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From Satan to Lucifer via God and His
Archangels
https://jacquescoulardeau.medium.com/from-satan-to-lucifer-via-
god-and-his-archangels-35d4bcb655e3
Hunting down Sam and Dean Winchester, a
Luciferian ordeal
The Series may be dead but Long Live the Winchester Brothers,
wincesting or not. Those famous hunters of monsters and other
supernatural beings, with a lot of angels, demons, vampires, werewolves,
shapeshifters, and other frightening fiends hiding among your friends, are
nothing but two little kids who have never left their teenage.
From time to time they have something like a partner, of the other
sex I mean, but their only love has always been and will always be for
themselves, both narcissistically and reciprocally, which has created the
myth of WINCEST, the sexual love the two brothers are supposed to share
and hide at the same time in their motel rooms.
But do not think this is only a phantasm in the ghostly freaky phantom
of a mind in the skull of some teenagers who are taking their onanistic
desires for simple realities, as long as they stay on the screen and do not
move to their pants where they only have ants.
It is true that age is aging the cheese show that these two men were
at the beginning and their supposed WINCEST has been long-lived from
one episode to the next and now misses some pepper.
So we decided, Ivan the Younger and Jacques the Elder, to chase
them in our turn and it’s funny how many secrets we discovered in this
series which is nothing but a series, after all, hence some kind of
pleasurable entertainment but with many dark lusty corners.
And the tale of two brothers became the tale of two henchmen
longing for blood and holy water, and I must say the accompliceship
became at times hot enough to let me, the Elder, nearly scared with and
by my Younger conspirator, both reckless, restless and modestly shy.
But all pleasures have time limits and Ivan has departed this world to
discover the southern hemisphere and I stayed behind to cultivate my own
gardens, longing for the adventure but knowing that all funny episodes
have an end, sooner or later. Fare thee well Sam and be sure your Dean
will be waiting for you. Eternally if necessary in Sioux City.
Jacques to Ivan
SUPERNATURAL
CAR CHASE OR JOY RIDE?
Dr Jacques COULARDEAU
& Ivan EVE
Supernatural is presently running its seventh season. We will
concentrate on the first six seasons of it that were aired from
September 13, 2005, to May 20, 2011.
Each episode starts with THE car, the car used by the two
brothers in their hunt, going to a certain place where there Is some
mess to clean up, and ends with the same car going away from that
place after the mess has been cleaned. The car is their home, sole
possession, arsenal, base, assault vehicle, or whatever it is needed
for. The two brothers, Sam and Dean, have left everything behind
and have no real home of their own. We will start with the precise
study of the car in the series in perspective with the American
mythology attached to the mechanization of means of
transportation, from the iron horse to the Hell’s Angels’ bikes, from
the Model T to Christine and beyond. The car is providing mobility,
hence without its wheels, which are yours, you are grounded. It is
the everyday House Gods of the American family. It can also be the
most diabolical enemy or weapon used by an enemy. This justifies
its unavoidable structural presence in this series.
Since the car is the central home plate of the series we will
identify all places and dates visited in the episodes and we will map
these places and dates to define with great precision the American
territory concerned by the series and try to connect the visits to this
or that place to real events in the American society. That’s what they
call geographical profiling in the FBI and that will define the frame of
all the actions. The series then becomes a travel book in a way, and
that is typical of many American series that have a normal territory
and do not get out of it. Some even develop autonomous series
under the same name but in a different region. But in the territory
concerned here, we will be able to define exactly what social
territory the brothers target: cities, suburban areas, countryside,
isolated communities, etc. This could be called the social profiling of
the series.
That will naturally lead us to the third level of territoriality: the
communities in which the events take place. We understand the
community in the widest sense possible to cover social communities
of course but also all other communities that may be thought of:
ethnic, racial, national, sexual, religious, political, cultural, etc. We
will characterize the series once again at that level and try to find
out if there is or are one or several dominant social groups. That
should lead us to two questions: the status of the family for these
two brothers who have, in fact, no family at all and the religious
dimension of these social and geographic territories along with a
timeline of the present events and the past events.
Wincestuous Brothers
& more of the same Wincestuous Brothers???
As for family relations and the two brothers, we would like to
identify the originality of these two brothers in American literature
where two brothers or twin brothers are very common, particularly in
fantasy and horror literature. We are thinking of the evil second twin
that is eliminated at birth and comes back to haunt the elder one
who was the only one to be borne. Stephen King in The Dark Half
and Anne Rice in Blackwood Farm used that theme. The theme of
the two brothers is extremely common, but in this particular series,
we would like to differentiate them from all other references and
allusions. The two brothers would thus be an essential element of
American-ness and at the same time an essential tool to develop
this particular American dimension to a more emotional and
universal dimension: once a brother forever a brother, hence “there
is nothing like family”.
