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Making History Meaningful
with Heritage Fairs
North Vancouver, Jan. 30, 2014
Tom Morton
www.bcheritagefairs.ca
1
Learning Intentions:
• To understand how the
Heritage Fairs program is
organized
• To understand the
rationale for doing a
Heritage Fairs
• To explore some ideas for
how to teach a Fairs unit

www.bcheritagefairs.ca
2
“Purpose and relevance are something that the iGeneration
students demand. They want to create real products and
share them with a wider audience.” (Sheldrake and Watkins)
www.bcheritagefairs.ca
3
www.bcheritagefairs.ca
4
The First Heritage Fair project I ever judged:

www.bcheritagefairs.ca
5
What is a Heritage Fair?

Students...
• research some aspect of local, provincial or
national history;
• present their projects in the medium of their
choice to their class or school, then to the
community at a regional fair and a provincial
fair;
• receive feedback from judges and take part
in heritage activities at the regional and
provincial fairs.
www.bcheritagefairs.ca
6
Provincial Fair, Opening Ceremony Victoria, 2011

www.bcheritagefairs.ca
7
The B.C. Heritage Fairs Society …
• is a non-profit, non-governmental society;
• is organized mainly by community museums
and school boards;
• encourages project-based learning, inquiry,
appreciation of heritage, and historical
thinking;
• is bilingual with strong participation of First
Nations students in many regions;
• Is everywhere (well, close): 12 regions
across B.C.; 5,000 students
www.bcheritagefairs.ca
8
Why do Heritage Fairs?
• Personal connection: Students choose
their topics, which are often connected to
family or local history; students can find
their place in history.
• Purpose: The showcase of research
gives a purpose and can build confidence
and self-esteem.

www.bcheritagefairs.ca
9
• Builds connections between family and
local history and larger narratives.
• The Fairs also have cross-curricular
connections with current "best practice"
pedagogy, such as project-based, inquiry,
and historical thinking.
• Inquiry: This is the core of the Heritage
Fair and proposed new social studies
curriculum.
www.bcheritagefairs.ca
10
Heritage Fairs fulfil a hunger for students
to see how their story is part of Canada‟s
heritage and to have an opportunity to
celebrate it. The connections and purpose
are expressed in the following letter from
an Abbotsford teaching assistant:

www.bcheritagefairs.ca
11
“Before Heritage Fair, Andrew was a very
shy, child who missed a lot of school. He
chose to do his Heritage Fair Project with
his grandfather on the „Salmon People.‟ It
was a huge struggle (but) his project
made it to the district level. His parents
got involved more than they had in all his
five years at the school.
Accepting the Aboriginal Excellence award
in front of his peers left him proud. He
learned a full year of reading in two
months, greeted students and teachers in
the hall, walked with confidence, and
spoke more clearly. His grandfather said
he was so impressed that Andrew spoke
about the Salmon People. „I never knew
he was listening.‟”
www.bcheritagefairs.ca
12
Heritage Fair teaches inquiry.

Kristen Schulz's "Heritage of My Home"

www.bcheritagefairs.ca
13
How does the new BC Social Studies Curriculum fit
with Project Based Learning and Heritage Fairs?
Heritage Fairs already fit the curriculum for Social
Studies. However, recent proposed changes to the
curriculum from the Ministry should make it easier for
teachers to do Fairs by giving "more time and flexibility
to allow students to explore their interests and
passions." The Ministry also proposes developing
learning outcomes around “disciplinary concepts”
developed by the Historical Thinking Project. And…

www.bcheritagefairs.ca
14
Heritage Fairs can teach these historical
thinking concepts!
1.
2.
3.
4.
5.
6.

