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Art by Jane Bennett -Paintings from The Hungry Mile & Barangaroo

Paintings by Artist Jane Bennett of the wharves, stevedores & shipping of the Hungry Mile & its controversial redevelopment into Barangaroo

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Art by Jane Bennett -Paintings from The Hungry Mile & Barangaroo

  1. 1. Jane Bennett Artist Industrial & Maritime Heritage Frances Keevil Galleries Bay Village 28-34 Cross St Double Bay NSW 2028 Tel: 61 + 2 9327 2475 [email_address] From the ‘Hungry Mile’ To Barangaroo
  2. 2. BEFORE & AFTER THE HUNGRY MILE 2007 BARANGAROO 2008 <ul><li>DH166 “The yard from the office” oil on canvas 100 x 122cm 2007 </li></ul><ul><li>DH179 “The empty wharf from shed 5“ oil on canvas 100 x 122cm 2008 </li></ul>
  3. 3. <ul><li>  </li></ul><ul><li>Painting Sydney's Industrial Heritage </li></ul><ul><li>  </li></ul><ul><li>    I began to paint & draw Sydney 's industrial & maritime heritage in the early 1980's. </li></ul><ul><li>  Almost everything that I have painted has either been demolished or changed beyond all recognition. </li></ul><ul><li>  The pubs have been gentrified, the woolstores have been converted into apartments, & formerly gritty industrial areas have been transformed into entertainment venues. </li></ul><ul><li> </li></ul><ul><li> </li></ul><ul><li> </li></ul>
  4. 4.   Unlike many artists I usually work on site to capture the elusive spirit of place. I set up my easel by the side of the road, on windswept rooftops & on demolition sites. Unpredictable weather, constantly changing light, distractions from workman & passers-by – are more than compensated for by the depth of knowledge I have gained about the hidden gems of Sydney.  I see Sydney in all its moods, from the pearly calm of early morning, the brilliant cobalt sea and sky of a warm summer’s day, to dramatic storms & the jewel-like city skyline at night.
  5. 5. P103 “Building Star City Casino”1994 oil on canvas 92 x 122 cm The bright red ship in the background was the soon to be notorious ‘Tampa’, one of the numerous Wallenius Wilhelmsen fleet of Ro-ros. (Then it was owned by Barber Blue Sea.) <ul><li>Between1985 – 1996 I painted the East Darling Harbour Wharves from vantage points around the Sydney Harbour Foreshore. These next 3 works were painted in Pyrmont, from the roof of the Pyrmont Power Station (now replaced by the Star City Casino) </li></ul>
  6. 6. “ Casino Site from the top of Pyrmont Power Station” 1996 oil on board 40x89cm
  7. 7.  ” Casino Site from the top of Pyrmont Power Station” 1996 oil on board 40 x 89cm <ul><li>The long narrow building on the left, Pier 13, was once connected to Jones Bay Road by a land bridge. Then Pier 13 became the temporary casino, painted a hideous shade of bright yellow & the land bridge was demolished. Jones Bay Road has since been renamed Pirrama Road & now a leads to the steps of Star City Casino. </li></ul><ul><li>  The brilliantly coloured ships in the background are painted to scale; they were so immense that they towered over the buildings.  </li></ul>
  8. 8. “ Star City Casino site 2”1996 oil on canvas 122 x 180 cm
  9. 9. &quot;Star City Casino site 2&quot; 1996 oil on canvas 122 x 180 cm <ul><li>  This birds-eye view of construction gives an idea of the grand scale of the project. </li></ul><ul><li>  </li></ul><ul><li>At that stage, despite being partially demolished, the remaining section of the Pyrmont Power Station was still fully operational & still provided most of the electricity for the western side of the C.B.D.  </li></ul><ul><li>  This was one of the last paintings I completed from the roof of the Pyrmont Power Station, hence its monumental scale. </li></ul><ul><li>In 1996 I won the prestigious Marten Bequest Travelling Art Scholarship & made several journeys to Europe & the U.S.A. over the next 2 years. </li></ul>
  10. 10. GT6A The 'Emergency Response' boats moored at Goat Island 1992 oil on canvas 31 x 41 cm <ul><li>Painted from Ball’s Head on the North Shore. The blue ship in the background is probably either the ‘Caledonie Express’ or the ‘Forum Samoa’. </li></ul>
  11. 11. U87 “Evening, Sydney Harbour Bridge from Port Jackson Towers” 2004 oil on canvas 91x168cm The Port Jackson Towers, above North Sydney Olympic Pool, provided a vantage point for a panorama of the entire harbour. I included this painting to show the area in context with the geography of Sydney.
