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Asas Teknologi Video
Film vs Video
Film = Non Elektronic
Video = Electronic (analog / digital)
Video Characteristics
Frame Rate
- PAL (25 fps) NTSC (30 fps) *film = 24 fps
Interlace vs Progressive
- Interlace (reduce flickering in CRT)
- Reduce signal bandwith for broadcasting
- For Analog technology (must be deinterlaced for digital)
- Progressive
- For digital
Aspect Ratio
Video Resolution
Cinematic Look
- Depth of Field
- Frame Rate (24fps)
- Shutter Speed
- 24fps = 1/40 or 1/50
- Too slow = ghosting images trail
- Too fast = freeze images
- Camera Movement
- Lighting
- Color Correction
- Color Grading
- Sensor Size (Super 35)
Super 35
Sensor Size
Super 35
Full Frame – 40mm
Super 35mm – 28mm
Micro Four Thirds – 20mm
Super 16mm – 14mm
19 Iconic Filmmakers & the
Focal Lengths & Lenses They
Love to Use
Camera Resolution 4k
Sony NEX-FS700 R 4K Sensor High Speed
NXCAM Super35 Camcorder RM 20k
Camera Resolution
6K RED DRAGON Cinema Camera RM200k
Camera Resolution
6K Panasonic GH5 RM 10k
Camcorder vs DSLR
- Sensor size
- Megapixels
- Recording time
- Focus
- Filters
- Ergonomics
- Audio
- Cost
- Compression Ratio
Sensor Size
Sony PXW-FS5 XDCAM
Super 35 Camera System
Cine Lens vs DLSR Lens
Video Format
Video Coding/Compression Format
- MPEG2
- H.264
- H.265 (HEVC)
Audio Coding Format
- Mp3
- Aac
Multimedia Container Format (video coding + Audio Coding)
- AVI
- MP4
- FLV
- RealMedia
- m4v
Chroma Subsampling
- 4:4:4
- 4:2:2
- 4:2:0
Chroma Subsampling
- 4:4:4
- 4:2:2
- 4:2:0
Bit Rate
Sensor Size
Cinema Lens vs Camera Lens
Microphone
Timelapse video
Hyperlapse video
360 video
Trailer vs teaser
● Trailer = preview (1 -3 months before)
● Teaser (6 - 12 months before), 10 - 30 secs

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