Historical significance
Primary source evidence
Continuity and change
Cause and consequence
Historical perspective-taking
The ethical dimension

www.bcheritagefairs.ca
15
Introduction to the Concept of Evidence
and Inquiry: I Left a Trace
1. Jot down everything that
you have done in the last 24
hours.
(that would be appropriate for
discussion.)
www.bcheritagefairs.ca
16
2.
Make a list of traces that might
have been left from your life during
the past 24 hours.
3.
Check ✓ those that were likely
to have been preserved.

www.bcheritagefairs.ca
17
1. How well could a biographer 50 years from now
write the story of your 24 hours based on the
traces you left? How much of what happened
would be left out? What aspects of the story
might the biographer miss?
2. Where else could he or she turn for evidence?
3. How could readers of the biography know if it
was an accurate account?
4. What does this exercise tell us about the
challenges historians face when writing histories?

www.bcheritagefairs.ca
18
“the past as a series of events is utterly
gone . . . some remnants remain like litter
from a picnic, but these material remains
never speak for themselves. In fact they are
inert traces until someone asks a question
that turns them into evidence.”
- Joyce Appleby, “The Power of History”

www.bcheritagefairs.ca
19
Working with traces from the past can both develop
the concept of evidence and build curiosity for a more
in depth inquiry such as a Heritage Fair project on the
history of Blacks in Canada.

Victoria Pioneer Rifle Corps. Photographer: Gentile, Charles
Date: [186-] Photo C-06124 courtesy BC Archives

www.bcheritagefairs.ca
20
Working with evidence involves

•
•
•
•
•

Making inferences
Using context
Sourcing
Developing questions for further inquiry
Corroborating/cross-checking

www.bcheritagefairs.ca
21
Visual Analysis
What can we infer from this trace of the past about
the historical context, the photographic situation,
and the situation of Blacks in Victoria at this time?

Victoria Pioneer Rifle Corps. Photographer: Gentile, Charles
Date: [186-] Photo C-06124 courtesy BC Archives

www.bcheritagefairs.ca
22
Victoria Pioneer Rifle Corps, also known at the time as Sir James Douglas' Coloured Regiment.
Photographer: Gentile, Charles Date: [186-] Photo C-06124 courtesy BC Archives

www.bcheritagefairs.ca
Visual Analysis: Inferencing
What can we infer from this trace of the past about
the historical context, the photographic situation,
and the situation of Blacks in Victoria at this time?

Victoria Pioneer Rifle Corps. Photographer: Gentile, Charles
Date: [186-] Photo C-06124 courtesy BC Archives

www.bcheritagefairs.ca

24
Question Generation 1 – Question
Formation Technique (AKA: Brainstorming)
• Ask as many questions as you can.
• Do not stop to discuss, judge, or answer the
questions.
• Write down every question exactly as it is stated.
• Change any statement into a question.
(Rothstein and Santana, Make Just One Change)

www.bcheritagefairs.ca
25
Question Generation 2: Brainstorming
with Prompts
1. Brainstorm a list of at least 12 questions about
the topic or source. Use these question-starters
to help you think of interesting questions:
–
–
–
–
–

Why…?
How is this connected to…?
What happened as a result of…?
What kind of a change was...?
How should we remember...?
www.bcheritagefairs.ca

26
2. Review the brainstormed list and star the
questions that seem most interesting and
important. Then, select one or two starred
questions and be ready to present these to the
class.
3. Reflect: How do you know you have a good
question? Would it make a good Heritage Fairs
project? What possible answer do you have to
your question? Where could you go to learn more
and test your answer?
www.bcheritagefairs.ca
27
Criteria for Good Inquiry Questions
• They are worth answering (lead to deeper
understanding of history; authentic)
• They are broadly engaging (for teacher inquiries)
• Students care about them – they see the purpose
in answering them
• They can be answered, though maybe the answer
will be contested or difficult

www.bcheritagefairs.ca
28
www.bcheritagefairs.ca
29
Ways to Support Students to Generate
Questions:
•
•
•
•
•

