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ST. PAUL UNIVERSITY QUEZON CITY
                             00      Aurora Blvd., cor. Gilmore Ave., Quezon City
                              1                                         MUSIC III


INSTRUMENTS OF THE GAMELAN
    BONANG is a set of 10 small pot gongs on a wooden frame in a parallel
     position. The graduated sizes of the gong enables this instrument to
     produce various pitches. A padded mallet is used to hit the protrusion at
     the center of the gong.

    CELEMPUNG is a wooden board zither. It has a box frame with two
     parallel strings suspended in the middle. The small wooden platform in
     the middle is it is struck with a piece of wooden stick.

    GAMBANG KAYU is a bamboo xylophone with a wooden box resonator
     played with a pair of wooden stick.

    GENDER closely resembles a xylophone. However, it has this slabs of
     alloy suspended over tube resonators made from bamboo. A wooden
     hammer is also used to hit the keys of a gender. The gender also come
     in three sizes, the largest is called slenthem. This particular instrument
     doubles the melody (commonly played by the saron).

    GONG AGENG & GONG SIYEM is a mother and son pair of hanging
     gongs. The ageng is bigger both in terms of size and thickness. Both of
     them however, have prominent knobs at the center where it is hit with a
     padded mallet. These gongs announces the beginning and the ending of
     a gamelan cycle.

    KEMPUL is a set of four hanging gongs (in pairs), These gongs are
     slightly smaller than the gong ageng & gong siyem. The knob of each
     gong is positioned in such a way that they are facing one another and only
     one player plays this instrument.

    KENONG is the counterpart of the kempul. This instrument is a set of
     four large pot gongs mounted on a frame. They vary from one another by
     virtue of their thickness.

    KETHUK is a single small pot gong mounted on a frame. It is sounded in
     between sections of a gamelan gongan.

    KHENDANG is the only drum instrument belonging to the colotomic
     section. It takes the shape of a barrel and it has two heads (one larger
     than the other). The drum’s head is covered with animal skin unto which it
     is truck with the player’s bare hands while in a sitting position. The
     khendang comes in two sizes, the gedhe (large drum) and the ketipung
     (small drum).

    REBAB is a two stringed fiddle with a bow. It has three parts namely, the
     neck, the cross-like formation at one end and its heart-shaped resonator.

    SARON is a xylophone instrument with thick slabs of metal mounted on a
     boat-like frame. The keys are graduated (meaning from longest to
     shortest, from left to right) and it is sounded by hitting the edge of the keys
     with a wooden hammer. There are three different sizes of a saron: the
     panerus (smallest), barung (medium), and demung (largest).

    SULING is an example of a transverse flute with six finger holes, a
     thumbhole (found at the back) and a mouthpiece where it is blown.

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Doc (1)

  • 1. ST. PAUL UNIVERSITY QUEZON CITY 00 Aurora Blvd., cor. Gilmore Ave., Quezon City 1 MUSIC III INSTRUMENTS OF THE GAMELAN  BONANG is a set of 10 small pot gongs on a wooden frame in a parallel position. The graduated sizes of the gong enables this instrument to produce various pitches. A padded mallet is used to hit the protrusion at the center of the gong.  CELEMPUNG is a wooden board zither. It has a box frame with two parallel strings suspended in the middle. The small wooden platform in the middle is it is struck with a piece of wooden stick.  GAMBANG KAYU is a bamboo xylophone with a wooden box resonator played with a pair of wooden stick.  GENDER closely resembles a xylophone. However, it has this slabs of alloy suspended over tube resonators made from bamboo. A wooden hammer is also used to hit the keys of a gender. The gender also come in three sizes, the largest is called slenthem. This particular instrument doubles the melody (commonly played by the saron).  GONG AGENG & GONG SIYEM is a mother and son pair of hanging gongs. The ageng is bigger both in terms of size and thickness. Both of them however, have prominent knobs at the center where it is hit with a padded mallet. These gongs announces the beginning and the ending of a gamelan cycle.  KEMPUL is a set of four hanging gongs (in pairs), These gongs are slightly smaller than the gong ageng & gong siyem. The knob of each gong is positioned in such a way that they are facing one another and only one player plays this instrument.  KENONG is the counterpart of the kempul. This instrument is a set of four large pot gongs mounted on a frame. They vary from one another by virtue of their thickness.  KETHUK is a single small pot gong mounted on a frame. It is sounded in between sections of a gamelan gongan.  KHENDANG is the only drum instrument belonging to the colotomic section. It takes the shape of a barrel and it has two heads (one larger than the other). The drum’s head is covered with animal skin unto which it is truck with the player’s bare hands while in a sitting position. The khendang comes in two sizes, the gedhe (large drum) and the ketipung (small drum).  REBAB is a two stringed fiddle with a bow. It has three parts namely, the neck, the cross-like formation at one end and its heart-shaped resonator.  SARON is a xylophone instrument with thick slabs of metal mounted on a boat-like frame. The keys are graduated (meaning from longest to shortest, from left to right) and it is sounded by hitting the edge of the keys with a wooden hammer. There are three different sizes of a saron: the panerus (smallest), barung (medium), and demung (largest).  SULING is an example of a transverse flute with six finger holes, a thumbhole (found at the back) and a mouthpiece where it is blown.