  12. 12. W27 “Walsh Bay Wharves 6,7,8,9” 1999 oil on canvas 122 x 152cm <ul><li>The Emergency response boats of Sydney Ports Corporation docked at Moore’s Wharf & shed 3 are in the background of Pier 8/9 (later home of Murdoch Magazines & Patrick Corporation) & Pier 6/7 (later demolished) of Walsh Bay Wharves. </li></ul>
  13. 13. O16 East Darling Harbour from Observatory Hill 2000 pastel on paper 56x76cm <ul><li>One of the Wallenius ships & the L2 crane from the western side of Observatory Hill. </li></ul>
  14. 14. Artist in Residence at East Darling Harbour Wharves <ul><li>I have painted many aspects of Miller's Point & the East Darling Harbour Wharves over the last 20 years, but as soon as I became aware of the developments in store for this precinct, I became Artist in Residence on the wharf itself, painting a comprehensive overview of all the stevedoring activities. </li></ul><ul><li>I painted this series of works, not out of nostalgia but as part of a greater historical narrative, to show the transition of Sydney into the be exhibiting space! post-industrial era in visual terms. I then continued to paint the demolition of the sheds & the preparations for World Youth Day, as well as a bird's eye view of the World Youth Day festivities from the vantage point of the control room in the Sydney Harbour Control Tower.  </li></ul><ul><li>Many of these works won major art prizes & have been displayed in prestigious exhibitions. This is only a small selection of the over 500 paintings I have completed of this fascinating area. Although I have sold some of these paintings I have kept a core group of the most significant ones for the future. . </li></ul>
  15. 15. “ Caledonie Express” 2005 oil on canvas 15 x 30 cm PRIVATE COLLECTION : SYDNEY
  16. 16. DH2A-D “The ‘Pauwgracht’, evening clouds “2005 Polyptych oil on canvas 51x25cm each canvas (total size 51 x 102cm)
  17. 17. “ The ‘Pauwgracht’” Diptych 2005 oil on canvas 51 x 25cm each canvas (total size 51 x 51cm) PRIVATE COLLECTION : BRISBANE
  18. 18. These are a few of the Wallenius Wilhelmsen fleet of Ro-ros (roll-on, roll-off) or car ships. The Wallenius (originally a Swedish company)ships were green & named after operas. The Wilhelmsen (originally from Norway) ships were vermilion & all their names started with the letter “T”. Each ship was subtly different, but there were 4 basic types, Marks I – IV & within each Mark, groups of 3 or so similar sister ships. The ‘Taiko’ & the ‘Tampa’ for example, were sister ships. Each ship would return to Port Jackson after a period of about 110 days. WALLENIUS WILHELMSEN
  19. 19. DH11 “'The Madame Butterfly‘” 2005 oil on canvas 75 x 100cm