The final territory of importance that has to be studied here is
that of the supernatural field itself. Religions will have to be
identified with great care. Then beliefs and myths will have to be
sorted out to see if there is any higher classification, since ghosts,
angels, and demons seem to be slightly circumstantial, especially
after the numerous novels by Anne Rice using mythologies from the
Middle East and Egypt, including Jewish and Christian myths, not to
speak of books like Memnoch the Devil, Servant of the Bones and
her more recent series The songs of the Seraphim. We could think
of Hawthorne and his Scarlet Letter where the mother and the
daughter are living in some kind of natural religion. Is it enough to
use the concept of paganism which is, in fact, very closely related to
the three Semitic religions that were born in Egypt, Palestine, and
Arabia? That should lead us to the conception of good and evil in
this series and the punishment of evil which might be on the human
side more than on the demonic or ghost side. This will also lead us
to contrast though not oppose destiny and freedom.
In the background of all this, we are of course thinking of the
[rock’n’roll/burger/roadhouse/mechanics/guns] culture of America,
but this is the common backdrop of all American series, the décor of
the action, the setting of the plot. All series today have that culture in
the back of their minds. It is this background that dictates a special
treatment of the characters. They are all identified by some social,
religious, economic, or cultural link and we have a social patchwork
representing America as a whole. But each patch of that vision is
itself exploded into individuals who each one of them and all of them
personifies one particular value, position, idea. The series tries to
avoid stereotypes by dealing with some real details of every
character. The patchwork of social, cultural, religious, ethnic, or
economic groups then becomes the assembly of just as many
kaleidoscopes within each group. Even the most supernatural
beings are described as having a personality of their own. That’s
probably the most modern approach of America beyond post-
modernity since the myriad of points of view becomes a myriad of
self-contained truth from which, with which, and beyond which some
unified architecture of the USA has to be captured.
SUPERNATURAL, CAR CHASE OR JOY RIDE?
Dr Jacques COULARDEAU & Ivan EVE
Illustrations Annunzio COULARDEAU
CHAPTER ONE, The Tale of Two Brothers and Their Impala 67
CHAPTER TWO, Hitting The Road
CHAPTER THREE, They “Are The Hollow Men”
CHAPTER FOUR, Their Number Is 666
CHAPTER FIVE, And Cain did not slay Abel
APPENDICES: SUPERNATURAL IS LEADING TO SO MANY
THINGS: - ELAINE PAGELS – REVELATIONS, VISIONS,
PROPHECY, & POLITICS IN THE BOOK OF REVELATION; -
ERNEST ALFRED THOMPSON WALLIS BUDGE – LEGENDS OF
THE GODS, THE EGYPTIAN TEXTS; - BRIAN DE PALMA –
RAISING CAIN; - PROPHECY COLES – THE IMPORTANCE OF
SIBLING RELATIONSHIPS IN PSYCHOANALYSIS; - JOHN
STEI NBECK – EAST OF EDEN; - ELIA KAZAN – JAMES
DEAN – EAST OF EDEN; - TV SERIES – EAST OF EDEN –
1981; - JAMES DEAN – GIANT; -JAMES DEAN – REBEL
WITHOUT A CAUSE
And we went down into the mental maze of this
American series that turns the car into the supreme
weapon to correct the Creation of God of all the mishaps it
went through and all the monsters God himself created
along with all the rest. What a sloppy achievement for God
and what a reckless endeavor for the producers of the
series! And the project of the authors was so phenomenal
that it could not in any way go through academic
acceptance. The endeavor was supported though for a
while by some academic masterminds in the field of
American series but it could not survive a university
reading committee in a public university that was looking
for the American-ness of American TV series. This series is
far beyond hamburgers, Coca Cola and Bourbon. Miles
beyond the other side of the border of suburban American
middle-class comfort or mild psychosis. Thriving or
smoldering in the outer space of standard normality or
even digestible crime.
© Jacques COULARDEAU, Ivan EVE, Annunzio COULARDEAU
KINDLE DIRECT PUBLISHING
Amazon.com/.co.uk/.fr/.de/.it/.es/etc.
Publisher: Editions La Dondaine; 1st edition (March 28, 2013)
ASIN: B00C3ODA0S
Publication Date: March 28, 2013
US$7.25 – EUR 6,50
& a last batch of the same Wincestuous Brothers!!!
God Bless the Souls of those who think so!!!
Now Jazz is no longer banned from New Orleans
Public Schools, let us dance in peace, in crop tops,
in shorts, and in all churches, mosques, and
temples in the entire world, AMEN!!!
