This was a presentation prepared for the Learnthings Africa in 2011 in which I was asked to speak about Digital Publishing at the time to small group of educational publishers.
While time has passed, much of e-publishing has remained stagnant, and some of the premises are still relevant.
4. What’s fuelling demand
Increased access to digital products
We’re getting used to computer-aided
functionality.
A.k.a. “Let’s Google it!”
Integration
In the reading experience
In the publishing process
5. Implications of digital demand
Publishers should consider investing in
supplementary content
External information sources
QR codes / Web-addresses
7. Implications of digital demand
Publishers should consider investing in
supplementary content
External information sources
Web-addresses / QR codes
Multimedia content
Internal sources
Quizzes, case studies, extra practice material
Supervising protocols
Give the reader an excuse to be constructive
with their bandwidth
8. Satisfying digital demand
“Non-linear app ‘reading’ is perhaps more
analogous to how we really learn than reading
a straight narrative.” – Edward Nawotka (2011)
Digital rights
Can’t just be e-books
Software representations
9. Satisfying digital demand
The technology available should be used
Cell-phones provide a gateway
Social media provides a media and
communication platform
By integrating the reading/teaching experience
with the technology, we stimulate unified
interaction, and reap the benefits of multi-
source learning, and fulfill our roles as content
aggregators.
10. What if the publisher came to the foreground and offered its materials and
service through one integrated platform?
A publisher’s app?
12. Collaborating
Integrated classroom facilities require a user
interface
These are increasingly web-based for easy
maintenance and control.
Using an e-book standard requires a
knowledge of web-languages
Utilising hardware (such as accelerometers)
requires scripting expertise.
13. Choosing a platform
Every platform will require its own form
according to its function and the intended
audience
Publications should be tailored to that platform
15. Choosing a platform
Most complicated area:
Teachers
Learners
Publishers
DoE
Requires a large degree of involvement and
supervision
Educationa
l
All have to work together
16. Choosing a platform
Module-based content
Ideal for digital
Self-standing modules can be developed and
accessed independently
Use-ability is key
Educationa
l
17. Reaping the benefits
Digital books allow for a non-linear experience
Elimination of unnecessary paging allowing
for:
Instant assessment of quizzes
Calling up of diagrams
Educationa
l
18. Choosing the platform
E-publications need to be in a form that is
accessible for their intended usage.
Computer-based:
Multitasking
Controlled teaching environment
Tablet-based:
More portable
Interface can allow for greater immersion
Phone-based:
Good supplementary content for another system
19. Current options for South Africa
Cell-phones can be integrated to work with the
curriculum
If the process is interactive enough it can work
Computer labs are being used already and
provide an established classroom for teaching
Here material should assist the teacher with
supervision
Assist the learners through a well developed
platform
Dedicated e-readers allow a good way around
making the current books more portable, and
possible treated more preciously.
21. PDF
’Ol faithful
Print-like and print-ready
Scalable
Portable
Securable
Enhanceable
Easy
Fixed layout
Required to
render larger on
screen for
readability
22. PDF
Solutions?
We put up with print-size
Design the PDF for the device
Screen size range: 6 ~ 10”
Great for archives
Great for short texts
Limited for mobile
23. AZW (Kindle)
Based on .mobi
Securable
Access to popular market place
Renders texts and simple layouts very well.
With E-Ink, the best experience for novels
24. ePub
Widely supported
Based on existing standards
HTML, XML, CSS, XSLT
Sophisticated
Variable and inherent book structure
HTML 5 media support
Font-embedding
Secureable
Wide support base
25. The App
Maximum degree of interactivity
Nearly limitless form
Requires:
Novelty
Ingenuity
Can be disastrous if not made in balance
26. An e-book requires as much attention and
craft as a print book
Premise no. 3
27. Adjusting the workflow
MS is edited
MS is marked up for
layout
MS is marked up for
encoding
MS is edited
MS is marked up in
XML
Global and variable
styling is applied.