•
•
•

Look at models, e.g., museum exhibits or
www.bcheritagefairs.ca portfolio
Supply prompts
Use engaging sources to build curiosity, e.g.,
mystery artefact
Brainstorm questions
Give or create criteria on which to choose the most
powerful questions
Make a Wonder Wall of Questions
Plan for peer and teacher feedback
Practise with small inquiries

www.bcheritagefairs.ca
30
No Frills Steps in an Inquiry:
• Establish curiosity – « some perplexity, confusion,
or doubt » (John Dewey)
• Develop questions
• Pose first hypothesis and reflect on certainty
• Explore further evidence
• Refine hypothesis and so on as time and interest
permit

www.bcheritagefairs.ca
31
Further evidence:
Sophia Cracroft, niece and travelling companion of Lady Jane Franklin, who
was visiting Victoria in 1861, wrote in a letter:

"At 5 o'clock the Bishop came to be present at the visits of the
coloured people who had asked my Aunt to see them… The
first was Mr. Gibbs, a most respectable merchant who is rising
fast. His manner is exceedingly good, & his way of speaking
quite refined. He is not quite black, but his hair is I believe
short & crisp. Three other men arrived after him … (T)hey
were the Captain & other officers of a Coloured Rifle Corps, &
the Captain proceeded to speak very feelingly of the
prejudices existing here even, against their colour.

www.bcheritagefairs.ca
32
He said they knew it was because of the strong American
element which entered into the community, which however
they hoped one day to see overpowered by the English one: that they had come here hoping to find that true freedom
which could be enjoyed only under English privileges, & great
had been their disappointment to find that their origin was
against them.
… They naturally detest America, & this Rifle corps has been
formed by them really with the view of resisting American
aggression, such as this San Juan alarm, still pending.
As he went out, the Captain said 'Depend upon it, Madam, if
Uncle Sam goes too far, we shall be able to give a good
account of ourselves.'"
(cited in Crawford Killian, Go Do Some Great Thing: the Black Pioneers of
British Columbia. (1978) Vancouver: Douglas and McIntyre, 78.)

www.bcheritagefairs.ca
33
Reflection on Certainty: Clothesline
How certain are you about
your answer/hypothesis?

CERTAIN?

UNCERTAIN?

www.thinkinghistory.co.uk © Ian Dawson 2009
34

34

www.bcheritagefairs.ca
How certain are you about your
hypothesis?
Maybe
What words do
Not sure
students need to use?
Possibly
Perhaps
Most likely
What phrases?
This source suggests…
This photo confirms the idea that…
I chose these two pictures to show…
35

35

www.bcheritagefairs.ca
Contextualizing and
Building Connections:
Enhanced Timelines

www.bcheritagefairs.ca
36
www.bcheritagefairs.ca
37
Reflection
•
•
•
•
•

I Left a Trace
Visual Analysis
Question Generation
Clothesline of Certainty
Enhanced Timelines

www.bcheritagefairs.ca
38
Concept: Historical Significance
The problem: We can‟t remember or learn or
cover everything that ever happened. How do we
decide what is important to learn about the past?
“Historical significance”: the principles behind the
selection of what and who should be remembered,
researched, taught and learned about the past.

www.bcheritagefairs.ca
39
Question Stems for Historical
Significance (aka: so-what or whocares questions:
•
•
•
•

What was so special about X?
Why should everyone remember X?
Does X deserve to be famous?
Why was X forgotten?

www.bcheritagefairs.ca
40
Should the Victoria Pioneer Rifles be in our
textbooks? On what grounds?

www.bcheritagefairs.ca
41
Working with historical significance:
Diamond Ranking

Most

Least

www.bcheritagefairs.ca
42
Pioneer Rifles

www.bcheritagefairs.ca
Who were the most historically
significant during British Columbia’s
Gold Rushes?
•
•
•
•

