The 180-degree rule states that the camera should remain on one side of an imaginary line between subjects in a scene. This keeps characters consistently oriented on one side of the screen and ensures they appear to be facing each other when only one is shown. Breaking this rule risks making it seem like the subjects' positions have changed. Shot reverse shot cutting between two speaking subjects can highlight their differences and allow viewing each person's reactions. Action match cuts continue a movement between shots from different angles to maintain smooth action across a cut.

1. 180 Degree rule
The 180-degree rule of shooting and editing keeps the camera on one side of the action. As
a matter of convention, the camera stays on one side of the axis of action throughout a
scene; this keeps characters grounded compositionally on a particular side of the screen or
frame, and keeps them looking at one another when only one character is seen onscreen at
a time. The technique allows for an expansion of the frame into the unseen space off
screen. It is referred to as a rule because the camera, when shooting two actors, must not
cross over the axis of action; if it does, it risks giving the impression that the actors'
positions in the scene have been reversed.

2. Shot Reverse Shot
 Cutting between two people having a convocation, can help contrast them
and make them seem different. It highlights their differences, allows us to
see the reactions of characters ad also prevents us from only using one
static shot.

3. Action Match
 A shot that cuts to another continuing a piece of action or movement
between shots. This allows the audience to see a smooth action despite a
cut in the shot and from different directions.