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Gangsters
The archetype of our characters is the stereotypical gangsteror mobsteras they are also so
known. Intoday'susage, the term "gang" is generally used for a criminal organization, andthe
term "gangster" invariably describes a criminal. Muchhas been written on the subject of
gangs, althoughthere is no clear consensusaboutwhatconstitutesa gang or whatsituations
lead to gang formationandevolution. There is agreement thatthe members of a gang havea
sense of commonidentity and belonging, andthis is typically reinforced throughshared
activities and throughvisualidentifications suchas special clothing, tattoosorrings.
Regional variants:
 The Sicilian Mafia, or Cosa Nostra isa criminal syndicatethat emerged in the mid-
nineteenthcentury in Sicily, Italy. It is a loose associationof criminal groupsthat
share a commonorganizationalstructureand code of conduct. The origins lie in the
upheavalof Sicily's transitionoutof feudalism in 1812 andits later annexation by
mainlandItaly in 1860. Underfeudalism, thenobility owned mostof the land and
enforced law and order through theirprivate armies. After 1812, thefeudal barons
steadily soldoff or rented their landsto private citizens. Primogeniturewas
abolished, landcould no longer be seized to settle debts, and onefifth of the land
was to become private property of the peasants.
 In China, Triads trace their roots toresistance or rebel groupsopposedto Manchu
rule during the Qing Dynasty, whichwere given the triangle as their emblem. The
triads evolvedinto criminal societies. When the Chinese CommunistParty cameto
power in 1949 in mainlandChina, law enforcement became stricter and tough
governmentalcrackdownon criminal organizationsforced the triads tomigrate
to HongKong, thena Britishcolony, and othercities aroundthe world. Triads today
are highly organized, with departmentsresponsiblefor functions suchas accounting,
recruiting, communications, trainingandwelfare in additiontothe operational arms.
They engage in a variety of crimes includingextortion, money laundering, smuggling,
trafficking andprostitution.
 As American society and culture developed, new immigrants were relocating to the
UnitedStates. The first major gangsin 19thcentury New York City were the Irish
gangssuch as the Whysandthe Dead Rabbits. These were followed by the Italian Five
PointsGang andlater a Jewish gang knownasthe EastmanGang. There were also
"nativist" anti-immigrationgangssuchasthe Bowery Boys. The American Mafia arose
from offshootsof the Mafia that emerged in the United Statesduringthe late
nineteenthcentury, following waves of emigration from Sicily.
 Colombiais the world's leading producer of cocaine, and alsoproduces herointhat is
mostly destinedfor the US market. The Medellin was anorganized network of drug
suppliersand smugglersoriginatingin the city of Medellin, Colombia. The gang
operated in Colombia, Bolivia, Peru, Central America, the UnitedStates, as well as
Canadaand Europethroughoutthe1970sand1980s. Itwasfoundedandrun by
OchoaVazquez brotherswith PabloEscobar. By 1993, theColombiangovernment,
helped by the US, had successfully dismantledthe cartel by imprisoningorhunting
andgunningdown its members.
Notorious individuals:
Al Capone:AlCaponewas one of the mostinfluential gangstersduringthe prohibitionperiod.
Born in Williamsburg, Brooklynin1899 toimmigrant parents, Caponewas recruited by
membersof the Five PointsGangin the early 1920s. Caponewouldrise to controla major
portionof illicit activity such as gambling, prostitution, and bootlegginginChicago duringthe
early twentieth century.
Frank Costello: Frank Costello wasanotherinfluential gangster. He was bornin southernItaly
butmovedto America when he was four years old. He later changedhis name from
Francesco Castiglia to Frank Costellowhen he joined a gang at age 13. His name change led
some peopleto mistakenly believe he was Irish. He workedwith Charlie
Luciano in bootleggingand gambling. He also hada lot of political power which enabled him
to continuehis business. He took charge when Luciano was arrested and expandedthe gang's
operations. He decided to step away from the gangsterlife and died peacefully in 1973.