Parallel Processing Single Source Publishing
28. Adjusting the workflow – Single
Source Publishing
Authors, editors, typesetters can be involved in
an integrated stream-lined process
Authors
Make use of a template
Editors
Edit within the template and supply additional
mark-up where required
Typesetters
Develop styles for different outputs
30. Consider libraries
It is worthwhile to submit to library services
and POD vendors
Overdrive
Bookshare
Paperight
31. Consider DRM
Tech-deprived environments can benefit from
printing allowance
Files should be protected but not restrictive
Books are not music. You can’t read in the
background.
Piracy is a way around unnecessary costs, with
competitive pricing, the justification is lessened.
Piracy also shows unmet demand, and an
affordable middle-ground between publishers and
consumers must be met.
Lending is a fundamental right of readers
Your speaker: Liam Borgstrom, I lecture in the publishing studies programme at the University of Pretoria where I focus on physical and digital reproduction of publications.
If you’re looking to be kept in the loop with e-publishing goings on I’d suggest following my colleague and mentor Kosie Eloff on Twitter, where his frequently posting up interesting links (twitter.com/kosieeloff)
E-publishing is being under-taken largely as a result of industry peer-pressure, and in South Africa when shouldn’t be getting too far ahead. Nigeria is a different case with their culture heavily forming around the smartphone and internet café. We still have many infrastructural issues to deal with, but in a multi-level and highly split society like ours, it is still worth investigating the new opportunities that digital publishing technologies can create.
In a way we’re all of these, but in an increasingly digital age, we need to become content aggregators to a greater degree.
Our products are found or commissioned, but we make them accessible, readable, and functional.
It’s interesting that magazine publishers are starting to extend their brand by supplying supplementary content through apps.
To help give this an educational slant, considering we’re at Learn Things, if we’re looking towards giving digital content, the key point is that digital is starting to mean interconnected, and we need to provide content in a variety of forms.
This can be potentially distracting, but it also widens our field of view. By functioning as content aggregators we can facilitate this exploration by providing and commissioning the supplementary content, or at least acting as curators to existing sources.
Integration: our textbook, our sources, our calculator, our notepad, and our sextant (even) can all be controlled through one device.
So what does this imply?
Problem with 1st point is that you need to use a short url. With QR, we assume the learner has access to a smartphone. Furthermore, this moves away from integration, requires separate devices. Initial attempt.
Everything that’s true for internal sources applies to external.
The consequences:
External requires a data connection, and the site or the ISP can be down, but allows for tracking, and updating easily.
Internal sources means bigger file sizes, and everything should fit in within one comfortable UI.
Supervision, brought up by Bill Gates: it’s not enough to have a digital textbook, what you need is a textbook that explains to the learner where he/she went wrong, provides answers and helps the learner to identify problem areas, and the type of questions associated with them.
We’ve done all of this before, especially with foreign language books which come with cds.
An argument for the modern age is that while books may still be good and popular, they have to compete with much more. Digital reading platform such as the Kindle work fantastically for avid leisure readers as they allow them to repeat their physical book experience, but where reading is done compulsorily (as in school) it can help to provide an immersive experience. One of the arguments for enhanced e-textbooks is that hypertext better represents our natural learning functions (go here go there).
So where we’re not looking at trade, it may help to think of how we can create the experience rather than the material.
As more advanced cell-phones become more ubiquitous, as tools for obtaining supplementary information they become quite useful in getting learners talking to each other and providing publisher and teacher feedback.
Even if teachers were encouraged not to post on group boards, could we use it to encourage better spelling? Integrate the updates and have it work in-class?
When we’re dealing with digital publishing, we’re addressing various levels of literacy, and while we may have been doing that before, modern information literacy is added.
To return to the idea of integration, we could be entering the age where the publisher’s brand may be coming out. Publishing is a strange industry in that it is desperately trying to hold onto its traditional forms, but being a media industry, it’s about as fluid as car manufacturing. (which doesn’t change much either).
Maybe: Starting with magazine publishers.
It seems to me that our move towards app-based working (whether through a tablet or browser) is the perfect vehicle for publishes to get their e-commerce working.
