I’m Katie, a visual person and learner. I prefer using artworks to communicate with people instead of using words.
This is my digital portfolio,
A showcase of my artworks, experiences and journey.
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1. K A T I E L O W
G R A P H I C D E S I G N S T U D E N T
2. K A T I E L O W
G R A P H I C D E S I G N S T U D E N T
K A T I E L O W
G R A P H I C D E S I G N S T U D E N T
a v i s u a l p e r s o n a n d l e a r n e r .
B e h a n c e - h t t p s : / / w w w . b e h a n c e . n e t / j i e 9 4 1 1 1 2 1 3 6 6
L i n k e d i n - h t t p s : / / t i n y u r l . c o m / k t - l o w
use artworks to communi ca te wi th people i nstead of words.
Hello, Welcome to my page
I’m Katie, a visual person and learner.
I prefer using artworks to communicate with people
instead of using words. This is my digital portfolio,
A showcase of my artworks, experiences and journey.
A B O U T M EA B O U T M E
I am currently a student at Saito University College where I am pursuing
my Diploma in Graphic Design. I was born and raised in Cheras. I realized
my interest in magazine editing and packaging design when I was about
15 years-old. I hope that I can design something that people would want
to view and collect. I am passionate about work and I always seek
improvement. I am a multitasker and responsible to finish based on
deadlines given. I am also a team player where I believe that working with
a team can lead to better outcomes as compared to working alone; I
strive to motivate others to create a friendly and positive environment.
3. My passion is what drives me to become a graphic designer. I have interests in magazine editing and typography. I
read different types of magazines to learn and practice to improve my skill. I like simple, minimalistic layouts that are
nice; people will feel peaceful and relaxed where I hope that my designs will give people the same feeling.
4.
5. Typograghy & Layout DesignTypograghy & Layout Design
Besides packaging design, I also have strong interest in magazine layout design. During my Typography classes,
I’m a stickler for details when it comes to fonts. The right typeface used in the right way can really enhance a design. Even
generic fonts can have their moment. In a layout design, I probably spend more time getting the typo to look right than
almost anything else. The typeface used communicates so much about an organisation. It really boggles me when I
stumble upon amazing cover/layout designs that successfully blend together with completely inappropriate fonts. I
find them attractive with the staying power for viewers to keep reading.
6. TYPE
SPECIM EN
G i l l S a n s B o o k l e t
E R I C G I L L
1.2
Early interest in Art
Studied at London’s Center
School of Art and Crafts.
British sculptor, graphic artist,
typeface designer.
Attended lettering classes by
Edward Johnston who later
became his mentor.
aacounter
t
Gill Sans form a triangle on left side
arm
terminal
teeye
e
terminal
jj
kkleg
$$Gill Sans-has a single line crossing the 'S'.
Myriad-has a single line which does not
cross the 'S'.
gear
link
loop
bowl
g
Ascender
Cap Height
Mean Line
Base Line
Descender
X Height
GILL SANS gill sans
3.4
- Myriad Roman
- Gill Sans MT Bold
HUMANIST
SANSERIF
AN A LY S I S
5.6
G
G
G
G
Condensed/ Regular/ Bold/ UltraBold
GILL SANS MT BOLD 1234567890
GILL SANS ULTRA BOLD 1234567890
GILL SANS MT REGURAL 1234567890
GILL SANS MT CONDENSED 1234567890
4 out of 49 Typefaces
"The first notable attempt to work out the norm
for plain letters was made by Mr Edward Johnston
when he designed the sans-serif letter for the
London Underground Railways. Some of these
letters are not entirely satisfactory, especially
when it is remembered that, for such a purpose,an
alphabet shouldbe as near as possible‘fool-proof ’…
as the philosophers would say—nothing should be
left to the imagination of the sign-writer or
enamel-plate maker."
-Eric Gill, Essay on Typography, published 1931
S A G EU
Branding
TOMMY HILFIGER
Branding
LONDON UNDERGROUND
Book covers
PENGUIN BOOKS
Movie Poster
FERRIS BUELLER
Gill Sans was chosen to be the offical font
for the LNEP railway system.
In 1948, the neewly created British Railways
also opted to use Gill Sans For all print media,
including its timetables.
Gill Sans being the corporate typeface of
the BBC(British Broadcasting Corporation)
since 1997
ill Sans
Type
Speciment
Eric Gill
The HELVETICA
of ENGLAND
Designed by Eric Gill and released by the
Monotype Corporation between 1928
and 1930. Gill Sans is based on the typeface
Edward Johnston, the innovative British
letterer and teacher, designed in 1916 for the
signage of the London Underground.
CONTENT
1. Introduction
2. Eric Gill
3.Analysis
4.Type Family
5.Usage
11. Packaging DesignPackaging Design
When I was 15 year-old, I developed an interest to collect well designed bottles and packaging, especially seasonal limited edit
on products. It was then that I wanted to study graphic design to design something that people would want to collect as well. While in college I
have learned more about packaging design, from being clueless until now where I know what materials to use, the suitability form
and function, and about maintaining the brand image. I have a strong interest in packaging design. A well designed packaging can easily
attract consumer's attention and affect their decision to purchase. I have improved both my technical and design skill while learning how to
use my creativity to design something functional and appealing.