Carlo Gambino: CarloGambino wasan influential gangsterin America. From1961 untilhe
died in 1976, hewas chairman of the American mafia. Gambinowas bornin Palermo, Sicily,
butmovedto the UnitedStates at the age of 21. ThroughhisCastellanorelatives, he joined
the MasseriaFamily. While Lucky Luciano was the underbossin the MasseriaFamily,
Gambinoworked for him. After Lucianohad Masseriakilled, Luciano became the boss, and
Gambinowas sent to the Scalise Family. Later Scalise was strippedof his rank, andVicenzu
Manganobecame bossuntil1951, whenManganodisappeared. Hisbody was never found.
The Kray Twins:TheKray twins, Reginald andRonaldKray, were leading criminals in London,
Englandin the 1950sand1960s. They were involvedin armed robberies, arson, protection
rackets, violent assaultsincludingtorture andthe murdersof Jack "TheHat"
McVitie and George Cornell. As West End nightclubowners, they mixed with prominent
entertainers including DianaDors, Frank Sinatra, Judy Garland and politicians. The Kray’swere
highly feared within their social environment. Inthe 1960sthey becamecelebrities in their
own right, being photographedby DavidBailey and interviewed on television. They were
arrested in 1968 andbothsentencedto life imprisonment.
Lucky Luciano: Lucky Luciano(born SalvatoreLucania), a Sicilian gangster, is considered to be
the father of modern organizedcrime andthe mastermindof the massive post-warexpansion
of the international heroin trade. He was the first official bossof the modern Genovese crime
family and is credited with organizingthe American Mafia's ruling body.
Johnny Torrio: BorninsouthernItaly in1882, Torrioimmigratedto the UnitedStates with his
motherafter his father's death, which happenedwhenhe was three years old. Knownas "The
Fox" for his cunning, he helped the formationof the Chicago Outfit andhe is credited for
inspiring the birthof the NationalCrime Syndicate. He was a big influence onAl Capone, who
regarded him as a mentor. After the assassinationofBig Jim Colosimo, Torrio took his place in
the Chicago Outfit. He was severely woundedby members of the North while returningfrom
a shoppingtrip, forcing him, along with otherproblems, to quit the criminal activity. He died
in 1957 andthe media learned abouthis deaththree weeks after hisburial
In Popular Culture:
UnitedStates: Theclassic gangster movie ranks with the Western as one of the most successful
creations of the American movie industry. The "classic" form of gangster movie, rarelyproduced in
recent years, tells of a gangster working his way up through his enterprise and daring, until his
organizationcollapses while he is at the peak of his powers. Although the ending is presented as a
moral outcome, it is usually seen as no more than an accidentalfailure. The gangster is typically
articulate,although at times lonely and depressed, and his wisdom and defiance of social norms
has a strong appeal, particularlyto adolescents.
Latin America: LatinAmericangangster movies areknown for their grittyrealism. Soy un
delincuente (I Am a Criminal) is a 1976 Venezuelanfilm by director Clemente de la Cerda. The film
tells the story of Ramón Antonio Brizuela, a real-life individual, who since childhood has to deal
with rampant violence and the drugs, sex and petty thievery of a Caracasslum. Starting with
delinquency, Ramón moves on to serious gang activity and robberies. Hegrows into a tough, self-
confident young man who is hardened to violence. His views change when his fiancée's brother is
killed in a robbery. The film was a blockbuster hit in Venezuela.
East Asia: Thefirst yakuza (gangster) film made in Japan was Bakuto (Gambler, 1964). The genre
soon became popular, and by the 1970s theJapanese film industry was turning out a hundred
mostly low-budget yakuza films each year. The films are descendants of the samurai epics, and are
closer to Westerns than to Hollywood gangster movies. The hero is typically torn between
compassion for the oppressed and his sense of duty to the gang.The plots are generallyhighly
stylized, starting with the protagonist being released from prison and ending in a gory sword fight
in which he dies an honourable death.