James Douglas
Amelia Douglas
Matthew Begbie
Chief Spintlum

• Royal Engineers
• Victoria Pioneer
Rifles
• Hurdy Gurdy Girls
• Billy Barker

www.bcheritagefairs.ca
44
Other Historical Thinking Concepts:
•
•
•
•

Continuity and Change
Cause and Consequence
Historical Perspective-Taking
Ethical Dimension

www.bcheritagefairs.ca
45
Resources: www.bcheritagefairs.ca

www.bcheritagefairs.ca
46
www.bcheritagefairs.ca
47
Historical Thinking Project
The website features news,
descriptions of the key
aspects of each of the six
concepts, graphic
organizers, sample tasks
and a searchable database
of over 75 lesson plans.
http://historicalthinking.ca/
www.bcheritagefairs.ca
48
Videos on Concepts: TC2 Take 2 videos:
Thinking about history

http://tc2.ca/teaching-resources/online-resourcecollections/special-collections/thinking-about-history.php
www.bcheritagefairs.ca
49
TC2 Primary Source Collection
History Docs is a searchable
collection of carefully selected
sets of primary and secondary
source documents about
peoples, places, things and
events in Canadian history.
http://sourcedocs.tc2.ca/history-docs/about-historydocs.html

www.bcheritagefairs.ca
50
Reflection

•
•
•
•
•
•

I Left a Trace
Visual Analysis
Question Generation
Clothesline of Certainty
Enhanced Timelines
Ranking Significance

www.bcheritagefairs.ca
51
See you at the Fair.

www.bcheritagefairs.ca

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Making History Meaningful with Heritage Fairs (North Van February 2014)