Classics shown here as a an easy competing ground.
If we’re looking to integrate content why not present our own version of it? Provide the books through e-store’s but also allow it to be purchased (maybe for discount) through the publisher’s app, an app which allows supplementary content to run, while also giving access to the next book in the series, and marketing the publisher as providing this sort of book.
Right now the people leading the innovation are not the publishers, it’s the multimedia developers. We don’t get the Dr Suess appsbooks from Random House, but Ocean House. That’s the brand perception and it makes me wonder. The digital age could be a new opportunity for publishers to establish their brands.
Additional content can be produced outside, and multimedia expertise are necessary for creating well-rounded, functional, and impressive e-materials, just as we look for a good information designer.
How we make material here will depend largely on the medium.
A dedicated e-reader allows for recreation of the traditional form while also allowing for maximum portability.
Using tablets or PCs, computer literacy is taught along with the subject. Allows for adequate tracking and progress.
Using module-based content, we can also provide content separately, providing chapters when necessary. Improving custom navigation and avoiding lengthy download sessions of the whole book.
A computer lab environment allows a lot, it is a fixed workstation where we can literally get down and dirty.
Using tablets, as they come down in price can be the future for e-textbooks as they suit the type of content. And whatever size they may be, they are able to facilitate non-linear reading. http://www.mpasa.net/website_news_content/218/
E-ink will assist in some way, but overall to clunky for interactive reading.
With the phone, the main issue is the size, research into magazine apps has shown that phone apps are good for quick bits of content, but the tablet is what you’ll sit down and comfortably read and browse with.
This requires a good platform though, SMS and mXit are too expensive, a low cost Java app for 2G phones may be the best answer.
Tablets are still a luxury item.
Can work for text books.
Integrating with supp. Content can be clucky if outside, hard for dynamic web integration
Being the best option, because we can use one platform have it customised for different readers, and with one format address multiple possibilities.
Hard to control rendering between devices
Does not need to be tablet based. Browsers are starting to work on the app model (especially chrome)
With PP the issue comes to managing separate processes the whole time.
XML is a good standard for its versatility.
Single source requires more structure and can limited artistic freedom, but for highly formatted books it leads to a quicker an cheaper process.
Editors should be looking to see what material is viable for enhancement.
This can help us get to previously unreaced markets, and in some cases maybe even save some costs.
Over-done DRM restricts functionality and portability. http://www.teleread.com/drm/drm-turns-e-book-experience-into-confusing-maze-of-incompatibility-and-missing-features/
Some DRM is understandably needed. Limit the copy and edit ability, but still make it open so that the users don’t feel the effects. It should only visible to someone trying to break it. The e-book file should be easy to use, and not hamper the reading experience in any way.
Lending: I keep wanting to get my mother a Kindle, but I haven’t because I know that as long as she has a book club, she doesn’t need one. We may be afraid of new ventures, but there’s nothing worse than limitations, especially on a product we’re actually quite familiar with.
So as much as possible we should be making features open. Use “Search Inside”
Youtube works great. With enough quirkiness, it can reach an audience.
Social networking works where the user is interested and involved, if it is integrated into the content which we aggregate we can control it. Get Classroom mathematics, and meet with a tutor every Wednesday night at 19:00 via the “group page”.
EBW does great work, though offline at the moment
Pressbooks offers a multi-format publishing tool (in beta currently)
Single source publishing takes work but is an answer
(we are using Arbortext)
-Nice thing about XML-based publishing is, for books in a series, you only have to design the series once.
There is no easy way out.
The easy way is to provide books in multiple formats and see what happens. But, the logical way, is to take advantage of the technology around us, and create books that perform as modern day information products.
Things don’t have to be presented on an iPad, we don’t even need a computer lab. We can still make books, give the teacher a computer and a projector, and help to make the classroom as exciting and as invigorating as possible.
Much of ideas behind making e-books aren’t new. They’re the same publishing practices we’ve been doing for years, but while upfront investment in digital technology is high, the long-term benefits (especially obtainable with stream-lined workflows) can be worthwhile.