They HANGED the Winchester Brothers to DRY

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They HANGED the Winchester Brothers to DRY

  • 1.
  • 2. From Satan to Lucifer via God and His Archangels https://jacquescoulardeau.medium.com/from-satan-to-lucifer-via- god-and-his-archangels-35d4bcb655e3 Hunting down Sam and Dean Winchester, a Luciferian ordeal The Series may be dead but Long Live the Winchester Brothers, wincesting or not. Those famous hunters of monsters and other supernatural beings, with a lot of angels, demons, vampires, werewolves, shapeshifters, and other frightening fiends hiding among your friends, are nothing but two little kids who have never left their teenage. From time to time they have something like a partner, of the other sex I mean, but their only love has always been and will always be for themselves, both narcissistically and reciprocally, which has created the myth of WINCEST, the sexual love the two brothers are supposed to share and hide at the same time in their motel rooms. But do not think this is only a phantasm in the ghostly freaky phantom of a mind in the skull of some teenagers who are taking their onanistic desires for simple realities, as long as they stay on the screen and do not move to their pants where they only have ants. It is true that age is aging the cheese show that these two men were at the beginning and their supposed WINCEST has been long-lived from one episode to the next and now misses some pepper.
  • 3. So we decided, Ivan the Younger and Jacques the Elder, to chase them in our turn and it’s funny how many secrets we discovered in this series which is nothing but a series, after all, hence some kind of pleasurable entertainment but with many dark lusty corners. And the tale of two brothers became the tale of two henchmen longing for blood and holy water, and I must say the accompliceship became at times hot enough to let me, the Elder, nearly scared with and by my Younger conspirator, both reckless, restless and modestly shy. But all pleasures have time limits and Ivan has departed this world to discover the southern hemisphere and I stayed behind to cultivate my own gardens, longing for the adventure but knowing that all funny episodes have an end, sooner or later. Fare thee well Sam and be sure your Dean will be waiting for you. Eternally if necessary in Sioux City. Jacques to Ivan
  • 4.
  • 5. SUPERNATURAL CAR CHASE OR JOY RIDE? Dr Jacques COULARDEAU & Ivan EVE Supernatural is presently running its seventh season. We will concentrate on the first six seasons of it that were aired from September 13, 2005, to May 20, 2011. Each episode starts with THE car, the car used by the two brothers in their hunt, going to a certain place where there Is some mess to clean up, and ends with the same car going away from that place after the mess has been cleaned. The car is their home, sole possession, arsenal, base, assault vehicle, or whatever it is needed for. The two brothers, Sam and Dean, have left everything behind and have no real home of their own. We will start with the precise study of the car in the series in perspective with the American mythology attached to the mechanization of means of transportation, from the iron horse to the Hell’s Angels’ bikes, from the Model T to Christine and beyond. The car is providing mobility, hence without its wheels, which are yours, you are grounded. It is the everyday House Gods of the American family. It can also be the most diabolical enemy or weapon used by an enemy. This justifies its unavoidable structural presence in this series. Since the car is the central home plate of the series we will identify all places and dates visited in the episodes and we will map these places and dates to define with great precision the American territory concerned by the series and try to connect the visits to this or that place to real events in the American society. That’s what they call geographical profiling in the FBI and that will define the frame of all the actions. The series then becomes a travel book in a way, and that is typical of many American series that have a normal territory and do not get out of it. Some even develop autonomous series under the same name but in a different region. But in the territory concerned here, we will be able to define exactly what social
  • 6. territory the brothers target: cities, suburban areas, countryside, isolated communities, etc. This could be called the social profiling of the series. That will naturally lead us to the third level of territoriality: the communities in which the events take place. We understand the community in the widest sense possible to cover social communities of course but also all other communities that may be thought of: ethnic, racial, national, sexual, religious, political, cultural, etc. We will characterize the series once again at that level and try to find out if there is or are one or several dominant social groups. That should lead us to two questions: the status of the family for these two brothers who have, in fact, no family at all and the religious dimension of these social and geographic territories along with a timeline of the present events and the past events. Wincestuous Brothers
  • 7. & more of the same Wincestuous Brothers???