  • 1. Making History Meaningful with Heritage Fairs North Vancouver, Jan. 30, 2014 Tom Morton www.bcheritagefairs.ca 1
  • 2. Learning Intentions: • To understand how the Heritage Fairs program is organized • To understand the rationale for doing a Heritage Fairs • To explore some ideas for how to teach a Fairs unit www.bcheritagefairs.ca 2
  • 3. “Purpose and relevance are something that the iGeneration students demand. They want to create real products and share them with a wider audience.” (Sheldrake and Watkins) www.bcheritagefairs.ca 3
  • 5. The First Heritage Fair project I ever judged: www.bcheritagefairs.ca 5
  • 6. What is a Heritage Fair? Students... • research some aspect of local, provincial or national history; • present their projects in the medium of their choice to their class or school, then to the community at a regional fair and a provincial fair; • receive feedback from judges and take part in heritage activities at the regional and provincial fairs. www.bcheritagefairs.ca 6
  • 7. Provincial Fair, Opening Ceremony Victoria, 2011 www.bcheritagefairs.ca 7
  • 8. The B.C. Heritage Fairs Society … • is a non-profit, non-governmental society; • is organized mainly by community museums and school boards; • encourages project-based learning, inquiry, appreciation of heritage, and historical thinking; • is bilingual with strong participation of First Nations students in many regions; • Is everywhere (well, close): 12 regions across B.C.; 5,000 students www.bcheritagefairs.ca 8
  • 9. Why do Heritage Fairs? • Personal connection: Students choose their topics, which are often connected to family or local history; students can find their place in history. • Purpose: The showcase of research gives a purpose and can build confidence and self-esteem. www.bcheritagefairs.ca 9
  • 10. • Builds connections between family and local history and larger narratives. • The Fairs also have cross-curricular connections with current "best practice" pedagogy, such as project-based, inquiry, and historical thinking. • Inquiry: This is the core of the Heritage Fair and proposed new social studies curriculum. www.bcheritagefairs.ca 10
  • 11. Heritage Fairs fulfil a hunger for students to see how their story is part of Canada‟s heritage and to have an opportunity to celebrate it. The connections and purpose are expressed in the following letter from an Abbotsford teaching assistant: www.bcheritagefairs.ca 11
  • 12. “Before Heritage Fair, Andrew was a very shy, child who missed a lot of school. He chose to do his Heritage Fair Project with his grandfather on the „Salmon People.‟ It was a huge struggle (but) his project made it to the district level. His parents got involved more than they had in all his five years at the school. Accepting the Aboriginal Excellence award in front of his peers left him proud. He learned a full year of reading in two months, greeted students and teachers in the hall, walked with confidence, and spoke more clearly. His grandfather said he was so impressed that Andrew spoke about the Salmon People. „I never knew he was listening.‟” www.bcheritagefairs.ca 12
  • 13. Heritage Fair teaches inquiry. Kristen Schulz's "Heritage of My Home" www.bcheritagefairs.ca 13
  • 14. How does the new BC Social Studies Curriculum fit with Project Based Learning and Heritage Fairs? Heritage Fairs already fit the curriculum for Social Studies. However, recent proposed changes to the curriculum from the Ministry should make it easier for teachers to do Fairs by giving "more time and flexibility to allow students to explore their interests and passions." The Ministry also proposes developing learning outcomes around “disciplinary concepts” developed by the Historical Thinking Project. And… www.bcheritagefairs.ca 14
  • 15. Heritage Fairs can teach these historical thinking concepts! 1. 2. 3. 4. 5. 6. Historical significance Primary source evidence Continuity and change Cause and consequence Historical perspective-taking The ethical dimension www.bcheritagefairs.ca 15
  • 16. Introduction to the Concept of Evidence and Inquiry: I Left a Trace 1. Jot down everything that you have done in the last 24 hours. (that would be appropriate for discussion.) www.bcheritagefairs.ca 16
  • 17. 2. Make a list of traces that might have been left from your life during the past 24 hours. 3. Check ✓ those that were likely to have been preserved. www.bcheritagefairs.ca 17