  20. 20.   DH8A-C “The ‘Takara’ Triptych” 2005 oil on canvas 41x 31cm each
  21. 21. DH9 “The Tamerlane after rain” 2005 oil on canvas 75x100cm
  22. 22. DH55 “The 'Tampere' “ 2006 oil on canvas 75 x 100cm COLLECTION: THE MITCHELL LIBRARY, STATE LIBRARY OF NSW
  23. 23. DH134 'Capitaine Tasman' & 'Caledonie Express' at night 2007 oil on canvas 31 x 103cm <ul><li>Watching the reflections of the jewel-like lights on the water, I was inspired to paint a series of nocturnes. The city glitters against Sydney’s inky night sky.                                                                                    </li></ul>
  24. 24. DH98 “2 Cranes- L2 & L3” 2006 oil on canvas 41 x 51cm THE THREE RED CRANES AT DARLING HARBOUR
  25. 25. DH25 “L2 Crane with Stormclouds” 2005 oil on canvas 51.5 x 25.5cm
  26. 26. <ul><li>DH109 “ L2 Crane with spreader” 2007 </li></ul><ul><li>oil on canvas 41 x 31 cm </li></ul>
  27. 27. <ul><li>DH56 “The L3 Crane, with the 'Taiko' & containers “ 2006 </li></ul><ul><li>oil on canvas 51.5 x 25.5cm </li></ul>
  28. 28. DH30 “The Dangling Boat” 2005 oil on canvas 91 x 46 cm
  29. 29. DH137 The L1 Crane 2007 oil on canvas 46 x 36cm
  30. 30. DH135A & B Maintaining the Crane (Diptych) 2007 oil on canvas 51 x 25cm each canvas (total size 51 x 51 cm)
  31. 31. DH33A-B “From the Bridge of the 'Taiko' Diptych'' 2006 oil on board 20 x 40cm each (total size 20 x 80 cm) PAINTINGS FROM THE BRIDGE OF A SHIP
  32. 32. DH212C “The Last call of the ‘Tampa’ ” 2007 oil on canvas 102 x 76cm PAINTINGS FROM THE BRIDGE OF A SHIP DH212E Sydney Harbour Bridge from the Bridge of the ‘Tampa ‘2007 oil on canvas 102 x 41cm DH212D “North Sydney from the Bridge of the ‘Tampa’” 2007 oil on canvas 122 x 51cm
  33. 33. DH53A-B “Miller's point from the Bridge of the 'Talabot' Diptych” 2006 oil on canvas 31 x 61cm each canvas (total size 31 x 122cm) PAINTINGS FROM THE BRIDGE OF A SHIP
  34. 34. DH23 “Forklift & container, ‘Capitaine Tasman’ “ 2005 oil on canvas 40 x 30cm STEVEDORES WORKING THE SHIPS
  35. 35. DH61 “The old forklift” 2006 oil on canvas 25 x 30cm
  36. 36. DH69 “Lifting container 'Oceania Chief' “ 2006 oil on canvas 25 x 20cm
  37. 37. <ul><li>DH154A-B “Hooking up a case Diptych” 2007 </li></ul><ul><li>oil on canvas 30 x 15cm each (total size 30 x 30 cm) </li></ul>
  38. 38. DH139 “The 'Southern Cross' (with Robbie & forklift) “ 2007 oil on canvas 31 x 92cm
  39. 39. DH83 “Spirit of Tasmania 3 with linesmen” 2006 oil on canvas 38 x 76cm ‘ THE SPIRIT OF TASMANIA’ AT DARLING HARBOUR   The Mitchell Library, State Library of N.S.W, has acquired a painting from this series .