  • 8. As for family relations and the two brothers, we would like to identify the originality of these two brothers in American literature where two brothers or twin brothers are very common, particularly in fantasy and horror literature. We are thinking of the evil second twin that is eliminated at birth and comes back to haunt the elder one who was the only one to be borne. Stephen King in The Dark Half and Anne Rice in Blackwood Farm used that theme. The theme of the two brothers is extremely common, but in this particular series, we would like to differentiate them from all other references and allusions. The two brothers would thus be an essential element of American-ness and at the same time an essential tool to develop this particular American dimension to a more emotional and universal dimension: once a brother forever a brother, hence “there is nothing like family”. The final territory of importance that has to be studied here is that of the supernatural field itself. Religions will have to be identified with great care. Then beliefs and myths will have to be sorted out to see if there is any higher classification, since ghosts, angels, and demons seem to be slightly circumstantial, especially after the numerous novels by Anne Rice using mythologies from the Middle East and Egypt, including Jewish and Christian myths, not to speak of books like Memnoch the Devil, Servant of the Bones and her more recent series The songs of the Seraphim. We could think of Hawthorne and his Scarlet Letter where the mother and the daughter are living in some kind of natural religion. Is it enough to use the concept of paganism which is, in fact, very closely related to the three Semitic religions that were born in Egypt, Palestine, and Arabia? That should lead us to the conception of good and evil in this series and the punishment of evil which might be on the human side more than on the demonic or ghost side. This will also lead us to contrast though not oppose destiny and freedom. In the background of all this, we are of course thinking of the [rock’n’roll/burger/roadhouse/mechanics/guns] culture of America, but this is the common backdrop of all American series, the décor of the action, the setting of the plot. All series today have that culture in the back of their minds. It is this background that dictates a special treatment of the characters. They are all identified by some social,
  • 9. religious, economic, or cultural link and we have a social patchwork representing America as a whole. But each patch of that vision is itself exploded into individuals who each one of them and all of them personifies one particular value, position, idea. The series tries to avoid stereotypes by dealing with some real details of every character. The patchwork of social, cultural, religious, ethnic, or economic groups then becomes the assembly of just as many kaleidoscopes within each group. Even the most supernatural beings are described as having a personality of their own. That’s probably the most modern approach of America beyond post- modernity since the myriad of points of view becomes a myriad of self-contained truth from which, with which, and beyond which some unified architecture of the USA has to be captured. SUPERNATURAL, CAR CHASE OR JOY RIDE? Dr Jacques COULARDEAU & Ivan EVE Illustrations Annunzio COULARDEAU CHAPTER ONE, The Tale of Two Brothers and Their Impala 67 CHAPTER TWO, Hitting The Road CHAPTER THREE, They “Are The Hollow Men” CHAPTER FOUR, Their Number Is 666
  • 10. CHAPTER FIVE, And Cain did not slay Abel APPENDICES: SUPERNATURAL IS LEADING TO SO MANY THINGS: - ELAINE PAGELS – REVELATIONS, VISIONS, PROPHECY, & POLITICS IN THE BOOK OF REVELATION; - ERNEST ALFRED THOMPSON WALLIS BUDGE – LEGENDS OF THE GODS, THE EGYPTIAN TEXTS; - BRIAN DE PALMA – RAISING CAIN; - PROPHECY COLES – THE IMPORTANCE OF SIBLING RELATIONSHIPS IN PSYCHOANALYSIS; - JOHN STEI NBECK – EAST OF EDEN; - ELIA KAZAN – JAMES DEAN – EAST OF EDEN; - TV SERIES – EAST OF EDEN – 1981; - JAMES DEAN – GIANT; -JAMES DEAN – REBEL WITHOUT A CAUSE And we went down into the mental maze of this American series that turns the car into the supreme weapon to correct the Creation of God of all the mishaps it went through and all the monsters God himself created along with all the rest. What a sloppy achievement for God and what a reckless endeavor for the producers of the series! And the project of the authors was so phenomenal that it could not in any way go through academic acceptance. The endeavor was supported though for a while by some academic masterminds in the field of American series but it could not survive a university reading committee in a public university that was looking for the American-ness of American TV series. This series is far beyond hamburgers, Coca Cola and Bourbon. Miles beyond the other side of the border of suburban American middle-class comfort or mild psychosis. Thriving or smoldering in the outer space of standard normality or even digestible crime. © Jacques COULARDEAU, Ivan EVE, Annunzio COULARDEAU KINDLE DIRECT PUBLISHING Amazon.com/.co.uk/.fr/.de/.it/.es/etc. Publisher: Editions La Dondaine; 1st edition (March 28, 2013) ASIN: B00C3ODA0S Publication Date: March 28, 2013 US$7.25 – EUR 6,50
  • 11. & a last batch of the same Wincestuous Brothers!!!
  • 12. God Bless the Souls of those who think so!!! Now Jazz is no longer banned from New Orleans Public Schools, let us dance in peace, in crop tops, in shorts, and in all churches, mosques, and temples in the entire world, AMEN!!!