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Gangsters

  • 1. Gangsters The archetype of our characters is the stereotypical gangsteror mobsteras they are also so known. Intoday'susage, the term "gang" is generally used for a criminal organization, andthe term "gangster" invariably describes a criminal. Muchhas been written on the subject of gangs, althoughthere is no clear consensusaboutwhatconstitutesa gang or whatsituations lead to gang formationandevolution. There is agreement thatthe members of a gang havea sense of commonidentity and belonging, andthis is typically reinforced throughshared activities and throughvisualidentifications suchas special clothing, tattoosorrings. Regional variants:  The Sicilian Mafia, or Cosa Nostra isa criminal syndicatethat emerged in the mid- nineteenthcentury in Sicily, Italy. It is a loose associationof criminal groupsthat share a commonorganizationalstructureand code of conduct. The origins lie in the upheavalof Sicily's transitionoutof feudalism in 1812 andits later annexation by mainlandItaly in 1860. Underfeudalism, thenobility owned mostof the land and enforced law and order through theirprivate armies. After 1812, thefeudal barons steadily soldoff or rented their landsto private citizens. Primogeniturewas abolished, landcould no longer be seized to settle debts, and onefifth of the land was to become private property of the peasants.  In China, Triads trace their roots toresistance or rebel groupsopposedto Manchu rule during the Qing Dynasty, whichwere given the triangle as their emblem. The triads evolvedinto criminal societies. When the Chinese CommunistParty cameto power in 1949 in mainlandChina, law enforcement became stricter and tough governmentalcrackdownon criminal organizationsforced the triads tomigrate to HongKong, thena Britishcolony, and othercities aroundthe world. Triads today are highly organized, with departmentsresponsiblefor functions suchas accounting, recruiting, communications, trainingandwelfare in additiontothe operational arms. They engage in a variety of crimes includingextortion, money laundering, smuggling, trafficking andprostitution.  As American society and culture developed, new immigrants were relocating to the UnitedStates. The first major gangsin 19thcentury New York City were the Irish gangssuch as the Whysandthe Dead Rabbits. These were followed by the Italian Five PointsGang andlater a Jewish gang knownasthe EastmanGang. There were also "nativist" anti-immigrationgangssuchasthe Bowery Boys. The American Mafia arose from offshootsof the Mafia that emerged in the United Statesduringthe late nineteenthcentury, following waves of emigration from Sicily.  Colombiais the world's leading producer of cocaine, and alsoproduces herointhat is mostly destinedfor the US market. The Medellin was anorganized network of drug suppliersand smugglersoriginatingin the city of Medellin, Colombia. The gang operated in Colombia, Bolivia, Peru, Central America, the UnitedStates, as well as Canadaand Europethroughoutthe1970sand1980s. Itwasfoundedandrun by OchoaVazquez brotherswith PabloEscobar. By 1993, theColombiangovernment, helped by the US, had successfully dismantledthe cartel by imprisoningorhunting andgunningdown its members.