  • 18. 1. How well could a biographer 50 years from now write the story of your 24 hours based on the traces you left? How much of what happened would be left out? What aspects of the story might the biographer miss? 2. Where else could he or she turn for evidence? 3. How could readers of the biography know if it was an accurate account? 4. What does this exercise tell us about the challenges historians face when writing histories? www.bcheritagefairs.ca 18
  • 19. “the past as a series of events is utterly gone . . . some remnants remain like litter from a picnic, but these material remains never speak for themselves. In fact they are inert traces until someone asks a question that turns them into evidence.” - Joyce Appleby, “The Power of History” www.bcheritagefairs.ca 19
  • 20. Working with traces from the past can both develop the concept of evidence and build curiosity for a more in depth inquiry such as a Heritage Fair project on the history of Blacks in Canada. Victoria Pioneer Rifle Corps. Photographer: Gentile, Charles Date: [186-] Photo C-06124 courtesy BC Archives www.bcheritagefairs.ca 20
  • 21. Working with evidence involves • • • • • Making inferences Using context Sourcing Developing questions for further inquiry Corroborating/cross-checking www.bcheritagefairs.ca 21
  • 22. Visual Analysis What can we infer from this trace of the past about the historical context, the photographic situation, and the situation of Blacks in Victoria at this time? Victoria Pioneer Rifle Corps. Photographer: Gentile, Charles Date: [186-] Photo C-06124 courtesy BC Archives www.bcheritagefairs.ca 22
  • 23. Victoria Pioneer Rifle Corps, also known at the time as Sir James Douglas' Coloured Regiment. Photographer: Gentile, Charles Date: [186-] Photo C-06124 courtesy BC Archives www.bcheritagefairs.ca
  • 24. Visual Analysis: Inferencing What can we infer from this trace of the past about the historical context, the photographic situation, and the situation of Blacks in Victoria at this time? Victoria Pioneer Rifle Corps. Photographer: Gentile, Charles Date: [186-] Photo C-06124 courtesy BC Archives www.bcheritagefairs.ca 24
  • 25. Question Generation 1 – Question Formation Technique (AKA: Brainstorming) • Ask as many questions as you can. • Do not stop to discuss, judge, or answer the questions. • Write down every question exactly as it is stated. • Change any statement into a question. (Rothstein and Santana, Make Just One Change) www.bcheritagefairs.ca 25
  • 26. Question Generation 2: Brainstorming with Prompts 1. Brainstorm a list of at least 12 questions about the topic or source. Use these question-starters to help you think of interesting questions: – – – – – Why…? How is this connected to…? What happened as a result of…? What kind of a change was...? How should we remember...? www.bcheritagefairs.ca 26
  • 27. 2. Review the brainstormed list and star the questions that seem most interesting and important. Then, select one or two starred questions and be ready to present these to the class. 3. Reflect: How do you know you have a good question? Would it make a good Heritage Fairs project? What possible answer do you have to your question? Where could you go to learn more and test your answer? www.bcheritagefairs.ca 27
  • 28. Criteria for Good Inquiry Questions • They are worth answering (lead to deeper understanding of history; authentic) • They are broadly engaging (for teacher inquiries) • Students care about them – they see the purpose in answering them • They can be answered, though maybe the answer will be contested or difficult www.bcheritagefairs.ca 28
  • 30. Ways to Support Students to Generate Questions: • • • • • • • • Look at models, e.g., museum exhibits or www.bcheritagefairs.ca portfolio Supply prompts Use engaging sources to build curiosity, e.g., mystery artefact Brainstorm questions Give or create criteria on which to choose the most powerful questions Make a Wonder Wall of Questions Plan for peer and teacher feedback Practise with small inquiries www.bcheritagefairs.ca 30
  • 31. No Frills Steps in an Inquiry: • Establish curiosity – « some perplexity, confusion, or doubt » (John Dewey) • Develop questions • Pose first hypothesis and reflect on certainty • Explore further evidence • Refine hypothesis and so on as time and interest permit www.bcheritagefairs.ca 31