  40. 40. DH94 “Spirit of Tasmania 3-Linesman dragging rope” 2006 oil on canvas 25 x 25cm
  41. 41. DH89 “Linesman with rope, Spirit of Tasmania 3” 2006 oil on canvas 20x25cm
  42. 42. THE LAST VOYAGE DH88 “Spirit of Tasmania 3 with cars entering ramp-the last voyage” 2006 oil on canvas 38x76cm COLLECTION : THE MITCHELL LIBRARY, STATE LIBRARY OF NSW
  43. 43. The Sydney Harbour Control Tower <ul><li>The ultimate bird’s eye view of Sydney – the control room of the still operational Sydney Harbour Control Tower gave me majestic panoramas of Harbour, Bridge & City to the east & the booming revitalized Pyrmont/Jacksons Landing to the west </li></ul><ul><li>   I painted over 40 works in the Sydney Harbour Control Tower series, several of which have won major awards & been acquired by various prestigious collections. </li></ul><ul><li>  The Mitchell Library, State Library of N.S.W, has acquired two paintings from this series. </li></ul>
  44. 44. HCT18 “The Hungry Mile from the Harbour Control Tower 2 “ 2008 gouache on paper 101 x 76cm
  45. 45. HCT26 “Forum Samoa from Harbour Tower “ 2008 gouache on paper 75 x 100cm
  46. 46. HCT15 'Don Juan' at night from the Harbour Control Tower 2007 gouache on paper 20 x 27cm
  47. 47. HCT2 “Darling Harbour from Harbour Control Tower” 2006 gouache on paper 45 x 31cm COLLECTION: THE MITCHELL LIBRARY, STATE LIBRARY OF NSW
  48. 48. &quot;The Sydney Harbour Control Tower&quot; 2008  oil on canvas 180 x 122cm
  49. 49. &quot;The Sydney Harbour Control Tower&quot; 2008  oil on canvas 180 x 122cm <ul><li>I was Artist in Residence at the &quot;Hungry Mile&quot; aka &quot;East Darling Harbour Wharves&quot; from 2005 until after the stevedores left & the preparations for &quot;World Youth Week&quot; had started. </li></ul><ul><li>I painted this inside Shed 4, the top floor of which once contain the offices . While the wharf was still operational I would never have been allowed to paint there as it was far too dangerous. Forklifts used to whip in & out of the entrance constantly, & there was a deafening alarm that would go off whenever this happened. I had earmarked this spot as a site for an iconic painting as soon as I arrived in 2005. The doorway frames the Sydney Harbour Tower, the bond stores & the quirky architecture of the heritage Palisade Hotel perched on the golden sandstone escarpment to perfection. </li></ul><ul><li>This area is now called Barangaroo. The once bustling wharf has suddenly become eerily silent; soon the cycle of demolition & construction shall begin. </li></ul>
  50. 50. DEPARTURE OF THE STEVEDORES OCTOBER 2007 DH171 “The empty wharf 3” 2007 oil on canvas 61 x 91cm COLLECTION OF SYDNEY PORTS CORPORATION
  51. 51. DH176 “The Dead House 2 “ oil on canvas 91 x 61cm 2007
  52. 52. DH172 “Relics from the Dead House” oil on canvas 41 x 51cm
  53. 53. DH157 “Relics from the 'Dead House'2 “ oil on canvas 46 x 61cm 2007
  54. 54. DH187 “The maiden call of the ‘Pacific Dawn’ with the demolition of Shed 6” 2008 oil on canvas 31 x 103cm DEMOLITION OF THE WHARVES
  55. 55. DH198 “The last of shed 4” 2008 oil on canvas 25 x 51cm
  56. 56. DH208 ”Wharf Skeleton” 2008 mixed media on paper 76 x 114cm
  57. 57. DH207 “Rehearsal for Raising the cross, Barangaroo “ oil on canvas 46 x 36cm 2008 WORLD YOUTH DAY
