight to medium, partially traceable motion of objects at varying depth ranges. • Opportunity for researchers to develop efficient tone mapping and depth estimation algorithms. Wednesday, 11 December 2019 3D HDR Video Database
  • 12. Classification of data based on extent of object motion • Static scene with partially traceable object motion –  Objects undergo gentle, partially traceable motion. Eg. Fountain, swaying of trees in a forest, flowing stream, etc.  HDR video conversion using one video as reference, identifying scene objects, and using deep learning algorithms - to learn object motion and colour variation across exposures. • Static scene with large object motion –  Objects undergo large motion, and often change between different exposure captures. Eg. moving traffic on a road, persons talking, deer feeding on grass, etc.  More difficult problem due to changing objects – requires sophisticated learning algorithms. Wednesday, 11 December 2019 3D HDR Video Database
  • 13. Wednesday, 11 December 2019 3D HDR Video Database
  • 14. Wednesday, 11 December 2019 3D HDR Video Database
  • 15. • Captured dataset requires deep-learning based algorithm to account for intricate object motion. • Require tone mapping operators which takes into account complex object motion [3]. Wednesday, 11 December 2019 Post processing and potential use cases
  • 17. • Depth maps computed using deep learning algorithms [4], [5]. Wednesday, 11 December 2019 Depth Estimation
  • 19. Left view + depth map Wednesday, 11 December 2019 Depth Video
  • 20. • Depth-from-stereo–  Multiple view synthesis from computed depth map.  Extension to VR, AR, MR technologies (XR) • Working on deep-learning based methods to meet 3D HDR challenges. Wednesday, 11 December 2019 Potential applications & use cases
  • 21. Conclusion • Proposed database presents 3D HDR Image and Video datasets of natural scenes. • Facilitates investigation of challenges involved with 3D HDR video depth estimation, tone mapping, encoding, quality assessment. • Establishes the need for developing robust deep learning and neural network based training models. • Opens research avenues to counteract challenges in creating a backward compatible end to end production pipeline for 3D HDR video. Wednesday, 11 December 2019
  • 22. Database will be available for download upon request at https://sites.google.com/view/hdr-dataset-aditya-wadaskar/home Wednesday, 11 December 2019 Where to find the data
  • 23. References [1] C. Bist, R. Cozot, G. Madec and X. Ducloux. QoEbased brightness control for HDR displays. QoMEX, Erfurt, 2017, pp. 1-6. [2] A. Banitalebi-Dehkordi. Introducing a Public Stereoscopic 3D High Dynamic Range (SHDR) Video Database. 3D Research, 2017, 8(1), pages 3. [3] Wu, S., Xu, J., Tai, Y. W., & Tang, C. K. (2018). Deep high dynamic range imaging with large foreground motions. In Proceedings of the European Conference onComputer Vision (ECCV) (pp. 117-132). [4] Ashutosh Saxena, Jamie Schulte, and Andrew NG. Depth Estimation Using Monocular and Stereo Cues. IJCAI International Joint Conference on Artificial Intelligence, 2197-2203, 2007. [5] Sunghoon Im, Hae-Gon Jeon, Stephen Lin, and In So Kweon. DPSNet: end-to-end deep plane sweep stereo. arXiv:1905.00538, 2019. Wednesday, 11 December 2019