  • 32. Further evidence: Sophia Cracroft, niece and travelling companion of Lady Jane Franklin, who was visiting Victoria in 1861, wrote in a letter: "At 5 o'clock the Bishop came to be present at the visits of the coloured people who had asked my Aunt to see them… The first was Mr. Gibbs, a most respectable merchant who is rising fast. His manner is exceedingly good, & his way of speaking quite refined. He is not quite black, but his hair is I believe short & crisp. Three other men arrived after him … (T)hey were the Captain & other officers of a Coloured Rifle Corps, & the Captain proceeded to speak very feelingly of the prejudices existing here even, against their colour. www.bcheritagefairs.ca 32
  • 33. He said they knew it was because of the strong American element which entered into the community, which however they hoped one day to see overpowered by the English one: that they had come here hoping to find that true freedom which could be enjoyed only under English privileges, & great had been their disappointment to find that their origin was against them. … They naturally detest America, & this Rifle corps has been formed by them really with the view of resisting American aggression, such as this San Juan alarm, still pending. As he went out, the Captain said 'Depend upon it, Madam, if Uncle Sam goes too far, we shall be able to give a good account of ourselves.'" (cited in Crawford Killian, Go Do Some Great Thing: the Black Pioneers of British Columbia. (1978) Vancouver: Douglas and McIntyre, 78.) www.bcheritagefairs.ca 33
  • 34. Reflection on Certainty: Clothesline How certain are you about your answer/hypothesis? CERTAIN? UNCERTAIN? www.thinkinghistory.co.uk © Ian Dawson 2009 34 34 www.bcheritagefairs.ca
  • 35. How certain are you about your hypothesis? Maybe What words do Not sure students need to use? Possibly Perhaps Most likely What phrases? This source suggests… This photo confirms the idea that… I chose these two pictures to show… 35 35 www.bcheritagefairs.ca
  • 36. Contextualizing and Building Connections: Enhanced Timelines www.bcheritagefairs.ca 36
  • 38. Reflection • • • • • I Left a Trace Visual Analysis Question Generation Clothesline of Certainty Enhanced Timelines www.bcheritagefairs.ca 38
  • 39. Concept: Historical Significance The problem: We can‟t remember or learn or cover everything that ever happened. How do we decide what is important to learn about the past? “Historical significance”: the principles behind the selection of what and who should be remembered, researched, taught and learned about the past. www.bcheritagefairs.ca 39
  • 40. Question Stems for Historical Significance (aka: so-what or whocares questions: • • • • What was so special about X? Why should everyone remember X? Does X deserve to be famous? Why was X forgotten? www.bcheritagefairs.ca 40
  • 41. Should the Victoria Pioneer Rifles be in our textbooks? On what grounds? www.bcheritagefairs.ca 41
  • 42. Working with historical significance: Diamond Ranking Most Least www.bcheritagefairs.ca 42
  • 44. Who were the most historically significant during British Columbia’s Gold Rushes? • • • • James Douglas Amelia Douglas Matthew Begbie Chief Spintlum • Royal Engineers • Victoria Pioneer Rifles • Hurdy Gurdy Girls • Billy Barker www.bcheritagefairs.ca 44
  • 45. Other Historical Thinking Concepts: • • • • Continuity and Change Cause and Consequence Historical Perspective-Taking Ethical Dimension www.bcheritagefairs.ca 45
  • 48. Historical Thinking Project The website features news, descriptions of the key aspects of each of the six concepts, graphic organizers, sample tasks and a searchable database of over 75 lesson plans. http://historicalthinking.ca/ www.bcheritagefairs.ca 48
  • 49. Videos on Concepts: TC2 Take 2 videos: Thinking about history http://tc2.ca/teaching-resources/online-resourcecollections/special-collections/thinking-about-history.php www.bcheritagefairs.ca 49
  • 50. TC2 Primary Source Collection History Docs is a searchable collection of carefully selected sets of primary and secondary source documents about peoples, places, things and events in Canadian history. http://sourcedocs.tc2.ca/history-docs/about-historydocs.html www.bcheritagefairs.ca 50
  • 51. Reflection • • • • • • I Left a Trace Visual Analysis Question Generation Clothesline of Certainty Enhanced Timelines Ranking Significance www.bcheritagefairs.ca 51
  • 52. See you at the Fair. www.bcheritagefairs.ca