  58. 58. DH206A-B “Rehearsal for raising the cross, Barangaroo” Diptych 2008 oil on canvas 25 x 20cm each canvas (total size 51 x 20 cm)
  59. 59. Coda <ul><li>I seem to have an uncanny instinct for selecting subjects that are about to vanish. Ironically part of the attraction of such places is their poignant impermanence. I sought to paint the landscape forever poised at the moment of transition – at the first bite of the bulldozer – at the point of maximum contrast between past & future. I experienced great frustration at painting to an unknown but inevitable time limit as buildings were demolished as fast as I could paint them. </li></ul><ul><li>As the momentum of development rapidly gathered, I continued to record this area with an increasing sense of purpose.  </li></ul><ul><li>  These works changed from isolated images into an extensive narrative sequence of the abandonment, decay, destruction & reconstruction of a city - a metaphor for deeper changes within Australia. </li></ul><ul><li>The mood has changed forever, & only my works remain as testament to the passing of an era. </li></ul>
  60. 60. About the Artist... <ul><li>  </li></ul><ul><li>Diploma of Arts 1982  </li></ul><ul><li>Post Graduate Diploma in Professional Art Studies at C.O.F.A., University of N.S.W. 1983 </li></ul><ul><li>28 solo exhibitions & included in many group exhibitions. </li></ul><ul><li>Won over 120 art prizes, & many major commissions for government & corporate clients. </li></ul><ul><li>A major retrospective of Jane’s work was the signature event of the 2006 Industrial Heritage Festival of the National Trust of Australia. </li></ul><ul><li> </li></ul><ul><li>A canvas painted from the top of the A.N.Z.A.C. Bridge is now in the &quot;ONE Hundred&quot; exhibition of 100 iconic objects  to celebrate the centenary of the Mitchell Library, State Library of N.S.W </li></ul><ul><li>  </li></ul>
  61. 61. Major Awards & Prizes <ul><ul><li>Received the Marten Bequest Travelling Art Scholarship for Painting in 1996 & awarded the 1996 Dyason Bequest by the Trustees of the Art Gallery of N.S.W.  </li></ul></ul><ul><li>  </li></ul><ul><ul><li>In 1997 awarded 3 months residency at the Moya Dyring Studio of the Cité Internationale des Arts in Paris by the Trustees of the Art Gallery of N.S.W. , & a further residency at the Studio of the American Academy in Rome.   </li></ul></ul><ul><li>  </li></ul><ul><ul><li>Finalist in the 1986,1997 & 2008 Sulman Prize for Genre/History Painting 5 times a finalist in the Dobell Prize for Drawing; 6 times a finalist in the Wynne Prize for Landscape, winning the 1990, 1995 & 1996 Pring Prize for Watercolour & the 1995 Trustees’ Prize for Watercolour in the Wynne Prize, Art Gallery of N.S.W.  </li></ul></ul><ul><li>  </li></ul><ul><ul><li>  In 2004 received the inaugural Sydney Harbour Week Award for artistic achievement. </li></ul></ul>