  • 2. Notorious individuals: Al Capone:AlCaponewas one of the mostinfluential gangstersduringthe prohibitionperiod. Born in Williamsburg, Brooklynin1899 toimmigrant parents, Caponewas recruited by membersof the Five PointsGangin the early 1920s. Caponewouldrise to controla major portionof illicit activity such as gambling, prostitution, and bootlegginginChicago duringthe early twentieth century. Frank Costello: Frank Costello wasanotherinfluential gangster. He was bornin southernItaly butmovedto America when he was four years old. He later changedhis name from Francesco Castiglia to Frank Costellowhen he joined a gang at age 13. His name change led some peopleto mistakenly believe he was Irish. He workedwith Charlie Luciano in bootleggingand gambling. He also hada lot of political power which enabled him to continuehis business. He took charge when Luciano was arrested and expandedthe gang's operations. He decided to step away from the gangsterlife and died peacefully in 1973. Carlo Gambino: CarloGambino wasan influential gangsterin America. From1961 untilhe died in 1976, hewas chairman of the American mafia. Gambinowas bornin Palermo, Sicily, butmovedto the UnitedStates at the age of 21. ThroughhisCastellanorelatives, he joined the MasseriaFamily. While Lucky Luciano was the underbossin the MasseriaFamily, Gambinoworked for him. After Lucianohad Masseriakilled, Luciano became the boss, and Gambinowas sent to the Scalise Family. Later Scalise was strippedof his rank, andVicenzu Manganobecame bossuntil1951, whenManganodisappeared. Hisbody was never found. The Kray Twins:TheKray twins, Reginald andRonaldKray, were leading criminals in London, Englandin the 1950sand1960s. They were involvedin armed robberies, arson, protection rackets, violent assaultsincludingtorture andthe murdersof Jack "TheHat" McVitie and George Cornell. As West End nightclubowners, they mixed with prominent entertainers including DianaDors, Frank Sinatra, Judy Garland and politicians. The Kray’swere highly feared within their social environment. Inthe 1960sthey becamecelebrities in their own right, being photographedby DavidBailey and interviewed on television. They were arrested in 1968 andbothsentencedto life imprisonment. Lucky Luciano: Lucky Luciano(born SalvatoreLucania), a Sicilian gangster, is considered to be the father of modern organizedcrime andthe mastermindof the massive post-warexpansion of the international heroin trade. He was the first official bossof the modern Genovese crime family and is credited with organizingthe American Mafia's ruling body. Johnny Torrio: BorninsouthernItaly in1882, Torrioimmigratedto the UnitedStates with his motherafter his father's death, which happenedwhenhe was three years old. Knownas "The Fox" for his cunning, he helped the formationof the Chicago Outfit andhe is credited for inspiring the birthof the NationalCrime Syndicate. He was a big influence onAl Capone, who regarded him as a mentor. After the assassinationofBig Jim Colosimo, Torrio took his place in the Chicago Outfit. He was severely woundedby members of the North while returningfrom a shoppingtrip, forcing him, along with otherproblems, to quit the criminal activity. He died in 1957 andthe media learned abouthis deaththree weeks after hisburial
  • 3. In Popular Culture: UnitedStates: Theclassic gangster movie ranks with the Western as one of the most successful creations of the American movie industry. The "classic" form of gangster movie, rarelyproduced in recent years, tells of a gangster working his way up through his enterprise and daring, until his organizationcollapses while he is at the peak of his powers. Although the ending is presented as a moral outcome, it is usually seen as no more than an accidentalfailure. The gangster is typically articulate,although at times lonely and depressed, and his wisdom and defiance of social norms has a strong appeal, particularlyto adolescents. Latin America: LatinAmericangangster movies areknown for their grittyrealism. Soy un delincuente (I Am a Criminal) is a 1976 Venezuelanfilm by director Clemente de la Cerda. The film tells the story of Ramón Antonio Brizuela, a real-life individual, who since childhood has to deal with rampant violence and the drugs, sex and petty thievery of a Caracasslum. Starting with delinquency, Ramón moves on to serious gang activity and robberies. Hegrows into a tough, self- confident young man who is hardened to violence. His views change when his fiancée's brother is killed in a robbery. The film was a blockbuster hit in Venezuela. East Asia: Thefirst yakuza (gangster) film made in Japan was Bakuto (Gambler, 1964). The genre soon became popular, and by the 1970s theJapanese film industry was turning out a hundred mostly low-budget yakuza films each year. The films are descendants of the samurai epics, and are closer to Westerns than to Hollywood gangster movies. The hero is typically torn between compassion for the oppressed and his sense of duty to the gang.The plots are generallyhighly stylized, starting with the protagonist being released from prison and ending in a gory sword fight in which he dies an honourable death.