Editor's Notes

  1. Welcome.Myreferenceswillbe the HF and HT. I am the coordinator. Photos willbefrom HF projects.
  2. Myanswerswill not be conclusive. Good historyeducationlike good historyis more of a conversation than a conclusion. Christopher Moore sayshistoryisless a conversation and more an argument about the past. The sameapplies to teachinghistory! Historyeducationlike the discipline of historyis about debateso I wouldbe happy if youagreedwitheverything I presenttoday, but I wouldalsobesurprised.
  3. This is the promise of HeritageFairs and for Andrew, the reality.
  4. Let’sstartwithour first activity.
  5. Manystds show an unexamined faith in the trustworthiness of a source like the textbook or Wikipedia. I argue thatour goal shouldbefor students to understand the differencebetween the past and history. The past is everything – every event, thought, belief, vibrating atom, and tree falling in the forest while no one was there. History is a selection of the past, made real by interpretation. As Ruth Sandwell puts it, “History is someone’s attempt to make sense and order out of the chaos of everything-ness” and its based on traces, whatever ones that survive and most don’t.
  6. My purpose for this activity was 1)to give an example of students making meaning by connecting to students’ experiences as they study history and 2) to establish a foundational idea for teaching history: “History” does not equal “the past.”Therefore: interpretation is inevitable.
  7. The problem: the past is gone. How do we know what we know about the past?One of the basic ways that we can get to know anything about a past which is no longer here, is by examining the traces, the things that were created in the past and still remain – “like litter from a picnic.”I would like to do a few activities that I did with mixed grade 4 to 7 classes during Black History month this year.
  8. I want to focus on inferencing, contextualizing, and developing questions.
  9. Let’s do our second exercise. Thismay not be the best photo for teachinginferencing and building curiosity. You want one that has somemystery about it and lots of detailsthatstudentscanfind. This one mayfall a bit short but itdidwork and it fit the time of year.
  10. The first stepis to just look. So ask « What do yousee? » or « What do you notice? » Everystudentcan have someanswer to « What do yousee? »Do notask « What’sgoing on? » becausethatlaunchesyouintointerpretation and theymaybequitemuddled. You want to emphasize observation and inferencing.Take time– maybe a minute. To scan left to right, top to bottom, diagonally.
  11. Whatdoesthis tell you? Face value,e.g., thereweresoldiers in Victoria in the 1860s. It wasmuddy in Victoria. Etc.Whatdoesitsuggest? Inferencing, e.g., therewas a war. There weremany Blacks in Victoria. Go back on slide and do a Think-Pair-Share.
  12. Another important activity to establishcuriosityis the generatefurther questions. Look at one of the blog entries on our web site for more on thisapproach.
  13. I used question prompts to encourage and guide responses. This leads to dependence on the teacher but itis a time-saver.
  14. The thirdelement –students care about them – is central to makinghistorymeaningful. HeritageFairsbecausestudentschoose the topic or soitisassumed. It cantakesome time to arrive at a question thatwill carry themthrough a long-termproject.If studentscan’tfindanswers or canreachonly tentative conclusions, inquirycan have a paralyzingeffect. You willwant to startwithsmallinquiriesbeforetaking on a large scaleproject.
  15. Did the relationshipbetween Champlain and the Huron (Wendat)benefitbothequally? Tell story.Studentsneed to know thatthere are some questions to whichwecan’tfindanswers, or there are questions to whichanswers do not come easily. I will come back to this.
  16. Hereis a basic outline of the steps in an inquiry. If you look at the guide on our web site, the very first stepis to decide on student « voice and choice ». For this workshop I amgoingto limityourchoice and stipulate an inquiry. I wantyouwithyourpartner to suggest an answer to the question: Why are these Black soldiersthereatthis place and time? What are theydoing in a militia?
  17. Let’s look atourfourthexcercise. It is an application to history of an oldco-operativelearning structure that I learnedfrom Ian Dawson. It isaway to address the challenge for somestudents of the anxiety of the difficultanswerthat the grade 4 studenthad. There is a differencebetween math and science and history in the nature of knowledge. In historythereisonlydegrees of certitude. Iamgoing to exercise le droit de conferencier and choose … inquiry question to use for the nextstep.
  18. Forinquirywewant to foster the habit of not lavishingtoomuch affection on one’s conclusion. Doubtis the handmaiden of on-goinginquiry.Wealsowant to givestudents the scaffolding in the form of vocabulary to support doubt and corroboration.
  19. Timelines « typicallyconnect one thingthatstudentsdon’t know much about – dates – withsomethingelsetheydon’t know much about – wars and politics. » So to makethemmeaningful, wewant to expand the content and makethemvisual. On the leftsideis a HeritageFairstimeline for a projectcalled « Explosions of Equality », a grade 7 student’sproject on women and World War One. The right hand is on Roberta Bondar.
  20. This grade 8 student’stimeline of 19th century Canada is more wideranging: along the line are typicalpoliticaleventssuch as the War of 1812 and the assasination of D’ArcyMcGee. The bottomrow, however, are elements of social historysuch as large family size, the popularity of corsets, and the dominance of farming, social historythatisoftenomittedbecauseitis not tied to a single event but isnonetheless important.The unexaminedtimelineis not worthmaking. Ask questions such as « What story doesyourtimeline show? Whydidyouchoosethatevent? Whyhaven’tyouincluded…? That bunching up atthat bit suggests speed! » A timelineshouldneverbeboring,… itshouldbe a REVELATION. »Class time linescangive a purpose and public audience much as HeritageFairs do:If a studentfindssomethingat home that relates to history, invite them to addit to the line. A dynamic, messy, full-to-the-brimtimelineis a sign of a class that’sengaged in history full-tilt. »
  21. There is more, but in anyinquiryyouwant to build in time for reflection. Whatis one thingso far thatwill help makehistorymeaningful for yourstudents?Whatis one question thatyouwouldlike to ask?
  22. Let us take a quick look atanotherhistoricalthinking concept.If nothingelse, to makehistorymeaningfulweshouldexplain to students the reasons for whatweaskthem to research and learn. Betteris for them to discover for themselveswhatotherssuch as a textbookauthor, web site creator, or politicianthinksishistoricallysignificant and maketheirownassessment of theirselection. Even more sophisticatedis to see how significance changes over time and isdifferent for different groups.
  23. Published by Nelson.Also in French.
  24. Choose one and then do spinner.