  62. 62. Publications <ul><ul><li>AUSTRALIAN ARTISTS’ INDEX      1986    Jan McDonald </li></ul></ul><ul><li>  </li></ul><ul><ul><li>ARTISTS & GALLERIES OF AUSTRALIA    1990    Max Germaine </li></ul></ul><ul><li>  </li></ul><ul><ul><li>DICTIONARY OF AUSTRALIAN WOMEN ARTISTS     1991 Max Germaine </li></ul></ul><ul><li>  </li></ul><ul><ul><li>MANLY ART GALLERY & MUSEUM NEWS    FEB 1994    Metropolis Now     Michael Pursche </li></ul></ul><ul><li>  </li></ul><ul><ul><li>THE ENCYCLOPEDIA OF AUSTRALIAN ART  1994 Compiled by Alan McCulloch; 1994 Edition revised  & updated by Susan McCulloch </li></ul></ul><ul><li>  </li></ul><ul><ul><li>A VISION REALISED     1998     Mr D. Max Taylor  </li></ul></ul><ul><li>  </li></ul><ul><ul><li>SUNCE JUŽNOG NEBA              2003              Zoja Bojić </li></ul></ul><ul><li>  </li></ul><ul><ul><li>HARBOURLIFE    2007     Sydney Harbour from the 1940’s      Gavin Wilson </li></ul></ul><ul><li>                                           </li></ul>
  63. 63. Articles & Reviews <ul><ul><li>AUSTRALIAN ARTIST MAGAZINE     FEB 1991 </li></ul></ul><ul><ul><li>THE WEEKEND AUSTRALIAN       11/5/91   Sydney – City to the Fringes     Elwyn Lynn </li></ul></ul><ul><ul><li>THE SYDNEY MORNING HERALD   11/5/91  The Return to old Forms   Bronwyn Watson </li></ul></ul><ul><ul><li>THE EASTERN HERALD      18/6/92      Passionate about Pyrmont         Pamela Payne </li></ul></ul><ul><ul><li>THE WEEKEND AUSTRALIAN    20/6/92   Graphic proofs of print power     Elwyn Lynn </li></ul></ul><ul><ul><li>THE CANBERRA TIMES    20/7/92      Exhibition Commentary         Sonya Barron </li></ul></ul><ul><ul><li>HOME BEAUTIFUL    OCT 1992      Beginners’ guide to art collecting        David Tribe </li></ul></ul><ul><ul><li>NORTH SHORE TIMES       22/9/93    Woman with a mission     Tanya Price </li></ul></ul><ul><ul><li>THE WEEKEND AUSTRALIAN  20/8/93  Fine art drawn from a limited range   Bruce James </li></ul></ul><ul><ul><li>THE SYDNEY MORNING HERALD    10/12/93     Metropolis Now       Felicity Fenner </li></ul></ul><ul><ul><li>MANLY ART GALLERY & MUSEUM NEWS FEB 1994   Metropolis Now   Michael Pursche </li></ul></ul><ul><ul><li>THE WEEKEND AUSTRALIAN      9/4/94     Eyes on the Prizes       Elwyn Lynn </li></ul></ul><ul><ul><li>GLEBE & INNER CITY NEWS  17/8/94  Artistic Biography      Scott Tucker </li></ul></ul><ul><ul><li>THE WEEKEND AUSTRALIAN  3/9/94       Parables’ divine Inspiration   Elwyn Lynn </li></ul></ul><ul><ul><li>THE TELEGRAPH MIRROR   3/9/94    In Pursuit of Pyrmont      Stewart Hawkins </li></ul></ul><ul><ul><li>THE SYDNEY MORNING HERALD    9/9/94   Paying Homage to Holden   Felicity Fenner </li></ul></ul>
  64. 64. Articles & Reviews continued … <ul><ul><li>ART & AUSTRALIA, Vol 32 No3    1995    Exhibition Commentary </li></ul></ul><ul><ul><li>THE SYDNEY MORNING HERALD   9/3/96    Archibald & the sex Goddess John McDonald </li></ul></ul><ul><ul><li>THE SYDNEY MORNING HERALD 9/3/96  Archibald, Wynne & Sulman Peter Cochrane </li></ul></ul><ul><ul><li>THE WEEKEND AUSTRALIAN    16/3/96     Flawed Genius, good signs  Giles Auty </li></ul></ul><ul><ul><li>MODERN PAINTERS Summer Edition      1996   Gallery  Karen Wright </li></ul></ul><ul><ul><li>THE WEEKEND AUSTRALIAN     OCT1996       High on Culture Giles Auty </li></ul></ul><ul><ul><li>THE WEEKEND AUSTRALIAN    29/3/97    Critical Madhouse Giles Auty </li></ul></ul><ul><ul><li>GRADUATE REVIEW  Winter/Spring    1997    Reaching the dizzy heights Jane Mundy </li></ul></ul><ul><ul><li>THE SYDNEY MORNING HERALD     31/12/98    The Blake Prize Sebastian Smee </li></ul></ul><ul><ul><li>THE AUSTRALIAN REVIEW    2/1/99            God & Glamour Giles Auty </li></ul></ul><ul><ul><li>THE AUSTRALIAN  REVIEW   27/3/99   Archibald, Wynne & Sulman Prize Giles Auty </li></ul></ul><ul><ul><li>NORTH SHORE TIMES      19/11/99   Walsh Bay a Winner for Jane !      