12. I D E A O F L A B E L D E S I G N
R E F E R E N C E
VODKA & KAHLUA
BLACK
325ML
WHITE
325ML
VODKA, BAILEYS
& MILK
BLACK RUSSIAN
VODKA & KAHLUA
325ML
RUSSIAN
BLACK
VODKA & KAHLUA
325ML
RUSSIAN
WHITE
VODKA, BAILEYS
& MILK
PACKAGI NG
PREMIXED DRI NK
IDEA AND REFERENCE
13.
14. Egg sculpture paintingEgg sculpture painting
I participate in the “388 Eggmonium” painting event organized by
AvenueK shopping mall. The objective of this event is to raise
awareness on the benefits and values of eggs. The idea for my
artwork is based on “decoupage”. It is the art of designing an object
by gluing coloured paper cut outs onto the object in combination
with special paint effects, gold leafs and other decorative elements.
15. Shop Front Design for Tropicana City MallShop Front Design for Tropicana City Mall
Apart from preparing for my exams, I also participated in thiscompetition, a group work to design
a café shop front. We were chosen as the “Top 6” where we built up a mock-up to present
our idea. The organizer said that they bought our idea and that the possibility was high that our
design would be officially produced for use by them.
18. LOGO
DESIGN
B L A C K & W H I T E
R U S S I A N
I D E A S O F L O G O
B W B W
C O L O U R E X P E R I M E N T
19. Wedding Invitation CardWedding Invitation Card
I recently took up this freelance job to design a wedding invitation card for my friend that is happening in December 2017. I
was afraid at first to be rejected but through the process Utill completion, she really liked the final design that I produced. I
have learned a lot by undertaking this job where I found the logo design to be the most challenging part. When the design
was ready for print, we started sourcing for a printer to have the best possible quality to produce the cards.
21. I D E A A N D L A Y O U T E X P E R I M E N T
F I N A L D E S I G N
PLEASE SAVE THE DATE
TO CELEBRATE THE WEDDING OF
HILTON HOTEL KUALA LUMPUR
GRAND BALLROOM
SATURDAY 9TH DECEMBER
PLEASE SAVE THE DATE
TO CELEBRATE THE WEDDING OF
HILTON HOTEL KUALA LUMPUR
GRAND BALLROOM
SATURDAY 9TH DECEMBER
Mr. and Mrs. Lim Laong Eng
request the pleasure of your company in celebration of the marriage of their daughter
Son of Mr. and Mrs. Tan Seng Chai
Saturday, 9th November 2017
Hilton Kuala Lumpur - Grand Ballroom
3, Jalan Stesen Sentral 5, Kuala Lumpur Sentral, 50470 Kuala Lumpur
Cocktails & hors d’oeuvres at 6:00pm
Followed by dinner at 7:00pm
Black Tie
Janice Lim +6017 2244995
Choon Wee +6017 3399510
L.E Lim +6019 3399510
Janice Lim
Calvin Tan
R S V P
Janice Lim Calvin Tan
Mr. and Mrs. Lim Laong Eng
request the pleasure of your company in celebration of the marriage of their daughter
Son of Mr. and Mrs. Tan Seng Chai
Saturday, 9th November 2017
Hilton Kuala Lumpur - Grand Ballroom
3, Jalan Stesen Sentral 5, Kuala Lumpur Sentral, 50470 Kuala Lumpur
Cocktails & hors d’oeuvres at 6:00pm
Followed by dinner at 7:00pm
Black Tie Attire
Janice Lim +6017 2244995
Choon Wee +6017 3399510
L.E Lim +6019 3399510
R S V P
Janice Lim
Calvin Tan
WEDDI NG I NV ITATION CARD
DESIGN
H I L T O N H O T E L K U A L A L U M P U R , 2 0 1 7
22. Internship ExperienceInternship Experience
Working in advertising company is really a new experience to me. I been able to know how they work and what are the thing
they do. Before I start my internship at advertising agency, what I think is they only doing above the line job. After I work, I learn
from my internship is how to work in a group and trust each other. You can’t survive in a company if everyone doesn’t care
about you and don’t believe what you do. I’m really lucky that my supervisor believes in what I do and she always gives me
recommendation to make the work more perfect. Besides than following my supervisor, I also involve in another group which
focus on digital ad and pitch. I feel that really lucky because I can work of both group and learn different experience from that.
Internship at Y&R is a good experience to me, it makes me stronger and got a lot of knowledge and chance to see thing that
I never got during my study in college. It is a very fun and unforgettable memory for me, people working there are nice and I feel
that we are always in a group and take careabout each other, not only for work even I have my personal problem they also give
me a lots of comment and advice especially my supervisor.
23.
24. UNIFI
Exit Campaign
H o m e p a g e & P l a n p a g e d e s i g n
Plan page design Home page design
27. UN IFI
M o b i l e L a u n c h
G o o g l e P l a y B a n n e r
28. WEBE
e D M v i s u a l
& l a y o u t
Webe is now Unifi eDM for WEBE user
Webe is now Unifi eDM for WEBE user
DCB riminder eDM for WEBE user
DCB partner’s logo eDM for WEBE user
29. WEBE
B o a r d B a n d
B a n n e r d e s i g n
30. Y&R Malaysia
C h r i s t m a s p a r t y & C N Y p a r t y
e D M d e s i g n