Mary Powis </li></ul></ul><ul><ul><li>NORTH SHORE TIMES  6/11/99   Capturing our heritage: Artist races developers  Mary Powis </li></ul></ul><ul><ul><li>NORTHERN DISTRICT TIMES      27/5/00  Past passions drive artist  Jonathon Granger </li></ul></ul><ul><ul><li>NORTH SHORE TIMES       2/6/00     Our great Times Art Prize Mary Powis </li></ul></ul><ul><ul><li>CANBERRA TIMES      25/7/01    A remarkably high standard Sasha Grishin  </li></ul></ul><ul><ul><li>CANBERRA TIMES       26/7/01       Rocks, paper, flesh Jennifer Kingma </li></ul></ul><ul><ul><li>NORTH SHORE TIMES      11/10/02        Artist wins top prize Mary Powis </li></ul></ul>
  65. 65. Articles & Reviews continued … <ul><ul><li>NORTH SHORE TIMES   21/03/03   Pymble artist beguiled by Harbour moods Mary Powis </li></ul></ul><ul><ul><li>DISTRICT NEWS        26/08/03        Cityscapes to nudes Tara Commerford </li></ul></ul><ul><ul><li>MOSMAN DAILY            26/03/03        Ablaze with inspiration Breda Wall </li></ul></ul><ul><ul><li>THE DAILY TELEGRAPH 13/08/03     Beauty haunts the city’s ruins    Elizabeth Fortescue </li></ul></ul><ul><ul><li>DISTRICT NEWS        9/09/04          Casting light on local history Bianca Lipari </li></ul></ul><ul><ul><li>THE DAILY TELEGRAPH  28/09/04   Brush with the city’s saw point Elizabeth Fortescue </li></ul></ul><ul><ul><li>NORTH SHORE TIMES   15/10/04        All that remains are paintings   Mary Powis </li></ul></ul><ul><ul><li>SYDNEY MORNING HERALD  DOMAIN     03/03/05      Vanishing act   Jackie Chowns </li></ul></ul><ul><ul><li>NORTH SHORE TIMES      23/03/05        Timeless tanker a win for Jane   Mary Powis </li></ul></ul><ul><ul><li>NORTH SHORE TIMES       25/03/05        Art on the move        Mary Powis </li></ul></ul><ul><ul><li>NORTH SHORE TIMES    15/11/05        Maritime memories    Mary Powis </li></ul></ul><ul><ul><li>THE OBSERVER        May 2006       The end of Sydney as we know it    Harriet Gollan </li></ul></ul><ul><ul><li>SYDNEY MORNING HERALD   25/06/07      The end of an era caught on canvas  Steve Meacham </li></ul></ul><ul><ul><li>THE DAILY TELEGRAPH   29/06/07  Memory lanes              Elizabeth Fortescue </li></ul></ul><ul><ul><li>INNER WEST COURIER  03/07/07  Painted history of a city’s hidden gems  Menios Constantinou     </li></ul></ul><ul><ul><li>AUSTRALIAN SEA HERITAGE    91/2007    Recording each passing   Alan Edenborough </li></ul></ul><ul><ul><li>SL : STATE LIBRARY MAGAZINE      Autumn 2010  Q & A         Cathy Perkins </li></ul></ul>
  66. 66. Collections <ul><li>   Jane’s work is represented in the collections of : </li></ul><ul><li>  </li></ul><ul><ul><li>  the Mitchell Library, State Library of N.S.W. </li></ul></ul><ul><ul><li>Artbank </li></ul></ul><ul><ul><li>the Kedumba Contemporary Drawing Gallery </li></ul></ul><ul><ul><li>many Regional Gallery & Municipal Council Collections </li></ul></ul><ul><ul><li>Department of Defence </li></ul></ul><ul><ul><li>University of N.S.W. </li></ul></ul><ul><ul><li>University of Sydney </li></ul></ul><ul><ul><li>many corporate & private collections throughout Australia, the U.S.A., the U.K., Hong Kong & Japan. </li></ul></ul>